Feature Requests

Idea: Have Warp Stabilizer take into account masks to allow you to direct it towards or away from features of your footage. Warp Stabilizer works very well for some applications, and very poorly in others.  Specifically when you have a small object in frame and parralaxx or  motion going on around that object, warp stabilizer will try hard to stabilize the background, which makes some sense from a practical stanpoint as it is taking up more area, ie there are more features to track. I'd like to propose a way to tell warp stabilizer to ignore features in some areas and focus on the features of another.  With mask tracking in Premiere, it would seem that you could put a mask on an object and track it, then apply warp stabilizer telling it to only consider what is inside that mask when making it's calculations. I have tried to do this manually with some success, but nesting my clip, adding a gaussian blur effect and masking the blur to blur out just the backg

Currently you can key the tracking between characters but it is not an interpolation. When you key it goes from the first value, remains at that value then steps up to value 2 on the next key frame. A nice, smooth interpolation is beneficial.

Does Premiere support B frames? There is no any option in Premiere 24, even there is no additional options refering to frames in software or hardware encoding.After exporting the video contains I and P frames only. My hardware supports B frames. I have exported video using ffmpeg with b frames enabled and it contains b frames.Thanks in advice

Please make bin preview generation faster in icon mode.In my case it's taking a lot of time up to previews will be generated.My hardware configuration:CPU Intel i9 13900kRAM 64GB DDR5 6000MhzSSD Samsung  990PRO M2GPU NVIDIA 4070Ti All files are H264 4.2.0 50Mbps 50fps 1080pThere is no faster CPU and there is no faster SSD - may be GPU can be faster, but i'm sure, this problem is not about hardware issues - it's all about not optimized software.  

When I opened the brand new Premiere 2024 update I was hoping and praying that Adobe had redesigned the creative panel in Lumetri so that LUTS could be compared side by side. Unfortunately, comparing LUTS is still a matter of tediously scrolling down the list and applying them one by one. Providing a grid preview of multiple LUTS along with the ability to group luts in folders would make color grading SO much faster and more user friendly. Please please please Adobe, make this happen!

I find it mildly irritating when I change the frame size of a sequence (which, in these days of 9:16, 1:1, 16:9 etc formats usually required is quite often) and I get the warning:"Changes to Preview File Format or to the frame size require all preview files to be deleted. This operation cannot be undone."I know it's just a case of pressing Enter twice rather than once, but a nice "don't warn me again" checkbox would be a great addition. It's not as if deleting preview files is really much of an issue anyway.

Would love a feature to adjust where your playhead position defaults to when zoom in an out. Right now, its always in the center. Would love to be able to offset it left and right. Would love mine to be 25% to the left. 

For example, I select the clip, press, say, "Alt + A" and the audio of the linked clip is deleted

Subject: Adobe Language PackHi there, I hope this email finds you well. I'm writing to inquire about the availability of the Indonesian language pack for Adobe products. I've been a subscriber for 3-4 years and would love to be able to use this language pack to translate between English and Indonesian. Would you be able to let me know when this language pack will be available for download? I would also appreciate it if you could text me the information at [personal info deleted by mod] Thank you for your time and consideration. Best regards,Arif Datau

Hola, me encantaría que premiere pro ya tenga la opción de detección de tiempo en la musica de manera automática, hay programas muchos mas básicos que ya tienen esta opción y dudo que a los desarrolladores se le complique agregar esta opción a premiere pro.

Hi,  I know this might sound crazy but can we pls get the "zoom in" "out" timeline shortcut in such a way that it works in ervery part of the App.  See: when the timeline is not activated the shortcut of zoomin in an out of the timeline is deactivated. Maybe because the windows are activly knowing where the mouse is.  Is is not a big deal if you work on a worstation with many monitors. But when you are working with a laptop and your space is limited you allways need to jump to the timeline to get the zoom activated if the CTR is not visible.  This would be a problem if we would have a shortcut to center the timeline around the CTR, but we havent.  If you are working with longer projects this gets very frustrating.  I hope someone understands my point.  cheers Peter  

Hey, I hope you can make an option to rotate clips in the bins.. Thanks

As we all know, Premiere projects cannot cross major update lines, a standard project created in v23 cannot be opened in v24 without first creating a copy of the project compatable with v24. Typically, with offline projects, Premiere will warn the user when a project created with a previous version is opened with a new version so the user can decide whether to upgrade the project itself or revert to using the older app. Unfortunately, Team Projects do NOT warn the user in a similar manner when a project that was created with a previous version of Premiere is opened with a new version. This can create issues if an editor unwittingly opens a team project using a new version of Premiere and shares their changes from the new version, effectively locking the team project into the new version and forcing all other team members to update to the new version prematurely. Upgrading Premiere to a new major version in the middle of an active project is definitely not what a team wants to do w

Lumitri/Premiere lacks the feature to balance tones other than white, so projects that require rather clinical correction require the user to manually slide the wheels or curves (instead of using them after the tone balance to tweak). Other tools including AE, Vegas, Resolve etc~ allow the user to sample a part of the preview to align not just the white point, but also the mid-grey, and black. Below is how it's presented in other tools and a mockup to show how it could be implemented in the Lumitri GUI.Currently, Premiere is one of the few PRO options to lack this feature, and very often I hear it's a reason people can't use it for color applications.    

Lumitri only contains a dropper for white balance, yet After Effects has the color neutralizer and Vegas has a similar option where you can quickly adjust white, mid-grey, and black by simply clicking the dropper with that range and clicking on the image. In that aspect Lumitri is very far behind, is there a chance for getting such a feature considering the functionality is already in AE?

In the old FCP7 and many other programs you can simply select the wireframe of a clip in the program monitor to move it around. This is ideal for simple compositing. But Premiere making this near impossible, by only allow the top track to be selected in this way. You should be able to select any visible clip, or even a non-visible clip that you have selected in the timeline, and move it around in the program monitor.

When creating a photo montage, it is very tedious to add keyframes - one-at-a-time - to the beginning and end of each image's 'Position' and Scale'.  And then if you want to add a transition effect, that means manually moving each keyframe so that its movement is constant.   I'm getting tired just typing this explanation. PLEASE PLEASE PLEASE add a 'Batch Add Keyframes' feature with the ability to select the parameters we'd like those keyframes to be placed on.   This would be an enormous time-saver to anyone creating a photo montage.Thank you

Please Premiere Pro add the feature like in after effect that when rendering that it uses 100% cpu cores aswell in exporting. maybe even gpu. it never uses 100% when exporting normally like 50-60% max so why do we just let away 50% of the power?

Hi, I used AE before I started editing with Premiere CC , but there is something cool aboutduplicating a "composition" aka "edit" aka "sequence" in the project panel. If you do this in AE it increments the version number your comp has. (or it generates one number) In Premiere it adds the word copy 01 to the duplicate. (atlas in german is "Kopieren 01") Even if my Sequence is written with a number at the end ? like "edit 01" Why? I can understand, that you ad copy 01 when it has no number in the end of the wordbut why can't it just increment the number and leave the name of the sequence untouched. And I would like to be able to duplicate the complete sequence from the sequence menu. When i am editing, i like to hit a shortcut of right click on the sequence name in the sequence and get the little text: "increment duplicate now" > feel free to name it differently but it felt right to me.  1. increment duplicate by number _01 > _02 &g

When you put forest, mango and rose as colors, you make me think harder than is needed. Please provide previews to these labels. Thank you!   

Dear ADOBE,Congratulations on Pp 24.0 and thanks for the effort you put in to make it better and better with each iteration....I almost found this picture from the WIN 8 era and a wave of nostalgia hit me...My question is... is it possible to bring back this color in today's Pp (please note, I use Pp since version 1.5 and this UI color does not exist in today's Pp), I hope it is possible and this color would go well with LIGHT theme from WIN 11...I will be persistent, until you bring her back to Pp...ha,ha,ha....all the best..  

Hello, I've been exploring premiere, I have a use case, I have a video background that is fixed for all files, and a CSV file with multiple names and phones, I want to create videos in bulk by replacing text from CSV file keeping the video background same. similar to the feature I used to create multiple psd using data set and variables in photoshop but it is for images, can we do the same for videos? any youtube link would be appreciated  Thanks

Hi, I work with both Premiere and AE and often have the issue, that for unknown reasons AE-files are shown as offline within Premiere even though they still exist in the exact same place with the exact same name. I don't know why they're offline in the first place but even if they're offline for a reason... Why can't I just click on auto-relink and continue editing? Manually relinking takes a lot of time and is pointless since Premiere knows where the file is. Can't this be a standard feature? Or how about Premiere just trying to relink files automatically a couple of times unless they were made offline by the user?

Many other programs allow you to select multiple clips at once, and whatever properties they have incommon can be changed simultaneously. If they are the same value, they show that value, if they are different "multiple values" is indicated.Premiere pro just greys out the effect controls when multiple clips are selected.At the moment you can copy/paste attributes but this isn't as granular or immediate as, for instance being able to shift the vertical position, or the vertical anchor of a series of clips that are side-by-side. This should be able to be done with one slider, but at present a simple operation like this is requires each clip to be manually adjusted.

Many other programs allow you to select multiple clips at once, and whatever properties they have incommon can be changed simultaneously. If they are the same value, they show that value, if they are different "multiple values" is indicated.Premiere pro just greys out the effect controls when multiple clips are selected.At the moment you can copy/paste attributes but this isn't as granular or immediate as, for instance being able to shift the vertical position, or the vertical anchor of a series of clips that are side-by-side. This should be able to be done with one slider, but at present a simple operation like this is requires each clip to be manually adjusted.