Feature Requests

With the new Update 25.1.0 Premiere has introduced a new Look&Feel to the User and I don't like it. Honestly... get rid of those round edges and stop pretendig to be like DaVinci Relsolve. There have been just too much of changes introduced recently and the thing with the round corners maked me angry. Please bring back the way it has been, the current state sucks. BE MORE LIKE PREMIERE! 

Please add mouse buttons key bind functionality.  I want to add edits and delete clips with one hand and eat my peanuts with the other.  Efficiency is a key part of editing. Thank you.

Still waiting on this to be directly integrated with Premiere Pro.Thank you.

Text editing it an amazing feature. But in a long interview, the response time to see you result can be quite slow. But there's no quick way to see if PP is actively searching or if it just didn't find anything. Some kind of progress indicator would be great to indicate that PP is tring to find it, found it or found nothing. I"m thinking a small colored dot:if yellow, it's searching,if red, no results,if green, it's done and here is the first result.

Generative extend should really be a tool under the ripple edit rather than having it's own permanently visible icon.

Credo che possa essere molto utile per rendere il flusso di lavoro più agile, avere la possibilità di assegnare uno shortcut al contagocce per la color correction.Cosi da evitare di fare kilometri con il mouse a chi lavora su più schermi.

It would be so awesome if you could choose a default playback speed in premiere pro.I would LOVE to be able to edit at 1.5x

I'd like to see an option to reverse colors on audio tracks. I am used to having my labels bright colors because I can see it more clearly. Before UI update it looked like thisAnd after UI update it looks like thisAs you can see after UI update colors on audio track are reversed (what used to be background color is now audio color and vice versa). It makes it quite hard for me to see the audio.I am aware that one way to make the background color darker on audio tracks is to use darker Label color but then everything is dark and hard to see for me.I'd appreciate if there was just some tickbox that would allow me to reverse the colors.

It seems that whenever I switch to CBR or VBR 2-pass, the Hardware Encoding capability dissapears in the Export settings on Apple silicon (M2 Max). If these codecs already have hardware support, why does this dissapear for these settings? Would be great to use the full power of Apple's chips. Thank-you.

You can delete all empty video and audio tracks but not all empty caption tracksevery time you create a new caption, it puts it on a new track, even if the 20 below it are emptythis is very annoyinglet me control which subtitle track captions appear onlet me delete all empty caption tracks with two clicks  Thank you.  

Is it possible instead of creating new problems in updates - add support for multi -language subtitles? Better I will have a new language support for creating subtitles than new problems with sound. Thank you

The ability to select a portion of a clip in the timeline just does not exist! I edit podcasts which are difficult enough as Premiere doesn't handle hour long timelines with hundreds of cuts very well. The current method is using a blade tool and cutting the beginning and end of the clips and then pressing delete, or having to scroll the playhead and using CMD+K. The range tool is just select and delete. Why does not exist? Its 2025.  See here:https://www.youtube.com/watch?v=5OnwrzCeEZw Every 4 months I pay Adobe the equivalent of a full lifetime license of Davinci Resolve Studio and Premiere "pro" is still lacking basic features like this. Adobe I am getting tired! Please add this.

I love seeing this step taken. What I'm requesting and most hopeful about is having media intelligence analysis which can be used in other programs or surfaced outside of Adobe. I already have a media asset manager and find clips through it before importing into Premiere. So, though it's great having a quick intelligible search to pull up the imported clips, I generally don't need to search my media once in premiere and I don't fancy using Premiere as an asset manager. So I would be most excited about using adobe media intelligence as another tool in the effort to auto-tag clips, with those tags being accessible to DAMs and MAMs.

Given that most people view content on phones these days, it would be essential to allow users to add and use their phones as a monitoring source, particularly for audio output. Right now, we can send it through the monitor speakers, headphones, etc., but not to our phones. It would be ideal if we could somehow send it directly to our phones within the App. I realize there are some buirgeoning workarounds, like through an NDI or something similar with low latency, but an in-app/ system integration would be ideal. I know many professionals would love this feature for monitoring and correct traslation accuracy. The reality is that we need to master for phones, too, so we should be able to add them directly and seamlessly into the workflow, and not have to adjust retrosonically. Please take this suggestion seriously, and vote up on it if you would like to see it implemented as well.  As for now, please also share any current workarounds you have sucessfully employed to acheive r

 I don't see that we are paying any less than a regular English or Hindi speaker. Please add Tamil language option too. for the transcription page.

Let's say you have 2 tracks, each with multiple clips: Track A: [---A1---]           [-----A2-----][--A3--]            [----A4----]Track B:       [--B1--][-------B2-------]         [-----B3-----] When you nest them you end up with two sequences, looking like this: Seq A:   [----------------------------------------------------------------]Seq B:         [------------------------------------------------] You've lost the snap points at the beginning/end of the original clips, which makes it hard to apply temporal edits. What's the easiest way to split your nested sequences so that you get your snap points back?  With splits, your sequences would then look like this: Seq A:   [---------|---------|--------------|---------|---------|-----------]Seq B:         [--------|-

I would love an option to enable time remapping on all clips on the timeline at once. Instead of having to click the fx tab on every clip individually ORAn the option to set that as the default as opposed to opacity

Tiktok has had beauty filters/smooth skin presets for years now that work really great. There have also been tons of third party plugins that have been very popular for smoothing skin like Cosmo. Davinci Resolve also has skin retouch features, yet Premiere Pro, the most expensive software has NOTHING. If you want to smooth skin and remove blemishes, you have to do it 100% manually every time, or buy a third party plugin. Why?Can't you license the tech behind the best tiktok beauty filters and give professionals these options? They are pretty amazing. They can literally make you look completely different, so a professional version where it doesn't make you look completely different, but rather it just focuses on smoothing out your skin to remove blemishes/ acne/ imperfections/ wrinkles etc should be VERY easy.A reminder that tiktoks beauty filters track perfectly with your skin in real time. There's no reason why Premiere can't have this feature as well.Just like Premiere doesn't have a

With the new audio crossfade interface in P25, it would be helpfull if there was a modifyer key that would alow editors to specity an origin point for the crossfade other than center. I find I'm often having to make the crossfade durration, then drag it into the position I want.   I see that the 'alt' key is assigned, but that does a fade, not a crossdisolve  

Hi Adobe Team, My name is Carter Baeza, and I’m a licensed realtor and a co-owner of Dockside Realty,  a real estate brand that also specializes in full-service content creation for listings. I film dozens of homes each month using stabilized camera motion — mostly pushes, pulls, pans, and parallax — to create high-end visual walkthroughs for clients and social media. A major part of my workflow involves trimming long batches of footage into usable segments based on camera movement type, and doing that manually across 50–100 clips per shoot is a time-consuming bottleneck. I’d love to request a Premiere Pro feature that automatically detects common camera movements (push, pull, pan, parallax, static, etc.) and cuts or tags clips accordingly. This would allow creators like myself to:Speed up the rough cut/edit prep processOrganize footage by visual intentDeliver faster and cleaner edits for real estate, events, social, and branded contentThis type of tool could also i

See the difference between these screenshots. I want to be able to disable the new "feature" where the audio waveforms visually change based on the volume keyframes. I want to be able to easily see that there is audio in that spot that I muted. Is this possible? I saw no relevant box to check/uncheck in the settings panel. 

The basic function, we really need is the Auto-Sync Folder feature, like in Adobe Media Encoder where bins automatically update with new files from computer, We need this feature in premiere pro,it’d save so much time!

I have just joined this forum to tell my experience with Premiere.I have spent the last hour trying to have rounded corners in a clip. That's it.So a feature that is available in any basic tool, or even css, since 15 years it is absurdly hard to do in Premiere.For some reason I need to watch YouTube tutorials for learning about HACKS to get rounded corners.Then I have tried to crop my clip, and the HACK of roughening edges simply fall apart. It is 2025, are you guys kidding?Do you think it is normal to ship a product of this price tag, by a company like Adobe in such a poor state?You can say similar stuff about many Adobe products, but today it is Premiere.You should really think about what you are doing as a company. Just having dark patterns to avoid your customers for leaving is not going to work. Very sad

One of the most annoying things in Premiere pro is when I need to resize a lot of videos to zoom and crop --it keeps selecting different tracks or I can't seem to select and click and drag properly. When I use the mouse scroll to zoom out, I have to use the hand tool to place the frame in the centre and click out again - I wish you could just hold a button to do that (like in Photoshop you hold the space bar and it sets it to the hand tool temporarily)The snap feature was also better when you could do it just by holding the shift button, I don't understand why it's gone :((( it's so annoying to hit S on and off repeatedly. I wish you could assign more functions to keys manually if you don't set it as default.Another thing that would be appreciated it being able to have two program source monitors- I have multiple monitors and would like to be able to have several program source monitors so I can see one small one on the main editing screen and a big one on the reviewing screen.Or

Feature Request: Automatic Replacement of Specific Zoom ImagesI'd love to see an option in Premiere Pro that allows you to automatically replace a specific Zoom image (e.g., "person 1") with a custom graphic. For instance, when a particular participant's image appears in the timeline, you could set it to be automatically swapped with a designated image or video. This would streamline workflows for projects with static visuals and save time during editing. very useful for podcast videos that didn't include webcam footage just avatars going back and forth ("Kevin speaking"/"Lisa speaking").