Feature Requests

Surprisingly, this command is still not in the menu.Luckily, I know the shortcut (Shift+Ctrl+Alt+E), but do all newbies know it?Those who like to learn software on their own, by trial and error, will never guess... I've noticed it while recording an action; as you know, it's better to use the menu commands for it. But... you won't find it there.  

Hi Photoshop Team,I have a feature suggestion that could improve the Quick Mask experience. Currently, when using Quick Mask mode and brushing a large circle or shape, it only paints the mask along the brush stroke — it doesn’t auto-fill the inside of the shape like the Remove Tool does.It would be incredibly useful if Photoshop could recognize a closed brush stroke (like a circle) in Quick Mask mode and automatically fill the enclosed area, similar to how the Remove Tool or Lasso Tool with Content-Aware Fill works. This would speed up masking workflows, especially when selecting large or simple shapes.Optional behavior could be:If the stroke closes, Photoshop detects it as a shape and fills the inside.Maybe a modifier key (like Shift or Ctrl) could trigger the fill behavior after completing a closed stroke.Thanks for considering this! It would be a powerful addition to the already great masking tools.

Crazy Idea for the Adobe employees that occassionally look at these threads (and summarily ignore the ideas offered): the generative AI and neural filters are, on occassion, slightly useful, but they have a limited scope (and become dysfunctional with aspects like the neural filters' memory consumption and the neural filters you've been promising for forever now without hope they'll ever be finished): How about Adobe ... the "photo shopping tool"... makes... I know... CRAZY idea here... one that has somehow slipped past the army of programmers, ceo's, decision makers, and designers at Adobe:   AI Photo shopping tools!?   BOOM! I know, right? Amazing!   But, snark aside, let's be serious for a second Adobe. [cursing removed] There are (it seems like) 500 AI content generators out there, and of the 27+ I've tried: they all work better than adobe's firefly (like, epic leaps and bounds better that I don't even bother with firefly and you would have to do something AMAZING fo

In order to be able to edit a PS document in Fresco, the document must be in 8 bits, to convert the 16-batter document to 8 bits, it is necessary to pass through PS on a computer.You have to add this option on PS on iPad to be able to solve this problem without leaving the iPad, you don't always have a computer with either.

Kindly consider adding an Auto Mask checkbox to the Brush Tool. It would be a highly valuable feature. I'm familiar with the Object Selection Tool. Just not the same.

We need a neural filter auto face swapper - there are free softwares outside of Photoshop that do it with AI assistance and it looks great - Its not something most people will need but previs, digital comics etc it would save so much time - not to mention the fun of face swapping as a goof. 

Perhaps in a future update we could allow users to save settings for sky replacements, or at least make them "sticky" I use them a TON and would love to create a 1 - click action for them. 

いつもお世話になっております。田中と申します。何年も願っていることなのですが、Photoshop（iPad版）にアートボード機能が実装されれば、色々と業務の幅が広がりそうです。ご要望としてお送りさせてください。何卒どうぞよろしくお願いいたします。

ID files can preferentially read the current “Document fonts” directory to get the fonts they use as if they were already installed.I wonder if AI and PS have this feature?

Considering that a wide range of Persian-speaking graphic designers around the world rely on Adobe Photoshop as a fundamental tool—and the number of users continues to grow—there remains a major issue: Persian text rendering.In the Middle Eastern version of Photoshop, Arabic is the default supported language, and Persian is only partially accommodated under those same settings. While the two languages share visual similarities, they are structurally different in key ways. This leads to issues in proper character display, text direction, kerning, and overall typography in Persian.We respectfully propose the creation of an independent Persian language engine within Photoshop, separate from the Arabic language support. This would greatly enhance the usability of the software for Persian speakers and allow for more accurate and professional-level Persian typography.Thank you for considering this request to improve the experience of a significant and growing community of Adobe users.

The sketching pencil in Fresco is the best pencil. There are none like in in Photoshop. i tried a lot, but realy they are al minor to the one in Fresco. As I work on one project partly on the Ipad and partly in my Macbook, I need to use the same bushes in both programs. Load brushec from PS to Fresco is possible. But not the other way round. And Thats the way I need to go with this nice sketching pencil. Please remove this obstruction.

I've been playing around with the new generative fill feature and one feature I'd really like to see implimented is the ability to toggle whether or not the fill pulls visual data from nearby artboards. I don't see lot of use cases where it'd be valuable to be able to do that and what often happens is the scraps of visual data from nearby images will muddle the final result. I often use Photoshop to comp together storyboards and it can get frustrating if I'm just trying to extend a scene in an ocean image and the results come out with bits of brick wall from a nearby artboard. I think a toggle feature would allow you to decide what would work best for your workflow. 

Photoshop keeps evolving - new AI tools, smart features, and better performance with each version. But one thing still feels very old: The Freehand Lasso Tool. Right now, if you release your mouse or pencil while drawing a selection, the tool connects back to the starting point - ending the selection too early. There’s a Space bar trick, but it’s not very intuitive. In comparison, tools like Adobe Fresco or Procreate allow you to release and continue from the last point. It’s easier, modern, and much more comfortable for detailed work. And, yes, I mean the Desktop Version of Adobe Fresco. Since this smooth behavior already exists in Fresco, I believe Photoshop could also benefit from it. It would bring a small but very meaningful upgrade to the overall experience.Respectfully, Temo

Photoshop supports about 20 formats, but I only use 4 or 5 of them. It's bugged me since 5.5 to have to fish for jpeg somewhere in the middle of the list. Can the file formats get arranged by most commonly used? And maybe allow us to remove stuff like targa and large file format that nobody uses.

Photoshop CS5 was deleted when I operated Adobe Cleaner Tool.Is there any methos to recover it ?Please let me know. Thanks and regards,Yuji 

已思考若干秒 Feature Request: One‑Click “Remove All‑Black Layers” Command Background & Pain Points In complex PSD files, it’s common to accumulate dozens or even hundreds of layers that contribute nothing to the final image—either because they’re pure-black pixel layers or their layer masks are entirely black. Manually hunting down and deleting these layers is tedious and error‑prone. Existing script‑based workarounds require setup, can be fragile across versions, and still force users into multi‑step workflows. Key Requirements Auto‑detect Pure‑Black Pixel Layers Identify and remove any normal pixel layer where every non‑transparent pixel is RGB(0,0,0). Auto‑detect Fully‑Black Masks Identify and remove any layer (or group) whose layer mask is 100% black (i.e. completely hides its contents). One‑Click Cleanup Expose a single command (e.g. in the Layers menu or right‑click context menu) labeled “Remove All‑Black Layers” that scans the document and deletes all match

Currently the colour mixing in Adobe Photoshop is not true to real life (e.g. blue plus yellow makes a cream colour instead of green). I would love to see Adobe impliment a system like the one found here:[link removed as per forum guidelines]It would improve the product greatly and keep Photoshop above the competition for digital artist.

Hi I was wondering how to make photoshop behave so that after cropping an image, it fits the image exactly in the window. (= Ctrl+0) I seem to recall this is how it behaved in the passed, but it doesn't anymore.I've reset the crop tool, played with combinations of "Use Classic Mode" and (de)activate Overscroll...It doesn't do what I want. Screenshots attached of before, during & after + after-desired. Do you know how to do this?Perhaps there is an event to listen for using the Scripts Event Manager? Thanks for your help! 

 Dear ADOBE Community To utilize the possibilities within the IPTC Digital Source Type the GLAM (galleries, libraries, archives, and museums) imaging community request implementing the field Artwork or object - Physical Description in Lightroom, Bridge and Photoshop. This field describe the physical characteristics of the artwork or object in the picture and are used in combination with the Digital Source Type to define material type specific descriptions. As showed in the example this IPTC free-text filed can describe digitized photographic collections in-dept and avoid misinterpretation. Information from IPTC about Physical description:https://www.iptc.org/std/photometadata/specification/IPTC-PhotoMetadata#physical-description From the left:Digital Source Type: Digitised from a transparent negativehttps://cv.iptc.org/newscodes/digitalsourcetype/negativeFilmPhysical Description: Fujicolor negative film 120 NHP 400 In the middle:Digital Source Type: D

Dear Adobe Photoshop Team, I hope this message finds you well. I am a dedicated user of Photoshop and have been consistently impressed with the powerful features and updates over the years. I would like to suggest a new feature that could greatly enhance the user experience for photographers and digital artists. The feature is an AI-powered relighting tool integrated into Camera Raw, similar to what SwitchLight offers. This tool would allow users to easily adjust and transform the lighting in their photos using AI, providing a seamless and efficient way to relight images without extensive manual adjustments. Key benefits of this feature would include: Time Efficiency: Users can save significant time by quickly relighting scenes instead of manually adjusting multiple parameters.Consistency: Ensure consistent lighting across a series of photos, which is crucial for professional work.Creative Flexibility: Experiment with different lighting setups to achieve the desired

Need AI to auto-select the stuff into Each component to Own Layer based on prompt.For example, I want each of those 'buttons' to be their own layer. 

I recently opened Adobe Express with some skepticism – and to my surprise, it’s actually a well-designed, genuinely useful tool. Clean, fast, cloud-native. It even handled 4K video editing for digital CLV, and sped up my workflow significantly.A week later, I try the Photoshop and InDesign betas… and it feels like I’ve been transported back to 1998.Why does Express follow modern cloud logic while the “flagship” apps still rely on archaic user setting management? Why do we still have to reconfigure every shortcut, color profile, workspace, brush, and action with every fresh install? Why isn’t all of this synced centrally in the cloud by now? And why doesn’t a new install simply ask if it should restore all my preferences?Even if cloud sync isn’t possible yet – why is the folder structure such an incomprehensible mess? Some preferences are buried in the user's Library, some in the system-wide Library, some under Application Support, some in mysterious “Program Preferences” folders. It’s

If using graphics tablet to retouch confronted with problem to moving Photoshop panels. Like, wont to back on a history step and accidentally moving all panel with history. Maybe can make "lock interface" function?Thank you!

Currently the only way to use the photoshop time line is to move the play head and then select the layer to adjust. This is a incredibly manual process creating a constant struggle to keep track the layers and where the playhead is.   Solution: On the selected layer in the layer panel, the play head moves in the timeline to were the layer starts in the time line.   Image attached is an example of the ideal scenario. Select layer in layer panel, playhead goes to the start of the layer in the timeline.Thanks

A lot of people use photoshop as their main drawing program including me, would be insanely cool if features like color mixing, color stretching, gap feature, control for a watercolor edge for a brush were added. i wish more features for artists were added please i just love photoshop for drawing too much and i wish i've never had a need to switch to any other