Feature Requests

要望過去バージョンの After Effects に対して、長期的にアクセス・利用できる仕組みを設けてほしいです。具体的な実装は LTS版のリリース、Creative Cloud デスクトップアプリでの旧バージョン提供期間の延長、特定バージョンの長期サポート指定など、Adobeのご判断にお任せします。重要なのは「ユーザーが過去バージョンを必要なときに使い続けられる」という結果が担保されることです。なぜ必要かAfter Effects の本当の強みは、アプリ単体の機能ではなく、長年積み上がってきた学習リソース・教材・プラグイン資産・制作フローの厚みにあると思います。しかし過去バージョンへのアクセスが時間とともに失われる現状では、この資産が定期的にリセットされてしまいます。実害が出ているシーンは以下の通りです。学習者:書籍・チュートリアルを見ても画面が違って詰む。学習コストが上がる 制作現場:数年前のクライアント案件を、当時のバージョンで再現できない チーム制作:メンバー間のバージョンを揃えにくく、ファイルの相互運用に支障が出る 教育機関:授業資料・教材を毎年作り直す必要があり、運用コストが膨らむ「最新版を使えばいい」への補足最新版の進化を止めてほしいという話ではありません。新機能の恩恵は受けています。最新版の進化と、過去バージョンへのアクセスは両立できるはずです。CS6永続ライセンスや、過去のCCデスクトップアプリでの旧バージョンインストール機能のように、Adobe自身が以前は実現していたものでもあります。業界標準であるからこそ、過去の蓄積を継承できる設計を、改めてお願いしたいです。 RequestPlease provide a mechanism for long-term access to past versions of After Effects. The specific implementation — an LTS release, an extended availability window for older versions in the Creative Cloud desktop app, or designating specific versions for long-term support — is up to Adobe. Wh

The Problem:Currently, the Align Panel only works for Top-Level Layers. If I have a single Shape Layer containing multiple shapes (e.g., a "Small Square" and a "Large Square"), I cannot use the Align tools to center the small square perfectly inside the large one.To do this now, I have to manually math out the "Offset" values or use "Group" transforms, which is slow and imprecise. This is a major bottleneck when building complex UI mockups or geometric visualizations within a single layer. The Requested Feature: Align Panel Support for Shapes: When double-clicking into a Shape Layer, the Align Panel should allow me to align selected "Rectangles" or "Paths" relative to each other or the Layer's bounding box. CSS-style Expression Methods: Provide a simple way to align shapes via code. Similar to how we use Flexbox or Grid in CSS, we should be able to write expressions like: content("Rect 1").align("center", "middle", "Rect 2"); content("Rect 1").position = align("left", "top");

The Problem:Currently, there is no way to link only specific character properties (like Font Face) between text layers without using complex expressions that overwrite everything else (Size, Color, Tracking).When creating technical animations or "edutainment" content with many text layers, I often want all layers to share the same Font, but I need them to have different Sizes or Colors for visual hierarchy. Right now, using the .style expression is "all or nothing"—it forces every layer to look identical, or requires me to manually hard-code overrides for every single layer, which is a massive time-waster. The Requested Feature:I would like to see a "Pickwhip" or a dropdown menu in the Character Panel or Text Properties that allows us to: Link Font Face only: Change the font on a "Master" layer and have all "Child" layers update their font while keeping their unique sizes. Individual Property Access: Be able to use an expression like text.sourceText.style.font or text.sourceText.styl

I’m looking at leveraging existing UI but with js libraries that allow for output to Web as native js files or rendered in AE if raster output is required.  TeamAE would provide a few Script UIs to create assets as well as leverage on existing infrastructure such as Shapes and Text Layers.  This feature should also be foundational to developing more features such as direct output to Lottie and Rive and even OGraf if it manages to achieve traction. A Web-based app with ability to download the project file will be a bonus.  OH! Before I forget, since Maxon has released Autograph, may we know the dates for the following -  i - Adobe adding Substance 3D Apps as a free add-on to the AE subscription ii - TeamAe announcing improved 3D rendering features such as improved speed, ray-tracing and reflections etc  ;-)  

Scrollable Comp Panel for Canvas Feature is a feature that allows an AE Comp Viewer to be used as a Visual Placeholder for other comps and assets. This will allow users to use a Canvas Composition to -- create visual storyboards- place multiple output sized comps into a single Canvas Composition for checking- create a visual canvas for the different levels of a MoGraph Design SystemDoes not require realtime playback BUT will be good to be able to marquee select an area using Region of Interest to define a preview area.Structurally, Canvas Compositions can be thought off as a Page-based System that allows the user to navigate from one Canvas Composition to another using a Page-Number or Name with visual links to Compositions and Assets and even Group of Layers within a Composition.And add support for breakpoints so the user can easily go from/to vertical to/from horizontal views. 

Insert keyframes based on audio analysis, for example:1) Dialogue (based on specific words, inserting an animation keyframe when the word "hello" is spoken).This way, we can zoom in on the image when the word "hello" is spoken.2) Select a piece of music, analyze it, and specify that keyframes should be placed on that bass drum or kick. The analysis is based on the selected region, as in iZotope RX 11.

Reference frames return from Photoshop with a wrong color profile assigned. Have to be assigned manually over and over. Please make the Adobe apps communicate efficiently.

Feature Request: Keyboard Shortcuts for Graph Editor Fit CommandsSummary Please make the Graph Editor's "Fit all graphs to view" and "Fit selection to view" buttons assignable as keyboard shortcuts in Edit > Keyboard Shortcuts. Both functions already exist as buttons at the bottom of the Graph Editor, but neither can be bound to a key, and there is no scripting equivalent via ExtendScript.Requested change Expose both existing commands in the keyboard shortcuts editor so users can assign keys to them:Fit all graphs to view Fit selection to viewWhy this matters / use case When fine-tuning curves, I frequently disable Auto-Zoom Graph Height so I can zoom into specific regions of an F-curve. With Auto-Zoom off, the only way to reframe the view is to reach for the mouse and click the small buttons at the bottom of the panel — which breaks flow during detail work where the rest of the interaction (selecting keyframes, adjusting handles, nudging values) is already keyboard-driven. Shortcut

Users of Blender will feel right at home.While changing something it's common to feel like this action is unnecessary. So after it's done all of us just use ctrl+z.But there is a great alternative that saves time: while changing any value just press right mouse button and return to where you were.It can also be used when entering a number in any box or moving/rotating/scaling an object in the viewport. 

Illustrator has done it right.- dragging guides out of the rulers is easy- guides snap and show relations via smart guides- guides can be selected and moves via the keyboard & the position value can be easily adjusted in pixels- smart guides help when positioning and resizing layers- snapping helps to change the origin for the ruler- elements snap to guidesIts also an Abobe tool, so please copy this behaviour over. In comparison illustrator feels like a very old, outdated software, even though you obviously know how to do it right.Cheers

From what I’ve seen (and I’d be delighted to be proven wrong), since cloning and paint have to occur in the layer viewer, there is no way to actually see the composition while working on these things. (You can/have to open a second viewer and watch there, but that should not be considered an acceptable workaround.) These features should either be able to work on layers while still in the composition viewer, or there should be some way to view the entire composition while in the layer viewer. This is one of those “how-the-heck-haven’t-they-fixed-this-after-20-plus-years” things.

Maybe I`m wrong on this one, but so far in three years I`ve worked with AE I never really understood why making Null object, Solid or Adjustment layer creates a folder in Project panel. Those are internal objects like Light, Camera or Shape but creating them doesn`t make them appear in this folder like it`s an external media file.Is there any upside for this behaviour? Or making this folder “invisible” in a panel would make no difference? 

There are two QOL improvement suggestions for columns in timeline.First, I recommend erasing “No Matte” & “None” from Track Matte and Parent columns so it will be much easier to search for dependencies when working with A LOT of layers.Secondly, in the Layer Switches panel there's a small gap at the end of it which also can be resized but doesn't make anything wider aside from the gap. It's common when you switch between devices (PC, laptop) and these columns appear in different sizes on the same project, so you have to always adjust it so it doesn't take up necessary space from the timeline. 

Whenever you're changing a percentage, position, or any value field, it's too short to show the whole number. I really hope you'll make it bigger so you don't need to use arrow keys to see the start/end of it. 

Based on my extensive, house-to-house, global research - each After Effects user has about 12 billion Expressions, in text files, scattered on their systems.Converting these text files to FFXs is a good step upwards to making these Expressions more easily deployed and this accounts for the new/old Quick Apply feature; to increase its efficacy. A huge issue is the sheer number of text files involved - so, I was wondering if TeamAE is able to provide a Script UI to convert Expression Text Files into FFX. The Script UI would include relevant checkboxes and perhaps drop menus to allow for tagging each Expression and for renaming purposes. 

Por favor, preciso versão 23 do after effects, que suporta Rosetta.

 It would be really nice if After Effects could export files in Avid's modern codec DNxGX. And also that Media Encoder can do this. And also that Media Encoder can export DNxGX with alpha channel.

It would be great if Mesh Warp’s grid could be defined manually, without having to match comp/precomp sizes.

Hi:   Up until the latest update (2025) for After Effects. I was able to change my Theme UI Color. This link shows a video of how you used to able to change the Theme UI Color: (Mod note: Link removed)   I contacted an Adobe Agent and he said several changes were included in this latest update of After Effects. He said to file a feature request here in hopes of getting that feature back again. The After Effects Version I am using is: 25.0.0 (Build 53) and I am running it on a PC with a Windows 11.  This may not seem like a big issue to some people but it's something I got used to as part of my workflow.  If you could bring this feature back it would greatly be appreciated!   Mod note: Please do not condone the use of internal engineering tools like Console. The link showing how to change engineering settings in the UI has been removed. The text was also modified. Thanks.

The new quick apply box is a great addition and amazing to have a native command box, so amazing job!One feature which I feel would help give it a boost is to be able to change how the list order is shown. Mostly so it lists in order of recently used. Often projects will use the same effects or presets so it would be very useful to be able to hit enter on opening at the top, or a tap or two of the down arrow and already be where you need to be

When using the ‘new’ text styling expressions, it seems mandatory to get text from a second layer’s sourceText.Many of my projects depend on using names of Comps and Layers as text input.Why isn’t it possible to make a text layer use both techniques: input the string from Comp name or Layer name AND make use of text styling?Please add that.

Since the Film Impact effects have replaced the default effects in Premiere (Ex. Gaussian Blur, Directional Blur), and a huge part of dynamic link is the fact the effects transfer, the Film Impact effects should be ported to AE, or at the very least effects should translate to the AE versions like how Ultra Key will convert to Keylight when dynamic link is used. Premiere and AE have never had 1:1 effect continuity but it used to be true that every effect in Premiere was accessible in AE, but now unless you’re using the legacy effects even basic effects like Gausian Blur don’t even transfer, not to mention the new usefull tools that would be a life saver if they were compatible with dynamic link like Clone or RGB Split.

hican you guys add Film Impact Transitions and effects to After effectswhen i do Dynamic link from Premier i want to use them but theres not much in after effect( its like what Boris FX did with there transitions they come as effects in AE)

Many people have trouble with eye strain especially animators. Why in the world was this functionality removed from After Effects? Please add this feature. 

Could the sourceRectAtTime() expression work on 3D models and Primitives? Adding a depth parameter in addition to width and height would be great!