Feature Requests

https://aescripts.com/auto-motion-tracker-for-objects/This is an extension for Adobe Premiere Pro that lets you convert keyframes of a tracked Mask Path to a Transform effect, so anything can follow movement in the scene! Those keyframes can also be used to STABILIZE your footage! All it does is capture a mask's position, rotate, scale keyframe data within PPro and apply to the transform effect. Why can't Abode implement this themselves?www.santanu.biz

Premiere Pro’s speech transcribe has NEVER spelled the word “partisan” correctly (and by never I’m talking 3-4 dozen videos). As if it isn’t in the English dictionary. Instead it always transcribes “Partizan”. In American English when something is done to benefit Democrats or Republicans it is done for partisan benefit.The Partizans OTOH were the Yugoslavian guerillas who fought the Nаzіs in WWII (and also a current Serbian ⚽️ team). Unless I’m transcribing a video about the Balkans, I should never see Partizan in a transcript. 

Advanced & User-Friendly Graph Editor for Premiere Pro (Speed + Value)   The Idea Introduce an enhanced Graph Editor UI within the Effects Control Panel in Adobe Premiere Pro — offering a dedicated, intuitive, and scalable graph interface similar to After Effects, tailored specifically for video editors.     Key Features Dual Graph Modes Speed Graph: Adjust temporal interpolation smoothly, with speed-only control for precise motion timing. Value Graph: Modify spatial or numerical values (e.g. scale, position, opacity) using value-specific curves. Larger UI & Responsive Graph Area Big, draggable Bezier handles Resizable editor panel (even full-screen toggle) Zoom + pan control for precise fine-tuning Snappy & Intuitive UX One-click switch between Speed & Value Graphs Smooth UI performance with clear keyframe indicators Modifier keys (Shift/Alt) for snapping, linear hold, or easing options Graph Presets & Custom Curves S

Sometimes you have to switch audio source tracks quite frequently. This would be much easier if you could activate or deactivate them via shortcuts. This is possible for target tracks in the timeline but not for the source tracks.

One great feature FCP had when I dropped it 12 years ago to favor PP is the 2 sorts of focus approaches when zooming in the TL. I'll explain and wish you could consider!1- If nothing/no clips was selected on the TL, the zooming in would be centered on the CTI. All good.2- However, if a clip was selected, then the zooming in would be centered on that clip. How great!! WHy? Well, bcz at times, we don't have the CTI placed at the clip we're busy with, hence selected. Yet we wanna zoom in there to check somthg, to maybe Slip it, roll an edit point... So zooming in on it would be very intuitive, instead of jumping back to where we left our dear CTI a few seconds before... And once one knows that it works like this, it's just a really handy feature!! With more ways (just one more here) we can do faster. Really.Thanks for considering! Best,Federico

Please let me enhance an audio track directly in Adobe’s Enhance Speech v2 AI without needing to take 12 steps to import enhanced speech. 

I need AI to fidget still shots so that if I place a still photo of someone in shot I can make their lips move to the audio and show the subtle movements someone on camera would make.

Please let me open an audio track directly in Audition or Fission or whatever sound editor I choose in my preferences. Then it can ask me if I wish to replace or overdub the original.

It would be super usefull to have in Premiere the same option to hide/shy layers that After Effect has. 

Can we have Premiere Pro give us a warning when trying to export a video and there are "frames that need analyzing" for warp stabilizer? Currently it just exports the warning across the video and I've spent all this computer render time without knowing it was going to do this.

Could the language options be expanded to include Arabic for translation?It would help us as we are serving a lot of Middle Eastern countries.

 the markers window to create and edit timelines ans sequences would be nice. From the markers menu you could select your searched markers and create sequences or edit other video prperties light color, size, spead ramp ect. essetial use markers as another orgonization  tool that you can directly select and edit. this gives anothe option for useablitiy and  flexibility.

Please Adobe, can you enlarge the area next to an edit point that activates the Edit (shorten/extend)Roll/Ripple tools? It's now liek a few pixels...! 2 times out of 3, It ends up being the "select" tool and we end up moving the clips instead of editing it/editing the edit point...Such a simple thing, and that would enhance and speed up editing a lot! ThanksFederico

I've noticed that Adobe Express includes a very useful video background remover, which is super helpful for quick edits. I'm wondering why this feature hasn't made its way into Premiere Pro yet.Given that Premiere Pro is a professional-grade editor, it feels like a basic background removal tool (without needing green screens or complicated rotoscoping) would be a huge help—especially with so many creators working solo or needing quick turnaround times.Is there a reason this hasn't been integrated yet? Or is it something Adobe is working on for future updates?

Feature Request for Adobe Premiere Pro – Export Panel EnhancementsI have been using Premiere Pro and I really appreciate the built-in options for direct export to YouTube and Facebook. I would like to request the following enhancements to make the export process smoother and more efficient:Add Instagram Direct Upload OptionPlease provide an option to upload directly to Instagram from the Export section, similar to YouTube and Facebook.YouTube Export ImprovementsTitle Character Count Preview: Show a live character count for the YouTube title (maximum 100 characters). For example, if I type 20 characters, it should display “20/100” so I can see how much space is left.Tag Character Count: YouTube tags have a 500-character limit. Please add a live counter (e.g., “150/500”) so we can optimize tags without guessing.YouTube Scheduling: In addition to the current “Private,” “Unlisted,” and “Public” options, please add the ability to schedule YouTube videos directly from Premiere Pro.These addi

Within Premiere Productions, it would be great to have the ability to be able to open a project as ‘read only’ rather than opening it and then click to convert it from ‘editable’ to ‘read-only’. The reason behind this is that there plenty of projects that get created (Rushes, selects timelines etc…) that once created, not only rarely need changes to, but actively want changes to be prevented.  This is currently possible by opening the project (which defaults to ‘editable’) and then clicking the Read/Write toggle.  But this step is a real faff and easy to forget. So if nothing else, the option to right click and ‘Open as Read Only’ would work.  Beyond that, a keyboard shortcut to open project as Read Only, or even to toggle or set it between Read or Write when the project panel active.Beyond that, it could be cool to set default behaviour for certain projects.  So projects that you know you’ll always want to open as ‘read only’ will default to that.  I

Is there a way to organize fonts? I would love to see fonts that I install separate from the rest of windows/adobe default fonts. As of right now i'll go through and favorite my fonts, which is well over 50+ fonts. And its a huge pain. Otherwise my fonts are mixed in to the rest and often forgotten about or annoying to find.  I've said this 1000 times but this issue also wouldnt be bad if we had cloud sync for settings/luts/fonts. I wouldnt mind this system of favoriting my fonts if it could all be synced in the cloud and I only need to do it once. So maybe we can get 15Mb of cloud space to sync our settings? I think the amount of money we pay could justify a few megabytes.... 

I think it would be awesome to have a better structure for LUTs. I wish it were more organized with the option of having folders. Lightroom has something similar to where you can have folders holding presets, but when I want to use a LUT in Premiere Pro, I have to pick through the long list I have aquired, or go through the browse option and go through those folders one by one. I would like to have that organization that I use in Finder (osx) within Lumetri. I've loved some of the additions to cc2019 and think this could be a nice feature as well.

Can we please get a default option on sorting media? Currently the default sort is by framerate in my project window and there is not way to change that. I'm so tired of having to change it manually for every single project. It seems like something that would be really simple to implement. And the default sort set in bin view is user order. Both of these default sorting options dont help my workflow and are just annoying to change all the time.  Second thing is a proper import button for LUTs in lumetri. Its 2025, I should not have to go find an obscure folder directory in order to import my LUTs. Please just implement a button where we can import luts in Premiere simply and quickly. Thirdly - Please allow us to save our keyboard shortcuts and settings in the cloud. This used to be a feature but is removed from what I can understand. This is such a key feature, I reinstall premiere at least 2 times a year and it would be a major help.  Another thing that is mor

I had an issue with Premiere Pro.The software supports transcription for National Languages, but not for Regional languages. There are loads of videos to be translated into (Indian) regional languages with captions. Like Tamil, Telugu, Hindi, Marathi, and Kannada. Are there any updates going to happen in the future on this? Or any suggestions on 3rd party plugins?  

Hey, had an idea for a feature that I think could be really useful for alot of people scrubbing down big projects, and making the organising of footage more visual.  I know there is already a feature to colour code clips, but, just one set of colours is generally never enough, as there are two main areas that people like to keep orgaised.  1 - The type of shot (wide/close up/b-roll/talking head/subjet/details etc)2 - The location of the shot in relation to the order the shoot (i.e exterior/room 1/room2/ location 1/location 2/day1 /day2 etc) What im suggesting is keep the colour coding of the clips the same, but add another option to change the colour of the outline of a clip (adding a coloured stroke), so you can easily see the two colours signalling the clip is a "b-roll shot in the kitchen" without having to scrub over the clip.  I feel like having two layers two the colour coding processs can be used in more ways than ive described so feel lik

Premiere Pro is the only post app i use on a daily basis where the hardware output signal follows the source. While this makes sense on paper, it doesn't work well in practice. The two biggest flaws with this concept are the proliferation of UHD content but not UHD monitors, and social media deliverables. UHD content on a non UHD monitors means the signal has to be cross converted to display a signal. Social media deliverables like 9x16 don't display properly on hardware devices like BlackMagic ultrastudio. The solution is to introduce the ability to lock playback for hardware devices to a standard. This is how Davinci Resolve, Silverstack Lab, Livegrade and FCPx all work. If i can set my output to 1080p23.976 globally, then Premiere can push all my signals into that box. My hardware and Flanders monitor would be much happier. 

Please keep alignment option available when selecting multiple text clips created with the type tool. Alignment is only available in the properties panel when selecting 1 text clip, when selecting multiple text created by the type tool, alignment options disappear from the properties panel. This would be very useful when batch adjusting text.  

I'm doing some color correction and shot matching in Premiere Pro using the Comparison View, with my source hero shot on the left and the target on the right. Waveform and Vectorscope are open in the Lumetri Scopes panel. The issue is that in Comparison View, both images are combined on top of each other into a single Vectorscope graph. I’d like to see the difference between the two. Is there a way to have a mute or ON/OFF toggle under the left and right images in Comparison View, so you can quickly isolate the scope for just one image and compare it more easily?

At various jobs, we'll duplicate a previous version of a cut (ex. v1), and rename it with the new version # (ex. v2). However, so many times, myself and others have ended up editing in the v1 sequence because it's open in the Timeline panel, whereas our new version is still closed. Is it possible to add a "Duplicate Sequence with new version number" type command that:- Duplicates the sequence- CLOSES THE OLD SEQUENCE- OPENS THE NEW SEQUENCE- Prompts to rename the duplicated sequence (some jobs have their version number in the middle of the sequence name, so may not be easy to auto renumber) It'd probably be a good idea to leave it up to the editor to move the old sequence into a z_Old folder so they don't later claim, "It disappeared on me."