Feature Requests

I think it would be awesome to have a better structure for LUTs. I wish it were more organized with the option of having folders. Lightroom has something similar to where you can have folders holding presets, but when I want to use a LUT in Premiere Pro, I have to pick through the long list I have aquired, or go through the browse option and go through those folders one by one. I would like to have that organization that I use in Finder (osx) within Lumetri. I've loved some of the additions to cc2019 and think this could be a nice feature as well.

Can we please get a default option on sorting media? Currently the default sort is by framerate in my project window and there is not way to change that. I'm so tired of having to change it manually for every single project. It seems like something that would be really simple to implement. And the default sort set in bin view is user order. Both of these default sorting options dont help my workflow and are just annoying to change all the time.  Second thing is a proper import button for LUTs in lumetri. Its 2025, I should not have to go find an obscure folder directory in order to import my LUTs. Please just implement a button where we can import luts in Premiere simply and quickly. Thirdly - Please allow us to save our keyboard shortcuts and settings in the cloud. This used to be a feature but is removed from what I can understand. This is such a key feature, I reinstall premiere at least 2 times a year and it would be a major help.  Another thing that is mor

I had an issue with Premiere Pro.The software supports transcription for National Languages, but not for Regional languages. There are loads of videos to be translated into (Indian) regional languages with captions. Like Tamil, Telugu, Hindi, Marathi, and Kannada. Are there any updates going to happen in the future on this? Or any suggestions on 3rd party plugins?  

Hey, had an idea for a feature that I think could be really useful for alot of people scrubbing down big projects, and making the organising of footage more visual.  I know there is already a feature to colour code clips, but, just one set of colours is generally never enough, as there are two main areas that people like to keep orgaised.  1 - The type of shot (wide/close up/b-roll/talking head/subjet/details etc)2 - The location of the shot in relation to the order the shoot (i.e exterior/room 1/room2/ location 1/location 2/day1 /day2 etc) What im suggesting is keep the colour coding of the clips the same, but add another option to change the colour of the outline of a clip (adding a coloured stroke), so you can easily see the two colours signalling the clip is a "b-roll shot in the kitchen" without having to scrub over the clip.  I feel like having two layers two the colour coding processs can be used in more ways than ive described so feel lik

Premiere Pro is the only post app i use on a daily basis where the hardware output signal follows the source. While this makes sense on paper, it doesn't work well in practice. The two biggest flaws with this concept are the proliferation of UHD content but not UHD monitors, and social media deliverables. UHD content on a non UHD monitors means the signal has to be cross converted to display a signal. Social media deliverables like 9x16 don't display properly on hardware devices like BlackMagic ultrastudio. The solution is to introduce the ability to lock playback for hardware devices to a standard. This is how Davinci Resolve, Silverstack Lab, Livegrade and FCPx all work. If i can set my output to 1080p23.976 globally, then Premiere can push all my signals into that box. My hardware and Flanders monitor would be much happier. 

Please keep alignment option available when selecting multiple text clips created with the type tool. Alignment is only available in the properties panel when selecting 1 text clip, when selecting multiple text created by the type tool, alignment options disappear from the properties panel. This would be very useful when batch adjusting text.  

I'm doing some color correction and shot matching in Premiere Pro using the Comparison View, with my source hero shot on the left and the target on the right. Waveform and Vectorscope are open in the Lumetri Scopes panel. The issue is that in Comparison View, both images are combined on top of each other into a single Vectorscope graph. I’d like to see the difference between the two. Is there a way to have a mute or ON/OFF toggle under the left and right images in Comparison View, so you can quickly isolate the scope for just one image and compare it more easily?

At various jobs, we'll duplicate a previous version of a cut (ex. v1), and rename it with the new version # (ex. v2). However, so many times, myself and others have ended up editing in the v1 sequence because it's open in the Timeline panel, whereas our new version is still closed. Is it possible to add a "Duplicate Sequence with new version number" type command that:- Duplicates the sequence- CLOSES THE OLD SEQUENCE- OPENS THE NEW SEQUENCE- Prompts to rename the duplicated sequence (some jobs have their version number in the middle of the sequence name, so may not be easy to auto renumber) It'd probably be a good idea to leave it up to the editor to move the old sequence into a z_Old folder so they don't later claim, "It disappeared on me."

Hi, I could really use the ability to set a custom pixel aspect ratio in the Interpret Footage settings, and/or sequence settings. There's a lot of anamorphic lenses coming to market, and some of them don't de-squeeze perfectly with the default options for pixel aspect ratio that we're currently locked into. The Blazar Mantis lenses are an example of this, where 1.33x is close to correct, but to perfectly de-squeeze the footage you need to be able to set a 1.38 pixel aspect ratio. The only work around is to manually scale the clips on the horizontal axis only, but then re-sizing clips gets real funky. 

I work on a news team and edit most of my stories on premiere. I wish there was a way I could share a web version of the transcript premiere makes with teammates. I know I can export it as a txt document but I would love a way to share it with the audio synced similar to otter. I find premiere's transcription to be really good -- especially the speaker recognition. But ultimately I end up having to use a lesser product, which often doesn't have the correct timecode, with team members. This would be a big value add for me and my team. 

Is this overly convoluted. I have a sequence with a stereo audio track in the timeline. Left track is clip mic, right is ambient. I want to mix this. What I have done is. Open the Audio track mixer. Toggle the track mixer effect pannel open, navigate through two drop down menus to apply channel mix effect, double click to open the effect - another mixer! Adjust left channel, tab to right channel control, adjust faders. So streamlined. Seriously, is this the only way to do this? How about a pair of ganged faders in the main audio track mixer.  Am I missing something?

Hello,  I have been using the Auto Transcript feature in Premiere Pro a lot lately, it has been a wonderful boon. One problem I have run into though, is that I have many files where the subjects are speaking in both English and Spanish, and the auto transcription only goes with one language and can't swap between the two. It would be great to be able to inport the source file and tell the transcription tool which language I would like specifics clips in the sequence to be transcirbed as. Better yet, I would love it to be able to auto detect when switching from language to language within a clip, though that may be a big ask.

An important feature for all editing programs regardless of what they're editing (text, video, graphics) is for undo/redo to make it clear what is being undone/redone. Text editors do this by moving the cursor to where insert/delete is happening. NLEs like Avid, FCP7, and FCPX do it by moving the playhead to where the action happened - and bringing the playhead into view if the move hides it. As far as I can tell, Premiere has no way of showing you what's being undone/redone unless you already know where to look. Please enlighten me if I'm wrong. If I'm not I hope you add this oh so important feature!

It can especially be useful for certain compositing effects, specifically in an HDR project. For example, if you have something that is at the full 10,000 nit brightness, and you set that at 50% opacity against a black background, you should expect 5000 nits. Instead, you get 92 nits because it's working in the original PQ space for those transformations.Working in the PQ space can be useful for plenty of workflows, but for some specific needs, being able to do color calculations in linear space can be very helpful. There used to be an old "Composite in linear color" setting, but it doesn't seem to do anything anymore when I tried it in SDR, and it's completely greyed out in HDR.

Je ne comprends pas qu'un effet tel COLOR METAMORPHOSIS ait été retiré de la liste.  Il était tellement simple d'utilisation. Je souhaite son retour et vous ?

If Premiere Pro had an Auto Sequence feature  like Avid Media Composer, it would save me hours and hours of syncing video and audio.   What I need is a function that lays all the video from each individual camera on a timeline by the timecode and have that sequence match the timecode of the clips so I can "Auto Sequence" each camera's clip by the timecode. When trying to perform a similar function in Premiere (multicam multiple clips by timecode), it trys to put each individual clip on a seperate layer, and that costs me even more time to move the clips on one layer. This should be a basic function and I'm surprised it doesn't exist.  I am working with 10+ cameras that are multicamed with over 12 layers of audio, so I need a way of quickly placing the clips on the timeline by timecode to sync them all which should be a simple thing to do. Something that takes me just a few minutes in Media Composer winds up taking me a whole day in Premiere Pro.

PLEASE add a feature that creates a stringout with gaps based on source timecode (similar to AutoSequence feature in Avid). So many times with lower budget work, I've been given 100+ shots I had to try to sync when timecode doesn't match, the cameras have no scratch audio (they just record 8 dead channels for no reason), and there is no clapper. If I'm able to sync one thing, I'd be able to create a sync map, which can save me tons of time. 

Request to allow us to import ogg files into Premiere Pro. I just finished organizing tons of ogg files in different folders for a project not knowing premiere doesn't support it. The only third party "plugin" I could find was an unfinshed beta made over 10 years ago. So now I'm going through the nightmare of converting them all to wav or mp3 and reorganize all the converted files.

“Please consider adding the Color Mixer UI from Lightroom (with color bubbles for HSL) to Adobe Camera Raw / Photoshop. It is far more intuitive and user-friendly.” Currently, the HSL/Color adjustment interface in Adobe Camera Raw and Photoshop is difficult to use compared to Lightroom’s Color Mixer.The colored circular buttons in Lightroom's Mixer tab are far more intuitive, especially for quickly identifying and adjusting color ranges. It also speeds up workflow for users who work with skin tones, landscapes, or product photos.Please consider unifying the UI experience across Adobe apps. Bringing Lightroom’s Color Mixer UI into Camera Raw/Photoshop would help beginner and professional users alike.Attached is a screenshot comparing both interfaces to illustrate the difference clearly."For many creators—especially photographers or hybrid editors—the bubble-based HSL sliders from Lightroom are far more intuitive than graph curves. It would be great if Adobe could bring this user-fr

After importing a video into Premiere Pro, it takes a long time to generate thumbnails for each video, and the video needs to be on the screen to generate thumbnails for the video I want to generate. This is very annoying for me. I have to work with thousands of video clips, and it takes five to ten minutes to generate the thumbnails for each clip. What's even more annoying is that every time I close the project, I have to generate those thumbnails again when I reopen the project. Is there any way to automatically generate thumbnails and not have to generate those thumbnails repeatedly, even after closing the project? If not, I would like to request Adobe to provide a solution for this.

Ever since the transcription feature was introduced I use it heavily to edit projects, I have found that sharing transcripts with clients is helpful for them to highlight and select lines they want featured in timelines so it is obviously very useful. I think a feature addition that could enhance it would be to enable highlighting lines in the transcript similar to how adding markers to a timeline might work, flagging selections or areas needing corrections, etc... could offer use without requiring cuts in the timeline but could allow finding certain sections in the transcript quickly, even color coding speakers could be helpful. I would also love some frame.io integration for this where sharing the transcript and getting feedback might update with some type of indication in the premiere transcript. 

I've just spent several hours on a project discerning footage between A-Roll and B-Roll, placing that into the "Comments" column in my project panel.  My intention was that once I was done, I could go into any of my many scene bins and type A-Roll into search, and find all the A-Roll for that scene.  Alas, this didn't work.  The way search currently works is that is matches ANY of the characters you put into the search bar.  So, typing in A-Roll will show you all of your A-Roll...but all of the B-Roll as well, because -Roll matches.  Yes, I'm aware you can make search bins that are a bit more specific, but those target the entire project, not a bin with a specific scene, like I need. This could easily be solved if the search bar used standard boolean operators that search engines like Google use.  That way, typing in "A-Roll" in quotes would only produce results that contain that full word, with those characters in that order.  It would be a nice

EDIT: Feature request please upvote: https://community.adobe.com/t5/premiere-pro-ideas/precise-audio-replacement-without-resetting-edits/idi-p/15016141I have a 20 min video that has been edited with many cuts down to 1 min.I then have a new enhanced audio that comes in later, however it's the full 20 min and did not make it into the edit during the editing process. This is so that re-edits that can be made later to include new segments with enhanced audio ready to go. This workflow repeats due to various reasons - in this event, how can one replace the audio? I have tried:- Alt Dragging the 20min enhanced audio onto the edited audio cuts in the 1min, however they all start from 0, instead of aligning timecodes- Right click -- Synchronize, which is greyed out- Replace with clip - from bin - same result as Alt dragging. Other than previous workflow modifications, is there a solution for this circumstance? I'm not looking on ways to prevent this, I know them,

Product: Adobe Premiere ProCategory: Timeline / Editing WorkflowDescription:In Avid Media Composer, when working with a collapsed group of video tracks (a nested sequence), it's possible to double-click and open it inline within the same timeline, make edits, and then collapse it again — all without switching to a separate sequence tab.In Premiere Pro, double-clicking a nested sequence opens it in a new timeline tab, which breaks the editing flow and makes quick adjustments more cumbersome.How this would help my workflow:As a video technician working in fast-paced environments, I often nest multiple layers for organization or effects. Being able to open and edit these nests directly in the main timeline would save time, reduce context switching, and make the editing experience more fluid — especially when working on complex sequences with multiple layers.Additionally, staying in the main timeline allows me to hear the full audio context of the edit, n

Bonjour,sur Premiere, il manque une feature dispo sur tous les autres logiciels de montage pro linéaire."Batch rename clips" sur Davinci ou encore le "Bulk Edit" sur Avid qui consiste simplement à pouvoir renommer, uniquement sur Premiere, les fichiers à partir de métadonnées que nous avons remplis.Ex : N° de scene et prises De plus lorsque nous faisons un multicam, ces infos disparaissent.C'est reellement chronophage pour une action que nous avons deja faite.Merci !