Feature Requests

Hello there, Is there any way to make it so 'New Sequence from Clip' creates a sequence where Composite in Linear Color is unchecked? I acheived this is almost every 'new sequence' scenario by creating a sequence preset with it unchecked, which Premiere jumps to whenever I create a new sequence via the file menu, project panel, etc. The exception is 'New Sequence from Clip'. When I use that feature, the created sequence has Composite in Linear Color checked.Any way to get 'New Sequence from Clip' to follow suit and start off with that setting unchecked?

Peak generation progress should also be in the progress panel and not just in the status bar.

as I mostly have lots of footages on my project and after assembly and a rough cut, most of them are unused , so I  use "Remove Unused" comand  to make my projcter lighter. so for me it's a very useful tool. I wish it developed and give us options to select kind of files, etc. there are sometime that I need to apply "Remove Unused" but not in the whole project, just on a bin or on a group selected clips. It would be useful to have a "Remove Unused" while you do a right-click on bin or selected clips. thank you. 

Project manager (PM)is one of those tools that doesn't get a lot of press.   No big features or snazzy AI tools.  It is however crucial for my work when packaging a project for later use or collaboration.  PM also seems to work fine for small projects.  When project get large however, PM seems to break down.  When attempting to package large projects, PM churns for days, and then just pops an error of not being able to copy some random file, and stops.  No options to continue, no detauils as to why, it just quits.  Days of waiting wasted, and no idea why or what to do about it.    When i go look for the file in question, it's there in the timeline and elsewise.  No errors in the project and no other problems.  Just with PM.  Part of the problem also is that PM gives to updates like other parts of Premiere do.  Yes you have a simplistic progress bar (without even a percentage to refer to) that you might say

There should be a way to configure the export queue to show the total running time so that an accidental short clip draws more attention to itself when we are always intending to render whole 30 minute programs.  Right now, the time would show on the current render details but not listed for each upcoming render in the queue / queue area.  I didn’t see an option in preferences so this would be a good feature request for the development team. 

How you ever used filmora? Absolute seemless motion tracking. Now have you ever used Adobe Premiere Pro? Talk about a painful experience to get motion tracking for even a 5 second clip. Filmora is $50/year subscription and Adobe is a multi-billion dollar company that can't seem to figure out what decent motion tracking looks like. And before you say "Oh just keyframe it" why don't you try keyframing a 4 minute video? It would take so many hours you've lost everything you gained and then some. Next "Oh just use After Effects" brother. This software will not cooperate if it's existence depended on it. Once I've got it motion track, pasting it onto the graphic I want to tranform sends it underneath the clip and not even an act of god could bring it back. Next will be the plugins. Mocha is absolute garbage anyone who says otherwise is sucking the Kool-Aid straight from whoever created it. Mask to transform is nearly as bad. I can always get the mask to track perfectly but when it comes tim

Hello there, I have an ongoing editing project where I am creating videos that review hearing products. After my edit, I go through the text transcription and make corrections as needed. The 'find and replace' feature has been excellent in helping speed along this process. However, I also need to correct a lot of the same product and company names - which are mentioned across many of these types of videos... It would be nice to be able to add these words to a 'dictionary' that Premiere's transcription engine could refer to. Would be a nifty improvement to an already greatly usefool tool.  Thanks...

Let's say one of my b-roll folders on my hard drive is called "floods."  Let's assume that I have 10 clips in that folder and that I've imported the folder as a bin into my current project.  So now, I have a bin in my project called "floods" and in that bin are 10 clips, all flood related. Pretend it's a week later and I have 10 more great clips of floods.  I dump them in my "floods" folder on my hard drive and now I have to manually import those 10 new clips into my project.  This is an enourmous time suck and totally pointless.  If only Adobe Premiere had some sort of auto-linking feature that would be smart enough to scan my "floods" folder and update the clips within my project.  It can't be that hard.

I'm running Premiere Pro Beta and it automatically tags audio clips as various types of sound (Dialogue, Music, Ambience, etc.). It'd be nice if Premiere offered the ability to automatically change color (or use a specified range of colors) of clips it has Tagged to match the type of Tag. This way I can easily see Dialogue, Music, etc in my timeline at a glance (not just using icons). 

It is really annoying to work with Premiere pro, dealing with clients who doesn't always have the newest Version. The changes you make with the upgrades are not that huge, so I don't See the reason to make it impossible to work with a slightly older Version, importier a file from a neuer one. I appreciate the whole adobe suite very much but this is really a pain, since the updates are coming more frequently

Hello everyone, I have always noticed that Adobe programs on a PC run much smoother on a MAC. But with the latest update to After Effects, the interface just started to fly and the design itself is very modern and pleasing to the eye. It would be cool to see this in the new version of Adobe Premiere Pro

Premiere render queue all audio clip to be rendered and process only one at a time. It would be great if multiple audio clip could be rendered in parallel. That would be a big performance boost. Best regards

Why does Premiere Pro always have an attached audio file, even when the clip has no sound? There has to be a completely unnecessary audio track by default. It’s annoying and makes no sense. Isn’t 33 years of this nonsense enough? Can it finally be changed?Another thing is the sliders for adjusting the image in windows, practically in the same color as their immediate surroundings. To move the image or find the slider, you have to stick your head into the monitor. Why do you stubbornly cling to senseless ideas?

Today, all work stations have between 8 or 24 cores. Generating wavesforms takes ages...  It would be great to be able to choose how many cores premier could use for this task. Berst regards

In After Effects, clicking a number in the Effect Controls panel, in the Timeline, or the Properties panel, gives you a built-in calculator. Typing "360/12" will calculate the number 30. Typing "1920/4" will calculate the number 480. Typing "1920-50" calculates the number 1870. Etc.  This is a very efficient way to rotate, place or scale a layer to a specific value! A time saver! The built-in calculator makes it super-easy to place logos or graphics an exact amount of pixels from the lower right corner, place picture-in-picture layers in the correct position, etc..We need this functionality in Premiere pro too! Pretty please!

PROBLEM: There are quite a few log codecs recorded by Sony, Canon, and other cameras that are "managed" in Premiere. Which means that if you have both Auto Detect Log and Auto Tonemapping "on" in your color management preferences, your media is "normalized" to linear display space. For most codecs, quite nicely as a beginning 'feel' for the normalized image. But many codecs are not yet recognized by Premiere, and finding the current list of "managed" codecs is very very difficult. Manually handling non-managed codecs is a very different process, requiring user knowledge of correct steps. The current situation confuses even very experienced users. I just went through the current Premiere "Help", and also searched online. I couldn't find that list. And when I can't find it, I doubt many can. Premiere should have a list that is a pop-up within the color management panel showing all currently managed codecs. NOW.

Have the entire track look different when Mute, Solo, or Toggle Track Output is changed similar to how the Toggle Track Lock function changes the look of the entire track rather than just the icon on the left side of the Timeline Window. It would help for more visibility when editing.

Hello everyone, I'm starting to work in audio description and subtitling for for blind and deaf people and I'm looking for a feature that show the characters per second in a title. It's so helpful to make the scripts with the caption function of premiere that already shows tc time when working on text to record and also can be so helpful to check the duration of the captions so they can be readed in time in case of be working with captions for translation or deaf people. Since now it's becoming more and more comon to make captions for media I think that if it's not already on premiere this can be a really nice feature to add. Also a color function that changes with the characters per second to see visually if the caption or script are ok can be a good adition to this function. Best regards from Spain and God bless you all 🙂

Hello, I find it couter-intuitive that when an edit point or clip is selected in the timeline the arrow keys default to moving the playhead rather than adjusting the trim of the edit point or nudging the clip. I know that I can trim and nudge using the option modifier, but it would optimize the workflow to have these shortcuts be context aware (nudge when a clip is selected or trim when an edit is selected). This is especially true because I use a jog shuttle. It's a small change, but I think it would make the interface more intuitive.

Premiere Pro's effect panel is missing critical information on the effects. Some note if they are supporting 32bit float. But the reality is that many more than shown actually do. And the ones that don't you have to figure out via testing.   It would be nice if all effects would note what their operating depth is just like in After Effects!   With blurs for example, Premiere's Camera Blur is 8int or 16int but Directional Blur 32float.  

As I continue to use the excellent Transcription feature in Premiere I've found a small stumbling block. A lot of the times I'm working with interviews that involve industry-specific knowledge, odd company names, or odd brand names (for example, a company name that is a four letter acronym such as "ETLN"). When transcribing these sequences, Premiere gets tripped up trying to find standard English words that fit in the sounds it hears, creating transcriptions that become difficult to search or easily convert into captions.Not sure how possible it would be, but it would be great if we could "train" the tool per project by giving it company names, jargon, slang, product names, etc that may be used in the interview. This way the tool knows that when someone says something like "ETLN" it's a company name and not "a tea Ellen."

In Premiere Pro we're missing quite some blur effects. For us the biggest issue is Gaussian Blur being an undesirable effect because it creates negative values and harsh transitions into them. For that reason we resort to Fast Box Blur which works well but it isn't available in Premiere Pro!   As a workaround we are now forced to use third party plugins for a simple blur in Premiere.   It would be great to have a lot more parity between effects in both suites. It's also beneficial for moving stuff over from offline comp in Premiere to online comp in AE.    

It would be awesome to have a context menu option to toggle looping of clips, similar to the loopOut() expression in AE. When enabled, you could extend the clip as far as you need.In 2024, a lot of popular videos for youtube and other social media platforms include animated gifs and memes, and currently you have to duplicate and stack the clips next to each other. With small gifs that can sometimes mean 20 or 30 clips in a row.

Many features are totally slowing my workflo drastically. Since the update i've been very frustrated, you should have left all of the previous benefits and installed more. but you completely change small details" that helped a lot. I've been postponing writing here because i figured I would eventually figure everything out, but everyday I manage to find something new that makes me very frustated. making me think that it would be better of if I started learning davinci resolve and change systems in a year.The first one is that you forced me to change a big session I had on premiere 2022. i used to work very fast in that version, algo regarding subtitles. but suddenly you forced the 2024 update And I literallly lost a day of work solving many issues from my session that did not upload automatically. afterwards Ive encountered many issues with transcripts and subtitles in 2024 premiere, the first one being that sometimes I like to work in ONE session, and only change some videos and

It would be great to have more options to change defaults of "playback shuttle speed". I end up editing a lot of long-form talking-heads type videos and vlog style material. This often has lots of little cuts and edits, so adjusting the clip speed and then resetting it to default later is onerous and feels like a work around for a feature that exists and is almost perfect.That feature is Shuttle Right and Slow Shuttle Right. I wish I could adjust the default speed increments for both of these. Additionally when I make an edit the playback speed is reset to 1x (realtime). It would be great to be able to toggle that on and off.Because I am often working with very long clips/sequences adjusting the speed via the duration menu is a pain, but the default speed for shuttle Right is too fast, so I end up pressing [Shift+L] about 5 times to get to the right speed for me. An area in preferences where I could set the detault speed adjustment for [L] (say 1.5x or 1.75x) and an option to set it to