Feature Requests

If Premiere Pro had an Auto Sequence feature  like Avid Media Composer, it would save me hours and hours of syncing video and audio.   What I need is a function that lays all the video from each individual camera on a timeline by the timecode and have that sequence match the timecode of the clips so I can "Auto Sequence" each camera's clip by the timecode. When trying to perform a similar function in Premiere (multicam multiple clips by timecode), it trys to put each individual clip on a seperate layer, and that costs me even more time to move the clips on one layer. This should be a basic function and I'm surprised it doesn't exist.  I am working with 10+ cameras that are multicamed with over 12 layers of audio, so I need a way of quickly placing the clips on the timeline by timecode to sync them all which should be a simple thing to do. Something that takes me just a few minutes in Media Composer winds up taking me a whole day in Premiere Pro.

We can export markers, but not import them.Import -> CSV or TXT or JSON -> markers to sequence or markers to clip.Nothing too smart, just timecode and marker, maybe even the comment.This would help integrate with nonstandard workflows and would help prevent us moving the whole workflow to a competitor product.

Now I am fairly new to premiere so I believe ‘Bins’ are source folders to source monitor content from. *Correct me if I am wrong*However, these are not ‘Active’. Meaning if you add content into let's say a ‘_Footage’ folder within a Project folder and have that as a ‘bin’ in your project it won't update as you build/compile that folder locally.This is quite disruptive.Ideally a folder you create that contains all your potential source material in one folder should be ‘Active’ inside your Projects panel. As you build that folder you should automatically be able to source monitor those added files.This turns sequences into new compositions all accessing the same source material within the program within a single project.

For projects where assets are downloaded throughout the edit, this feature would automatically import any files within a locally stored project folder.For example if I have a folder - “Video A” - where all the rushes and assets for the video are stored, I could tell premiere to import anything added to “Video A” or any subfolders so if I download another asset mid-edit and it’s in “Video A”, it gets automatically imported.

Color Mode has this ring for saturation in the vectorscope which I find very helpfull.Can we have that in the vectorscope in the Video Scopes? 

I’m a music producer & sound designer with a lot of audio plugins and virtual instruments for use in my DAW. However I use Premiere for video work, and every time I update it insists on scanning all these plugins I would never use in video, and it often takes hours:My folder includes numerous synths, drum machines, samplers (Kontakt etc) that don’t even have a use case within an NLE, so it’s such an annoying waste of time when I run an update.I tried duplicating only the small amount of plugins I would want to use in Premiere and pointing to this folder, but it was problematic in that the plugins wouldn’t load or work anymore being outside of my system VST & AU folders. So I’m not sure what the solution is, but I was thinking a whitelist file where you could add the plugins you want to scan, and it will therefore ignore anything not in the list and ideally would scan much faster. Or a blacklist / blocklist which is the opposite, to ignore everything in that list. Whatever works

Advanced & User-Friendly Graph Editor for Premiere Pro (Speed + Value)   The Idea Introduce an enhanced Graph Editor UI within the Effects Control Panel in Adobe Premiere Pro — offering a dedicated, intuitive, and scalable graph interface similar to After Effects, tailored specifically for video editors.     Key Features Dual Graph Modes Speed Graph: Adjust temporal interpolation smoothly, with speed-only control for precise motion timing. Value Graph: Modify spatial or numerical values (e.g. scale, position, opacity) using value-specific curves. Larger UI & Responsive Graph Area Big, draggable Bezier handles Resizable editor panel (even full-screen toggle) Zoom + pan control for precise fine-tuning Snappy & Intuitive UX One-click switch between Speed & Value Graphs Smooth UI performance with clear keyframe indicators Modifier keys (Shift/Alt) for snapping, linear hold, or easing options Graph Presets & Custom Curves S

ok, I get it, you needed to get rid of Lumetri cause its old technology and doesnt work very well with today standards. But whatever lumetri lacked in precision gained in Speed. And Color is the slowest method I have ever came across! What made Lumetri faster and makes color slower?1. Whether we like it or not sliders are FAST, not very precise but fast, with lumetri you could get the basic grading and exposure down in seconds. with color you have to move your mouse left/right/up/down, pick zones, and repeat and so on. Sliders do 1 thing and when its the thing you need you go at it and do your job. 2. API integration, where is it? every slider in lumetri had an API connection, so loupedeck or any midi device you have via PRcontrol could control lumetri and moving those sliders with knobs is a big boost in both speed and precision. 3. Lumetri is always there! Next to the timeline, no need for back and forth between pages to adjust highlights or whatever.Now with the new color tab you ad

It's been some time since introduction of an automatic transcription feature in Adobe Premiere and I would really love to see an option to transcribe in polish language. It'd make my job a lot easier and MUCH faster. Please cosider. Thanks!

Please add the Polish language support

I really like the new Color Mode in Premiere Pro 27, but I'd love to suggest a small improvement that could make color grading much more intuitive and efficient.Currently, when clicking on a color control, the pop-up interface allows adjustments by moving the mouse vertically or horizontally.It would be great to have an option in Preferences to replace mouse movement with scroll-wheel input.For example, using my Logitech MX Master 3S, which has two independent scroll wheels: Vertical scroll wheel: Adjust the vertical parameter. Horizontal thumb wheel: Adjust the horizontal parameter. Ideally, both wheels could control the two axes simultaneously while the color control is active, without needing to move the mouse pointer.This could provide a much more precise, tactile, and comfortable color-grading experience, especially for users with mice that support horizontal scrolling.I believe this would be a valuable addition to the new Color Mode.Thanks for considering it!

The speech to text tool makes an awful lot of faults in french (idk for english) and it is just so bad/and so slow tu use.

Hi, I am trying to create caption in Bahasa Indonesia for a Video. But Premiere Pro auto caption allows only few languages such as English, Mandarin, Spanish, German, French and Japanese, etc.It will be helpful if Bahasa Indonesia is available for this feature because my video editing project is in Bahasa Indonesia.

Feature request: Make it possible to switch the log monitor to a different color space. Since the new color management improvements the colors in the source monitor and the timeline no longer match. I get  this from a technical standpont but from a creative standpoint this makes no sense to me.I use the source monitor to select my in and out points. I cannot do this if i have to watch the footage in log colors. The image looks washed out, this makes it hard to judge how it wil look on the timeline. It makes it hard to  appreceate the image from a creative standpoint, and it forces me to keep thinking about technical stuff in a creative process.Please make it possible to select a colour space for the source monitor, and default it to the timeline color space. Please upvote this request, thank you.  

Would love the new premiere color mode to expand generative capability to be a little better at taking completely different looking clips i.e. overexposed outdoor vs. indoor clog and making them look like they were shot same time, place and camera.

Premiere Pro 27.0 Color Mode feels incomplete. It's not intuitive for simple adjustments and forcing premade “styles” when really you just want to white balance and adjust white and black levels. and the real gut punch, Color Match is gone. im sure im not the only person that shoots on different cameras, and matching up color in post is essential to workflow. You really should have warned users of what was being taken away before updating. Im highly disappointed and betrayed after watching that Opening Keynote about “Creatives” being listened too. just sounds like a lot of BS. Jus take a moment to stop and think just because you can doesn't me you should. I’ll be going back to 26. what a MASSIVE disappointment 

Show action name in Undo/Redo like Photoshop's History panel. Right now, it states simply UNDO or REDO. We would benefit from a more explicit UNDO TYPING or whatever was just done. Also if the AI interface agrees that a problem exists within the UI, can Adobe please give the AI assistant a feedback channel so recurring pain points from user interactions can inform the product roadmap?

i need the old trusty lumetri color panel on the new v27 premiere pro. i used it for 10 years and i cant cope with the new awfull color mode! i need to work fast to keep with the deadlines and the color mode is a joke! 

The ability to use Adobe Podcast Enhance within premiere pro to avoid round tripping and having multiple files. It would save a lot of time to have this wonderful feature available in app. 

Right now when you use the time remapping feature in Premiere Pro, it does not influence the audio linked to the video, so if you want to make a gradual speed ramping, your audio looses synchronization after the point where the speedramp starts. I suggest adding speed ramping for the audio as well - an automatic one that changes the audio pitch to the same extent as the speed of the video, and a separate one - to manipulate the speed of an audio that is unlinked from the video or has no video at all. I'm not talking about changing the pitch but rather changing the speed with the time remap handles like it's done with the video, so the duration of the audio track is changed as well when applying this time remapping for the audio.I know, I can cut the part I want to change the speed of and use "Maintain pitch" checkbox but this is not time remapping, but rather changing the speed abruptly. Suppose I have a video of a basketball match and I want to speed-ramp the goal moment retaining the

 Windows ARM版PCでPremiere Proを使用しています。Premiere Pro本体は動作しますが、UXP Developer Toolsが提供されておらず、.ccxのインストーラーもないため、サードパーティ製のUXPプラグインを一切導入できません。ARM版PCは増えているので、x64版と同じようにプラグインを使えるようにしてほしいです。

The enhancement from (formerly Project Shasta) Adobe Podcast is AMAZING.  It transforms (most) bad audio into professional sounding audio and professional audio into beautifully-curated EQ'd and Compressed, pristine audio.  If you haven't tried it first-hand, you MUST give it a shot.  It could make you a believer. The good: For single-channel, vocal driven audio, there is literally nothing that sounds better to me.  The bad: 1. I have to export a Raw Waveform and submit it to the website. 2. I have to wait for the file to process. 3. If there are any anomalies that created unwanted compression/limiting/EQ, I have to keyframe the audio's gain in those parts and rinse and repeat until I get the result I want.  4. There are NO parameters to fiddle with, but the end result is usually 99% perfection, I kind of don't care: it is quickly becoming part of my editing workflow on every project.The hope: Whether the process could live locally on Premiere or

Adobe Max - adding the lumetri curves into the new color feature for more comfortability for ppl used on that system 

Please add the following settings1. Ability to disable zoom on the program window or change mouse scroll wheel behavior. While scrubbing on the timeline with the mouse wheel it's prone to accidentally moving the cursor over the video and unintentionally zooming causing a frustrating experience.2. Setting to disable the nodes on audio transitions in the sequence timeline. They make it more difficult to make edits in the timeline.   Mod note: The title was changed slightly

Currently, if you change the color label of a piece of media, and then make a subclip from that source clip - the subclip’s color label is set to the default color label and does not match the updated color label from the source clip. This means, that after creating subclips, you must remember to go back and adjust the color label for those if you want them to match. It should be the default setting that subclips created should automatically match the color label that is set to the source clip.In addition - a nice option would be to have a setting to have “timeline clips automatically update to match the source clip color label”. This should not be a default setting, as there are many reasons to have separate color labels between timeline and project panel - but having it as a toggleable option would be nice.