Feature Requests

How to put this politely ... ?  Having had my workflow completely disrupted recently trying to reconfigure the colours back to what I've known and used for 12+ years,  it now seems that we've had "Audio Transition Handles" forced upon as well. On audio tracks a small grey box appears at the end of each audio clip when you hover your mouse over it.  As you scroll your mouse across the screen, the grey boxes jump from one clip to another, and it's. the. most. distracting. thing. ever. I've tried all the options in the Wrench/Spanner menu, I've looked at all the options in the three bar Hamburger menu, and I can't see a way of turning thisZfeature off.   Does anyone know how to turn them off?   I just don't want this "feature", please.  Please Adobe, please. Please let me turn this off. This post is also more time wasted I've spent to day, instead of working, costing me time and money. Many thanks all. 

For my commercial and video editing work, I rely on nested sequences quite a lot, for everything from split screen comps to advanced layering and more. Just as I would in After Effects with Precomps.However inside of After Effects, there exists a beautiful feature known as the Composition Mini-Flowchart, where you press tab and it displays a flowchart of where the current precomp exists. You can then use arrow keys to move in and out of the flow, which is handy for comps inside of comps. What I find most helpful in this context is when you open a precomp to make a small change, you can very quickly return to the previous view by hitting tab + left arrow, to go back out to the main composition it resides in.I would love to see something like this in Premiere with nested sequences, whereupon stepping into nested sequences to make some changes, you could quickly step back out, and also see a flowchart illuminating where else the nest exists within your project, or if you want to step furt

Is there any way to have ruler guides be contained within a sequence? I work between 16:9, 9:16 and 1x1 all the time and hate having to change my guides each time I go to a different sequence. I've finally set up some templates for myself which obviously massively speeds this up, but it's still a pain! Any thoughts appreciated or if this can become an idea for the dev team then sweet.... 👀

The Norwegian AI trancription/captioning service "Randi" has introduced "temperature" setting for captions.I want this in Premiere Pro! It would be great for universal design.Here's what they say: Choose “temperature” and preferred sentence length when transcoding your video to get the sentence length that best suits your particular video. This will help you shorten the sentences in the subtitles so that they better suit your preferred style. At high temperatures (50-70%), Randi (the AI) will also try to make the sentences more “general” and readable, as we know from TV for example.

Doing lots of tests exporting from Premiere to Resolve as my colorist wants to work in Resolve. After the colorist’s work is done in Resolve, is it possible to make a tweak in Premiere and update the Resolve timeline?  I wish I could export from Premiere again and Resolve would update the timeline rather than make a new one.  The color settings would remain.  Is this possible?  Thank you.

Over the years using Premiere, this is the one thing that I repeatedly come up against. For sure, it's user error, but I feel like whenever I've added in and out points, Premiere should then automatically use them while exporting.

hello everyonei have videos of my jewelry spining on a turntable.after all the editing and cutting and croping, my video does not fill in the entire background, and it moves around.attached is a very brief sample  - is there a generative ai tool in premire pro that will extend the background to fill in the empty space?-------------------------------------------------------------------------------is there an ai tool that will keep my jewelry centered at all times while it is spining?i know the manuel way of setting up point and slowly moving it every few frames.  but it takes a lot of time------------------------------------------------------------------------------- i am really a beginer and a self thought premier-erso i dont know many of the tecknical stuff.  so please be patient with me-

This is super annoying. I create a keyframe, let's say a motion keyframe. Set it to 50. Then create another one, set it to 100 and put it at the end of the clip. Then I scroll to the second keyframe and suddenly, Premiere has switched me to the next clip in the timeline for some reason. This is so annoying. Even moreso when I'm using my mouse to move the scrubber around, sometimes it juts me all the way to the end of the timeline. I can't imagine a scenario where I would want this behavior.

It would be a great time-saving improvement if video track selection (V1, V2, etc.) could be handled more intuitively, without always having to go to the far left and manually click the track selector.For example, when clicking on a clip in the timeline or even clicking directly on the track header area, that track could automatically become the target track for any new clip insertions — or at least be an optional setting (like "Auto-target on click").Right now, constantly moving the mouse back and forth just to change track targeting feels inefficient, especially when working fast.This small feature could really improve workflow speed and usability.

I did some research recently due to a massive playback issue not too long ago with some HEVC footage I recorded with OBS Studio (for some context, the OBS footage was constant frame rate, not VFR). Here is the link to that post for reference:https://community.adobe.com/t5/premiere-pro-bugs/hevc-8-bit-4-4-4-footage-is-very-hard-to-playback-in-premiere-pro-sometimes/idi-p/14229324 To sum it up, I realized that one of the main causes for my playback issues was with Adobe's lack of support for hardware accelerated decoding for a majority of the flavors of H.264 and HEVC codecs. Here are a couple screenshots as well as links to the articles from Puget Systems back in December, 2022: Premiere Pro: https://www.pugetsystems.com/labs/articles/what-h-264-and-h-265-hardware-decoding-is-supported-in-premiere-pro-2120/DaVinci Resolve: https://www.pugetsystems.com/labs/articles/what-h-264-and-h-265-hardware-decoding-is-supported-in-davinci-resolve-studio-2122/&nbsp

Is there Generative Fill in Premiere 25.2.3? I see Generative Extend but was looking for Generative Fill (to cover TV station bugs in archival footage).

I'd love to be able to create a custom button to toggle Overlays on/off.   And in general, the ability to create custom buttons would be great for both Source and Program monitors.

Grouping clips in the timeline is a very powerful but under-used feature within Premiere Pro. Part of the reason it's under-used is because once you group some clips together, there's no visual indicator in the timeline that those clips have been grouped.    Feature Request: Add some type of visual indication of clips that have been grouped together in the timeline. The clip label color should remain as well as all other readable metadata, but by giving the clips a visual indicator that they are grouped, you can quickly glance the timeline and see which clips you want to stay together. This can be useful for sound bites that have been drastically edited but need to stay together. This could be useful for any of you clips in B-roll that you want to easily move and stay together. And this would be different from nesting because when you nest a clip, you can't see what's inside the nest, which is often vital when editing.    If you don't know a

テキストを複数選択したときにもトランスフォームで動かせるようにしてほしい。現状テキストのみを一括で位置調整するには一個をトランスフォームで動かす→コピー→複数選択→ペーストしないといけない。テキスト以外は複数選択しても一括でトランスフォームが出来るので、こちらも直感的に動かせるようにしてほしい。

Just like After Effects, when you Create a new sequence from multiple clips, premiere should offer the option to either:A) Single sequence with all selected clips (current functionality)B) One sequence per clip (requested functionality)

I am looking to see if anyone knows if there is a plugin that will take the GPS data meta data from a video clip, and both/either show you the meta data (and friendly location name (city/country eta least) within premier project window, and/or this data can be used to convert to a map location name to display on your video (hopefully by just dragging it on to the video), and for bonus points, the option to show a small map from google with the pin for the location. Here is an example of the data embedded into the iphone video:+24.9913 +121.5849 +126.715 And a converter tool as apparently google maps doesn't like that format:GPS Coordinate Converter, Maps and Info Thansk in Advance for any direction you can provide Added:Premier can show the Metadata in EXIF from the video file,  I just need a way to convert this to a city name without cutting and pasting each location into google,   some sort of plug in that lets you map it, a

Good morning,In my opinion, it would be a good idea to add a blur and border smoothing to the panel where you can modify the position and scale.It would also be good to add more effects and transitions like Seedles natively. This helps avoid issues with third-party plugins and helps improve today's demanding workflow in most cases...What Black Magic is doing with Davinci Resolved is fantastic. I'm not talking about merging AF with Pr, but putting Premier on par with Davinci because many users are migrating.Regarding performance, they've improved a lot, so I congratulate them...Where I work, they've been using Premier for over 10 years, but they're already migrating to Davinci, and it's really a shame!

when nesting clips that are larger than the sequence frame size it is not possible to add movement keframes because Premiere "bakes in" their dimensions to the size of the sequence they’re nested into — so anything outside the frame gets cropped, and the keyframed movement gets very limited to what's visible inside that frame. this makes pan, scale, rotation, position keyframing not possible.. can you add an option to nest while keeping the actual size and the outside-of-the-frame images/videos info so that keyframing will be possible?this will be a huge update!

In many cases, I don't need to see all of the audio waveforms simultaneously. It would be much more useful if we could enable waveforms on a per track basis. This would help alleviate some lag when dealing with multiple audio tracks in a sequence as the software wouldn't have to draw and buffer waveforms that were not relevant to the user.  For example, if I am working on a music track, I don't need the audio waveforms for my other tracks at that time.  Avid Media Composer implemented per track waveforms some time ago and it's extremely useful. 

Would love to batch twirl down multiple at once. Working in Production and have dozens of bins I need to constantly twirl down one by one.

Hi, I would like use the mouse wheel to scroll frame by frame in Timeline Panel as Program and Sorgent Panel.Thank You.

1. Need choose option in window File - Export - Captions for subtltles2. In the export tab, I can't select export ONLY subtitle tracks, only audio + subtitles or video + subtitles. This is very inconvenient.3. I also need a function to export all tracks one by one in 1 click to srt or another format (C2 on the timeline - file 1, C1 - file 2, etc.)

Hey there, Long time premiere user, just downloaded 25. The Preferences > Appearance window is actually now inferior to the older version in that in Prem 23 I have a sliding scale of "brightness" which allowed me to customise the appearance of Prem. I prefer a the lightest grey possible as it seems to cause me to strain my eyes the least. In this new version that sliding scale has been swapped for 3 modes, titled Dark, darker or light.  The light one which is just white.Dark is very dark, almost a black backgroundDarker is still very dark, much darker than I would like it.  I've got it set to Darker as it's the closest to the old setting but it's still much darker than i'd like it meaning I'm struggling straining my eyes during long edit sessions. Can this please be put back to a sliding scale? Seems much more user friendly.  

As User of Adobe Premiere,I want to automatically blur or pixelate faces in video footage so that I can protect people’s identities without manually tracking and editing every single face in Adobe Premiere Pro.While I’m aware of manual techniques using masking, tracking, and Gaussian blur, they are time-consuming and not reliable in fast-paced or crowded scenes.What I’m looking for is an AI-based out-of-the-box solution within Premiere Pro or the Creative Suite that automatically detects and anonymizes faces throughout an entire clip — similar to what platforms like YouTube or Descript offer.Such a feature would be invaluable for documentary editors, journalists, educators, and content creators who need to meet privacy regulations and handle sensitive footage efficiently.Does Adobe already have plans for this? Or are there any existing workflows, plugins, or beta features that enable this kind of automation?Thanks in advance!

Hello Adobe Team,at the moment it's only possible to export transcripts in .srt, .txt and .csv files. But I can't import csv files again after exporting them?...I have multiple projects where I have to send the transcript to my client for an external review and changes. Exporting a txt-file is extremely complicated for my clients and a source of errors if the client doesn't stay EXACTLY in the form of the txt file. Srt-files need to be converted and are therefore also complicated. Nearly every client works with excel, so a csv file is great for them (the export of a transcript works perfect.) BUT I need the possibility to import these files again after they were revieved.PLEASE add this feature. It makes no sense for me, why I have the ability to export a csv-file but can't import it again.