Feature Requests

In a proxy-first or proxy-only ingest workflow, when a 25i high-resolution source is later connected to a pre-existing 50p proxy, Premiere Pro incorrectly inherits the proxy's interpreted frame rate (50fps) and applies it to the 25i source, causing it to play back at double speed.Importantly, this issue does not occur in the reverse workflow: when a 25i source is ingested first and a 50p proxy is generated from it, toggling between proxy and high-res works correctly. The problem is exclusive to the proxy-first path.Context:This is a real and growing workflow challenge for broadcasters and post-production facilities transitioning from interlaced (25i) to progressive (50p) acquisition. Archive footage shot in 25i must regularly be cut alongside new 50p material. Using 50p proxies for archive 25i clips is desirable because: All 50 fields per second are represented as individual frames, enabling frame-accurate editing Progressive proxies play back more efficiently on laptops and office w

When you copy a sequence and then delete clips in it, the old transcription stays with the timeline. Sometimes I copy a timeline because it has a layout and features that I am using consistently throughout a project but am building new edits within it. I realize that creating a template is probably the best way to go, but sometimes I just want to copy another timeline with edits already in it and work from that. I'd like to be able to just completely delete the transcript that comes over with it.  Perhaps offer an option in the ... menu to CLEAR TRANSCRIPTION I am on MacPro (M1) in PP 23.2 on Ventura

Swahili is spoken by over 100 million people across East and Central Africa, yet creators still rely on manual or external tools for subtitles. This slows down workflows and limits accessibility. Supporting Swahili would:Speed up editing workflow, Improve accessibility, Empower a fast-growing creator market This would be a big step toward true global inclusion.

Building production UXP panels at a broadcaster to restyle broadcast → online sequences (different caption styles).Issue: UXP can access CaptionTrack objects but lacks APIs to:- Edit caption track styles  - Copy/move caption track items between tracks- Modify caption item propertiesImpact: Cannot automate caption workflow despite full video track/MOGRT support existing.Request: Add UXP APIs for:1. CaptionTrack.setStyle() or applyTrackStyle()2. Caption track item copy/move between tracks  3. Caption item property editing (similar to ComponentParam for MOGRTs)Caption-heavy newsroom workflows cannot be automated without these APIs.Thanks for considering! 

We're building UXP panels at a newsroom to automate broadcast → online sequence conversion. Issue: Custom sequence presets (.sqpreset) cannot store Caption Tracks. Every new Online sequence requires manual caption track creation (~30sec x 20 items = 10min daily handwork).Impact: Blocks sequence preset automation despite UXP having createSequenceWithPresetPath() API ready.Workaround: Save template sequences in projects (many extra steps).Request: Add Caption Track support to .sqpreset format so automation workflows can create complete sequences with caption tracks included.Real production workflow blocked. Thanks! 

Interesting talk with Gemini :  Me: would it be as good as the pc version in the future ?  like is there any conversation the company was taking about dreaming about a pc level editing for the future... you know? Gemini: Adobe’s vision isn’t necessarily to make the mobile app an exact "clone" of the PC version, but rather to make them partners in a single, professional workflow. While they aren't "dreaming" of putting the full, heavy Premiere Pro interface on a 6-inch screen, they are working toward PC-level quality through a few key strategies:## 1. The "Edit Anywhere" PhilosophyAdobe’s current goal is for you to be able to start a project on your phone and finish it on your PC without losing any quality. [1, 2]  * Seamless Sync: Projects from the new [Premiere on iPhone](https://www.adobe.com/products/premiere/app.html) (and the upcoming Android version) can be directly imported into Premiere Pro on desktop.* Unified Engine: The new mobile app is powered by the same high-quality rend

нарисовать часть анимации(в крывых) и зацыклить ее, полезно под бит музыки, допустим  хочу чтобы клип менял прозрачность под бит с определеным рисунком, и увиличение кадра по бит 

The Align panel options used to sit to the right, alongside, the text alignment buttons, but now the Align buttons are all at the bottom. We click those buttons a whole lot you know! Moving them to the bottom requires me to now scroll to use them, and scrolling is great but if you scroll with a mousewheel sometimes it gets stuck on drop down menus and starts scrolling the content of a menu. So you now have to be nervously cautious about where you put the mouse as you try to scroll down just to get to a button that really belongs where it used to be. Absolutely no reason to have moved it. Would really like this panel of buttons right back where they used to be please!

Hi Adobe Team,I am a professional editor working on long-form projects. I’m currently working on a 20-minute sequence that contains over 50-60 clips with the Warp Stabilizer effect applied.Every time I move these clips to a new timeline or nest them, the effect loses its analysis and displays the "New frame sizes; click Analyze" or "Analyze" banner. Manually clicking "Analyze" for 60 individual clips in the Effect Controls panel is an incredibly tedious and time-consuming process.I request the following features: Background Auto-Analysis: An option to let Premiere Pro automatically trigger the "Analyze" button in the background whenever a clip is moved or changed. Global Analyze Button: A single command (e.g., Sequence > Analyze All Warp Stabilizers) that triggers the analysis for every clip in the active timeline at once. This would significantly improve the workflow for editors dealing with high clip volumes. Thank you.

My #1 biggest issue with Premiere Pro is how fast the timeline moves when I put my pointer past the timeline on the left or right.  I am generally just trying to move my pointer to the next cut, but I end up flying two minutes down the timeline and then I have no idea where I was at.  When I can remember, I will carefully move my mouse to the edge of the timeline which will move the timeline slower. But it's always hard to remember that when I am cutting quickly. Has anyone figured out a way to slow down the scrubbing?  Slowing down the mouse speed in the Mac preferences does not work.  Thanks.

As of 2026, State mandates are now requiring Descriptive Audio (DA) captioning for cable television and YouTube videos. DA is when sound effects are also transcribed: a car horn showing the word "beep" for example. This issue is now a high priority for government television stations and non-profits, and includes online video content as well. Currently there is no option beside text captioning in Premiere.

It would be great to have a built-in project management panel in Adobe Premiere Pro, especially for Premiere Productions.A simple dashboard could show project status, progress, and responsibilities, with features like:Kanban-style boards (To Do, In Progress, Done) Deadlines and assigned team members Visual progress overviewThis would improve collaboration, transparency, and efficiency like a lightweight monday.com inside Premiere. Let’s do it :) 

It's been some time since introduction of an automatic transcription feature in Adobe Premiere and I would really love to see an option to transcribe in polish language. It'd make my job a lot easier and MUCH faster. Please cosider. Thanks!

[Moderated edited subject line]   Hi there,   There have been some more accessible anamorphic lenses coming out, and my work bought a couple of them. The video comes out of the camera as 3840x2160, but it's a 1.6x aspect ratio. Currently Premiere can interpret 1.5, but not 1.6, so I end up having to place all of the footage on a timeline and adjust the scale to the right proportions. It would be great if Premiere could add 1.6 in the interpreting panel, so I can continue to use the source monitor as my rushes selection, and not need everything down in the timeline to go through it. It also makes match frame annoying to use.   Thanks!

Hello Adobe Premiere Pro team, I would like to report an issue with OTIO export/import in Premiere Pro. I tested OTIO round-trip behavior using a sequence that contains both transform keyframes and speed keyframes (time remapping keyframes).  What I tested   I created clips in Premiere Pro with:   Transform keyframes (position / scale / rotation) Speed keyframes (time remapping / variable speed)   I exported the sequence as OTIO Then I re-imported the exported OTIO back into Premiere Pro    Result   Transform keyframes were preserved correctly However, speed keyframes were not preserved In other words, time remapping keyframes were lost during OTIO export/import round-trip    Expected result   OTIO export/import should preserve speed keyframes, just like transform keyframes At minimum, Premiere Pro should be able to round-trip its own OTIO export without losing time remapping keyframe information    Actual result   Edit order, cuts, and some other basic information a

Dear Adobe Team,I would like to share an issue that has been a challenge for me for quite some time. First of all, I am grateful for Adobe’s user-friendly approach and pricing policies. As a student, I was able to benefit from affordable local pricing throughout much of my education.However, since Premiere Pro does not currently support Turkish transcription, I have had to either purchase third-party plugins (which are difficult to fit into my budget) or spend a lot of time manually creating subtitles. I am sure there are thousands of users like me who have been waiting for this feature.I kindly ask you to consider adding Turkish language support for transcription in future updates.Thank you for your time and support.

In short, make the curves adjustment like the adjustment in Lightroom Classic.The scopes window gives us information about the image, but that information is not easily translated over to the curves adjustment in Lumetri. At the bare minimum it’d be really useful to have a scale on the X-axis of the curves adjustment, but superimposing the histogram on the curves window would be even better. Additionally, it’d be very useful to add a point selection tool to the curves adjustment so that selecting a highlight or shadow point in the program window is super simple.

Hi guys,   Can I increase the size of the thumbnails of the images in the markers tab? Have a look at the top right of the attached image to see what I'm talking about.   I'm trying to get a quick look at all of the shots that I've marked in a timeline, but the images are so small that it's annoying to have to squint at my monitor to see them. Any help would be greatly appreciated. Thank you so much! 🙂   Have a great day y'all!   Mod note: Title changed slightly to reflect the feature request.

Is it any chance for Speech-to-Text to get a Ukrainian language support in Premiere Pro? That is a huge time saver feature, but it isn't available on Ukrainian. All Ukrainian creators would be eternally grateful for our language support in this great software. 

Hi, guys. The porblem I've suffered for ages seems to bother no one but me since I've found no such posts here in the Community.There are keyframes in Premiere Pro and they have handles. In After effects if you hold the Shift key on your keyboard, the handles pin to the horizontal or diagonal position so in case of moving the Scale keyframe to interpolate it more gradually - that is ease in\out more - you don't go above or below the current value. In Premiere Pro the shift key does not work and whilst the position key is pinned to the lower part of the keyframe region and cannot be moved below it, the scale keyframes float as if not attached, see the video below. The handle goes up and down from its starting point once you move it to the left to make the ease "easier". And if you want it have the same value you keyframed it you either have to use a magnifying glass and a ruler or somehow bring it to the same level visually.Isn't there a chance Adobe will introdice some kind o

Ha!  I had to create the How about a Feature Request Form THAT ACTUALLY WORKS!?!?!??!  just to get past the “Let’s see if that exists B.S.!” that would GO ABSOLUTELY NOWHERE!!!!Here’s my real request:Please make a feature whereby we can assigned assets from ANY Project File to be ADDED to a Template file.  I use the same assets over and over and over, and I need a FAST way to ADD them to a pre-defined Template File, rather than opening my Template Project and copy & pasting, or worse yet, RECREATING them OVER and OVER, and OVER.  Also, could we just have the option to have a Universally available Captions Style?  Tho the Add to Template would accomplish the same thing, so let's prioritize that one.  Thanks!

From the Transcript tab in the Text panel, click the hamburger menu and choose Create Captions.In the Create Captions dialog, click the blue arrow to expand "Captioning Preferences"Slide the "Minimum length in characters" and "Minimum duration in seconds" sliders all the way to the leftUnder "Lines," choose "Single" Expected: The intent is to have a single-word caption for each word spoken.  No captions should be on multiple lines. No captions should contain more than one word.Actual:Captions frequently (and randomly?) occupy multiple lines, despite me explicitly telling PPro i want single lines. Captions frequently (and randomly?) contain more than one word, despite me dragging those sliders all the way to the left.i read this response to someone else having this problem:https://community.adobe.com/t5/premiere-pro-discussions/captions/m-p/13311192... but the size of the text box is not the issue. Premiere Pro will frequently put two words in a single caption, and w

The masking and tracking tool somewhere between v26.0.0 to v26.0.2 changed locations and icons. Changes like that can be difficult to find and it feels like they are being moved around just to create confusion. after so many years with all my plugins for Premiere, I am leaving. It feels like you are trying to kill your own business. I most have LrC and Photoshop, but the huge cost to add Premiere cannot be justified.