Feature Requests

You know what I'd like to see...a more intuitive interface for exporting.The new exporter is nice and all, but the "go" buttons are all the way at the opposit corner of the screen from where you're putting in a new filename.  If you're splitting a timeline into multiple clips, this is a major time suck.  Two suggestions: 1. Make an option so that a "return" after typing in a filename has the same effect as either Export or Send to AME (switch selectable) OR2. Locate the Export/Send buttons up next to the file name field. Either option will save tons of time and lots of wrist action (carpel tunnel, anyone?) trying to find the stupid export button. Thanks. Steve

This is a feature Avid editors use frequently.  I can copy entire sections of a timeline and then insert them very accurately wherever I want them in the timeline.  Copy and paste can do the same.. but you have more frame accurate control over how you edit it back into the timeline with it stored in the source monitor.  And bonus you use the mouse less.  Such an easy feature than would make plenty of Avid editors very happy. So to recap:  Command +C --  Then allow us to Paste the contents of the clipboard into the Source Monitor with another assigned keyboard shortcut.  

Please make whichever soundtracks/SFX/Loops available on Premiere Rush also available on Premiere PRO. I edit for Social Media and need the PRO for captioning, but Rush for soundtracks.

I am working with a two screen setup and am happy with the modular way Premiere let's you arrange the different tool panels. However, it would be great if I can minimize my second screen panel window whenever I need to use the screen for when I quickly need to have a look at something in a different application (a script in word for example, or notes in notepad). There is only the option to close the panel, but that way I am losing my panel arrangement.

Some of my customers want to turn off opening multiple projects in Premiere Pro.   Moderator Note: Link/text removed. Sorry. Please do not use the internal developer tool to change the application.It is against the corporate guidelines and is a request from Adobe Premiere Pro engineering. Moved to Idea board.     Does anybody know, how wo turn off opening multiple projects now? Thank you very much!  

Dear Adobe...   For the love of God, please have your devs write the code for there to be left / right clip advance buttons present on their respective sides of the source monitor window.   When I go to Facebook and click on a picture, I'm then able to (without having to leave the enlarged picture window) click on either the left or right arrow buttons at the edges of the window to either advance to the next picture or go back to the previous one. This feature 100% needs to exist inside of the source monitor window in Premiere Pro.   It is an absolute pain (and a complete workflow momentum killer) when, if I'd like to peruse a large number of clips quickly, I have to switch back to the tab containing the clips and click on the next one I'd like to see instead of being able to just click a button already in my active source monitor window (or use the keyboard arrows) to advance to the next or previous clip / pic.   Seems like an easy fix. Love you guys.   S

Hi, I do a bit of corporate video creation/editing, and they usually require text overlay. It would save me a TON of time finding the right motion graphics template if I could filter the results by the font that is used or—even better—for templates that allow me to use any font (such as the one in our brand guidelines). It's a pain when I see a template that I really like and it turns out it's locked into a font family that is different from other templates I'm using in another part of the video and it can't be changed.

I'd like to be able to highlight my favorite dialogue in a separate color in the Transcription window for Text Based Editing. Descript has this feature and it's simple, but powerful, and allows for me to breeze through edits without relistening to the same takes over and over. 

Please add support for RED color management. Right now the only way is to go clip by clip which is not realistic. Please add an option like you have for ARRI, Canon, Sony, etc to transform LOG3g10 to Rec 709, or at the least allow us to copy and paste the Transform that lives in the MasterClip setting without having to copy everything else (ISO, KELVIN, etc)  

Id like to have a way to batch-remove specific Master Effects. For example, putting a LOG to REC709 LUT on all .r3d clips to edit and preview with and then remove when going into finishing. You can certainly add the LUT, or effect but there is no way to remove them all. Disabling does not work as it also disables all the RAW settings.  

Als KI begeisteter vervolge ich auf YouTube den ein oder anderen KI oder AI Intussiasten. Es ist gar nicht lange her da wurde erwähnt das KI Entwickler in der Video Branche eine Möglichkeit haben die im Video gesprochene Muttersprache in andere Sprachen akustisch wandeln zu können. Das meine Stimme plötzlich in Französisch, Spanisch oder Englisch spricht. Vegas warb jüngst mit diesewr Technologie, da ich aber schon Premiere nutze, will ich nicht Geld für eine andere Video Editing Software ausgeben. Ich kenne in Premiere die Funktion der automatischen Untertitel generiereung, aber in andere Sprachen Akustisch zu editieren, gibts das schon, oder kommt da von Adobe Premiere noch was?

At least give us an option in the preferences to toggle back to the old way of creating a new project. Forcing us to import all our footage at the top is an annoying imposition on our workflow. It takes too many steps to get to a new project. 

I've created hundreds of individual text graphics in many timelines in my project and I'm trying to get a "head count" of how many I actually created in PPro. They are on all sorts of different tracks. Is there a way to quickly find or gather all text graphics in one place? Are they stored in some hidden bin? Thanks!

I believe Premiere Pro still cannot speed ramp footage AND the audio as well! Making it sort of pointless for most speed ramping tasks. The second you speed change video and start ramping, the audio stops reacting and no longer changes. The amount of times I've tried to fake the audio sounds by splicing it 50 times and attempting to do it manually makes it very frustrating. Most of the time now I just decide to do it in After Effects and ignore the speed ramping feature in Premiere all together. This has been a feature in After Effects for like 20 years!!

Hey folks!I am currently editing a massive amount of time lapse videos of people working..There are hours and hours of material and hours and hours for me to manually edit all the little gaps where no people are seen in the clip/no work gets done..And it just crossed my mind that that would probably be a very easy task for AI...just like auto deleting pauses in speech, AI could detect video material where nothing happens and delete it..Until this is read by someone who also likes this idea, furthermore someone to program and implement this to premiere, this is probably too late for me.. but maybe in the future.. someone else has the same problem...What do you guys think? ps.: if this feature already exists - i hate myself and hope you tell me where to find it 🙂

There doesn't seem to be much difficulty, I just wanted to clarify how to export audio only or video only? Sometimes it is enough to transmit only the sound. I just wish I had more control over the process.For reference, I'm attaching the AAF export settings window from AvidMC.Thanks

So this is not a big deal, don't want to break anything, but I'm sure many users often have to do extensive relinking...  Gotta say I find the relinking process very efficient, except for one thing...  If you've got a media drive with all your media in a folder structure that matches the folder structure on the computer that it was created on, great... everything usually relinks when I relink the first file... Sometimes you may have to relink a few files, but generally works just fine...  However, when you're doing with someone who's worked on the project but doesn't have a clue...  when you hit a dead end and realize that you don't have the media, would be great, rather than having to cancel and go back a few steps, if there was an additional button to "make offline" and load the next offline clip...  Make sense?  I'm working with a client who's done some preliminary edits in Premiere 14 (I think she said). Sometimes I have the media, sometimes I don't...

Win 10please add a larger hit area around each name of previous projects in the home window panel.at the moment, the hit area where a mouse click works is a bit subtle, and it is unclear if a single click or double click is required, even if the mouse pointer changes. I find myself often frustrated by clicking on a prev project and it would not open because i was not precise enough to click the exact center.

I've had this same experience for YEARS (hence part of the reason for my lack of progress (and patience) learning Premiere).   This morning, all I wanted to do was CROP a video.  Good grief could it get simpler?  So I type, well, "crop a video" into Premier Pro Help - and I get results about masking, trimming, tracking, ETC ETC.  But - without digging and digging and DIGGING for my specific question (which seems pretty basic?), I can NOT find the answer.This specific example may or not represent the exact help issue I've had for YEARS with Adobe, but it's very similar.How in the heck can a multi-billion-dollar company not have sorted out it's HELP documentation any better than this?   Now of course I recognize I may be missing some BASIC way of actually getting HELP - but then maybe that's even more emblematic of the global problem - why is it so hard and unintuitive in the first place to type a simple help statement and NOT get the question answered? So then I

please add a key command that moves any slider up or down while the mouse hovers over the slider. it should be possible to determine which slider the mouse is over with the tooltip UX element.why?the user can click and drag a slider (i.e. lumetri), but that is pretty unprecise, because PP doesn't move the slider until a certain mouse movement threshold is reached. this is often frustrating since the user ends up with sudden gigantic changes. this is often true for complex PP projects where the UX is more affected by PP background processes, but may not show as such in simple projects. hitting a precise number with mouse click&drag is difficult. alternatively, the user can click into the number field, and use the up/down arrow with modifiers to change the values.most advanced users have additional input devices (i.e. shuttle express, DR panels, mousewheels, touchpads etc), where keyboard functions can be mapped. by allowing a PP keyboard shortcut to move a hover-over slider to move

Please allow the MMB to act as a temp pan/hand tool, just like in AfterEffects.it is hard as a user to constantly rethink the UI when rountdtripping between AE and PP.Additional bonus feature: allow the scroll wheel to act as a zoom tool in the program window

Please add subtle and alternating shading differences to the tracks in the timeline.use case scenario:I work on a documentary with 30 video tracks (mostly video overlays and tons of graphics). those tracks are set to "skinny" because the asset name is visible. given the number of tracks, it is hard to tell which track an asset is on (i.e. to temp turn the track visibility on/off). (same for audio tracks)a subtle alternate shading of the tracks would help to visually guide the user which track the asset is on.alternate solution: create a visual indicator on the left side (i.e. a highlight in front of the lock icon) to show which track has an item selected.

I like to have just 2 Timelines/Sequences open at a time; one with the rushes/daylies (also loaded into the source monitor, just like om Avid), and one Timeline where I'm working in. However I always have a lot of different source timelines that I need to switch between. I don't like having all these Timelines open, because it gets cluttererd quickly.It would be ideal if there was an option to limit the amount of open Timeline Panels. So for example, when the limit is set to 2, and you open a third Timeline, the first Timeline that was opened gets closed automaticly. Thanks!

davinci resolve having better color grading as compares to yours . u have to work on this section

Gros bug au niveau des timestamps: lorsque l'on supprime les timestamps créés au niveau de des "effect controls", ils se suppriment bien, mais la video elle même les garde en mémoire (d'ailleurs le "tracé" qui apparait sur l'image pour montrer le mouvement au fil du temps lui ne s'efface pas). Enormément de temps perdu dans la mesure où il n'est donc pas possible de revenir en arrière pour corriger ses timestamps... Il faut complètement refaire avec un nouveau ajout de clip... J'espère que cela sera réglé rapidement...