Feature Requests

I find it annoying that some keyboard shortcuts are panel-specific. For example, I'd like to be able to show or hide guides without having to click on the Program panel. I'd be happy if I could press the keyboard shortcut regardless of what I'm doing in PPro, and all my guides, on all program or source panels, would toggle their appearance status. Guides do not make an appearance in the timeline, so there's no reason why, if I've got the timeline as the active panel, pressing a "show/hide guides" keyboard shortcut shouldn't show/hide the guides in the associated program panel. There are a few other shortcuts (I can't think of them right now) that are overly fussy about whether they'll work or not depending on what I'm doing in PPro, and I'd prefer to have the option of making a keyboard shortcut global, so no matter what I'm doing, it would just do its thing.

In Premiere Pro v26 and earlier, Delete Tracks... had simple checkboxes to remove all empty video and audio tracks. It took 2 clicks.In v27, these have been replaced with dropdowns. You now have to open each dropdown, select All Empty Tracks, and click outside because the dropdown doesn't even close automatically.What took 2 clicks now takes 6, or 9 if you also want to remove caption tracks.Yes, I'm aware you can assign a keyboard shortcut, but that's not always viable on shared machines, and a shortcut shouldn't be necessary to work around a worse UI.Bring back the checkboxes. Alternatively, add Delete All Empty Tracks directly to the right-click menu under the existing Delete Tracks... command. I'm sure that's something editors have requested before, and it would make this a genuinely one-click operation.

Professionals do not keep their assets on the C drive. Adobe has always recommended against it. Searching the C drive takes longer than any other drive. This makes locating take astronomically longer than it should. I’ve attached a quick video that demonstrates most of what I’m talking about. EXCLUDE DRIVEIt’s a cool new feature to search the other drives after searching the selected drive. But we need to be able to to exclude certain drives. SKIP AND RESUMESometimes I’m searching for an asset and this new feature will find one with the same name. There isn’t a way to tell the search “no, this isn’t the file, keep searching” or essentially “skip & resume search” or “skip and keep searching”. Being able to exclude C drive would be awesome. Being able to exclude whatever drives or folders we want to choose would be the best. This is a big deal to me because I'm relinking years of projects that now have assets on a new RAID I spent a month and a half setting up. I need link media to n

In large projects, finding a specific shot means relying on manual tagging, markers, or memory. This slows down rough cuts and makes projects hard to hand over to other editors.Proposed solution: Add a search field in the Project panel that accepts plain descriptions (for example, "wide shot, hallway, person walking away" or "product close-up on white background"). Results would be ranked by relevance and show thumbnails with the matching timecode. Indexing should run locally in the background, with an opt-out for sensitive footage.Use case: For a B2B product shoot with hundreds of clips, an editor could locate the right detail shot in seconds instead of scrubbing through bins, and a new team member could navigate the project without a briefing.

Currently the ability to search for footage using text is exclusively available for footage imported through the input mode however users are not always in input mode particularly when they're in the middle of an edit and bringing an additional footage the scan should occur similar to transcription where it can be occur after we've already moved into the editing mode.

Please add Turkish subtitles in the new version of Premiere pro 

A function that zooms the timeline to a selected clip (or multiple clips) so we can assign a shortcut.No workarounds, no committees, it’s 2026 and Premiere deserves first-class timeline zooming - right?Cheers

I would like to request a new feature that would greatly enhance subtitle creation and viewer engagement in video editing: automatically animated subtitles with dynamic word-by-word highlighting synchronized to the speaker's voice.Feature Description:This feature would allow editors to import or generate subtitles, and have Premiere Pro automatically:Highlight each word as spoken, matching the timing precisely with the audio.Provide customizable animation styles for the highlighting (e.g., underline, color change, bold, scaling).Benefits:Improves accessibility and readability, especially for educational, social media, and interview content.Saves editors significant time compared to manual word-level animation.Makes videos more engaging and interactive, especially on platforms where subtitles are often watched without sound.Adds a professional polish to subtitle-heavy content without requiring After Effects.Thank you for considering this enhancement. It would be a game-changer for many

Hi Everyone,I hope you’re all doing well.|I've been a dedicated user of Premiere Pro for quite some time and love the robust features it offers for video editing. However, I've noticed that other platforms, such as CapCut, Descript, and Opus, provide more advanced options for animated captions and AI-driven features.Given the increasing demand for these functionalities, I find it somewhat inefficient to edit a reel in Premiere Pro and then export it to another program to finalize the captions. Does anyone know if there are plans to integrate more animated caption options and additional AI-driven tools directly within Premiere Pro in the near future?Thank you for your insights!

Please add a tool to automatically detect beats in music and add markers to the timeline. Looking for something similar to what Beat Edit does, but built into Premiere. This let’s the video editor make sure cuts happen right on the beats. I’m really surprised Premiere has not added this yet. Seems like such a useful time saver for social video editing. 

Will we ever have a built-in audio feature that allows us separate vocals from instruments in Premiere pro? I saw how davinchi resolve implemented this feature in their new release which allows you to seperate audio to 4 stems (vocal, instrumental, ambience, background noise), I`m used to work with Premiere pro for 5 years, and..Since we already have remix tool there, why not implement vocal isolation feature in future releases as well?

The ability to stack multiple timelines and drag and drop from one to another

Currently a lot manual translation along localization of e.g. videos to be translated in many local languages. Problem if it is not only subtitle but also animations. this needs be translated manually.

More customized label options for different types of projects

Add the photoshop relight feature to the color mode in adobe premiere!

Dear Adobe Premiere Pro Team, I am writing to express my dissatisfaction with the changes introduced to the masking workflow in Adobe Premiere Pro 2026, particularly the new Object Mask feature and the updated mask creation and editing tools.Although I understand the goal of improving Premiere Pro through artificial intelligence, the practical experience has become more complicated and less efficient. As a user, I feel that creating, adjusting, and applying masks now requires more steps and manual intervention than before.This update has had a direct impact on my workflow. Tasks that used to be quick and intuitive now take considerably longer and require constant corrections to the selection, mask edges, and tracking. Instead of simplifying the process, the new system has made masking frustrating, less predictable, and more time-consuming.A professional editing tool should allow users to choose between automation, manual control, and a simple traditional workflow. I therefore ask Adobe

Having adobe files be cross compatible in a more streamlined way with things like DaVinci, Audacity, Pro Tools, etc.

How you ever used filmora? Absolute seemless motion tracking. Now have you ever used Adobe Premiere Pro? Talk about a painful experience to get motion tracking for even a 5 second clip. Filmora is $50/year subscription and Adobe is a multi-billion dollar company that can't seem to figure out what decent motion tracking looks like. And before you say "Oh just keyframe it" why don't you try keyframing a 4 minute video? It would take so many hours you've lost everything you gained and then some. Next "Oh just use After Effects" brother. This software will not cooperate if it's existence depended on it. Once I've got it motion track, pasting it onto the graphic I want to tranform sends it underneath the clip and not even an act of god could bring it back. Next will be the plugins. Mocha is absolute garbage anyone who says otherwise is sucking the Kool-Aid straight from whoever created it. Mask to transform is nearly as bad. I can always get the mask to track perfectly but when it comes tim

Please add the ability to directly copy and paste screenshots, images, and video files into the Premiere Pro timeline.Currently, users must save media to a local folder, import it through the Media Browser or File > Import, and then drag it into the sequence. This adds unnecessary steps for quick edits, tutorials, screen recordings, and social-media workflows.Requested behavior:Allow pasting an image or screenshot directly from the clipboard into the timeline.Automatically create a matching clip at the playhead, using the sequence’s frame rate and duration settings.Support direct paste of video files copied from File Explorer/Finder or a browser.Automatically add pasted media to the Project panel so it remains linked and manageable.Provide an option to choose whether pasted stills use the current In/Out duration or a default still-image duration.This would make Premiere Pro faster for quick-turnaround editing, especially when working with screenshots, reference images, screen captur

In the colour mode, we can currently select clip or sequence to apply our changes. It would be great to also have the option to select layer. I know we can create this with selection but if there was a button for layer as well it would be easier.

I work with a couple of LUTs and use a home and work computer. I have the same LUTs I need on both computers but I have more LUTs on my home computer. The problem is I will use a LUT at work and even though I have the same LUT at home when I open the project at home it applies a different LUT to the shots I have already colored. For example, lets say I have a LUT named "Color" and it is the first LUT listed in my lumetri list. When I open the project at home Lumetri will apply the LUT that is first on the list regardless if it is "Color" or not. So I have to go back in and reapply the correct LUT to each shot. What I am suggesting is that Lumetri tries to locate the exact name and apply said LUT rather than going on position. Obviously if the same name does not exist, it should have a default.

Have one button that automatically makes a seperate sequence for any social media platform along with the safe zones baked in.

local save files like in premiere

I would like to request a native lossless cutting and trimming feature in Adobe Premiere Pro for common consumer video formats like H.264, H.265 (HEVC), and AV1. While I currently have to rely on open-source programs like LosslessCut for this task, I strongly prefer the polished interface and seamless workflow of Adobe Premiere Pro. Adding the ability to trim these files losslessly without re-encoding would save significant time, preserve original quality, and allow me to keep my entire workflow within the Premiere ecosystem.

I want more functionality of premiere inside firefly