Feature Requests

Frame.io storage should be included as part of Adobe Creative Cloud storage, not treated as yet another paid extra. Adobe previously offered Creative Cloud Files as part of the subscription, a feature they have since largely phased out. Now, rather than providing a proper replacement within the existing subscription, they’re charging customers additional fees for Frame.io storage.It feels like a real kick in the teeth for loyal Creative Cloud subscribers who are already paying a significant amount each month. Frame.io is so closely integrated into Adobe’s ecosystem that its storage should be part of the package, not another opportunity to squeeze more money out of customers. It increasingly feels like we’re paying more while getting less.

 I am a professional editor and I need Premiere Pro to support the Greek language for automatic transcription and captions. Currently, Greek is missing from the language packs, forcing us to use third-party tools or manual work. Please prioritize adding Greek to the supported languages for Speech-to-Text in Premiere Pro 2025. It is a vital feature for the Greek creator community. 

Dear Adobe Premiere Pro Team, I am writing to express my dissatisfaction with the changes introduced to the masking workflow in Adobe Premiere Pro 2026, particularly the new Object Mask feature and the updated mask creation and editing tools.Although I understand the goal of improving Premiere Pro through artificial intelligence, the practical experience has become more complicated and less efficient. As a user, I feel that creating, adjusting, and applying masks now requires more steps and manual intervention than before.This update has had a direct impact on my workflow. Tasks that used to be quick and intuitive now take considerably longer and require constant corrections to the selection, mask edges, and tracking. Instead of simplifying the process, the new system has made masking frustrating, less predictable, and more time-consuming.A professional editing tool should allow users to choose between automation, manual control, and a simple traditional workflow. I therefore ask Adobe

an ai effect where you can track a subject and apply ai blurs around like if you were shooting on a selected camera (eg arri alexa). so that you can get a more cinematic depth of field than, say a iphone or apsc camera

Dear Adobe Team,I am writing to express my deep disappointment and frustration regarding a glaring omission in Adobe Premiere Pro: the continued lack of native Speech-to-Text support for the Arabic language.It is completely unacceptable and frankly baffling that Arabic—a language spoken by approximately 450 million people worldwide and serving as an official language in over 20 countries—is entirely absent from the Speech-to-Text feature set in Premiere Pro.In today’s digital landscape, short-form and long-form video content heavily rely on captions and automated transcriptions; virtually no video on social media is published without text elements. Yet, Adobe continues to completely ignore hundreds of millions of creators, editors, and media professionals across the Middle East and North Africa—including major cultural and economic hubs like Saudi Arabia, the United Arab Emirates, Qatar, Kuwait, Egypt, Syria, and Lebanon.While Adobe lags behind, other companies have recognized the imme

It’s not stable and full of bugs, like audio clicks on edits and many others. Users are switching to other editing tools due to such. I’m in transition now as are many of my colleagues. 

I am beyond frustrated. Unless I’m missing something, when you have an export in progress, and you accidentally hit the ESC key, it stops the export WITHOUT first a message asking you if you want to kill your export or not.  In my case, my export ran two hours and with like 10 minutes to go I accidentally hit the ESC key and poof, my export was killed with no recovery or anything.  If this is true, in this day and age, not to have a chance with a simple pop up to accept or reject the ESC command so a mistake like this does not happen, is pretty disappointed for a company like Adobe.  Give me a break.  Very very very disappointed and you wasted two hours of my productivity not having a simple fail safe in this circumstance.  Mike DeSorda, maybe not a future customer.  

Consider the ability to screen capture from within Premiere Pro. Currently, I have to capture with other tools, export (in some scenarios), and bring the video into Premiere. I’d love to avoid losing a generation and have a high-quality recording available immediately on a timeline inside Premiere.

I’d like to request a Lock Workspace option in Premiere Pro.Once I’ve set up my panels exactly how I want them, I’d like to lock the layout so nothing can move, resize, dock, undock, or close until I turn the lock off myself. Right now it’s too easy to drag a panel by accident while editing, especially on a smaller screen or when Premiere is lagging, and then I have to stop and reset or rebuild my workspace.How it could work:A toggle under Window > Workspaces > Lock Workspace A padlock icon in the workspace bar so it’s easy to see whether the layout is locked An optional keyboard shortcut to lock/unlock quickly While locked, panels can still be used normally (scrolling, editing, playback), but they can’t be dragged, resized, docked, or closed The lock stays on when switching workspaces or reopening Premiere, until I choose to unlock itWhy it matters:Prevents accidental layout changes in the middle of an edit Saves time spent resetting or re-saving workspaces Helps on laptops and

I would like to be able to reuse graphics and animated graphical loops designed within Premiere Pro, to be used in other projects also entirely within Premiere Pro.I have created several intros / outros for several clients that they love, but right now I have to open a project, copy/paste the selected layers/effects/items, and close the other project. I would like to NOT do that anymore, and just have a area within Premiere Pros huge garbage library of garbage things, where the things I need the most can be saved and utilized easily between projects.I do not want to open project, copy/paste, close project, etc. The bloat on a system for that to work is astonishing. I just want to have this outro saved within Premiere, so I can use it again. That’s it.

Currently the only way to share a specfic URL from a upload in the Frame.io premiere plugin is to create a share link, which isn’t always nescessary for sharing video assets amongst team members. Can we add an option to have the “Copy asset URL” from a selected upload in the Frame.io premiere plugin? Unless I am totally wrong in that they are completely the same, but I know team members have flagged share links as not what they were looking for. 

When you copy a sequence and then delete clips in it, the old transcription stays with the timeline. Sometimes I copy a timeline because it has a layout and features that I am using consistently throughout a project but am building new edits within it. I realize that creating a template is probably the best way to go, but sometimes I just want to copy another timeline with edits already in it and work from that. I'd like to be able to just completely delete the transcript that comes over with it.  Perhaps offer an option in the ... menu to CLEAR TRANSCRIPTION I am on MacPro (M1) in PP 23.2 on Ventura

Please add a tool to automatically detect beats in music and add markers to the timeline. Looking for something similar to what Beat Edit does, but built into Premiere. This let’s the video editor make sure cuts happen right on the beats. I’m really surprised Premiere has not added this yet. Seems like such a useful time saver for social video editing. 

Please bring back old lumitri window from 26 beta. The new one is not user friendly, doesn't work as well. It the half version you added misses half of the original stuff. Leaving it as an effect without the visual aids is not a replacement.

video player inside premiere so when you turn on the editing video the video that you are listening to stops. This would really help the beginners listen to a tutorial and then switch to do that in Premiere and then listen to the tutorial again. Also this would really work for people who love listening to music so they could listen to the music when video's audio is not playing. Also add some features to it such as mute when playing/pause when playing and more:)

With the new track header labels - sine they can fill the full tracks (individually) how about allowing the user to create sequence pretests that add track headers labels to the preset. so that an Assistant Editor can make customized color coded sequence presets. AND/or enable the new AI assistant to do it stand alone based on prompts  have an AI generated mock up below- this would also enable more options for the video tracks loin the audio tracks have - with preset track names etc.   

Here’s a case: I have a podcast with 2 people speaking, each having their own mic. They cannot be synced with the multicam feature of Premiere since the audiowaves are different and there’s no bleeding from one mic into the other, so Pr cannot catch any common waveform parts. So you do the syncing by hand, that’s alright, but you cannot transcribe the sequence when there are 2 different tracks on the timeline - Premiere transcribes only the first track:I can transcribe each clip in the project bin but I cannot then in any way work with the transcription having the two transcriptions in from of my eyes at the same time - I either have to which from one clip to another or make another sequence to make the whole audio just one track but this way Premiere treats the audio as one wholesome source and cannot distinguish between the two tracks, so when people start to speak simultaneously, Premiere makes a lot of mistakes. I’d like to request to add a per-track transcribation feature to make

Right now when you use the time remapping feature in Premiere Pro, it does not influence the audio linked to the video, so if you want to make a gradual speed ramping, your audio looses synchronization after the point where the speedramp starts. I suggest adding speed ramping for the audio as well - an automatic one that changes the audio pitch to the same extent as the speed of the video, and a separate one - to manipulate the speed of an audio that is unlinked from the video or has no video at all. I'm not talking about changing the pitch but rather changing the speed with the time remap handles like it's done with the video, so the duration of the audio track is changed as well when applying this time remapping for the audio.I know, I can cut the part I want to change the speed of and use "Maintain pitch" checkbox but this is not time remapping, but rather changing the speed abruptly. Suppose I have a video of a basketball match and I want to speed-ramp the goal moment retaining the

Currently there is no way to select timeline contents within in/out point other than manually dragging bounding box with cursor which is cumbersome. When working with longer videos and needing to make sub sequences this would be incredibly useful.Also can we get spell check with text tool?

Is there a roadmap for native JPEG XL support for Premiere? It is poised to be the new still image hotness and video editors have plenty of need for high quality, feature-rich still images.

I have a 2017 macbook.  I can’t download the latest Premiere but am still charged full price for creative cloud despite not being able to use the software.  I can’t collaborate with other Adobe users and the ONLY reason is Adobe refuses to update old versions.

I often search transcripts for something an interviewee said, only to get lots of matches from the interviewer that I have to sift through.Would love to be able to combine the Text and Speaker filters to narrow down the results.

With the launch of the Samsung Galaxy S26 Ultra and the integration of APV into Android 16, there is a growing need for native support within Premiere Pro. APV is an open, royalty-free, Intra-frame professional codec (IETF RFC 9924) designed specifically for high-end mobile cinematography and post-production.As professional workflows increasingly incorporate high-quality mobile acquisition, Premiere Pro and AME users need the ability to import APV footage without the time-consuming step of transcoding to ProRes or DNxHR.Why this is critical for Premiere Pro: Professional Specs: APV supports 10-bit and 12-bit depth with 4:2:2 chroma subsampling, making it a primary source for high-dynamic-range (HDR) and Log workflows. Editing Performance: Unlike HEVC, APV is an Intra-frame codec. Native support would allow for smooth, "buttery" timeline playback and scrubbing without the overhead of predicting frames. Open Standard: APV is standardized by the IETF and included in the FFmpeg 8.0+ li

Hi there.  I know we can lock whole audio and video tracks in a Premiere timeline, which i use a lot.  Suggestion -->  It'd be even better if we had more accurate control over what was locked in a timeline, instead of only being able to lock entire audio or video tracks.  As in, in my timeline, I'd like to be able to click/lasso select single video/audio clips or multiple video/audio clips, anywhere throughout the timeline, and then, JUST LOCK THOSE SPECIFIC SELECTED CLIPS, similar to how I can "enable" or "disable" single clips in Premiere.  That way, for safety, I can lock certain portions of my timeline, and keep working on other parts of it, and know with confidence that no matter what I do, the parts of the timeline I locked are safe.  Often times, when working on small portion of the timeline, I can accidentally hit a key that causes unintentional and undesirable changes elsewhere in my timeline, that only later do I discover, and then have to go