Feature Requests

We're working on animation movies, and more specifically editing a feature film. We have 1600+ shots in this movie, that are all rendered to image sequences in various 3rd party software.We need an efficiant way to import the shots into Premiere. Right now, there's no way to batch import the sequence. We should at least be able to drag & drop folders containing image sequences and have them imported all at once.A dialogue box upon import should ask us if we want to import the folders content as image sequences, and maybe even let us define the framerate at that point (this would be nice).Right now, the only way to import sequence is to use the import dialogue and go through each and every folder and select the first image and check "image sequence").This is not feasible on very large project. Thanks!

Hello Adobe Support,I would like to ask if there are any plans to make it possible to export .mogrt files from the latest version of Premiere Pro (25.2.3) in a format that is compatible with Adobe Premiere Rush. This would be extremely helpful for my workflow.

Hi all, My issue is to do with the Graphics Panel to review and amend text titles including MOGRTs. I would like to be able to filter multiple tracks. I use transitions by Mister Horse (which are flipping excellent FYI) which show in the graphics panel and flood the whole view ("If the transition isn't working..."). I can filter by one track at a time to make text corrections but often my text titles need to be split across multiple tracks.  See screenshots attached and explanations: "Ben Premiere Graphics panel 1 - All tracks.jpg"This shows my Workspace and the playhead over a single text title 'Place suction hose into paint'.  You can see 'All tracks' is selected in the Filter option in the Graphics panel and you can see all the fluff from Mister Horse. "Ben Premiere Graphics panel 1 - Track V4.jpg"This shows another section of the video where there are three MOGRTs stacked but the Filter is set to V4 in the Graphics Panel and thus I can only amend

 1. Reveal in Project – Inconsistent Panel BehaviorWhen using multiple project panels, the “Reveal in Project” function often highlights the clip in a random or previously active panel, not the one I originally opened the clip from.It would be great if the clip always appeared in the same panel it was first accessed from.   2. Trim Edit Mode – Fullscreen OptionI’d love to see a fullscreen trim edit mode, similar to what Final Cut Pro 7 offered.The current layout feels too restricted for fine trimming work.   3. Track Lock Shortcut (Per Track)There’s currently no shortcut to lock/unlock individual timeline tracks.A simple keyboard shortcut for this would speed up track-specific editing significantly.   4. Merged Clip – Manual Sync AdjustmentIf a merged clip is out of sync, there’s no way to manually slip the audio or video inside it.It would help a lot to have manual sync adjustment inside merged clips — a flexibility Final Cut Pro 7 use

Dear developers! I really appreciate your work and new features in Premiere Pro. But please add the ability to assign a hotkey to the TIME REMAPPING function.

The right lcick menu in Premiere has become bloated, often not fully fitting on the screen and including waaaaay too many options.   The easiest and most verstaile fix is to allow customising this menu like in Photoshoop. Go and talk to the team there and implement it please.

I have a saved workspace in the arrangement that I want; however, every time I open/create a new project, my workspace is in a different arrangement than what I have saved. When I press "reset to saved layout" it does not reset to my saved layout—it does change the layout, but not to my saved layout, and I have to manually re-arrange the windows every time. Note: When I press "save changes to this layout" (after rearranging it), then put the windows in a different arrangement, pressing "reset to saved layout" works ie. puts the windows in the arrangement I want. It's just every time that I open/create a new project that the arrangement is messed up. I have tried checking/unchecking "import workspace from project" and this has no effect on fixing the problem. If you know the solution to this problem, I will be forever indebted to you!  *I am on MacOS Catalina w/Premiere version 14.1 installed.

I'm putting this in as an idea because it technically isn't a bug, though in my mind this is a flaw in the programing, as this feature should be essential to an NLE in 2025.I recently had a film accepted to a festival and they required a DCP. I exported one using the Wraptor settings directly from Premiere (version 2025). It was rejected by the festivals service. I was told they do not accept Wraptor DCPs ever, because of known problems with them playing in many venues.How is this possible? Why would you have a feature in the software that makes DCP's that don't work everywhere, or at least has the capability to work everywhere. This boggles my mind that this could even be a problem. I'm going to have to use another service, or Resolve to get the DCP that I need for this festival. Thankfully there are free options. Why wouldn't Adobe have not only a working DCP export that works everywhere, but one that is known as the best in the business?

This would be very useful when you have lots of clips on the track that need to be positioned.

In my workplace we work off of daily team projects as we deliver daily video turnarounds and the admin of setting this up every week is painful. I want to be able to automate the creation of a weeks worth of projects, from a template (so folder structure and assets are already available), and shared to the same group of users. I've tried having a look at UXP but doesn't seem to be able to do what I need it to unless ayone knows otherwise?

Es realmente muy necesario que mejoren el reconocimiento de voz y la creación de captions.La puntuación en español es pésima, prácticamente hay que corregir todas las oraciones. Se pierde muchísimo tiempo y hay enorme cantidad de softwares que esto lo solucionan mucho mejor.Gracias!

I use fast playback like 2x with the L key to edit long videos in Premiere Pro. But when I pause with Space or K, playback always resumes at 1x. I want Premiere to remember the last speed after pause. Can you add this as a feature?

Why does reverb only trail off for the length of a clip? Because that's not how reverb actually works anywa y - like you can't have a reverb that sounds natural if it abruptly stops at the same time as the audio source.  It's bad enough that this is how it works when applied to a track, but it does the same thing when you send to a submix, so essentially the only way to mix audio in Premiere Pro is to use riduclous workarounds. Nothing else does this.  Please make reverb workable. 

In the latest version of premiere pro clip marker label names are now cut off when you trim a selected layer. This is most obvious if you zoom into the timeline [see attached] and attempt to do detailed work. When you zoom back out the label name then rolls back out. This creates a very annoying workflow issue for anyone working with long lable names. If the name is longer than the length of the clip on the timeline when zoomed out you can't read it. If you zoom in as in previous versions [like v.2024] to see what it should say you can now [v.2025] only see a blank label. Obviously if I reveal each individual clip in the source bin I can see what it says. However, I scan through tons of clips on a timeline and the idea that the best way now is to open each one, one by one is a massive time waste. Please allow me to undo this new UI feature and allow label names to remain static and therefore readable when I zoom in and scrub through. Thank you!

Idea: Update to Media Inteligent Analysis to Include dectection of specific sound waves/effects. This is the current info I get when searching Google. *AI Overview:Premiere Pro doesn't have a built-in feature to automatically identify and cut sound effects based on specific sound events like a gunshot or a door slam. However, it does offer tools for scene detection and manual trimming to achieve a similar effect. I am learning that the current feature "Media Inteligent Analysis" can help quickly locate these sound effects if they are tied to specific video frames/events. The problem I am facing here is time.  I want to eliminate time searching/trimming. For my use case there may be hundreds of these quarter/half/full second sound effects I would like to clip into a segment in order. It would it be nice to search these sound effects by word, but for me it would make more sense to zoom into the audio track and highlight the sound effect I am looking for and then

On the Export tab, the Basic Video Settings feature Match Source also changes the next section, the Encoding Settings. This may be misleading to the user, since the button is under the Basic Video Settings. Unless first clicking on the button, then modifying the Encoding Settings according to this article... https://www.adobe.com/creativecloud/video/hub/guides/best-export-settings-for-premiere-pro.html In addition, the Save Preset feature doesn't have the option to save the current preset after modifying, the user has to type in the whole name of the preset again. Thanks.

Hey community! I have the feeling that this did work 2 years back, maybe I have a bug, but if I do, it is there for a long time already.When I am searching something (not the AI search, which is great! but useless for this) like sequences, nested files, especially things that are created within a project, it does not show me results with only single letters.  I have to type whole words/file names. But I have one PrProject file for each client, over time there are so many sequences that I cannot remember all of them perfectly. But searching for half the name ends up withouth any results.WHY? How can I change this, if possible, or can we get that feature - which is really nothing special. I only want to see all results that have the letter combination I am searching for somewhere in its name. Appreciate it, thanks in advance! 

AI Video Description Tool The new Media Intelligence feature is astounding. The fact that the analysis can acknowledge all the different visuals within a piece of footage is invaluable when it comes to doing vlogs and searching for rogue clips when editing a film. However, I feel that-- considering there must be some sort of database where this "description" lies-- it would be handy for there to be a way to generate a text file with a brief description of the entire clip. Including the most important visuals, specific location changes etc. I feel it'd be especially helpful for those who have to do footage wrangling for film-editing or vloggers who might want to write up diaries for their day without having to trudge through hours of footage. Think of it like the AI Audio Transcription Feature but instead, it scans the footage with the Media Intelligence and not only allows you to search for specific footage, but generates a simple overv

Can you bring back the highlight color of active icons to BLUE instead of white? I mean how simple can that be, and how easily you like to screw things around?Also, in the Audio workspace, the highlighted parameters were easily noticed with blue highlights, but now they are white!  Lastly, the dissolve highlight color area is also unnoticeable now thanks to the genius who decided to change it from a noticeable color like blue to a white border. Keep making Premiere worse than before; good job.

It is exceptionally frustrating that Adobe are so quick to remove older versions of their software from the Creative Cloud app.22.6.4 was, for many I'm guessing, the most stable version of Premiere Pro that has been available for some years.Yet only 12/13 months after its release, they removed access to it.Despite many conversations with Adobe Help desk, I just keep hearing that they can't provide a download for 22.6.4. However they CAN give me a link to 22.0.Why they would be able to provide an unpatched version of 22, but not the most patched version is utterly beyond me.They claim they don't have it anymore and can't provide it. Which is bonkers for a company that literally makes and distributes software with auto save and version control. Where is Adobe's OWN version control?I do understand that providing support for older versions is difficult, but they could easily let us download them with a pop up warning saying they don't provide technical support for this version any more.Hon

Hello Adobe Team and Community, I would like to kindly request the addition of Greek language support in Adobe’s AI-powered tools, specifically for: Automatic transcription and subtitle generation Translation of subtitles into Greek Voice translation and voiceover features (e.g. text-to-speech or dubbing in Greek) Greek is spoken by millions of people worldwide and is a vital language for creators in Greece and the Greek diaspora. Adding Greek would allow many professionals, educators, and content creators to better serve their audiences using Adobe’s powerful tools. I was advised by Adobe Customer Service to submit this request here so the development team can consider it. I hope the community will support this too! Thank you for your consideration!

Hi there, I'm a modestly experienced Adobe Premiere user with about 20 YouTube videos under my belt, using Version 25.2.3 (Build 4) on a Mac (12.7.6 Monterey), and would love a recommendation/critique of this one thing about my workflow that annoys me:  adding downloaded files to the project.Here's what I am doing:1. download a file into my Downloads folder (I'm on a Mac)2. I don't want to leave all my project files in the Downloads folder so I drag the downloaded file to another folder that is setup for my project.3.  Then I have to drag the file from my project folder into the correct folder in the Premiere project window to keep it organized.  (if I just drag the file onto the timeline it copies the file to the root directory in the projcet window, which I dont want).This is too many steps, and here's what I've love to be able to do in a perfect world:  download a file, then drag it directly into my timeline and have the file be automatically copied to the p

The new dynamic waveform feature makes me want to stab my own eyes out. I hate it so so so much. BUT I GET IT. Some people might like it. And I know I can turn it off, but that disables it for BOTH gain changes (which used to change the waveform) and volume keyframes (which didn't used to change the waveform).If you're going to introduce a new feature YOU HAVE TO GIVE ME THE ABILITY TO SWITCH BACK TO EXACTLY HOW IT OPERATED BEFORE. This isn't complicated, Adobe. Every new feature needs to come with a switch that lets you continue to work the way you've always worked.

Hello,This must be a bug after all? When opening a Project, the focus should be on the Timeline panel by default, instead of the empty Effects Controls panel, so that the user can press the Spacebar to start the playback as expected. Premiere 2025 version 25.2.1 (Build2) Mac Os Ventura Thanks.

Please make analyzing Warp Stabilizer on a nest go faster It relatively takes a long time to analyze. Sometimes I do not have a choice but to put WS on a nest instead of the clip.