Feature Requests

bonjour,adobe premier éllément et pro ...apres a voir questionner des pro du montage, aucun logiciel de montage acctuel ne permet l'export d' un projet en plusieur videos distincte.il serais tres interessant, que l'on puissent placer et superpossé plusieur "barre de la zone de travail" et de nome chaqu une de ses barre pour le nom des fichier videos corepondante.exemple : barre de zone de travail 1 : "l exporteur saison 1ep 1 comment decoupe des videos"barre 2 : "l exporteur saison 1ep 2 bygon le meuilleur chasseur de bug"barre 3 "l exporteur saison 1ep  3 j ai rate mon rush !"barre x : l exporteur saison 1 ep 10 j ai plus de place sur mon disques dur!"cf voir le peit montage d image en piece jointe.ainsi on pourais decoupe notre mettrage en plussieur "episodes" en une seul passe d'ecodage.merci

Currently in Premiere Pro, if you zoom in on a spot, you have to then press H, or select another tool to then be able to move around the frame to the specific spot you want. In both After Effects and Photoshop, you can simply hold spacebar, then use your most to move around the frame; you don't need to switch to a different tool. Why is Premiere handling this differently then the other two programs? Doesn't Adobe developers talk to each other? Shouldn't the goal to make using and learning each program as seamless and easy as possible?Also, the current H tool doesn't even work sometimes (PR 23.5.0). I was working on a commercial yesterday and the h tool stopped working, so I had to manually move the frame around with the side scroll bars. So can we fix bugs and also keep programs similar so that users can switch between them without issues?For example, in After Effects working with masks is SUPER easy, but doing masking work in Premiere is frustrating because it doesn't work the same. P

I sometimes feel the broadcast community that uses Adobe Premier are ignored.  I understand we are in the minority but a few minor changes could improve our work flow. The color correction area is one of them. 1. Broadcast color space. On the lumetri wave form monitor, why not 7.2 line for blacks.2. A black balance feature would be nice right under the white balance one.3. Auto color correction. To be able select NTSC broadcast color space would be great, I am not sure why this feature ajusts all the parameters including contrast. Ajusting the blacks, shadows, whites and highlights is ajusting the contrast. If you don't want to make a broadcast color space how about a lock out feature. I could set the blacks to 7.2 lock the parameter,  lock out contrast and hit the auto button and magic (maybe).

Feature Request: Do Voiceover like LumaFusion does it! How LumaFusion does it: You record your voiceover in the app and it plays along your timeline exactly as Premiere does. However when you are finished & hit stop recording, it let's you playback what you just recorded for preview & approve the recording.  If you aren't happy with it you can Re-Record immediately until you get a good take. If you ARE happy, you just approve it and then it puts your voiceover on your timeline.Why is this better? Right now I end up with dozens of extra audio files from Voiceover takes that weren't any good or I just wasn't happy with some wording in the take. Why should I waste storage space & clutter up my Project Bin with audio clips I'll never use or listen to again? On my current project I have about 52 voiceover clips in a bin right now. (That I have to manually sort into their own bin since Premiere just dumps them right onto the main project bin. That's a separate issu

Here is the problem: The "Close Gaps" hotkey is very useful and can save a lot of time. However, the hotkey does not work when there is a layer above or below the selected clips. This makes the hotkey unusable in many cases, e.g. if you have an adjustment layer above the selected footage. Even locking the track on which the adjustment layer is located, so that it is not/should not be affected by cuts, unfortunately does not help.   Suggested change: The hotkey should work just like "Ripple Deleat" on a selected gap between two clips... it should still work when there is a layer above the selected clips and should close the gaps between the selected clips as usual.  

I often want to have my clips follow the colour label that I set in the Project panel but not the clip name, but with the current way the setting works, it'll follow either both or none. My main occurance of this is when I'll make an Adjustment Layer and use it many many times throughout a project - sometimes to put a LUT on over a bunch of footage which I might rename it to Rec709, other times to just label a section of clips like "B Roll" or "Take 1" and place on the video layer above those groups. However when I reuse that Adjustment Layer over and over, with the option described above checked, it will assume the same name for ALL those broken up adjustment layers which mean they lose all their meaning. So I'd love to be able to have the function follow the colour labels I set in the Project panel but have the clip names be independent and not follow the Project panel or elsewhere on the timeline.

The "timeline playback auto-scrolling" options are buried deep inside the preferences, as one the users who frequently switch between  "Page Scroll" & "Smooth Scroll" depending on the project I am editing, I have to go to the preferences tick the switch there everytime I needed the other option. It's a very big time waster.So I wanted to request a toggle switch in timeline if possible, if not, then can you please add it to the keyboard map so we can assign shortcuts to the 3 options under the "playback auto-scroll". Thank you. Hoping you consider this.

When a clip part of a sequence in Premiere project is replaced with After Effects composition,The corresponding clip created in After Effects doesn't retain the Premiere pro file title, it shows the actual file name. This will make it difficult to find the actual file in scenarios where the file name is in unique Id formats. Please find the below screenshots explaining the scenario.    

When in the middle of a Premiere Pro project, I often add content to my project's local folder on my PC, where the original video/image files are stored. The problem is that these new files are not added to my project bin within Premiere Pro automatically - I have to manually add them each time. Having the option to sync my project bin with a local folder on my PC would save me a lot of time and energy manually moving files into the bin. Adobe, please implement this feature!

I think it would be cool to have more control over the texts animation. I would like to have the possibility to animate the kernin and the line spacing for example.

SuggestionA one-button function that would re-sync the audio to match the video or vice versa on linked clips. UsageIf I'm cutting b-roll and I want to use the natsot, there will be occasional adjustments where clips are out of sync. In example below, I'm 5 frames out.I would like to hit the 'Quick Sync Audio to Video' shortcut and the audio track would be slipped 5 frames to the left and nothing else would change. Conversely, I could hit 'Quick Sync Video to Audio' and the video would slip 5 frames to the right. Either way, my clips would be in sync, while the duration is unchanged and there no ripple effects to other clips or tracks. FurthermoreThis feature would also be handy for fixing those times where one loses track of 'Linked Selection' or which tracks are active and multiple clips are out of sync. I would rather not drag and cut the clips or use the Slip tool because clicking and dragging is the most RSI-inducing action on a computer and we should all

You know what I'd like to see...a more intuitive interface for exporting.The new exporter is nice and all, but the "go" buttons are all the way at the opposit corner of the screen from where you're putting in a new filename.  If you're splitting a timeline into multiple clips, this is a major time suck.  Two suggestions: 1. Make an option so that a "return" after typing in a filename has the same effect as either Export or Send to AME (switch selectable) OR2. Locate the Export/Send buttons up next to the file name field. Either option will save tons of time and lots of wrist action (carpel tunnel, anyone?) trying to find the stupid export button. Thanks. Steve

This is a feature Avid editors use frequently.  I can copy entire sections of a timeline and then insert them very accurately wherever I want them in the timeline.  Copy and paste can do the same.. but you have more frame accurate control over how you edit it back into the timeline with it stored in the source monitor.  And bonus you use the mouse less.  Such an easy feature than would make plenty of Avid editors very happy. So to recap:  Command +C --  Then allow us to Paste the contents of the clipboard into the Source Monitor with another assigned keyboard shortcut.  

Please make whichever soundtracks/SFX/Loops available on Premiere Rush also available on Premiere PRO. I edit for Social Media and need the PRO for captioning, but Rush for soundtracks.

I am working with a two screen setup and am happy with the modular way Premiere let's you arrange the different tool panels. However, it would be great if I can minimize my second screen panel window whenever I need to use the screen for when I quickly need to have a look at something in a different application (a script in word for example, or notes in notepad). There is only the option to close the panel, but that way I am losing my panel arrangement.

Some of my customers want to turn off opening multiple projects in Premiere Pro.   Moderator Note: Link/text removed. Sorry. Please do not use the internal developer tool to change the application.It is against the corporate guidelines and is a request from Adobe Premiere Pro engineering. Moved to Idea board.     Does anybody know, how wo turn off opening multiple projects now? Thank you very much!  

Dear Adobe...   For the love of God, please have your devs write the code for there to be left / right clip advance buttons present on their respective sides of the source monitor window.   When I go to Facebook and click on a picture, I'm then able to (without having to leave the enlarged picture window) click on either the left or right arrow buttons at the edges of the window to either advance to the next picture or go back to the previous one. This feature 100% needs to exist inside of the source monitor window in Premiere Pro.   It is an absolute pain (and a complete workflow momentum killer) when, if I'd like to peruse a large number of clips quickly, I have to switch back to the tab containing the clips and click on the next one I'd like to see instead of being able to just click a button already in my active source monitor window (or use the keyboard arrows) to advance to the next or previous clip / pic.   Seems like an easy fix. Love you guys.   S

Hi, I do a bit of corporate video creation/editing, and they usually require text overlay. It would save me a TON of time finding the right motion graphics template if I could filter the results by the font that is used or—even better—for templates that allow me to use any font (such as the one in our brand guidelines). It's a pain when I see a template that I really like and it turns out it's locked into a font family that is different from other templates I'm using in another part of the video and it can't be changed.

I'd like to be able to highlight my favorite dialogue in a separate color in the Transcription window for Text Based Editing. Descript has this feature and it's simple, but powerful, and allows for me to breeze through edits without relistening to the same takes over and over. 

Please add support for RED color management. Right now the only way is to go clip by clip which is not realistic. Please add an option like you have for ARRI, Canon, Sony, etc to transform LOG3g10 to Rec 709, or at the least allow us to copy and paste the Transform that lives in the MasterClip setting without having to copy everything else (ISO, KELVIN, etc)  

Id like to have a way to batch-remove specific Master Effects. For example, putting a LOG to REC709 LUT on all .r3d clips to edit and preview with and then remove when going into finishing. You can certainly add the LUT, or effect but there is no way to remove them all. Disabling does not work as it also disables all the RAW settings.  

Als KI begeisteter vervolge ich auf YouTube den ein oder anderen KI oder AI Intussiasten. Es ist gar nicht lange her da wurde erwähnt das KI Entwickler in der Video Branche eine Möglichkeit haben die im Video gesprochene Muttersprache in andere Sprachen akustisch wandeln zu können. Das meine Stimme plötzlich in Französisch, Spanisch oder Englisch spricht. Vegas warb jüngst mit diesewr Technologie, da ich aber schon Premiere nutze, will ich nicht Geld für eine andere Video Editing Software ausgeben. Ich kenne in Premiere die Funktion der automatischen Untertitel generiereung, aber in andere Sprachen Akustisch zu editieren, gibts das schon, oder kommt da von Adobe Premiere noch was?

At least give us an option in the preferences to toggle back to the old way of creating a new project. Forcing us to import all our footage at the top is an annoying imposition on our workflow. It takes too many steps to get to a new project. 

I've created hundreds of individual text graphics in many timelines in my project and I'm trying to get a "head count" of how many I actually created in PPro. They are on all sorts of different tracks. Is there a way to quickly find or gather all text graphics in one place? Are they stored in some hidden bin? Thanks!

I believe Premiere Pro still cannot speed ramp footage AND the audio as well! Making it sort of pointless for most speed ramping tasks. The second you speed change video and start ramping, the audio stops reacting and no longer changes. The amount of times I've tried to fake the audio sounds by splicing it 50 times and attempting to do it manually makes it very frustrating. Most of the time now I just decide to do it in After Effects and ignore the speed ramping feature in Premiere all together. This has been a feature in After Effects for like 20 years!!