Feature Requests

In Premiere, when I export a file, a little blue post-it note sort of window pops up informing me that the export was successful, and displaying the file path where the exported file lives. This is nice, but what I'd really like is to be able to click on that file path (or something like it) and have Explorer or Finder open the folder containing the export. Instead, if the folder isn't already open, I have to manually find my way back to it through Explorer or Finder, which costs time.  This functionality is available in Media Encoder, and it's really handy. I don't always use Media Encoder to encode things, but I'd love to have the same ease of access in Premiere.  

मैं एक वेडिंग वीडियोग्राफर हूं और रोज़ाना Premiere Pro पर काम करता हूं। मुझे एक समस्या का सामना करना पड़ा जो शायद कई एडिटर्स के साथ होती होगी:अगर किसी क्लिप का ऑडियो टाइमलाइन से गलती से डिलीट हो जाए, तो उसे वापस लाना बहुत आसान नहीं है। Undo (Ctrl+Z) सिर्फ तभी काम करता है जब गलती अभी-अभी हुई हो। अगर बीच में कई और स्टेप्स हो चुके हों, तो Undo करने से बाकी सारा काम भी वापस चला जाता है, जो प्रैक्टिकल नहीं है।अभी इसके लिए जो तरीके हैं (जैसे History panel, ओरिजिनल क्लिप को दोबारा Project panel से लाकर मैन्युअली sync करना, या Auto-Save बैकअप से रिकवर करना) काफी लंबे और उलझे हुए हैं, खासकर डेडलाइन के दौरान जब समय की कमी होती है।मेरा सुझाव है कि Premiere Pro में एक सिंपल "Restore Audio" या "Re-link Audio from Source" जैसा फीचर होना चाहिए, ताकि linked क्लिप का डिलीट हुआ ऑडियो एक क्लिक में वापस source से जोड़ा जा सके, बिना पूरा Undo history खोए।उम्मीद है टीम इस पर विचार करेगी। धन्यवाद।

Please add the option to Reload Footage from the project panel.Example:You have an image sequence in your timeline. You edit the sequence in AE (for example) and re-export, having now a sequence that is 1 second longer. This doesn't update in Premiere, which see there have been changes to the sequence but it doesn't realize it's now longer.You now have to select your sequence in the project panel, click Replace Footage, navigate back to where the sequence is (very annoying) and select it again. Just add an option (like in AE) to reload the footage instead.

After Effects has this option, and for good reason! Auto bezier leads to all sorts of unintentional movement. This is especially newb-unfriendly.This is Unique ID 148 on my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629

Request: ‘Zoom to fit’ - or ‘Auto-track height’A function that zooms all tracks to fit the height of the timeline panel...See all tracks in the timeline with a single shortcut Track heights always zoomed to fit the available height of the timeline panel Option to ignore separate audio/video spaces and zoom all tracks to all the available height Want to see all timeline tracks? Hit the shortcut for the new ‘Zoom to fit’ function Tracks too small? Enlarge height of the timeline panel and tracks auto-scale to fit height Tracks too big? Use the existing ‘Minimise all tracks’ shortcutLet’s remove the work currently required to see all timeline tracks - we know you can do it!Cheers, Ben Similar posts around the same issue: seeing all your tracks with zero work...https://community.adobe.com/feature-requests-730/bring-back-the-old-default-track-height-1327501https://community.adobe.com/feature-requests-730/timeline-views-1548039?tid=1548039&fid=730 

working as a doc editor, often need to pull quotes to put into a paper cut and it would be so much simpler if I could select and copy the text directly in the transcript window to paste outside of premiere. currently need to export the transcript, then find the sound bite I wanted, then copy and move it over. this takes a long time when working on long interviews to read back through the transcript instead of being able to copy it while the transcript is following the active monitior I am watching. 

Currently, when editing MOGRTs in the Essential Graphics panel, the text input fields are too small and restrict visibility. When working with longer strings of text (like paragraphs, subtitles, or lower thirds), the single-line input box makes it incredibly difficult to review, edit, or format the copy. Please add support for resizable text fields, or multi-line text areas that dynamically expand, so editors have more room to see the text they are actively working on.Is there any plan to update the UI for the Essential Graphics panel so we can actually see the text we are typing? The current text input fields for MOGRTs are way too small. We need multi-line text areas or draggable/resizable input boxes. Editing a paragraph of text in a tiny, single-line window is a major bottleneck for our workflow.  

Relinking is now maybe the most hateful task with Adobe Premiere Pro. The system is incredibly slow and clumpsy when detecting and relinking files. It should be able to make suggestions, detect patterns in folder structure similarities, etc. since many projects without assitant editors, and inherited hells from unproffesional editors do happen. Names with slight changes, or different formats, should be taken into account. The same for Proxies. Also, I was wondering if it would be possible to have a safe environment to organize the HD keeping the linking with the project safe. I know this is not ideal but this kind of situations also happen: you want to reorganize your drive but you have the double task to relink in Pr. Thank you.  

Hi,Currently, creating a Multicam Source Sequence requires selecting raw clips in the Project Panel, running Create Multi-Camera Source Sequence, and then editing the resulting multicam clip back into the timeline.If clips are already laid out on multiple video/audio tracks in a Time of Day sequence (e.g., synced manually or through Tentacle Sync Studio or Syncaila, via audio align, or during a rough edit), there is no direct way to bundle them into a Multicam Source Sequence right from the timeline. The only current option is Nest..., which creates a standard nested sequence, not a Multicam-enabled source sequence.I think we can all agree: nested sequences (and manually enabling the multicam function on them) are less reliable, less stable, and carry a much heavier performance overhead.Proposed Solution:Add an option in the timeline right-click context menu (similar to Nest...) called "Create Multicam Sequence".This should:Take the selected stacked clips on the timeline and wrap them

While you can still export HDR content using Hardware Encoding 2100 PQ, you cannot "Include HDR 10 Metadata", unless you use Software Encoding. Adding the ability to "Include HDR 10 Metadata"while using Hardware Encoding would help greatly speed up exports for HDR videos. This would help give YouTube more information about your videos to display them correctly.

The new Magnify effect is really cool, but it only allows circles and squares, and often we need to highlight a rectangular area, which the current effect doesn't allow.I would like to request better control over the magnifying glass shapes to achieve this effect.

Hi, I am trying to create caption in Bahasa Indonesia for a Video. But Premiere Pro auto caption allows only few languages such as English, Mandarin, Spanish, German, French and Japanese, etc.It will be helpful if Bahasa Indonesia is available for this feature because my video editing project is in Bahasa Indonesia.

When working with the Transform effect on a clip, or adjustment layer, it often automatically defaults to changing the anchor point if you try to manually reposition the clip.It would be incredibily helpful if there was a lock symbol that could lock the anchor point on the Transform effect so that it becomes impossible for the anchor point numbers to change. I have edited lengthy videos where halfway through I accidently changed the Anchor point, thinking it was the position, and then the entire rest of my Transform effect keyframes were incorrect and I had to do them all over again, which wasted a lot of time.Anchor point should be defaulted to locked, as most people will never need to adjust it.Same with ‘auto bezier’. It should NEVER default, yet when creating position keyframes, they ALWAYS 100% of the time default to auto bezier…In 20 years of editing, I have NEVER needed auto bezier.Thanks.

I already see Hindi. Which gets me hyped up

After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)This is very important for sprite art, screenshots, screen recordings, etc.Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:https://forums.adobe.com/thread/1061901NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.

I wanted to share an idea on integrating time sheets directly into Premiere Pro to streamline our workflow. By utilizing extensions (or markers/metadata panels within the workspace), we could track editing time per sequence or project automatically. This would eliminate manual entry and improve client billing.

I’m working on a project, and I go to reference another video with the context of referring someone to watch a previous video for education purposes, I pin a short clip of the referenced video on the timeline just above the major video then scale it down so it draws the viewer for just a brief second to the referenced video I like them to eventually go and look at. I would like them to see the whole full referenced so if I could add hyperlink on the video so when they click it or a text that says “click here for full video it will take them there. Just like in YouTube except this video is not on YouTube its on Instagram so it's not like I could make card for it. So what if you guys allowed hyperlink embedding write on the timeline! That would be a game changer because then we could reference videos on platforms lime TikTok or Instagram or anywhere where the link will take them and just embed it on something they could click. Make sure when you guys follow through with this, I get my Cr

Hi Adobe Team,I am a professional editor working on long-form projects. I’m currently working on a 20-minute sequence that contains over 50-60 clips with the Warp Stabilizer effect applied.Every time I move these clips to a new timeline or nest them, the effect loses its analysis and displays the "New frame sizes; click Analyze" or "Analyze" banner. Manually clicking "Analyze" for 60 individual clips in the Effect Controls panel is an incredibly tedious and time-consuming process.I request the following features: Background Auto-Analysis: An option to let Premiere Pro automatically trigger the "Analyze" button in the background whenever a clip is moved or changed. Global Analyze Button: A single command (e.g., Sequence > Analyze All Warp Stabilizers) that triggers the analysis for every clip in the active timeline at once. This would significantly improve the workflow for editors dealing with high clip volumes. Thank you.

Hi, I'm looking for a way to get Warp Stabilizer to automatically start analysing.I've made a preset(because who wants 50% stabilisation), but every time I add this effect to a clip,i need to go to the Effect Controls, scroll down and click Analyze.Can't it just start automatically? greetings!

Feature Request: Option to retain local audio preview scratch disks within Productions by default on individual collaborators' machines. I work with several other editors and assistant editors, each of us on multiple machines, on a shared Lucidlink volume, using Productions.We are big fans of Productions and big fans of Lucidlink, but do have a small nuisance that we're hoping find a better workaround for. Our scratch disks are set locally (not on lucid), which seems to help render speed during sessions and prevents those with slower upstream connections from getting their bandwidth choked. Often, sometimes several times per day, one or all editors collaborating will need to reset their video & audio previews in the Production's scratch disk to their own individual local non-lucid cache folders. Ideally, there would be an option in Premiere to allow each machine to have its preview file paths stay locally assigned.  Within Preferences>Collaboration perha

Videos shot vertically on DSLR cameras are recorded as 16:9 ratio. When imported to premiere, they display 90degrees sideways. There needs to be a way to simply batch rotate these videos 90 degrees to 9:16 ratio.

When using a project manager, all files are placed in one folder.   When using a project manager, all newly generated files are placed in one folder. File management becomes complicated and very inefficient. Please generate the file while keeping the original folder structure!   プロジェクトマネージャーを使うと１つのフォルダにすべてのファイルが入れられてしまう   プロジェクトマネージャーを使用すると、新たに生成されたファイルは、すべて１つのフォルダに入れられてしまいます。 ファイル管理が煩雑になり、とても非効率的です。 元々のフォルダ構成を保ったまま、ファイルを生成してください！

When using the function Removing Attributes, the checkboxes are not sticky and always revert to a default. This is different from Paste Attributes, where if you change the attributes that are to be pasted, the checkboxes stick - they are “sticky.” This needs to be the same for Remove Attributes.This causes needless extra clicks when I have a multicam sequence and decide to change the colour grade of an angle. But want to keep the Motion settings, for example if the camera was on a slight angle and needs to be reframed.But when I hit my key combo for remove attributes, I always need to uncheck Motion. Every single time. I wonder how many hours over the years have gone to unchecking this box, over and over.So please, make the Remove Attributes checkboxes sticky, so that I only need to do this once. Thanks.

Dear Adobe Team, I’m writing to request the addition of Urdu language support in the Captions and Transcript feature of Adobe Premiere Pro. As a content creator in Pakistan, I often work with Urdu videos, and the lack of this language in the transcription options creates difficulties in producing accessible and accurate content. Urdu is spoken by over 170 million people globally, and its inclusion would greatly benefit creators across South Asia and beyond. Adding Urdu support would be a huge step forward in making Premiere Pro more inclusive and creator-friendly. Thank you for your attention to this request. Best regards,Qasim Zia [personal info deleted by mod]

 Rather than “maximum length in characters”, or even just as another option. It’s far more intuitive to think in words rather than characters. I can’t instantly think of what 42 characters means but I can think what 5 words means.