Feature Requests

When I save a workspace, the project tabs location doesn't save when using the custom workspace. I've spoken to support and I was told that the software doesn't currently support doing this which to me doesn't make sense to save half the workspace and not the rest.   [Moderator note: moved to Ideas section of this forum so that 1) it is flagged to the devs and 2) it allows other users to upvote your suggestion.]

I am growing ever frustrated with premieres use of absolute paths to media.  We work with a lot of freelancers and when I download a project they have been working on, I can spend sometimes 10 minutes just relinking the files (another side annoyance is the adobe file finder used to find files...it sucks...please let us use the os native file finder to find files, it would be different if yours was better, it is not)   Now to add to the frustration, today I discovered that premiere does not save the most recent absolute path, but the original.  Yesterday I was working at home and had to relink a bunch of files for a project.  Today I am at the office and when I relinked, a bunch did not auto relink as they had the absolute path to the files from the original editor, not the absolute paths from my relink yesterday.   It is absolutely rediculous that adobe is using absolute paths in the first place, nothing is gained and a lot is lost (a lot of time that is) &nbsp

My current situation is our company vernacular, Felician, is mistranslated 100% of the time in videos I subtitle using Adobe Sensei in Premiere Pro.  I cannot use the Find & Replace feature because Felician is associated with various words.  I have to manually find and correct the mistranslated company vernacular - a tedious and time consuming task.   Solution: Create a process where company vernaculars can be sent to Premiere Pro developers to add to the permenant word list of Adode Sensei algorithm. Or associate the vernacular to one word so I can use the find & replace feature. This will be extremely helpful.   [Moderator note: moved to the Ideas section of this forum.]

I wish there would be any button on the sequence timeline so that when it was enabled it would allow to zoom on the nested sequence that have that button on to preserve the quality as it happens in after effects. I will report an example. I've been asked to replace the screen of a projection during a talk. The camera was static during the shooting and the client wanted me to give some movement to the shooting.I replaced the screen with the source material (4k videos) and to do it I had to scale it down to make it fit inside the screen.To create some zoom in and out I nested the composited sequence so to zoom in and out easily without having to take care of the zoom of the projection and the entire frame of the shooting.Of course the quality has been lost in this way. If there was the button I'm asking for on the sequence timeline, enabling that botton premiere would zoom using the source clip so to avoid a loss of quality on the replaced screen during the zoom in operation. I hope this

It would be incredibly useful to be able to play both source and program monitor at same time.  Or at least give us an option in preferences to prevent program monitor being paused when source monitor is played. I would use this to trial out different background musics to play over my program.

Hi, guys, support me if you need this feature back (especially in the light of Adobe's decision to get rid of the Legacy Titler. We need STROKE effect in any way added to Premiere Pro, either as an effects plugin or a preset. Unfortunately I didn't find any third-party plugin giving Premiere Pro the ability to add that.The reasons: 1) I need to add stroke to pngs with transparency. I can do it with Essential graphics but THIS IS SO ANNOYING and inconvenient, plus I literally get no ability to further change the png once it has been bruoght to the Essential graphics or the firther editing is too limited and inconvenient. 2) I cannot add stroke to a video+alpha channel. If you put such footage to the Essential  graphics you cannot change its lenght, speed or time of the footage needed. And the essntial graphics does not accept NESTED files.Instead, you either have to do the editing in Ae where there IS a stroke effects, or do alotta preediting to the emulate this effect within Premi

Make Clicking "Position" on a Transform layer and then clicking and dragging the video to move the clip, similar to when you click on "position" under motion properties. Here's what I mean... If you click on motion... You can now click and drag anywhere on the preview video to move the scale, rotation, and position properties. This is great for keyframing. However... If you add the transform effect (which essentially does the same thing), it doesn't allow you to do the same thing. A lot of the time, I add transform to get the motion blur effect when zooming and adjusting positioning.This is how it looks when you click on "transform", but it doesn't let you click and drag the preview... It looks the same as above when you click on "position" under the effect, too.I'm hoping that you guys can hopefully update this effect in the future so that you can click and drag to move the video, much like you can on the motion properties, itself. This will help speed up rete

Remove the restrictions on the number of LUTs in Premiere. Now it supports about 350-400 LUTs, which is not convenient when you use different stylizations for different tasks and you need to try others, and not delete and throw others.#LUTs limitations | fix it

Add the ability to add LUTs to favorites so that you can easily and quickly use it in different projects without searching among hundreds of LUTs.#Favorite LUTs | add feature

1. Add the ability to support the display of folders with the contents of LUTs in them. When adding LUTs to the Premiere product directory, there is no structure in the program itself in the Technical and Creative tabs and the LUTs are scattered in a mix with the standard ones and there is no way to track a specific LUT in an unordered structure.2. Second, add the ability to add LUTs to favorites so that you can easily and quickly use it in different projects without searching among hundreds of LUTs.3. Third, remove the restrictions on the number of LUTs in Premiere. Now it supports about 350-400 LUTs, which is not convenient when you use different stylizations for different tasks and you need to try others, and not delete and throw others.4. Fix it the behavior of displaying LUTs in the viewing screen on the Limetri panel. Now, every time you view Luts and apply it to a clip, viewing new ones begins anew. This is extremely inconvenient and not practical. Consider displaying the LUT in

This is a very helpful function in AE that seems like it would translate perfectly into Premiere.

Currently, working with color in Pr is "neutered".To automate and align the white balance in 1 second and with one mouse movement, you need an offset wheel. The second, the offset wheel, performs global tonality adjustment in the image, reducing manipulations with the main color wheels.I demand to add an offset wheel to the workflow of colorists.

Not sure what to search to see if this question has been asked / answered though I'd love to be able to open my FX panel x2. I have multiple monitors, one of which is a fullscreen pancake timeline display.  Currently, I keep the FX panel to the right of the timelines as a narrow vertical column, hiding the keyframes.I'd love to be able to have the same window duplicated on the screen to the left of this, wider to allow for keyframe editing.Currently, I'll either reframe the window so I can continue to see the timeline and add keyframe view or I'll go full screen on the FX panel.This may be a unique request and not sure if it's feasible with Premiere's current programming since the two panels would have to communicate with one another.Thanks!

The EVENT panel is neat but useless. I click on the event and should be able to access that event. For example... me render is complete and it gives me the popup with the link to view. If I close that window, and then access the event I should have the same access, no?? Please add that to your next round of fixes.

I've just moved my small production team over to using the Productions workflow in premiere but have noticed that there is a piece of information missing from the Productions panel that would be useful to me at the point of seeing the entire Productions projects list. My request would be to attach the "User name" field found in the collaboration settings to the "Date modified" collumn- for example "08/12/2022 09:00:00 (MACMC) so that you can see who was the last user to modify the file, in addition to when that is currently displayed. When a project is open by another user you can see this information in the "Project Locked" collumn so the data exists. Could it be attached to the field once the project is closed by the active user, therefore being overwritten if a change was made to the project? The usefulness of this to me would be seeing who was last hands on with a project and who might have been responsible for a potential issue with the project file or its cont

Is it possible to have some basic sequence info as an overlay option within the program monitor? Pixel dimensions, frame rate, and PAR would be a helpful feature to visually reinforce with students who are using media from mixed sources. Thank you!

It'll be nice to have feature to see visualized changes on audio waveform when volume adjusted.

Hi, I would love to see an updated workflow with video and audio transistions in Premiere Pro. To be more specific, I would like the ability to handle speed and curves when working with transistions. I.e. the push/pull effects works as they should, but it would be much more useful with bezier curves or in/out speed handling in order to make the transition more smooth and pleasant for the eyes. More controls could be nice as well, but the speed/curve is what I had on my mind. // Nerd

Hello, I work on an online series that release a new ~30 minute episode every two weeks. We primarily edit with Arri Amira footage. On our Macs, the clips automatically import with the Arri Log-C input LUT applied. We work with ~2000 Arri clips per episode. I am familiar with the Interpret Footage > Color Management > Input Lut workaround, however given the volume of footage we work with, it's still a waste of time. Can we please have an option to no add the input LUT at all? Currently, multiple editors work on this project and our workflow depends on them disabling the LUT manually when we go to color. If they forget to disable the LUT, the baked input LUT goes through to our color protocol (Resolve) and we do not output the best product possible. This is a bi-weekly migrane.

The caption workflow should be easier. Now you have to move in the timeline in order to create a new caption. It should be possible to put text in a caption, then create a new one without having to move in the timeline.

A way to manually edit timestamps in the transcript window - currently experiencing many issues where audio needs to be split or merged and it's wreaking havoc on the timestamps. Currently just adding markers and planning to edit timestamps in export text file, but this is really time consuming. Sincerely,a very sad transcriber

Allow users to select multiple images/clips and change the motion parameter values simultaneously (position, scale, rotation, (and especially) anchor point and opacity...

Currently it is only possible to use Premiere Speech to Text option in normal dialogs. Adding to Speech to Text an option to recognize the dialogue of the songs and automatically generate subtitles would be amazing.  CapCut already has this function called Auto Lyrics, but only for cell phones.https://www.youtube.com/watch?v=Lvxvn74Q5VA 

I'd like to see a drag-select function added for toggle columns in the Timeline Panel, like you have in AE (lock, track, synch lock, eyeball, mute, solo).

In Adobe Camera Raw there's a great feature which shows the exposure clipping areas.Make the same one in the Premiere Pro.(sample images from freepik.com)