Feature Requests

It would be great to have more options to change defaults of "playback shuttle speed". I end up editing a lot of long-form talking-heads type videos and vlog style material. This often has lots of little cuts and edits, so adjusting the clip speed and then resetting it to default later is onerous and feels like a work around for a feature that exists and is almost perfect.That feature is Shuttle Right and Slow Shuttle Right. I wish I could adjust the default speed increments for both of these. Additionally when I make an edit the playback speed is reset to 1x (realtime). It would be great to be able to toggle that on and off.Because I am often working with very long clips/sequences adjusting the speed via the duration menu is a pain, but the default speed for shuttle Right is too fast, so I end up pressing [Shift+L] about 5 times to get to the right speed for me. An area in preferences where I could set the detault speed adjustment for [L] (say 1.5x or 1.75x) and an option to set it to

Sometimes i import mogrts from the filesystem and in a week i forget where they are stored. i dont know how to finde out, where thy are stored.  

Can Adobe create a way to show a detail list of  total time for editing a project. This list would help an editor bill a customer and provide to the custom the exact editing time. Maybe something like the history of the project.

Exporting a Prores 4444 file with a Premiere created surround (5.1) mix from Premiere 23.2 and ME 23.2.1 causes Pr (or Me) to hang/crash.   It would also be good if this output module was updated to work on Silicon so as to avoid booting in Rosetta to use it (when it works).   I am using macos 12.6.3

Add an option to preserve empty folder structures on import! Often I or an assistant editor will create a folder structure in the finder with empty folders to be populated with media later on in the production workflow (i.e. Final mix stems, color files, graphics). Currently if you import empty folders or folders with only one item in them, those empty folders disappear on import and the single item that was inside them is left outside any folder. This prevents planning and proper organization, and I'm not sure what the benefit of it is? Fewer folders? But I wanted those, that's why I made them. Just leave the folder structures as they are, don't change them. If some users want an option to "automatically remove empty folders on import" then add that, but don't make removing them the default. Importing empty folder structures is an essential organizational tool for any medium to large scale professional production. I made this same request in May of 2018 and have never gotten a respon

I'd love to have multiple transcript panels open at the same time.    Currently I’ll be in the old seq looking for a section to use and then to remember where I left off in the new seq, I’ll have to select the new seq to bring up the transcript panel for that seq to see what the last line was, then click back on the old seq and see if what I selected might work.  it's not very efficient and slows down my workflow.    If I could have 1 transcript panel open for the seq i'm pulling from and another transcript panel open at the same time for the seq that i'm adding to, it'd be a lot less clicking around and i could be faster.    This will help me remember where i left off and give me a quicker idea if what i'm looking for in the from seq will work or not. 

Please create an option where I can use the "Export to text file" to create a text document that includes the clip timecode - NOT THE SEQUENCE timecode. This helps workflow with non editors such as clients and producers that can use the text file and send the editor accurate timecode from the clips and not the timecode on the sequence we created. Thanks

Please support Chinese for the 3D LUTs list，I really need it！  

Maybe I'm dumb and haven't figured it out but what I want is a very simple effect that creates a timer that can count up or down in mm:ss. Timecode exists but is a pain to use and unless I recorded in 60fps I can't get the clock to properly read every second and so it looks weird. I would think this should be an incredibly easy feature to add as it's literally just a timer that counts in seconds. Having settings that would allow you to choose a starting time, count up or down, how it's displayed would also make it more usable.

Hey everyone!I was wondering, if there is a possibility to label the whole track, not just the clips.Sadly I didn't find this function, but I think this is very useful in the workflow, If youre zoomed out. It would be possible to distinguish each track with one quick glimpse of an eye.I know that there is the possibility to label each type of Clip, Video, Audio, Still and so on, but not the whole track. I would like to see that feature in the future! Hope you can make it possible 🙂 Thank you very much.Kind regardsMartin

As a Real Estate Videographer, I spend hours masking and keyframing windows to get proper exposure in my videos. Although I shoot in LOG profile, and expose properly, the windows are always going to be slightly more exposed than I'd prefer. I'd love to see a new masking tool or blend mode that will allow me to make a selection based on that brightness level, and then apply an exposure adjustment, thus bringing back the windows.

This is something that I feel like has been asked for time and time again... Can you allow us to add a hotkey for the "Close Other Timelines Panels" command? It would make doing that so much faster since Premiere doesn't close sequences for you like Avid. Thanks.

I work with a couple of LUTs and use a home and work computer. I have the same LUTs I need on both computers but I have more LUTs on my home computer. The problem is I will use a LUT at work and even though I have the same LUT at home when I open the project at home it applies a different LUT to the shots I have already colored. For example, lets say I have a LUT named "Color" and it is the first LUT listed in my lumetri list. When I open the project at home Lumetri will apply the LUT that is first on the list regardless if it is "Color" or not. So I have to go back in and reapply the correct LUT to each shot. What I am suggesting is that Lumetri tries to locate the exact name and apply said LUT rather than going on position. Obviously if the same name does not exist, it should have a default.

Bonjour 🙂Je ne sais pas s'il y a un moyen ou une action à faire pour que chaque clip qui a déjà fait l'objet d'une transcription garde cette transcription en "mémoire" (dans un "fichier en cache" près de la source ? Autre ?).Je m'explique. J'ai un clip que nous allons appeler clip01.mp4. Je l'importe dans un projet première sur lequel je travaille. Une fois importé, je demande la transcription et je commence à monter / integrer.Plus tard, dans un nouveau projet, je souhaite réutiliser tout ou partie de ce clip01.mp4, je le réimporte donc dans première, mais malheureusement, je suis obligé de repasser par la case "transcription" car cette dernière n'est pas stockée (sauf peut-être dans le prpj original ?).Merci ! 🙂

It would be great to have audio media replacement for MOGRTs. Why not offer a way to replace audio? Currently we are only limited to images and videos without audio. The problem is, that MOGRT files will not react responsive when imported to Premiere Pro, when there is audio on the After Effects comp, where the MOGRT originates from. MOGRTs will break even if the audio in not in the protected region of the After Effects comp, but also on any other part of the comp. I can't be the only one to see the potential applications. Also, it would be great to display the protected regions on the MOGRT in Premiere as visual reference, just like the blue bars in After Effects.  

It"s incredible how in 2024 you dont"t have slowmotion in the effects tabYou have to do 6 steps :1. select clip2. press CTRL + R3. press 504. select optical flow5. click OK6. render clipinstdead  drag an drop a slowmotion effect on the clipReally ?

PFA screenshot of interface, where marked in red is indication for improvement.there are lots of extra spaces in overall UI, which can be trimdown.So we can use more usable area for timeline, Preview Window, Tools, Effects, etc.Please refer attached screenshot for reffrence.

Transparency for Cross Dissolve Transition need to be improved,Transparency should go 100% to 0% with ease.Right now it is suddenly desapper in last 2-3 franes, as result it looks abrupt.

This is a feature request, or a post meant to at least provoke a design discussion. After decades of operating, one user-error I still execute occassionally is accidentally deleting media in the timeline if it is offscreen (not displayed in the current visible section of the timeline panel). This is a challenge as user, because I usually don't discover these errors until some time later, making them a real annoyance to correct. (If they are caught quickly, sometimes simple "undo"s will suffice, otherwise it's finding corrections in sequence versions or auto-saves.) One such scenario is if I am working with the selection tool and happen to leave a clip selected and then work in another spot on the timline. Hitting the delete key will then have an effect I do not observe (deleting a clip, unseen in another section of timeline). Another scenario is having in and out and tracks selected, but with the in and out off screen in the timeline panel. If I hit the delete key it has an e

This is one thing that has always bugged me, that if you want to rename a sequence you have to go to the project/bin panel...  Generally I keep my project panel at the top left with limited width so it's kind of a pain to rename something that you can't see the entire pre-existing name without increasing the width of the name field...   Not a big deal, but have always wondered why this wasn't enabled..   It was possible in the late lamented FCP7 (and it's percursors...).      Thanks as always for humoring me...

Close Gap is useful to pull together a selected group of clips. Well it would be useful, but if there is media on any other track, it won't work. Not even an error message, just...nothing. Please have the default function be to ignore other unselected clip on other tracks and just bring my selected clips together. My workaround is to move selected clips to end of sequence, close gaps, then move them back. Perhaps currect mode is useful to somebody, but maybe as an alternate mode? TBH seems so basic to me I started to post under Bugs.

I have both Premiere Pro and Premiere Rush (Rush on my mobile devices and Pro on my desktop) and I was recently wishing to be able to work on Premiere Pro projects in Premiere Rush. I want to have the ability to pick up on a project if I'm out somewhere and then finish it at home. The posts I've seen are 4 years old, so I'm not sure if this is a feature, but I'd like it to be.

Hello everyone! Whenever I'm editing a video with interviews I like to use the clip markers and not timeline markers to segregate the footage, so that the markers are carried ahead throughout the edit process. But since there's no way to drag and change the marker duration in clip markers (it just moves the clip, haha) currerntly we have to get into the marker settings dialogue box to change the duration. Here's the problem, there's no live preview of the marker duration on the clip while in the dialogue box. That means I have to change the duration-close the dialogue box-realise the duration change wasn't what I wanted- head back to the dialogue box-rechange the duration and hope it worked. Or alternatively, I roughly calculate how many seconds or frames I want the marker to be before I enter the dialogue box, which is too much of a hassle and wastes a lot of time. At this point in the edit, I want my full attention on listening to the interviews and marking releva

In the Text Panel, under Transcript, the auto-generated transcripts are sorted by which speaker's voice is detected - awesome. In the filter menu, it would be great to optionally solo or hide a certain speaker.Several use cases:When editing a long interview with a long-winded interviewer, I just want to see the subject's responses without the interviewer's questions.Inversely, I could jump to questions one-by-one.If there are any sections where the speaker is not identified automatically, I could jump to those one-by-one and identify the speaker myself.Please upvote if you agree - thanks!

Hello, I edit a lot of social media clips for various podcasts for multiple speakers so a constant practise for me is having to manually select all moments of dialogue from specific speakers and put them on their own individual subtitle tracks to be able to give them their own individual style and colour, and position. So to speed up my workflow it would be great that seeing as the transcript software can identify different speakers and I can rename speakers names, that the ability must be possible to add, being able to select only dialogue from a specific speaker in the transcript and/or on the subtitle track to be able to either move/duplicate/delete and put somewhere else, or on another subtitle track. I hope I've explained that well enough. (This kind of goes along with the much requested ability to be able to multiple subtitle tracks visible at the same time, but I have worked out a work around for that for now, but I vote yes for that one too please)