Feature Requests

Color wheels in Lumetri need granular numeric controls for hue angle, magnitude and so on. Resolve has It, Premiere used to have It in the old color factory plugins. Why can't we have It now? They're essential for professional and efficient color grading.  

Add a "Restore Clip Selection" shortcut, that work similary as "Restore Trim Selection" but would work with previously selected clips.In 2021 the shortcut "Restore Trim Selection" was added to recover the previous selection of the in and out points of a clip, but not the clip itself.I can’t count how many times I had to try again my complexe selection of clips because I accidently selected a clip that I didn’t wanted or missclick on nothing and losing my selection.If a short cut has been added for trim, it should be there for clips too.

A timeline baseada em faixas (tracks) rígidas do Premiere Pro exige um gerenciamento manual constante de sincronia e espaço. Ao mover, reordenar ou deletar clipes na trilha principal: É fácil gerar lacunas indesejadas (black gaps) ou sobrescrever acidentalmente trechos em outras faixas. Edições rápidas de ritmo (como cortes rápidos para redes sociais ou montagem inicial) exigem múltiplos atalhos de Ripple Delete e constante trava/destrava de trilhas para não dessincronizar áudio secundário, B-roll e títulos.  

Features I'd like to SeeThe following features would be of tremendous value to me. While continually trying to improve the workflow of my current project, I keep hitting stumbling blocks of features which I assumed were available, but aren't and then have to either find a workaround or shift gears to a different process. I think every user wants the most optimal and efficient workflow, which also includes some level of intuitively designed functionality. So with that in mind, I don't think any of these requests are unreasonable or too difficult to impliment, but the payoff would be exponentially helpful.  Thank you.-------- (Timeline Panel) Ability to hide tracks. – So you can keep your timeline clean and clutter free only seeing the tracks you are currently working with. i.e. I'm currently working with 24 different audio tracks, but for each chapter there are only about 4-6. So it's cumbersome to have to constantly scroll up and down to find the 4-6 tracks for each chapter. And

It would be amazing to simply grab a track and move it up or down in the order of the sequence. This was something I could do easily back when I used Vegas Pro. Occasionally, I have big, complex sequences and would like to reorder the tracks for organization purposes or for shipping off to audio master. Thanks!

AV1 has been becoming a more and more popular codec for not just streamers, but also content creators and filmmakers. Video hosting platforms, such as YouTube, are now implementing AV1 as a way to easily stream video content to audiences at lower bandwidths. Filmmakers, and especially content creators, are asking for AV1 for creating high quality content without too much compromise for file sizes and ease of use when viewing. Having the benefit of AV1 video will help with preserving the best image quality at a much smaller and efficient file size than codecs like H.264. HEVC/H.265 is supported in Premiere Pro and it's a very nice codec. In fact, both HEVC and AV1 perform very similarly. However, it would be wonderful to have the flexibility of additional codecs that are gaining traction in modern media. HEVC isn't supported everywhere, largely due to their licensing slowing down adoption. Meanwhile, AV1 is open source, so it would be easier to adopt without the concern for li

The little dialog box in the bottom right of the screen that shows the status of where the audio waveforms are up to in being created is sorely missed in Premiere 26 over Premiere 24. It’s so useful having that info

Hello, I just found out that you cant automatically save your projects to creative cloud.Don't get me wrong, you can autosave your projects but I think it would be really smart if your project had also a way to automatically backup to the cloud when you save it.Please make this happend 🙂

I create shapes with gradient fill for lower thirds and there is no snapping in program window for the gradient control.I have to drag guides and align it manually and it is not exact.Holding Shift while moving the gradient line control should snap it in 0-45-90 degrees as with any other tool in CS.

Would it be possible to have a simpler noise removal option for audio clips? Sometimes I just need to remove light background hiss or room noise without spending too much time tweaking settings. I’ve tried VoiceCleaner AI for this and liked the results, so something similar built into the workflow would be really useful.

Most of the time keyframes are set relative to a clip's in/out/middle point(s) and/or other edit points in the Timeline. Keyframes are seldom set relative to the content of a clip alone.  For this reason, users need a simple way to decide if keyframes should slip along with a clip or not.  The solution is SIMPLE!Slip = keyframes DO NOT move when slipping a clip (new default behavior since this is what most users want most of the time) Ctrl(Cmd)+Slip = keyframes move as they currently do when slipping a clip (when using this keyboard modifier, the slipping icon could show a keyframe icon to visually inform users that keyframes are being slipped as well.  See illustration). Note: for users that prefer the current behavior, a new option in the Preferences window could allow users to reverse this functionality, i.e.: Slip = keyframes move together with clip, Ctrl(Cmd)+Slip = keyframes don't more. This solution would work for ALL editors, since it would give ev

Hey team! Love all the improvements to the text based editing that have been added. In the world of tiktok, instagram, and youtube shorts and social media in general there's been a surge in content that has burnt in captions. I know you guys care about social media editing because you introduced a vertical profile. A lot of social content comes from longer format podcasts. I personally edit podcasts with 3+ speakers but when it comes to captioning clips for multiple speakers it's kind of a headache, sure premiere can differentiate the speakers when you transcribe but the moment you convert to captions the text kind of gets jumbled up together and it's a lot of correcting who's speaking.  With text based editing came the feature to transcribe the source clip which I wish could be used to transcribe and create captions for every track/speaker on separate caption tracks which could then be converted to graphics layers. The current workaround I've found is retranscribin

I would change literally everything about how time remapping works in premiere pro. It's just awful, fiddly, unintuitive and just poorly designed. Please change it. Anything is an improvement 

I am always dropping a 4k clip in the 1080p timeline such as stock and needing to quickly change it to 50%. I can click on the value and type it in, but a simple “50%” button would be awesome to make this faster. 

Is it possible to measure the overall time spent working on a Premier Pro project? Is there a log or setting that allows me to see this data? It would be really useful, especially for long and complex edits, divided into different periods of time, to be able to know the actual hours spent on the project.Thank You allAndrea

The new visual analysis tool seems great, haven't had much time to mess around with it but can see the uses.But it feels really annoying that it is a setting and not an action. If I want to import some clips/assets and not have them be scanned I need to turn off the analysis software wide. If further along in the project I do want some clips imported/analyzed I have to turn it on for everything, needlessly having it scan things I don't need to have scanned.For now this will result in me turning off the visual analysis and probably not using it at all.But if I could just select the clips I want analyzed, click and button and have them scanned? That would be great!

I'd like the option to export closed captions as .vtt files. Some of my clients only accept this format, and doing it manually or with different software is either very time consuming or costly.

Löschen von SzenenIch würde es schön finden, wenn man ähnlich wie in Lightroom, gefragt wird ob man ein Footage oder ein Bild oder ein Audiofile nur in Premiere oder auch auf der Festplatte löschen möchte.Das gleiche wäre auch in After Effects denkbar.

It’s similar to the After Effects beta feature (Color Labels for Effects), but the idea is you can color-code certain effects/bins and even maybe even search for labels in the effect search window to find all effects that are labeled under "red." You could find all the effects you labeled red in the red label category, which could be named anything; the basic idea is that it would be near search, where you can filter by the label color. I do know you can label clips in the project window, but it's just a colored square next to them with no way to really sort by labels from what I could gather.

Hi all, I'm trying to build a UXP panel that helps batch-process making merged clips from a full sequence of synched audio, and I've hit some walls that make this kind of workflow much harder than it needs to be. I have tried to tee it up as best I can by making the steps as few as possible, but cannot finish it out because of some limitations in what Adobe makes available to be scripted:1. Native commands aren't scriptable. Commands like Merge Clips and other “right click” actions have no equivalent in the DOM API, and there's no generic way to invoke a menu/context-menu command from a plugin either. This means a plugin can prepare everything perfectly (select the right clips, know exactly what should happen next) but still can't finish the job—the user has to manually right-click and choose the command every single time. Every work around I look for runs into this...I understand why this could be an issue to allow access here, but I should be able to limit the parameters safely but d

I am using Multicam to sync individual video clips with externally recorded audio (using timecode) to prepare for a film edit. When doing this, the resulting multicam clip defaults to whichever piece of media is longest at both the beginning and the end. This often results with black video at either end of the clip due to longer recorded audio during any given take. Can I make it so that the multicam will default to creating a clip using only the length of the video clip? I tried doing this manually by opening the multicam clip in a sequence and trimming the excess audio, but this process (along with being cumbersome) messes up the timecode, which needs to be maintained throughout post production. This seems like functionality that would be available and needed, but I have not been able to find any documentation or discussions on it. Thank you!

Please add the Polish language support

i ve just found out (the hard way, after editing a whole new wedding in the premiere pro 27 beta) that the lumetri panel is missing and i have only the (awfull and unsuable) new color mode. WE WANT THE OLD TRUSTY AND PERFECT lumetri control panel!

Maybe you could add some option in transcript panel to lowercase everything that would be a big help specially when the caption style I want is all lowercase and I don't need to manually change every capital letter to small one. I know you have the uppercase all setting once already converted to captions but lowercase all is not yet available.