Feature Requests

I would love an option to enable time remapping on all clips on the timeline at once. Instead of having to click the fx tab on every clip individually ORAn the option to set that as the default as opposed to opacity

Tiktok has had beauty filters/smooth skin presets for years now that work really great. There have also been tons of third party plugins that have been very popular for smoothing skin like Cosmo. Davinci Resolve also has skin retouch features, yet Premiere Pro, the most expensive software has NOTHING. If you want to smooth skin and remove blemishes, you have to do it 100% manually every time, or buy a third party plugin. Why?Can't you license the tech behind the best tiktok beauty filters and give professionals these options? They are pretty amazing. They can literally make you look completely different, so a professional version where it doesn't make you look completely different, but rather it just focuses on smoothing out your skin to remove blemishes/ acne/ imperfections/ wrinkles etc should be VERY easy.A reminder that tiktoks beauty filters track perfectly with your skin in real time. There's no reason why Premiere can't have this feature as well.Just like Premiere doesn't have a

With the new audio crossfade interface in P25, it would be helpfull if there was a modifyer key that would alow editors to specity an origin point for the crossfade other than center. I find I'm often having to make the crossfade durration, then drag it into the position I want.   I see that the 'alt' key is assigned, but that does a fade, not a crossdisolve  

Hi Adobe Team, My name is Carter Baeza, and I’m a licensed realtor and a co-owner of Dockside Realty,  a real estate brand that also specializes in full-service content creation for listings. I film dozens of homes each month using stabilized camera motion — mostly pushes, pulls, pans, and parallax — to create high-end visual walkthroughs for clients and social media. A major part of my workflow involves trimming long batches of footage into usable segments based on camera movement type, and doing that manually across 50–100 clips per shoot is a time-consuming bottleneck. I’d love to request a Premiere Pro feature that automatically detects common camera movements (push, pull, pan, parallax, static, etc.) and cuts or tags clips accordingly. This would allow creators like myself to:Speed up the rough cut/edit prep processOrganize footage by visual intentDeliver faster and cleaner edits for real estate, events, social, and branded contentThis type of tool could also i

See the difference between these screenshots. I want to be able to disable the new "feature" where the audio waveforms visually change based on the volume keyframes. I want to be able to easily see that there is audio in that spot that I muted. Is this possible? I saw no relevant box to check/uncheck in the settings panel. 

The basic function, we really need is the Auto-Sync Folder feature, like in Adobe Media Encoder where bins automatically update with new files from computer, We need this feature in premiere pro,it’d save so much time!

I have .mts files from a camera that have no color range flag, but in fact have a range of 16-255. Premiere recognizes them as "limited range", which is mostly correct. But how do I change the range to 0-255 (full range)? So far I have blown out bright colors in Premiere.I've cursed the program -- I can probably change the values, but I can't find the option to change the color range. Where is it hidden? I think this should be in the basic properties of the file.

I have just joined this forum to tell my experience with Premiere.I have spent the last hour trying to have rounded corners in a clip. That's it.So a feature that is available in any basic tool, or even css, since 15 years it is absurdly hard to do in Premiere.For some reason I need to watch YouTube tutorials for learning about HACKS to get rounded corners.Then I have tried to crop my clip, and the HACK of roughening edges simply fall apart. It is 2025, are you guys kidding?Do you think it is normal to ship a product of this price tag, by a company like Adobe in such a poor state?You can say similar stuff about many Adobe products, but today it is Premiere.You should really think about what you are doing as a company. Just having dark patterns to avoid your customers for leaving is not going to work. Very sad

One of the most annoying things in Premiere pro is when I need to resize a lot of videos to zoom and crop --it keeps selecting different tracks or I can't seem to select and click and drag properly. When I use the mouse scroll to zoom out, I have to use the hand tool to place the frame in the centre and click out again - I wish you could just hold a button to do that (like in Photoshop you hold the space bar and it sets it to the hand tool temporarily)The snap feature was also better when you could do it just by holding the shift button, I don't understand why it's gone :((( it's so annoying to hit S on and off repeatedly. I wish you could assign more functions to keys manually if you don't set it as default.Another thing that would be appreciated it being able to have two program source monitors- I have multiple monitors and would like to be able to have several program source monitors so I can see one small one on the main editing screen and a big one on the reviewing screen.Or

Feature Request: Automatic Replacement of Specific Zoom ImagesI'd love to see an option in Premiere Pro that allows you to automatically replace a specific Zoom image (e.g., "person 1") with a custom graphic. For instance, when a particular participant's image appears in the timeline, you could set it to be automatically swapped with a designated image or video. This would streamline workflows for projects with static visuals and save time during editing. very useful for podcast videos that didn't include webcam footage just avatars going back and forth ("Kevin speaking"/"Lisa speaking").

Subject: Adobe Needs to Address Burn-In Risk and Prioritize User ConcernsI’ve been using Adobe products for years, and while I can appreciate the innovation and range of features the suite offers, I can’t help but feel that many recent decisions are being driven purely by profit — with very little actual care for the user experience.Let’s be honest: the updates lately have been lackluster. Bug fixes are slow, user-requested features are brushed aside, and UI decisions often feel disconnected from real-world usage. But there’s one issue I want to specifically call out — and that’s the persistent, bright white top bar in Adobe apps.In 2025, we are well into the era of OLED displays. These screens are favored for their stunning color accuracy and are increasingly common among creatives, especially those working in photography, design, and video editing. However, OLED comes with one major vulnerability: screen burn-in.This glaring white top bar that can’t be hidden or customized is a major

Hello Automation Blocks Team,I'm trying to create a custom Automation Blocks script in Premiere Pro to streamline a repetitive workflow I do for every project.Here’s what I want the script to do:Automatically create 2 offline clips inside an existing bin structure:File > Extra > Multicam Sequences.The offline clips don't need any specific name, but they should always have the same names each time (so the script can later find and select them reliably).After creating them, the script should automatically select both offline clips (which are inside the Extra > Multicam Sequences bin, not from the "Processed Clips" bin).Then, it should create a Multicam Sequence from those two offline clips, using In Point as the sync method.Finally, once the Multicam Sequence is created, it should delete the two offline clips from the bin (so they don’t clutter the project panel).I’m not familiar with JavaScript or programming, and this is my first time using Automation Blocks, so a visual guide

It would save me so much time if I could highlight all the multicams I create and change the sequence settings all together.  I don't understand why you can't.   It would help me if I replace footage or reconnect to a different resolution or codec which I often do.  Or if I happen to want to change the resolution, pixel ratio,  or whatever.  Very annoying not being able to change multiple multicams at once.

Hi Adobe team,I’ve been using Adobe Audition’s generative voice feature, and to be honest, the voices sound outdated and robotic — they haven't improved in years. With the major advancements in AI voice synthesis and voice cloning technology happening everywhere else, it's frustrating that Audition still feels stuck in the past.Why hasn’t Adobe updated these voices to sound more realistic or expressive? Even better, why not allow users to do custom voice cloning like other modern tools?Is this feature being worked on at all, or has Adobe abandoned it? It feels like a missed opportunity, especially given the growing demand for AI-generated content.Would love to hear what’s planned — or at least if Adobe is open to upgrading this feature.Thanks.

The new FX badge style is less helpful than before. In older versions, FX badges changed color, making it easy to see which clips had effects. Now, with only white letters and no background color, it's harder to track effects in the timeline. Please consider bringing back colored FX badges or giving users an option to choose the style.

Sarebbe molto utile se nella "Visualizzazione a Icone" venisse in qualche modo mostrato il colore delle etichette assegnate, così da avere la possibilità di individuare sia l'etichetta che il contenuto della clip.Fino ad oggi il colore delle etichette è visibile soltanto con la "Visualizzazione a elenco". 

I already saw a lot of people requesting this in the past. I think there is a reason for that.Nowadays there is a lot of Editing Software (whether it's for Audio or Video) that have this feature built in already (DaVinci Resolve, Shotcut, Ableton Live 12, Audacity, Studio One, FL Studio etc.). There has to be a reason for that - people are enjoying that kind of workflow as it is ergonomic and logical. You grab a position in your Timeline and move it in a certain direction, just as you would move/orient something in real life.The only reason I can think of for not implementing this is patent or copyright issues with DaVinci Resolve on the part of Adobe. But if that's not the case and nothing to worry about, then why not go for it and help tons of people out by simplifying their workflow and making their software operation easier?

Please for the love of god give us this ability to hide it. I can't see the start of my waveforms most of the time.

Hi New AI analysing tool can be used to show technical segmentation.Thiws would allow to quickly identify bars, blacks, slates, logos, textless etc.It's almost doing it but search option doesn't understand techncial terms and performs "wrogn search".This coudl be sort of side option to normal search.It would be nice to have an auto markers (one with in/out) inserted into timeline after analysis and showing segments of your master. Main things are bars, perfect blacks, slate, start/end point of the programme. Extra bits are credits, text overlays. Textless elemnts are bit more diffiuclt but with comobination of positon in time in the master (so at the end) , plsu with the slince could be quite well identfied as wel. It's colse and I think possible. Maybe togheter with transcription as well to help. Next step woudl be auto detection good add break points.

Hey guys,Something very embarrassing happened, client aired Ad with 'Analyzing 1/2' Morphcut Warning Banner in the video.It was a 2 frame morphcut and I exported the same video 4x and sometimes it's in the renders and sometimes it isn't. First of all, thats my mistake, I should have been more careful. BUT. There should be a global setting which allows every video which is being exported to be free of said warning banners,They shouldn't be on final renders in the first place, what's the benefit? I'd rather have a wonky, unstablized shot as one with a big warning banner AND unstablized.This is a feature request, if there is a way to do this, please let me know.Many thanks

Hello there! Long time user of Premiere Pro. Been away from it for a couple of years and getting acclamated with the new updates, including the text to edit too (**WOW**!!).   One thing that's irksome is the need to toggle the source viewer window after selecting the text range for auto setting an in/out point.  It would be incredible if the user could simply click drag the text, and then use the keyboard shortcut to create a subclip instantly out of the selected text (no window toggle needed).

Is this possible? As a video editor working to complete multiple short form vids per week, it would be really helpful for my workflow. Especially for collaborating with my team + revisions.

In Premiere Pro, when you copy and paste a clip on the timeline, it effectively performs an overwrite edit based on the in point. I'd like to suggest a backtime paste command, so when you copy and paste it does an overwrite backtime edit paste instead. Much like how we have paste insert.For example I would use this alot when it comes to using lot of same sound effects over and over again on the timeline, that I can paste either based as Overwrite edit from In point but also from the Out Point as well.I know its possible to do this with Match Frame and then just do an Overwrite backtime edit but I think that takes too many actions to do and feel it would be possible for it to be implemented with a Backtime Paste as I would call it.

The removal of this feature is mind boggling to me. It's become such a hassle now to try and edit text and graphics! I know that there are ways and paths to take to get the text editing window to pop up, but the fact that there has to be these work arounds and no longer a clear, concise, simple drop down button and window for it is just two steps backwards. Please bring back the Essential Graphics editing option.

I have 9 audio tracks in my sequence. I want to move A9 up to be below A3 for example so that my sound effects order makes more sense when editing. How do I do that? There doesn't seem like there is an easy way. You would think you would be able to drag the whole lyer/track up or down.Is there a way to do that?