Feature Requests
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Premiere Pro has a lot of effects and always we should search for any effects we want to use. I suggest that any effects we have searched for, which appear as recently searched or used effects. that saves a lot of time in order to search those effects again and again.
Bonjour, J'ai créé à l'aide d'un Arduino les touches "manquantes" d'un clavier, de F13 à F22. Ultra pratique me dis-je pour Première Pro! Mais j'aurais peut-être dû me renseigner avant, car ma demande n'à pas l'air d'être possible... Et pourtant, ça m'a l'air d'être un sacré gain de temps.-Pour me gagner du temps, j'ai créé tout un tas d'effets qui correspondent à mes besoin. Ils se retrouvent dans la catégorie 'préconfiguration' de la fenêtre Effets. > L'idée serait d'assigner un (bête) raccourci à un effet que l'on à soit même créé. Et oui, ce n'est pas possible. Et ça me paraît dingue
Catalina (Mac OS) has nullified the DV capture setting for Premiere Pro. Editors need this feature desperately. Please bring it back. I have lots of old tapes I need to capture. Am I supposed use iMovie?We pay for these features. Please add them back.
[1] MAKE MARKERS SEARCHABLE ACROSS ENTIRE PROJECTS, NOT JUST WITHIN CLIPSI recently purchased an app for Premiere called POWERSEARCH. It allows you to search and find markers and captions across your entire Premiere Pro project in a split second. As a documentary film maker I usually have a lot of footage to sift through and with Powersearch I can instantly find any Premiere Pro marker across the entire project. I don't have to be in the clip itself to locate it. This feature alone is saving me hours of needless searching. e.g. : In the example below, after tagging more than thirty WW2 newsreels with markers, I can now type a search term like "Dunkirk" and Powersearch instantly pulls up the four different marker locations with that label. Thank you Powersearch! [2] ALLOW US TO SET OUR OWN MARKER "DEFAULT COLOR"Am I the only one who doesn't like dark green as the default marker color? I know you can just hit "M" twice and then change the marker co
hey there, some people install videos from youtube sometimes even 4k footage from youtube but youtube compresses it to an codec called vp09 its for 4k and higher. premiere pro doesnt support it which makes editors need to reencode these again or go with lower quality videos. also add the av1 codec as its open source and its even better then h.265
please make more custimization in deleting silences like, "padding" so you say this is the where you speak for 0.7 seconds but you dont want to sound like your voice was chopped on the millisecond so you do "before padding" so you say it should get 0.1 seconds (of silence) in and then speak and after padding the same thing just the other way, so you speak and make after padding for example 0.2s so it makes a pause for 0.2 seconds till it goes to the next cut. 3rd party apps like timebolt or autocut.fr do that perfectly but they cost alot. with this we can save minutes if not HOURS of work. also an option called "filler words remover" would be also good like "uhm" or something like that.
if you go to the export tab and select use previews, it only works in the same codec for example prores 422 HQ can only be exported with 422 HQ. some years ago it used to work with every combination, you had prores 422 HQ as sequence and made previews you could use them to export h.264 and h.265 or even just prores 422 LT or Proxy.
Delete first 5-6 seconds and last 8 of every clip in project? I'm trying to remove the intro and outro and there are a lot of them.Either I can do it manually or script out the first 5-6 and last 8. The time of each clip varies so you can't just set the end times for all of them.We need scripting. So I've figured out how to do the first part but the last part requires math.. it should just be automatic with Scripting and especially with AI.
When a user uses the Copy and Paste function for clips from one sequence in Project A into another sequence in Project B, it would be wonderful if Premiere prompted something along the lines with Forgive my ignorance if this somehow already exists or if the solution/prompt could use some work, but... I know there are go-arounds that involve stripping away plugins via XML Exporting/Importing:https://community.adobe.com/t5/premiere-pro-discussions/how-to-copy-sequences-from-another-project-and-not-end-up-with-duplicate-entries-for-source-clips/m-p/5648901 This is similar to Finder/Explorer copying and pasting solutions as Premiere gives the user no option. In its current context Project files become increasingly polluted, especially if you're using multiple clips from multiple projects. This would be a great feature that would save me time and sanity.
In Premiere Pro applying a mask or a track matte key from the effects panel wastes time. It could exist as default in the Effects controls like Photoshop that we do not add masks from the filter window we just add masks from the layer panel that is it!I wish in Premiere applying a mask or matte would be so much easier
https://twitter.com/snebold/status/1715069517041398232/photo/3 AI Upscaling needs to happen in AE and Premiere Pro.
How about you guys shift-delete the whole "new project" part of Premiere pro, and do a simple new solution that every other software that has a working and fast solution uses? I updated my 12c/24t cpu to 7950x3D, (5ghz, 16c32t) and got DDR5 64gb ram, and the page is still lagging. (win 10, soon win11) I mean wow. It's the only software I have open. I'm sorry if my one of the best computers one can put together (excluding threadrippers etc) is not powerful enough to make a new project in Premiere pro, with normal UX. If anyone can please let me know, I'd be glad to do what is necessary. Aparently updating my computer did nothing. (newest version, and this garbage has been going on since the new project window was updated to this garbage) [Abuse removed by moderator]
I agree, having the ability to transform the layer like in AE, separately from the matte and without having to create nested timelines would be a lot more efficient in some cases.
Hello everyone! Excuse my automatic translator English 😞I have Premiere Pro 22.6.2 (Build 2)When I create a multichannel audio sequence and export it by choosing Quicktime, everything works, but the tracks all have the same name, for example:Track 1 - EnglishTrack 2 - EnglishTrack 3 - Englishetc.How can I make the tracks have the names of the different languages?Track 1 - EnglishTrack 2 - SpanishTrack 3 - Frenchetc.Thank you very much! Mod note: Title was changed slightly.
Are adobe planing to add ability to export LUT's from Premiere Pro in more quality way?It's little bit strange that i can exports high quality LUT'S from Photoshop, but can not do this in Premiere Pro... only 16 table size can be exported from Premiere Pro and in many cases it's not usable for color grading.
I've seen this feature in some of the best captioning apps, Premiere is not up there yet, but has definitely improved a lot in the last few years. It would be infinitely useful if the software can balance the length of the caption lines better when using two-line captions. A lot of the issues I have to correct manually is having a full caption with two lines, then the next one is a single word. There's no use or need for this unless there's a long pause in between words when speaking and 90% of the time this is not the case.So if Premiere could automatically fix a caption that reads like this:This time we will presenta deep dive into the softwareAnd turn it into this:This time we will presenta deep dive into the softwareAlso automatically fix this:For today's presentation we have apanelAnd turn it into this:For today's presentation,we have a panelThanks!
Hi, Can Adobe add a function or option to preserve folder structure on import? CMD+I to import and the folders are deleted, and my media is brought in as a mess of clips.I saw a post saying this was used for newsrooms working quickly. An option to "Preserve Folder Structure on Import" would help immensely as I create a strict folder structure on my hard drives and shared server. - Joe [Moderator note for clarity of request: this is during import processes (especially) using the Project or Media Browser panels.]
When using the caption feature you can automatically transcribe the audio into text and it can split up speakers (Speaker 1, Speaker 2, Speaker 3, etc.). Currently, I have to manualy add [Speaker 1]: and [Speaker 2] infront of the subtitle text. It would super helpful and efficient for Premierto have an option to add those speaker names in front of subtitle text when speakers are overlapping eachother, or the current speaker is changing.
put the interpret footage back to the top of this dropdown. it's the most used by far for anyone who works with slow motion footage. OR better yet, let us choose what order the options show up! so we can put whatever one we use most at the top. stop forcing bad changes on us adobe
Color Checker chart in Lumitri. Auto tracks the colors on the board in the shot so I can make sure I have perfect white balance in one button click. Davinci has this. I don't think it has auto-tracking for the color boxes, but that would be SUPER helpful. Having to download a third-party plugin is annoying. Especially when Davinci has this feature "Minus the tracking" built in.
Please make different open projects have different color bin backrounds or a color marker on each tab relating to the open project. Sometimes when multiple projects are open, it gets confusing which bin or sequence you are using.
Premiere Pro- Node-based color grading workspace option. - More robust color grading workspace like Davinci. Including Gamma, Lift, Gain, and other features that make selecting specific colors easier. The HSL is good, but it's difficult to use sometimes because of the pen tool not being very accurate for masking and not very fast in responsiveness. - Face tracking for color grading.- Basically, just take Davinci and make it Adobe lol Features like this would make Premiere a dream to work in. Color grading in here is kind of a pain right now. Basic grading is easy, but masking is not so good. Improved responsiveness and precision of the pen tool would be a major upgrade. The Lumitri Section is small and not so precise when it comes to using the pen tool to select colors in the different categories for HUE vs Sat and so on.The hit point for the pen tool needs to be improved. Its not as accurate as After Effects. That would be such a huge improvement. It's also v
I've spent countless hours copying and pasting text from PowerPoint into Premiere so I can animate the text and images and make the PowerPoint look nice. Also adding other broll clips and music/sfx. The usual video creation process. I know you can make videos in PowerPoint, but doing it in Premiere allows for much more flexibility. This would be very useful. This would allow for adding interview videos and then adding captions right in Premiere, instead of going back and forth between the two programs. Thanks!
Sending an XML + Media to a Resolve colorist is difficiult in Premiere. Divinci Resovle has an export type in their Deliver page which is a "XML Export to Premiere" option. It exports an XML of the sequence, then exports each clip in the timeline, with handles (if desired). This XML then imports nicley into Premiere, linked to the clips it created. I'm suggesting PPRO have the exact same export type, but instead sending and XML + Clips to Resolve. This would streamline the roundtrip to color in situations where the colorist does not have all the full source media on-hand. My current worflow for this would be to Render & Replace the sequence I intened to send to color and send and XML of that sequence - but R&R has an issue where it copies the entire source media along with transcoding which is very impractical (I have another feature request on this topic). So instead, I am sending and XML to Resolve, then creating the clips there by doing the "XML to Premiere" e
Auto translate captions and replace ons creen in any language. PLEASE. Could have used this so many times. Thanks!
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