Feature Requests

Hi!Sorry if I missed something, but as far as I can see for now, there is now way to distinguish if an audio-plug-in is switched on or off in Audio/FX-Mixer. I need to switch through every single plug in to check if its switched on or off (and to check this little round always grey FX-symbol). Especially if you have a weaker PC, working with 4K  footage and modern AI-Tools its essential to temporarily switch off FXs. And it's nice to have a global switch-off-button for Video material, but there no such a button for audio. So its a pain to check all plug ins for on or off state and to remember them (which was on which was off, when you want to render)1) Please change color or whatever to be able to distiguing immediately if an audio-Plugin is switched on or off #essentialwish!!!2) Please give us a glocal FX-off/on-Button for audio.3) It would be a dream if you introduce a preset-manager for audio plug-ins (incl. VST). To save at least a 5-Channel-package would be a start

When you turn on a switch it would show keyframes on the clips so it shows where a keyframe is on the clip or a transitions curve or something else on the clip to show the keyframe motion and audio change.

When you right click on a clip, you could change its color so you could see that this clip is different from others or have an ability to change color of the whole track.

Premiere pro needs a feature to automatically place markers on beats of audio tracks such as 1bar, 1/2 beat, 1/4 beat etc. Elements had this yet now it's gone and is an industry standard technique. 

Add an option to play a notification sound when time-consuming background tasks, such as rendering, transcription and audio analysis, are completed.This would allow users to work on other tasks without repeatedly checking Premiere Pro's progress indicators.Ideally, notifications could be enabled or disabled individually for different tasks in Preferences.

Looking to post a gif on twitter, but it says the file size is too big any ideas?  

I am not an After Effects user, I’d like to work the WRITE-ON EFFECT like back in 2023.So please, bring back the WRITE-ON EFFECT in Premiere 2026. Need this SOOOO BAD. Shape Flow just does not do the trick.Thank you.

I have two small Premiere Pro workflow suggestions that I think could eliminate a surprising amount of unnecessary clicking.1. Use the Right-Click Position as the Paste DestinationCurrently, Premiere relies on track targeting to determine where copied material will paste, and editors may also use track locks to protect tracks they don't want affected.I think there is a much more streamlined approach.When a user copies a clip, they should simply be able to:Right-click the destination track → PastePremiere could record the exact mouse position of that right-click and use it to determine the destination automatically. The vertical mouse position determines the destination track. The horizontal mouse position determines the approximate timeline position. If the right-click occurs in a gap after another clip, Premiere could snap the pasted clip's left edge directly against the right edge of the clip immediately before it. This would remove the need to manage multiple track targets or lo

Add a bin selection menu to the nest creation dialogue so that nests are saved where we want them instead of the root of the project.

I can add chapter markers to the Premier timeline, and when I go to encode out to an mp4 file, the metadata allows the markers box to be checked, and says it will encode into the mp4 stream. When I play this a player such as the VLC player, the chapter markers are not included. However, these chapter markers are included if this is done in Davinci Resolve, and are present in the video player like the VLC player.

We need a motion and camera-shake recognition feature in the video, similar to the Waveform. It should come in multiple types, just like Waveform, or as a gradient color line where green indicates smooth motion, and the color gradually shifts toward red as the motion becomes shaky or unstable, and so on. This would be especially useful when editing multi-camera sequences combined with nests (nested sequences).Thank you,I wish you all the best

So many creators use Adobe Premiere to add subtitles to a video.Why can we save a basic style but not all the settings that go with it (position, text size, etc)?It would be great if we could save a style of caption which included, lines, position, font, size and colour without having to manually change it each time.

Dear Adobe Team, I’m writing to request the addition of Urdu language support in the Captions and Transcript feature of Adobe Premiere Pro. As a content creator in Pakistan, I often work with Urdu videos, and the lack of this language in the transcription options creates difficulties in producing accessible and accurate content. Urdu is spoken by over 170 million people globally, and its inclusion would greatly benefit creators across South Asia and beyond. Adding Urdu support would be a huge step forward in making Premiere Pro more inclusive and creator-friendly. Thank you for your attention to this request. Best regards,Qasim Zia [personal info deleted by mod]

Please ship an official, Adobe-maintained Model Context Protocol (MCP) server for Premiere Pro as soon as possible. I want to use an AI assistant to edit directly in Premiere instead of moving my video work to another editor for automation.The server should let an assistant inspect the open project, sequences, tracks, clips, markers, effects, and media metadata; import and organize media; create and edit sequences; place, trim, move, and remove clips; edit audio, captions, and keyframes; and queue exports. It should support precise timecode/frame-based operations and give clear results or errors for every action.Please make it a supported integration with documented tools, local project access, user-controlled permissions, and undoable edits. An initial release covering project/sequence inspection and basic timeline edits would already be valuable, with broader editing and export controls added afterward.

The iPhone records videos using VBR. Adobe Premiere prefers CBR. The conversion process should be easier. This applies to Adobe Premiere on both the iPhone and the PC.

I am sure many Adobe users are greatly frustrated by this situation. The usage limits for the assistant need to be significantly increased. Adobe representatives, please help us with this matter. Thank you very much in advance. We are extremely satisfied with Adobe products. 

Hi,My name is Austin Kelley. I’m a commercial director and editor, and there’s a feature I’ve wished existed for probably 15 years: Anchor Scale.Post-production zooms created with Scale keyframes are extremely common. For example, I may create a subtle push-in from 100% to 105% over the duration of a shot. That 5% change represents a very specific creative choice—the speed and intensity of the zoom.Today, however, if I later need to reframe that shot for vertical, 1:1, another resolution, or simply a tighter composition, I have to adjust each Scale keyframe individually while trying to preserve that exact 5% relationship.With open-gate acquisition and increasingly high-resolution footage, editors are scaling and reframing constantly. Social deliverables have made this even more common and more challenging.The Solution: Anchor ScaleAnchor Scale would act as a global offset for all (Scale Only) keyframes on a clip.For example:Original animation:100% → 105%If Anchor Scale is increased by

I would like to be able to change the font and font size across the board in the interface. it is WAY to small for my old eyes

Feature Request: More Descriptive Export Error Messages and Disk Space DiagnosticsHello Adobe Premiere Development Team,I would like to suggest an improvement to Premiere Pro's export error reporting, particularly for Error Code 39 (Error compiling movie / Error finishing encode).My experience:I recently encountered repeated export failures while rendering a 3-hour gaming video for YouTube.My configuration: Windows 11 26H2 NVIDIA GeForce RTX 4080 Super NVIDIA Game Ready Driver 617.42 H.264 Hardware Encoding (NVENC) 2560×1440, 60 FPS Approximately 83 GB estimated output size Export destination: NTFS drive (F:) Premiere would spend approximately 40 minutes encoding the video, only to display Error Code 39 at the very end of the export.The resulting MP4 appeared to have the correct total duration but could not be played completely.I initially suspected corrupted OBS recordings, NVIDIA driver problems, or hardware encoding issues.What resolved the problem:My destination drive o

Dear Adobe Premiere Pro Development Team, I hope this message finds you well. I am a loyal user of Adobe Premiere Pro and greatly appreciate the consistent updates and innovative features you bring to the platform. Premiere Pro has been a cornerstone in my video production workflow, and your dedication to improving the software is evident in each release. That being said, I would like to suggest a feature enhancement that I believe could significantly elevate Premiere Pro’s functionality: a native motion blur effect for speed ramps. As a video editor, one of the standout features in competing platforms like Final Cut Pro is their seamless motion blur integration during speed ramping. This effect adds a layer of visual smoothness and professionalism to dynamic edits, and it is currently a limitation in Premiere Pro’s toolkit. While workarounds such as the Transform effect or third-party plugins like ReelSmart Motion Blur are available, these methods are often time-consumi

Built-in Tracking feature like in After Effects for tracking in graphics etc.  I film a lot of real estate and it's quite tedious having to manually track in location pins to aerial footage, or having to go into AE to do so. 

Is there a way to create a voiceover using text in Premiere? I would like to be able to type in a couple lines of text and have the program create a voice over for me. Is this possible?

Version: Premiere (beta) 27.1In Color mode, I cannot exclude individual clips from a sequence level color operation. Preserve RGB only bypasses the input to working color space conversion, so it does not solve this.Use case: I apply a look at sequence level, but some clips need to stay ungraded or use a different look, for example client supplied footage, archive material, or clips that are already graded.Current workaround: I create a separate sequence, apply the grade I want there, then nest or copy the clips into a final timeline. This adds extra sequences and makes revisions harder to manage.Request: a per clip toggle to disable or bypass sequence level operations, for example in the Clip Grid or Color Controls.Happy to provide extra details when needed. 

this is pretty straight forward.. adding a label default category for “Projects”  would enable the user to have specific labeling for projects AND bins (already in place) this could be VERY useful for “Premiere Productions”   see photo mock up below