Sure, I'll email you the link. ... View more

I'm going to move this post to the Download and Install forum, OK? ... View more

Sounds like you still need to install it. Double click on the "purple disk" (disk image), then double click the install icon. Tell us if that works. ... View more

I've included it in my troubleshooting notes. Thanks! ... View more

Navigation is probably the most common request. There are lots of improvements that can be made to Markers. Please feel free to request them here: http://www.adobe.com/go/wish ... View more

Jim Simon wrote: I recieved this solution after filling out a request form, it worked for me: The larger issue with CS6 is that we can no longer navigate to clip markers directly in the sequence.  That ability has been removed entirely, and is sorely missed. I agree, that's not a good feature to lose. I let the team know about your requests, so they certainly know about the deficiency. ... View more

VidNoob wrote: So this whole freaking time all we had to do was make sure the source window was selecting when pressing M to get the marker directly on the clip? Wow... Yup. I also wrote this Help article just after release: http://helpx.adobe.com/content/help/en/premiere-pro/using/markers.html#id_55328 ... View more

srukweza wrote: Instead of speeding up your workflow  adding clip markers appears to have additional moves as compared to CS5. BTW why is the forum italic? Not really, after you set up a keyboard shortcut, you can quickly add markers to clips. The forum is not in italics, but your post was. Rather odd. ... View more

TrueFriction wrote: I recieved this solution after filling out a request form, it worked for me: The ability to add clip markers wasn't removed in CS6, however the way that you apply them was. Clip markers are applied in the Source panel. If you have a specific frame selected for a clip in the timeline, use the Match Frame keyboard shortcut (F) to open the clip in the Source panel and press the M key (or click the add marker button). Otherwise, navigate the clip directly within the Source panel and add your markers as needed. Hey, that's pretty cool. I guess it didn't mention that you can add a keyboard shortcut for adding Clip Markers right in the Timeline, but you can. ... View more

Shane P wrote: And not for nothing, Kevin Monohan disappeared and never followed up? Shane, By the way, this is a user forum and most of the answers you get are from other users. Adobe employees do wander in here sometimes, though. Please do not count on a response from Adobe in every instance. Your official channel to communicate with the product team is via the feature request/bug form: http://www.adobe.com/go/wish I'm here most of the time, but keep in mind that the reason I might not answer or follow up is more likely that the post dropped off my radar or disappeared off the first few pages of the forums. It is not because I'm trying to avoid controversy. If you want my attention to an old post, it is better to send me a PM to make sure I see that my response is requested. I'll do my best to assist you then. Thanks. ... View more

Sure, I'll follow up with the team and make sure they know about these gaps in marker capability. I'm sure they already know, but I'll double check. ... View more

Explain your problems with markers in this feature request form: http://www.adobe.com/go/wish Sorry, that's all I can offer you. TrueFriction wrote: I'd just like to add my voice to the chorus here - namely that Marker functionality for CS6 is extremely lacking, and has made my workflow for various tasks much longer and more tedious. In my case I'm trying to match professional footage of a concert with audience-submitted cell phone footage. The pro footage can't be synced with the non-pro footage via Pluraleyes because the cell phone audio is way too high to be analyzed properly. Hence I need to manually sync, which I can't do efficiently because I can't put clip markers on the pro footage once it's synced in pluraleyes and sent back into Premiere, because it only exists in a sequence. I have no idea why Adobe would remove a function used daily by its editors, one that was simple and reliable, for no reason. And what's puzzling is that there's been not even an acknowledgement of the issue from anyone at Adobe for 8 months. This doesn't make any sense. Usually customer service from Adobe is much better than this. Why no action on this one issue? BTW, if you want to add Clip Markers to clips in the Timeline, you can set a keyboard shortcut for that. ... View more

jefbak wrote: I was not able to import an .fcpxml from fcpx  in windows or mac (just tried) with CS6. I misspoke, I thought you meant FCP7 .xml. You need Xto7 to do what you want to do. ... View more

jefbak, You should have no trouble importing a FCP XML file into Premiere Pro CS6 on Windows. Have you tried it? ... View more

jessikeen wrote: Hi Kevin! Thanks for your response. The codec is actually MPEG-2  -- so it's not a ProRes codec. Other information: HDV1080i60; 29.97 fps; 48Hz, 1440x1080 resolution Any ideas for us? Thanks for responding so quickly ~ Jessica Hi Jessica, That is a stickier case. You can purchase the Calibrated {Q} plug-in to fill that gap. It might be wise to contact them and see if you can get an educational or volume discount. The no-cost solution is a bit more labor intensive: transcode the footage to a friendlier codec prior via the FCP Media Manager prior to the students leaving the program. ... View more

jessikeen wrote: HI Kevin, I an teaching a video editing class and midway through we switched from editing with FCP7 on old iMacs to editing with premiere pro CS6 on new iMacs.  Students with FCP7 files have exported them as .xml and introduced them into premiere. Premiere showed a 'file import failure' box and wouldn't read the files. After some internet searches, it seem this is because the codec is missing to read the .mov files. We then downloaded FCP7 to their new iMacs and premiere can now read the .xml files just fine. So, their projects are intact. Here's the issue: When they leave my class next week, they will not be able to continue editing their premiere projects (with the files captured in FCP7)  as they do not have the FCP7 application (with the necessary codec) on their home computers or laptops. Is there any way to help my students with this issue? Is there any other fix other than recapturing all their tapes through premiere? Many thanks! Jessica From what I gather, they do not have the ProRes codecs, correct? Apple has released the ProRes Codecs as a free download for Mac QuickTime here: http://support.apple.com/kb/DL1396. These codecs still require an Apple Pro app installed to work. The lowest cost option is to buy Compressor or Motion from the App Store for about $50. If the codecs are installed, Adobe applications can output ProRes. That should work for you. ... View more

wildskeena wrote: Is there a tutorial that you could point me to which explains this process in more detail - perhaps I am missing something? Check out Xto7 on their website. They have a link to email support on this page: http://assistedediting.intelligentassistance.com/Xto7/ ... View more

Guys, please let our team know your criticisms: http://www.adboe.com/go/wish ... View more

Yes, the Windows version has a number of effects not available on the Mac. Feel free to write a feature request for parity of effects for both Mac and PC: http://www.adobe.com/go/wish ... View more

SAFEHARBOR11 wrote: There is an effect in Premiere CS6, and it is called "Lens Distortion". Apply that and adjust the "Curvature" slider Thanks Jeff Pulera Safe Harbor Computers Unfortunately, it's a Windows only effect. Not available on the Mac. If berriganator needs to correct lens distortion, he or she will have to do so in Photoshop or After Effects. ... View more

EselJaye wrote: If Adobe is aware of this... technique... why not just embrace it and allow folks to... adjust... the software according to their need? Better yet support/allow Ae to naturally use cards, like mine, that have a good wad of CUDA cores. Sounds like a darn good feature request. Fill out the form here: http://www.adobe.com/go/wish I changed the title of your post so other folks can fix their problem by using search terms. ... View more

Devap[CCTV] wrote: Reinstalling hasn't helped and the others I work with that also purchased adobe creative cloud subscription have the same problem. Can you at least try the steps Greg gave you here? http://helpx.adobe.com/premiere-pro/kb/features-presets-missing-premiere-pro.html It's for AME and Premiere Pro, so worth a try. ... View more

You can export the files in Adobe Media Encoder, and then relink to the original files when your're finished editing. Here you go: http://adobe.ly/XqxSWB ... View more

You might want to also try: Help > Deactivate. Quit Premiere Pro. Then Help > Activate. ... View more

I'll move your thread to the download and installation forum. Best of luck! ... View more

In the Premiere Pro timeline, just copy/paste the section you want to loop into the Timeline. Repeat the process for as many loops as you need. ... View more

For the web, you might try a preset for Vimeo or YouTube. The whole process is outlined on my blog: Exporting media using Adobe Media Encoder CS5, CS5.5 and CS6. For festivals, you'd need to know their precise specifications as they vary widely. For example, here's the requirements for output at Sundance: We accept Film prints in 16mm or 35mm format, digital video on Sony HDCAM tape and DCP. For 35mm film prints, we screen 24fps in aspect ratios of 1.37, 1.66, 1.85, or 2.39. We accept sound formats of mono, stereo, Dolby SR and Dolby SRD (Dolby Digital). For 16mm, we accept prints in 1.37 aspect ratio with mono optical sound. For Sony HDCAM tape, we accept HD 1080 format in the following frame rates: 59.94i, 23.98psf, 25p, and 50i. If your video image is 4x3, 1.85, 1.66, or 2.35/2.39/Scope you must have it pillarboxed or letterboxed during the lab transfer for it to be screened without any image distortion. For HDCAM sound, we require LtRt or Dolby Pro Logic compatible stereo mixed tracks on channels 1 & 2. Optional: DolbyE onchannels 3 & 4 (not all theaters are equipped for DolbyE playback). DCP must be DCI compliant, keys must be open for window specified by festival, and HDCAM or 35mm backup copy must be provided in addition. DCP will only be accepted with prior approval. Please note that these specifications are subject to change each year. ... View more