Feature Requests

I'm sure I'm not the only one who thinks that nested sequences that auto populate in my main project bin are an unnecessary hassle. And I'm certainly not the first to request a feature like this.  My request is in the title -- just let us set a location for nested sequences to populate once created. Either on a per-project or per-user basis. Anything would be an improvement than constantly creating a bin and dragging nested sequences each time I start a new project.

I'm in the process of turning over a mix prep and one of the specs from the mix team is to have a "Burned-in Overlay with Scene & Take Number".  Our audio tracks are labeled in that fashion, but there's no way for me to point the "Clip Name" effect to the audio tracks.  Would love this feature in the future.  

Adobe Premiere Pro's speed ramping process should be more user-friendly and quicker as other platforms. The current method is time-consuming.

Danish language support in auto transcription.There's both Swedish and Norwegian but not Danish and Finish.Please add these languages to Premier.pls pls pls🙂

There should be an option somewhere to make Premiere always export to the project folder. Now, eveytime that I export a project, Premiere always place it on the last folder I saved a video previoulsy. I don't know why this is the "default". I lost count of how many times I saved videos in the wrong folder because of this. I was used to never check the folder because in Media Encoder it always saved on the project folder. Why change and make it worst???

When using a Universal Text Engine, Hindi text displays correctly during text editing, but when pasted into a Motion Graphics template, it appears correctly within the template but doesn't display properly in the program monitor. Can someone provide guidance on how to address this issue and ensure proper Hindi text rendering in both the template and program monitor?

There's Dip to Black and Dip to White, but you have to create a color matte for anything else. Alternative: add color selector to the other Dip dissolves.

Is there a way to take a clip or an image (in my case I have a .png with opacity) on a track and set it to somthing like Overlay etc... but also be able to blend based on underlying layer features, or features inside the image itself.In my case I'm going for "Underlying Layer" In photoshop you can do this.   I attached as screenshot as it helps far more than my description.Basically you can have the effect of the top layer appear on a range of values present below it.  So for instance a checkerboard overlay only shows up on pixels 0-20% out of 100%.   Looking for any way to achieve this in Premiere Pro. Thanks!  

I would like developers working on Adobe Premiere Pro to be able to program a function (a shortcut) that would add two keyframes with a single click instead of having to add one keyframe at a time. The two keyframes could be at a distance of 10 frames from each other or even better if we could adjust the default distance separating them. This would make it faster and more efficient when you want to make an adjustment in the sound of an audio clip that is placed in the timeline or to be able to more quickly change the opacity of a video clip that is placed in the timeline. timeline. A few years ago, I was working with Final Cut Pro 7 and this software allowed it.

Hello, Is it possible to turn off the yellow border box around the Source monitor when the Multi-camera View is disabled, please? I absolutely understand the necessity to highlight the selected camera when Multi-camera View is ON. But if the user purposely disables Multi-camera split-screen view and wants to play the *selected camera* only, there is no need to be reminded about that by the yellow box anymore. The playback should be clean and unobscured if needed... Since the Multicam-source Sequence is the only working alternative to Merged Clip syncing workflow (due to it's metadata-damaging nature) it is sad that this distracting yellow box is unavoidable even with the single cam projects. Pretty please, just make the yellow box go away without the splitscreen. Many thanks!

Premiere Pro has a lot of effects and always we should search for any effects we want to use. I suggest that any effects we have searched for, which appear as recently searched or used effects. that saves a lot of time in order to search those effects again and again.

Bonjour, J'ai créé à l'aide d'un Arduino les touches "manquantes" d'un clavier, de F13 à F22. Ultra pratique me dis-je pour Première Pro! Mais j'aurais peut-être dû me renseigner avant, car ma demande n'à pas l'air d'être possible... Et pourtant, ça m'a l'air d'être un sacré gain de temps.-Pour me gagner du temps, j'ai créé tout un tas d'effets qui correspondent à mes besoin. Ils se retrouvent dans la catégorie 'préconfiguration' de la fenêtre Effets. > L'idée serait d'assigner un (bête) raccourci à un effet que l'on à soit même créé. Et oui, ce n'est pas possible. Et ça me paraît dingue

Catalina (Mac OS) has nullified the DV capture setting for Premiere Pro. Editors need this feature desperately. Please bring it back. I have lots of old tapes I need to capture. Am I supposed use iMovie?We pay for these features. Please add them back.

[1] MAKE MARKERS SEARCHABLE ACROSS ENTIRE PROJECTS, NOT JUST WITHIN CLIPSI recently purchased an app for Premiere called POWERSEARCH. It allows you to search and find markers and captions across your entire Premiere Pro project in a split second.  As a documentary film maker I usually have a lot of footage to sift through and with Powersearch I can instantly find any Premiere Pro marker across the entire project. I don't have to be in the clip itself to locate it. This feature alone is saving me hours of needless searching. e.g. : In the example below, after tagging more than thirty WW2 newsreels with markers, I can now type a search term like "Dunkirk" and Powersearch instantly pulls up the four different marker locations with that label. Thank you Powersearch!     [2] ALLOW US TO SET OUR OWN MARKER "DEFAULT COLOR"Am I the only one who doesn't like dark green as the default marker color? I know you can just hit "M" twice and then change the marker co

hey there, some people install videos from youtube sometimes even 4k footage from youtube but youtube compresses it to an codec called vp09 its for 4k and higher. premiere pro doesnt support it which makes editors need to reencode these again or go with lower quality videos. also add the av1 codec as its open source and its even better then h.265 

please make more custimization in deleting silences like, "padding" so you say this is the where you speak for 0.7 seconds but you dont want to sound like your voice was chopped on the millisecond so you do "before padding" so you say it should get 0.1 seconds (of silence) in and then speak and after padding the same thing just the other way, so you speak and make after padding for example 0.2s so it makes a pause for 0.2 seconds till it goes to the next cut. 3rd party apps like timebolt or autocut.fr do that perfectly but they cost alot. with this we can save minutes if not HOURS of work. also an option called "filler words remover" would be also good like "uhm" or something like that.

if you go to the export tab and select use previews, it only works in the same codec for example prores 422 HQ can only be exported with 422 HQ. some years ago it used to work with every combination, you had prores 422 HQ as sequence and made previews you could use them to export h.264 and h.265 or even just prores 422 LT or Proxy.

Delete first 5-6 seconds and last 8 of every clip in project? I'm trying to remove the intro and outro and there are a lot of them.Either I can do it manually or script out the first 5-6 and last 8. The time of each clip varies so you can't just set the end times for all of them.We need scripting.   So I've figured out how to do the first part but the last part requires math.. it should just be automatic with Scripting and especially with AI.  

When a user uses the Copy and Paste function for clips from one sequence in Project A into another sequence in Project B, it would be wonderful if Premiere prompted something along the lines with Forgive my ignorance if this somehow already exists or if the solution/prompt could use some work, but... I know there are go-arounds that involve stripping away plugins via XML Exporting/Importing:https://community.adobe.com/t5/premiere-pro-discussions/how-to-copy-sequences-from-another-project-and-not-end-up-with-duplicate-entries-for-source-clips/m-p/5648901 This is similar to Finder/Explorer copying and pasting solutions as Premiere gives the user no option.  In its current context Project files become increasingly polluted, especially if you're using multiple clips from multiple projects.  This would be a great feature that would save me time and sanity.

In Premiere Pro applying a mask or a track matte key from the effects panel wastes time. It could exist as default in the Effects controls like Photoshop that we do not add masks from the filter window we just add masks from the layer panel that is it!I wish in Premiere applying a mask or matte would be so much easier

https://twitter.com/snebold/status/1715069517041398232/photo/3   AI Upscaling needs to happen in AE and Premiere Pro.

How about you guys shift-delete the whole "new project" part of Premiere pro, and do a simple new solution that every other software that has a working and fast solution uses?   I updated my 12c/24t cpu to 7950x3D, (5ghz, 16c32t) and got DDR5 64gb ram, and the page is still lagging. (win 10, soon win11)   I mean wow. It's the only software I have open.   I'm sorry if my one of the best computers one can put together (excluding threadrippers etc) is not powerful enough to make a new project in Premiere pro, with normal UX.   If anyone can please let me know, I'd be glad to do what is necessary.  Aparently updating my computer did nothing. (newest version, and this garbage has been going on since the new project window was updated to this garbage)   [Abuse removed by moderator]

I agree, having the ability to transform the layer like in AE, separately from the matte and without having to create nested timelines would be a lot more efficient in some cases.

Hello everyone! Excuse my automatic translator English 😞I have Premiere Pro 22.6.2 (Build 2)When I create a multichannel audio sequence and export it by choosing Quicktime, everything works, but the tracks all have the same name, for example:Track 1 - EnglishTrack 2 - EnglishTrack 3 - Englishetc.How can I make the tracks have the names of the different languages?Track 1 - EnglishTrack 2 - SpanishTrack 3 - Frenchetc.Thank you very much!   Mod note: Title was changed slightly.

Are adobe planing to add ability to export LUT's from Premiere Pro in more quality way?It's little bit strange that i can exports high quality LUT'S from Photoshop, but can not do this in Premiere Pro... only 16 table size can be exported from Premiere Pro and in many cases it's not usable for color grading.