Feature Requests

This has been a long time coming.When Premiere Pro outputs playback for ‘unsupported frame sizes’ to a broadcast monitor or client monitor via SDI/HDMI out of I/O hardware (Blackmagic in particular), it stretches the image to fit 16:9 streams. In this day and age, vertical and other frame sizes, 9:16 4:5 1:1, should all be supported. I wish Premiere Pro would, through a setting, automatically add pillarboxes to embed these frame sizes into the 16:9 stream out to the monitors. Yes, there’s a work around for this, but adds to a cumbersome workflow in editing. Davinci Resolve for a while now has a toggle to ‘Use Vertical Resolution’ when outputting to monitors, regardless of I/O hardware. What this means is, it adds pillarboxing and maps it into 16:9 so it’s displayed correctly on monitors. AJA’s hardware now has the ability to do the same mapping, through it’s I/O hardware. It’s hardware is typically much more expensive than Blackmagic hardware. Most independent artists use Blackmagic ha

The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks.   Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color.   タイムラインのトラックに、ラベルカラー機能がほしい（任意のトラックに色をつけたい）   ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。

I would like to be able to change the font and font size across the board in the interface. it is WAY to small for my old eyes

Requesting a Hotkey feature that allows adding a cut to a clip or selected clips where there are in and out points set.  So, for example, on a clip, select an IN point and 2 seconds later I select an OUT point.  On those points be able to hit a hot key command that Add Edit to those two points.  

Can we please have the option to disable these grey squares on each end of the clip on our timeline (the transition handles). They are incredibly irritating. I used to be able to click and drag clips with no problem. Now it’s so frustrating to move clips without accidentally engaging with the transition handles to create transitions between clips (which I don’t want to do).We need the option to disable these, please and thank you.And also trying to extend an audio transition doesn’t work. It often makes me trim the clip before of after. 

I wish I saw color label mark when I see my clips as thumbnails in bins. Right now I can only see the color label I set when changing it to list view.

The Sony A7Siii has the ability to add Shot Marks whilst recording video. Premiere Pro has no way of reading these shot marks. It would be great to have this metadata be imported with each clip? All the added Shot Marks should be visible in the Time Ruler of the Source window for quick access to these points in a long recording.

Here you can see the keyframes graph in the effect controls panel, when you select a clip it's properties appear in the effect controls panel.What I am suggesting is if you press shift and select another clip on the timeline, it shows the values and keyframes of the second clip in another color like the 2 keyframes that i've added in between the main keyframes of the first clip. How it works: Just select another clip on the timeline, you can give it a toggle button too.Useful in: Synchronising animation timing in a complicated timeline, comparing values and effects between multiple clips, copying and pasting x or y axis only easily as "copy & paste attributes" option doesn't provide that. I am sure you can think of other uses too.How it helps: Saves time and many steps to click on a clip then jump on the keyframe position on the timeline then select the another clip and add a keyframe at the same timecode just to sync the animation for each single keyframe, and the same to check or

It would be great if a nested sequence could be rendered and replaced

Hello ! Context :I've been a Premiere editor for a long time. But my recent jobs have forced me to work on Avid Media Composer. This has required me to completely rethink the way I edit: Premiere being more suited to drag-and-drop workflows and Avid more keyboard In/Out workflows. On Avid, you tend to create multiple sequences for your selects. Then, use those sequences in your Source Monitor, and use the "Toggle Source/Record" function to show the source timeline, and integrate clips on your sequence. Now that I'm back to using Premiere as my main editing program, I wanted to bring this method to the way I edit. But doing it on Premiere is kind of frustrating on specific points. I think this kind of workflow has a lot of benefits compared to pancaked timelines: you can edit more precisely, as you can anticipate the exact start and end frames you're going to insert. You are also working more efficiently because of the keyboard centric approach and using two monitors

The New AI Object Mask tool in Premiere Beta should have an option to refine the edge.  The edges appear to jagged and harsh, even when attempting to use the feather or expansion tools to adjust the edge.  Refine edge would allow support for finer pixels to be included in the mask, thereby creating smoother edges, similar to Photoshop's Select and Mask.  After Effects' Refine Edge Feather Rotobrush tool is more detailed but increases render time.  Maybe a solution similar to Photoshop's Select and Mask Refine Hair feature would be a nice addition to achieve a more detailed edge when using Object Mask.  Thank you

Speech to Text in North Macedonian

In MacOS, if I launch Premiere and, for whatever reason, my work drive is not mounted, it will wipe all of the “Recent” list for good. Even quitting Premiere, mounting the drive, and opening it back up does not restore the “Recent” list.It would be nice if this list could be saved attached to the volume label so it can be re-constituted whenever the volume is available again.

When reviewing RAW or LOG footage in the Source Monitor, it would be extremely helpful to have the option to apply a temporary LUT or colour space transform (e.g. Rec.709 conversion) for preview purposes only.Currently, LOG footage appears flat and desaturated while browsing clips, making it more difficult to accurately judge exposure, white balance, skin tones, and the overall quality of a shot during the selection process.This preview transform would affect only the Source Monitor and would not alter the clip, metadata, or timeline in any way. It would simply provide a more accurate representation of how the footage will look after colour management or a basic conversion LUT is applied.For editors who spend hours reviewing and selecting footage before building an edit, this would significantly improve speed, confidence, and shot selection, particularly when working with LOG formats from cameras such as Sony S-Log3, Canon C-Log, Panasonic V-Log, DJI D-Log, and others.

A Version of Adobe Premiere Pro for iPad.This app will give users the experience like they’re editing on Premiere Pro on PC and Mac. The subscription should be a little cheaper. reason for this request is that those who can’t afford a PC or Mac but can afford an iPad can use this or for those who can’t afford to pay the subscription for Premiere Pro 

This is less a feature than what I perceive to be a bug fix, or at the very least a potential toggle in settings.In short, many editors such as myself frequently match  media from timeline to the Project Panel, using the “reveal in project” shortcut or menu item. Currently if I had a previous search query in the Project Panel and had not cleared it, Premiere will jump to Project Panel window but won’t ovveride that previous search query, effectively nullifying the desired operation: getting to that clip in the project panel, so as to, “make sequence from clip” for example. This could easily be remedied without replacement by including a toggle in settings such as “Reveal in project overrides existing search” or something along those lines. There should be no friction between a confirmed action from keystroke or menu and its result — as it stands searches are given pride of place when there is no reason for them not to be de-prioritized when inputting a “reveal in project” command.  So,

Hello Adobe team and community,I'm a professional film editor working primarily on narrative feature films and episodic drama. I rely on Premiere Pro as my primary NLE and use Productions extensively for multi-episode collaboration. However, there is a critical workflow gap in Premiere Pro for scripted narrative editing that I'd like to formally request as a feature.The Gap Between Premiere's Current Transcription and What Scripted Drama Editors NeedPremiere Pro's built-in transcription and Text-Based Editing are genuinely impressive features — especially for documentary, interview, and unscripted content. They allow editors to search spoken words across media, delete transcript text to drive timeline edits, and work efficiently with unscripted material.But for scripted narrative film and television, there is a fundamental workflow difference that Premiere's current transcription cannot address.The Core Workflow I'm Requesting: Script-Driven Take NavigationIn scripted drama editing, th

現在、テキストで縦書きで使用したい場合、キャプション→グラフィックにしたのち1つずつ選択して縦方向に並べる必要があり、作業に非常に時間がかかっています。 そのため、キャプションやテキストを複数選択した状態で、一括で縦書きに切り替えられる機能を実装していただけると大変助かります。 日本語の動画編集では縦書きを使用する場面も多いため、テキスト編集の効率化につながる便利な機能になると思います。 ぜひご検討いただけますと幸いです。

While working with archive, sometimes you need to use high resolution images, so as to be able to zoom it, move it, rotate it, and add some effects. Premiere seems to deal with this uneasily. 

Is it possible to use the "Basic" Metadate fields "Creation Date" and "Modification Date" for sequences as well.I know sequences are not files (that live outside Premiere, are "just" linked to within Premiere and those date information is actually stored in these actual files and Premiere just reads and can then display that) - but maybe it could be done anyway, so that "inside the Premiere project" where those sequences/timelines exist only their creation and (last) modified date could be saved and the displayed as well...

1° - Ao mover 2 ou mais textos não aparece a opção de mover todos de uma vez!2° Melhorem o fluxo de editar o texto (selecionar o texto + clicar 2X em As pra habilitar o editor). Porque simples duplo clique na camada já não habilita.3° Ao criar legendas e converter pra graficos, não vem em formato de ponto? Porque tem que vim no formato quadro limitador.ENWhen moving two or more text layers, there should be an option to move them all at once. Please improve the text editing workflow. Currently, you have to select the text layer and then double click the "As" icon to enable text editing. A simple double click directly on the text layer should activate the text editor. When creating captions and converting them to graphics, why are they converted using anchor points instead of a bounding box? They should be converted with a bounding box by default.

Premiere Pro 2025 significantly lags behind other software, not even mentioning AI capabilities. To balance the scales, I believe Adobe should seriously consider adding truly useful and modern tools to Premiere Pro in the nearest future. The picturesque features shown at MAX 2025 looked impressive, but they were nothing more than prototypes and proof-of-concept demos. And the following tools and improvements are needed now. Some can even be added in the nearest weeks or months.  1. Fast and easy-to-use AI masking. I tested the beta version and it was genuinely good, but the way it is applied leaves much to be desired. There should be no need to create an empty tracking mask data and then apply it to effects. That workflow is outdated. Any effect — native or third-party — should have a dedicated mask tracking button.2. Proper native tracking. Premiere Pro is extremely weak in terms of tracking. Every modern video editing software has a fast, native tracking engine. Tracking in

Hello Adobe Premiere Pro Team,I would love to request a feature that allows users to move selected clips directly between video tracks (for example, from V1 to V2 or V2 to V3) using customizable keyboard shortcuts.Currently, moving clips between tracks requires dragging them with the mouse, which slows down editing—especially on large timelines and during fast-paced editing workflows such as wedding films, documentaries, and multicam projects.It would be incredibly helpful to have commands such as:Move Clip Up One Video Track Move Clip Down One Video Track Move Clip Up One Audio Track Move Clip Down One Audio TrackThese commands should be fully customizable in the Keyboard Shortcuts panel, allowing editors to assign shortcuts like Alt + Up Arrow and Alt + Down Arrow.This feature would significantly improve editing speed, reduce mouse usage, and bring Premiere Pro closer to the workflow efficiency offered by many other professional editing applications.Thank you for considering this req

Add .FLAC audio codec support.

请求将AI助手的功能完善！可以控制导出功能，链接外部硬盘，这对于创作后的重复大量输出很有帮助。还建议它可以对字幕和图形文字进行修改，这对于校对字幕很有帮助。另外请让它可以获取某些功能的操作权限，或者开放自动化权限，比如快捷键的重复操作。以往这些需要写入扩展或脚本才能实现的功能，其实都可以内嵌到AI助手中指挥它完成。它需要做到帮助创作者进行提升创作欲望和减轻工作压力的作用。