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The pan knobs in the Audio Track Mixer seem unnecessarily large, as their size doesn't impact functionality or usability. In comparison, the pan knobs in the Audio Clip Mixer are half the diameter yet provide the same adjustability. If the Audio Track Mixer pan knobs were the same size as those in the Audio Clip Mixer, they would appear more proportional to the level sliders (like a real mixer) and would free up space for longer sliders.
When multi-camera view is enabled for editing: - UHD footage,- using UHD multi-camera source sequence,- in a 1080 timeline The Program monitor shows the individual cameras zoomed and cropped, like viewing an UHD clip in a 1080 timeline without scaling to fit or fill frame. IE the multi-camera view does not carry over the effects settings of the multi-camera clip, so even if the multi-camera clip is scaled 50% to fit the 1080 frame the multi-camera view shows a scaled and croped view of the individual angles. Idea: add a setting that forces the multi-camera view to fill-frame or Fit-to-frame for individual camera sourcesORhave the mult-cam view apply to the position and scaling attributes for the multi-cam clip to individual camera sources
must have!! Duplicate-repeat function! like in cubase, Ctrl+D command, that duplicates the clip and sticks the duplicated part at the end of theclip, so that i can click Ctrl+D as many times as i want and make the duplicated clip as long as needed only by reclicking Ctrl+Din Premier, if i need to duplicate-repeat a clip i have to hold Alt, copy the clip, drag it and align it to the end of the clip, which useally is not working well so i place it a little ahead and only after i try to stick it to the end of the clip, then i need to copy the two repeated clips and paste them at the end and so on, this is soooooo frustarating and time wasting, there must be a solution for this! please create an option like in Cubase, quick and simple and user friendly!
Hi Adobe Team,As a freelance video editor working in Premiere Pro daily, I often find myself needing to return to the point where playback last stopped — but Premiere doesn’t currently have a clean, visual or shortcut-based way to do that. Secondary Playhead (Last Stop CTI): A second marker or "ghost" playhead that stays where the last playback stopped (when hiting spacebar to pause), so we can easily return to that point. And ideally, i want a shortcut to jump back to this last stop point, like a temporary "bookmark."The Idea:Introduce a secondary playhead or indicator in the timeline that shows:The last location where playback was stopped (e.g., when I hit the spacebar to pause)This marker should remain until playback is started againAdd a shortcut to instantly jump back to this "last stop" positionThis is different from a normal marker — it should automatically update each time playback is stopped, and not require manual action.Why This Is Helpful:In real-world editing, I
It would be nice to be able to select which items to include in the copy when using Project Manager. For example, when I finish a project, I run Project Manager to create a clean archive folder containing a single project and final sequence for my clients. The client already has all of the raw media files, and they don't need the proxies. But when I run the Project Manager, it copies TBs of raw footage and proxy files to the folder, which I then have to delete from the folder manually. Right now, the only options are to copy all media or consolidate and transcode the media. I want neither. I want to copy everything except raw or proxy footage. I'd like to see a new Project Manager dialogue box that allows the user to include raw or proxy media or not. It would save a tremendous amount of time when the end goal is to create a folder containing the project, sequence, and any other items produced within the project.
when i'm moving small clips around I always accidently click on the HUGE "fx" icon and need to click again and again and try not to hit the "fx" icon and my workflow is so slowed because of this!please take it back to the old version "fx" icon. also im crashing so much since the last update... please fix it! thank you
Frame holds on a Premiere timeline don't get included when exporting a timeline. When I do the following simple steps:Put one video clip (any clip) on a blank timelineGo to the middle of it and click "Insert Frame Hold Segment", so there are now three clips on the timelineExport a Final Cut XML file of the timeline, via the File -> Export menuRe-import the XML file by dragging it back into the project The frame hold has disappeared. I see no evidence in the XML file that the frame hold effect was included in the XML. I get the same result when round-tripping using AAF as well. I also tried OTIO format using the latest Premiere Beta. Even exporting as an EDL gives no indication in the output that the middle clip is meant to be a hold. Is there any file export that Premiere can export to, where frame hold data is included?
When you're changing things, e.g. audio ducking keyframes of MX vs DIA, or animation keyframes on an element, it would be extremely helpful when you select a keyframe and right click, to have a menu item "delete all keyframes to the right', and one for the left too.
When you have keyframes in your Effect Controll panell and try to hit the Toggle Animations stopwatch icon to clear the keyframes, a pop-up warning message shows up.Steps to reproduce: Create position keyframes on a clip and then click the Toggle Animations stopwach next to the "Position" text.Expected result: All existing keyframes on that keyframe track should be cleared.Actual result: A completely redundant pop-up warning shows up, warning you of the exact thing you are are trying achiev.Adobe Premiere Pro version: As far as I know, this bug has been present in en every Premiere Pro version as long as I can remember.This is bug/feature is super anoying. I can not comprehend how this has not been fixed after so many years. Can't we just remove this dialogue box altogether. There exists a feature called Redo, so having a warning seems unnecessary. If for some reason there needs to be a warning message as a default–I believe there is none in After Effects–can t
Questa funzione era modificabile nelle versioni precedenti, non capisco perché si sia deciso di eliminarla mantenendo la grandezza standard. Soprattutto per chi utilizza monitor 4K o 5K il font è davvero piccolo! Si fa fatica a leggere le proprietà... Spero venga risolto al più presto. Stessa cosa riguarda l'opzione che, in precedenza disponibile anche questa, non si possa con un solo click sui file nel pannello progetto visualizzare direttamente l'anteprima sulla sorgente. Si deve cliccare due volte e la maggior parte delle volte si sbaglia.
Hi Adobe team,I'd like to request a simple, global option in Premiere Pro to completely disable all automatic audio tagging and effects applied by the Essential Sound panel or sequence templates.Currently, when I import or drop audio clips into a sequence, Premiere often auto-assigns them as Dialogue or Music and applies compression, auto-ducking, or other effects without warning. Even when I manually clear audio types and remove applied effects, this behavior can return with new clips or tracks — especially when using sequence presets or re-opening projects.This creates unnecessary confusion and extra cleanup work.Feature request:A global preference toggle (e.g. under Preferences > Audio) to turn off all automatic audio tagging and default Essential Sound effects — so Premiere treats imported audio as raw, untouched clips unless I manually assign them.Or at least a warning/prompt when Essential Sound is about to apply processing to a clip.This would save a lot of hassle for users w
Hello,For anyone out there who is using the multi-camera editing, is there a way to have the color label show up in individual cuts for the Multi-Camera sequence? I added an image below to show one of my recent sequences. The bottom part of the image shows mostly green, and that is the Multi-Camera Sequence. I did all of that color labeling. In this case, the video was only around 10 minutes. The real benefit would be in longer videos.I'm using shortcut keys for the labels, and so that is quicker. But, it would nice for this to be automated. One thing I figured out is that I can use unsharp mask on a video, and it will show red, as if needing to render. This helps identifying the cuts, and I can go in and color those for the final run. But, automatic color labels would be ideal.Thanks, Steve
When editing text, you can adjust the "horizontal scale" and "vertical scale" separately (like in Photoshop).I'd like to have items for horizontal scale and vertical scale in the properties panel when editing text.Currently, you can change it by transforming the layer,but I often find this specification inconvenient.For example, if you want to make the first line of a two-line caption elongated,you'll need to separate layers for each line because the aspect ratio will change for each layer if you transform the layer.The attached image is the text panel in Photoshop, but I think it would be more convenient if the items in the yellow frame were there. テキストの編集でプロパティパネル内に水平比率・垂直比率の項目が欲しい現状だとレイヤーのトランスフォームでの変更が可能ですが、この仕様だと不便だなと感じることが多いです。例えば「2行のテロップで1行目だけ長体をかけたい」みたいな場合にレイヤーのトランスフォームだと、レイヤーごと縦横比が変わるため、1行ずつレイヤーを分ける必要があります。添付画像はPhotoshopの文字パネルですが、黄色枠部分の項目があった方が便利だと思います。
Dear Premier Pro Team, my name is Greg from Copenhagen, One of your colleagues from the technical support helped me and guided me to write this message at the right forum to get to the right people. I just wanted to inform you that there are many many many creators that are using editing software like Premier pro that are fleeing this editing software, And moving to da Vinci resolve. This is very alarming because their product has overtaken premier pro. In so many ways, unfortunately, even though I'm Learning with Premier pro I'm deciding to move over to da Vinci, Not only because it is free because it is a much better product more user-friendly and has a lot of easy things. They even have an automatic plug in for all D log files converting directly into rec 709. Their entire interface every single product within da Vinci when you compare it to Premier pro it's much easier with da Vinci. It is very sad that many people are leaving Premier pro and this sh
Please add a way to globally search all clip transcriptions. When you are working with hundreds of hours of individual clips, it would be awesome to have the ability to do a global search of a keyword where Premiere then locates all the clips and timecodes in which it is used.
Description: Make an option for square headed timelinesWhy is this valuable to you? Visual preferences should be allowed This has been brought up before, but updating to PP25 for a clients project I was faced with the new rounded corners and immediately hated it. Why would a visual change thats (by all accounts of the many complaints) a very personal preference not have an option change? Can the adobe staff talking about how 'fun' and 'playful' the roundness is, It's not a bouncy castle it's a timeline and between this and shoving AI down our throats it's feeling like less and less consideration is put into the people who actually use these products. I'm running out of reasons not to jump ship
Hi community, How are you. I am an indie filmmaker and I love Adobe Premiere Pro and the Creative Cloud suite of products. However, I am also a user of the TechSmith Camtasia suite of products for recording, e.g., videos of powerpoints and Zoom meetings, and such for work. Zooming in on the timeline for a sequence, I seem to recall, used to be doable with `CTRL+MOUSEWHEEL` shortcut for Premiere Pro and then it was changed to `ALT+MOUSEWHEEL`. TechSmith Camtasia has `CTRL+MOUSEWHEEL` as the shortcut.When I switch between the two app suites I am always getting mixed up in my brain -- I try to use the `ALT+MOUSEWHEEL` shortcut in TechSmith Camtasia to zoom in on the timeline and then I have to remember, no, it's `CTRL+MOUSEWHEEL`, but when I jump over to Premiere Pro to work on my movie, I have to re-sync my brain -- sometimes I find myself using `CTRL+MOUSEWHEEL` to zoom in on a part of the timeline and I have to then remind myself, no, it's `AL
A kind of memory function would be very helpful. We work within a structured environment. For example, when I open a project, then import a template, and then want to open another project, I first have to go through the corresponding drive and folders again until I reach the level where the projects are stored.Can’t this be defined somehow? Projects are located at location X, templates at location Y, etc. Or a favorites function where these folders can be set?The same applies to exporting in a new project: define the export folder as a favorite, click on it in the next project, the folder is set, time is saved.Also, when I want to replace content using the replace function. I always have to go through the entire path until I’m in the folder where the content is located. If I then want to replace another clip from the same folder, I have to start all over again. That takes time and is annoying, especially when you have to replace more than two clips.
I have just discovered that the Search option under the Help menu has been removed from the current version of Premiere Pro. (I'm using 23.2.0 Build 69 on a Windows 10 PC) What are you thinking?? For new users like me this is an invaluable option which helps significantly in trying to learn the software and interface. Searching online is tedious and time consuming when all I want is a simple answer or pointer to the item in the menu (as used to be available, I believe). I learnt of the Search option under Help in a course I'm doing which uses Premiere Pro CC 2017 (See attached file for a screen grab from course). This seems like a retrograde step. Could you reinstate it please? If not, why not? Thanks Gayle
Could we please get an option to turn off future warnings when we turn off keyframing for a specific attribute in the Effects Controls panel?? Every time you disable keyframing on a keyframed attribute, you get a popup warning that it will delete keyframes. Yes. We know. Doing this in a scenario where you have to go through it literally dozens of times feels extremely onerous and unneccesary. There are "don't show this warning again" options on other popups so we know it is possible! A minor issue, please address!
It would be awesome if Media Intelligence could readclapperboard / slate information from a production and bonus if it could auto fill in the SCENE, TAKE, CAM, AUDIO - in the Metadata Display information.
When will support for quick color matching using color charts like the X-Rite ColorChecker be added to Premiere Pro CC?
Hi Folks, Anyone know how to get an alarm sound on a completed render in PP - like in After Effects?Please please. Thanks!
I have to import several After Effects Compositions (variations of a pack shot).Unfortunately, Premiere can't import those in one go. Have select Import over and over, and point to the right Comp each time. Time consuming, and risks erroneous or double imports. Please make it possible to cmd/shift-select more than one Ae comp for import, just like in any other import situation througout the CC apps.
Submix Tracks are very powerful when making mixes for multilingual broadcast content, like sports. But currently we can't use the super useful Auto Ducking tool as it can only traget clips and not tracks or submixes. Request: auto ducking to be able to write Submix keyframes.
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