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kirill_7256Known Participant

custom SBSAR filters pleaseOpen for Voting

Please Adobe , let us use SBSAR files done in Substance Designer  as custom filters  using  layer RGBA as a single input  at least.     So far only height to normal map working.  Anything more complex I try shows perfectly nothing.  I need  smooth curvature filter badly  in Photoshop.   I need no of those generative AI features , no Ai credits  at all   and now it seems its only thing Photoshop is developed for.      Please let us use Photoshop in capasity of Sampler . At least partly.   Because lets be honest , Sampler is slow , cluncky and inconvenient.  I don't even need real time render preview .  Just make SBSAR work in Photoshop.   chatGPT will do us the rest.  

1
Claire H.
Forum|Forum|8 months ago
arrival2948

UI Scaling for Premiere Pro on Windows 11 (2026)Open for Voting

Hi, this is a request / feedbackPlease create a way for text / font to scale appropriately in Premiere Pro on the UI. I just installed Premiere on a freshly updated Windows 11 PC, and I can barely read the text on the panel labels on my 2K monitor.I've already tried increasing the scaling in the Windows Settings section (100%, 125%, 150%, 200%); this changes certain areas of the text in the Premiere program, but does not change the panel tab titles and other important sections.Please consider making all of the text parts of the UI scale accordingly so users can continue to use the product without headaches.Thanks

1
R Neil Haugen
Forum|Forum|8 months ago
Olivier Rh�aume
Olivier Rh�aumeParticipant

Add better subtitle options for Adobe Firefly Video (and Adobe Express Video) for text-based editingOpen for Voting

Adobe Express/Firefly: captions need to be a first-class editing track, not a “Quick Action” detour. Right now, I leave the Adobe ecosystem specifically for subtitles because CapCut and Captions are faster end-to-end: inline text edits that feel tied to timing, reusable caption templates, and modern social styles like word-by-word “active word” highlighting and auto emphasis.Please build a true Caption Track in the main editor with transcript/timeline editing, global style + templates (brand-safe), active-word highlighting options, and 1-click “Style with AI” presets for short-form. That’s the gap that makes creators switch.1

1
Kartika Rawat
Forum|Forum|8 months ago
zedK

Automated Mood Board CreationOpen for Voting

Il serait intéressant de pouvoir charger plusieurs images et de générer une planche mise en page de façon créative automatiquement avec pourquoi pas les couleurs utilisées et matières, à la manière d'une planche de tendance. On pourrait ensuite sauvegarder le template de celle ci pour générer d'autres planches sur la même base mais en choisissant d'autres photos.

1
Kartika Rawat
Forum|Forum|8 months ago
OppelWoW
OppelWoWKnown Participant

Meta data editingOpen for Voting

Users should be able to edit camera data or GPS data via Bridge.  Some cameras like the GoPro Max 2 do not save that info in their meta data. Users should be able to edit the creation date via Bridge. Some novelty cameras do not save the dates correctly. Users should be to save the size of certain textbox’s like the keywords when editing meta day.

3
Forum|Forum|8 months ago
AndrewTheGreat
AndrewTheGreatKnown Participant

FEATURE REQUEST: LUTS browserOpen for Voting

The way it's now in Premiere Pro is not convenient at all. I mean how one can search through and choose luts in the current version of the software. Basically all you have is just a drop down menu:It is small, not convenient and not informative. Plus you cannot organize your luts in folders, they all go in one long list. I'd like to request a Luts browser. It could be a separate tab of the Lumetri color alongside these:And it needs to be preview-based, not just a list of names.We already have a Lumetri Presets folder in the Effects tab and it's a ton better, but you cannot import luts there, only luts as presets and only one by one. Well, I have 2970 luts. I don't like any of the current lut mechanisms.Just a reminder: Blackmagic have long solved this problem - you have folders you can organize, you have nice scalable and informative previews plus they pre-apply once you hover your mouse over them: Please, Adobe. Dropdown menus are good for lists comprising 3-5 items. 

1
R Neil Haugen
Forum|Forum|8 months ago
Anon1066Known Participant

P: Photoshop Enable changing snapping behavior with less than 400% magnification.Open for Voting

I'd like to be able to dial in the amount of magnification I need for snapping, like with an option in Preferences. Sometimes, I want objects/layers to snap at 25%, sometimes at 400%. But always being locked to 400% is dodgy, at least for me.

2
Sameer K
Forum|Forum|8 months ago
WH_8688

P:Rename files (iPad)Open for Voting

M.E. wäre es sinnvoll/wünschenswert bereits in der IPad-Version Dateien einzeln oder als Batch umbenennen zu können (wie unter Bibliothek bei der Desktop/Classic Version möglich). Dies würde etwas mehr Ordnung auf der Betriebssystemebene unabhängig von Adobe ermöglichen.  Ebenso hab ich keine Möglichkeit gefunden per Batch einer Gruppe von Dateien Keywords zuzuordnen!? Eigentlich bietet das IPad (M4) genügend Ressourcen für eine der Desktop/Classic/MacOs angeglichenere Version.

0
Forum|Forum|8 months ago

Variable Font Settings on Contextual Task BarOpen for Voting

When working with variable fonts in Photoshop, adjusting font properties such as weight, width, slant, and optical size currently requires opening the full Properties panel. This interrupts workflow, especially when working in full screen or distraction-free modes.I propose adding a dedicated Variable Font settings button directly to the contextual text task bar. This would allow users to quickly access and adjust variable font axes without leaving the canvas or opening side panels.Currently, the More Options menu on the contextual bar only includes spacing, bold, italic, and underline controls. Expanding this to include variable font properties would significantly improve efficiency and usability. 

2
Forum|Forum|8 months ago

Add image model selection to the Generate Image popupOpen for Voting

In the Generate Image popup window, there is currently no option to select between different image generation models such as Nano Banana, Flux, or others. Users are limited to the Firefly Model without visibility or control over which model is being used unlike on Firefly Web.I propose adding a model selector directly within the Generate Image dialog, allowing users to choose the generation model based on their needs, such as realism, illustration style, speed, or experimental output.  

0
Forum|Forum|8 months ago
ZappaJulKnown Participant

P: Combine / Move Selections and MasksOpen for Voting

Objectives: Speed up LrC operation on files containing complex Masks with multiple selection types, ie prevent issues such as blurred images, failure to Show Overlay, endless beachballs, crashes. (See screen grabs). Reduce confusion and ease navigation when a single mask consists of numerous selections and selection types, or image requires a large number of Masks (eg family portraits / group shots).   Description: Allow various selections that constitute a single mask to be combined (merged) into a single selection, similar to merging Layers in Photoshop, eg: Cmd + click to pick what to combine > picks are highlighted > R-Click > Merge [either pick selection type from list or LrC to recognise what type has been picked] ie all Object selections become one Object, all Brushes / Linear / Radial selections become a single Brush / Linear / Radial etc. Include option for Combine ALL.  The app needs to prevent users combining 'add' with 'subtract' selections to retain ability to add/subtract to/from the mask, and also to ensure they don't cancel each other out. When Combine ALL selected, the selection is no longer editable, and add / subtract would require the addition of a new Object / Brush / Radial / Linear / Color / Luminance selection). Allow top level Masks to be combined in the same way. This would then effectively activate Combine ALL for each mask, then combine the selected masks and request a new name. Add option to group Masks into Folders, the way Layers can be in Photoshop. Allow Masks to be moved up and down the list, the way individual selections can be moved within a single mask.   Use case / value (pro photographer, commercial interiors, portraits, lifestyle) Complex image element (tree of gold baubles) that needs to be seperated from another complex element behind it (artwork).  They're similar tones and colours (hence the need for visual separation), so Brush (with Auto-Mask) and Select Object failed, and I've had to mask it via numerous Add/Subtract refinements. The result is a mask containing 42 add/subtract Objects, 10 add/subtract Brushes, a Linear Gradient and a Color Range selection. There is also the reverse (via Duplicate and Inverse Mask), plus 5 other Masks.Needless to say, Lightroom hates it; it throws the beach ball every time I try to edit / zoom or edit externally, blurs the image, takes over a minute to change display such as Show Overlay - and keeps crashing.   The obvious solution would be to reduce the number of selections (as I would with complex layers in Photoshop) by combining the multiple Objects and Brushes that make up the mask into one 'add' Object, one 'subtract' Object, and one 'add' Brush, one 'subtract' Brush before Duplicating and Inversing. This is the most complex case I've had where I wish it were possible to combine masks, but commercial interiors with multiple objects (paintings, glassware, furniture, display cabinets) often present this problem.  The feature would also speed up workflow for images with fewer masking selections; it can still get confusing trying to work out which 'add / subtract' selection relates to which part of the image element. Naming individual items (e.g. blue vase, green couch, gold painting) is OK with such discrete objects, but when there are dozens of similar objects (e.g. baubles on a Christmas tree) naming them individually is impossible.   Although I found several requests and comments suporting the idea of merging masks (for other reasons), I have not yet found a way to do this.2. and 3: I have a series of family portraits to edit, each containing 5 people. Whether AI or manual masking, I can end up with 10 eye masks (5 x sclera and 5 x Iris); 10 sets of skin (5 x faces, 5 x body); 5 sets of clothing (which swiftly becomes 10 if tops and bottoms need different treatments);  5 x hair; 5 x lips; 5 x brows...etc. That's 45 masks + Sky + background + other elements that may need to enhanced or reduced. When shot with controlled lighting, the various elements can often use the same image edits, so combining masks would save time.   With 45-50 masks, it would be really helpful to be able to group all masks for one person into a named folder rather than having to rename 45-50 masks (aaaagh!!). It would also vastly reduce the tedium of navigating up and down with multiple masks.   4. Sometimes a mask relating to a specific person or other element in the image is added after the others, and is then separated from them and cannot be repositioned. The ability to move top level masks around would resolve this and reduce scrolling.

6
Forum|Forum|8 months ago
philbag
philbagParticipant

Please integrate Adobe Podcast Ai audio processingOpen for Voting

Podcast Ai audio enhancement has become an integral part of my workflow and I'd love to see it integrated into Premiere Pro natively.  Exporting the audio, opening the browser, signing into the website to process the audio, export, re-import the audio, and lining it up is fine for a couple sources but for projects with more, it isn't an efficient workflow.Podcast Ai is such a great tool that saves time on set when you cant control an interview/dialogue environment completely, and in the edit when you have quick turn arounds.  Integrating it into Premiere Pro would be a absolute godsend for many and it would give Premiere another unique feature to help speed up workflows (which are honestly the only updates I care about now days).Thanks,

0
philbag
Forum|Forum|8 months ago
TristanCybornParticipant

Audioclip Soft SelectionOpen for Voting

Please add a "soft selection" to audio selection in clip view simular to photoshop selection where you blur the selection and apply an effect gradually over the area/time.Same for gain, you can do it gradually without gain envelope ...  I know there is a paint brush but this does not work well for me, i want to select the full range and just gradually apply an effect (simular to dry wet).I'm optimising a lot of audio clips so i'm not going to create a multitrack for every sound. Maybe we could also drag up / down while selecting using the time selection tool, up being 100 weight, Or have a blur selection radius like in PS . IE when you lasso'd your selection you would want to blur it...have a corner button like in PS to 'round off' the selection... being a wight fadeAlso Epand / contract would be nice if you have a complex selection...Basically whatever is in PS for selection Thank you. 

1
Forum|Forum|8 months ago
Kent_SLAParticipant

Fade to Black effect that can be added to top layer that fades all layers below it to black.Open for Voting

When will Adobe create a Fade to Black effect for Premiere Pro that can be added to the top layer that fades all the layers below it? You know, like Media Composer has had --- ALWAYS? ...an effect that keeps us from having to create a piece of black video, or an adjustment layer, or nest all the video layers, and then add keyframes? No, Dip to Black doesn't work. Cross Dissolves(which have to be added to ALL the layers) cause the graphics to become transparent, showing the layers below the graphics, which looks like crap.How has Adobe not created a simple Fade to Black effect?WHEN will Adobe creat a simple Fade to Black effect? 

18
Forum|Forum|8 months ago
defaultcm1qz8zy5e6oParticipant

Recalculate stroke position based on topologyUnder Review

Currently the way strokes are stored in 3D space makes Substance 3D Painter a really cool tool for non-destructive workflows. I love how you could literally change the topology and UVs and keep your texturing work.Unfortunately this becomes a bit of a problem (specially with character work) where I keep doing modelling updates (no topo or UV changes, just shape) and reimporting the mesh would make my texturing work break, as parts of the model move around a bit but the strokes stay in their original place in 3D space.It would be really really amazing if one could choose to update stroke position based on topology instead of 3D space. Even if its not perfect, most texturing work is through masks anyways. Existing stroke points would have to bind to the model (similar to a Maya wrap or a Blender surface deform) and move to their new position. If using face normals this could even allow rotation. This would unlock full non-destructive workflows in Substance 3D Painter.At the moment, my only workaround is to manually export masks as texture maps and re-import them back so they follow UVs.  That unfortuntely removes the flexibility Painter offers by default. Or even worse, I avoid updating my geo at all in Painter and keep working on my old model and checking updates elsewhere. The current 'Preserve strokes position on mesh' has to do with geometry boundaries only. I am aware this sounds like a big thing, but if strokes are points in vector space, it should be doable. I think it would be an amazing feature.

2
Forum|Forum|8 months ago
Jeremias330945482cn5Participant

P: AI-powered background replacement featureOpen for Voting

Dear Adobe Team, I would like to suggest the implementation (or further improvement) of an AI-powered background replacement feature specifically designed for mobile devices, with a simple, fast, and intuitive user experience. The idea is to enable automatic background replacement using artificial intelligence directly within the mobile app, while fully preserving the main subject of the image (face, body, details, and proportions). This would make it much easier to remove unwanted or distracting background elements without the need for complex manual processes or desktop editing. This feature would be extremely valuable for photographers, designers, and content creators who rely on mobile editing, helping to streamline workflows, save time, and deliver more consistent and professional results. I believe this functionality would significantly enhance Adobe’s mobile tools, improve the user experience, and reinforce the brand’s leadership in creative innovation.

0
Forum|Forum|8 months ago
DAVID FABIAN2026
DAVID FABIAN2026

poner cajas para cada parametro de los prompts, por ejemplo: IDEA: un tablero de juego VISTAS: aereaOpen for Voting

FORMAS: rectangular debajo de otra decagonal, esto para poder modificar algun aspecto a la vez, del diseño logrado

1
Kartika Rawat
Forum|Forum|8 months ago
Nera_6Gost

idea for futur Abobe HDRI DesignerNot Prioritized

Hello Adobe Team,I’m writing this message out of real frustration, but also because I genuinely believe there is a huge missing tool in today’s 3D workflow.I am a 3D artist, and I create my own HDRIs because I care about lighting consistency, artistic direction, and originality. But honestly?Creating a custom HDRI today is a nightmare.To create a single HDRI from scratch, I am forced to jump between:- AI image generators to get a base idea- Photoshop to clean, fix projections, and manually adjust equirectangular distortions- After Effects to add atmosphere, glow, sky effects- HDRI Light Studio just to properly shape the light- Blender to constantly test if the HDRI actually worksThis is not creativity.This is technical survival.Because of this mess, most artists simply download HDRIs from the internet. Not because they want to, but because the industry gives them no real tool to create their own easily. This kills artistic control and breaks creative flow.And the worst part?The problem is not the artist. The problem is the tools.HDRIs are still treated like “special technical images” instead of what they really are:a core artistic lighting medium.What is missing:There is NO software today that allows an artist to:- Paint lighting intuitively- Understand HDRI space visually- See lighting results instantly- Stay in ONE applicationMy vision of a real solution:A dedicated HDRI creation software, built for artists.- You paint on something intuitive (a cube, a square surface)- The software converts this automatically into a correct 360° HDRI- You see, in real time:- the final HDRI projected on a sphere- AND its lighting impact on a 3D objectNo guessing. No exporting. No switching software.Core features that should exist (but don’t):- Photoshop-like painting tools (layers, brushes, masks)- Real-time HDR preview (sphere + 3D object)- True HDR workflow (16/32-bit EXR)- Integrated light controls (sun position, intensity, softness, color temperature)- Node-based system (like Substance) for non-destructive effects- A proper HDR lighting studio built directly into the softwareAbout AI (important):AI should not replace artists — it should HELP them.- Import AI-generated images- Convert them automatically into usable HDRIs- Allow external tools like ComfyUI via plugins- Keep everything editable and under artist controlOpen ecosystem:This software should be open:- Plugins- Custom nodes- Artist-made toolsJust like Blender or Substance.In short:Photoshop (painting) + Substance (nodes) + HDRI Light Studio (lighting)but focused entirely on HDR lighting creation.Adobe already has everything needed to build this:Firefly, Photoshop, Substance, Lightroom.What’s missing is not technology — it’s focus.I’m honestly tired of fighting my tools just to create light.This software does not exist today, and it should.Thank you for reading a message coming from someone who actually lives this problem every day.Best regards,Alexis3D Artist 

1
Cyril Dellenbach
Forum|Forum|8 months ago

NEED FOLDER ORGANISEROpen for Voting

In Premiere we should have single native "one-click" magic button to perfectly separate all media types into folders automatically, and  organize  footage, audio, and sound effects (SFX) into separate bins efficiently. because like me i have tons and tons of footages and music in a project and manually organise them is a task, Kindly incorporte this feature in this version...

0
Forum|Forum|8 months ago
paschalis_2590

Rotate page feature on assets reviewOpen for Voting

Designers send a link of assets.adobe.com to their clients for reviewing and submit changes. This a good feature because you don't have to send emails back and forth.It would be great there was a Rotate page tool apart from Zoom in and Zoom out. This would come handy if for example you have to check a food label that covers the four sides and the bottom of  square plastic box. Only one side is readable all the other three sides are rotated!So rotating makes it easier to read the text. Imagine that you have to compare the text that the designer draw against your original word file to see if the information is correct! 

0
Forum|Forum|8 months ago
Ramlat
Ramlat

Encode once, upload everywhere!Open for Voting

Live has never been this easy. Encode once, upload everywhere — all through Adobe Media Encoder. Efficiency unlocked. Done.

0
Ramlat
Forum|Forum|8 months ago
Tsaice23943550rojb

premiere pro不能有繁體中文的原因是政治考量嗎？Open for Voting

台灣使用premiere pro的人算多，卻一直沒有繁體中文蠻可惜的請問不能有繁體中文的原因是什麼？怕中國生氣是嗎？

2
Ann Bens
Forum|Forum|8 months ago
devindg25

When will Photoshop Mobile be considered for an alignment feature?!Open for Voting

People have been asking for it for 7 years now that I have seen. I think it's a pretty basic feature that is needed within this community. It sure drives me insane having no concept of how accurately aligned my objects are on a project. why does EVERY other photo editing app have alignment feature 😂 

2
pjglad
Forum|Forum|8 months ago
Tuomas5FCFParticipating Frequently

P: Preserve folder and album structure with Lightroom DownloaderOpen for Voting

Hi, I want to back up all my Lightroom CC photos to a local drive before my school Adobe account is deleted. Unfortunately, there is no way to transfer the full library to another Adobe account, so a local backup is my only option.   The problem is that Lightroom CC does not preserve my original folder and album structure when exporting. All my photos from 2020–2026 are now exported into folders based only on capture date, which makes them extremely difficult and time-consuming to reorganize.   If I had known beforehand that Lightroom CC does not allow exporting with the original folder/album structure, I would have never started using it and would have chosen Lightroom Classic instead.   I assume that Lightroom must internally store metadata about albums and organization, so it is frustrating that this information cannot be used during export. This feels like a basic, missing feature.   Is there any way to preserve the existing organization when exporting from Lightroom CC, or any official workaround for this? 

1
Jim Wilde
Forum|Forum|8 months ago
Exquisite_Gleam0309

Bring the New Premiere Pro Mobile Interface to DesktopOpen for Voting

With Premiere Rush coming to an end, I’d really like to see the new Premiere Pro mobile interface made available as an optional view within Premiere Pro on desktop.I really like the simplicity and clarity of the new mobile Premiere Pro experience, but I much prefer editing on a laptop with a keyboard, trackpad, and larger screen. Being able to switch Premiere Pro (desktop) into a mobile-style UI mode would be ideal for quick edits, simple projects, and focused workflows.This would also be an excellent way for new users to learn Premiere Pro. Starting with the mobile-style interface on desktop would make the learning curve far less intimidating, while still allowing users to gradually transition into the full professional layout when they’re ready.I don’t particularly want to use Premiere Elements. What I’m asking for is Premiere Pro itself, just with the option to use the same streamlined interface as the new mobile version, but on desktop.I think this would help retain Rush users, support new creators, and keep everything within the Premiere Pro ecosystem.

2
Forum|Forum|8 months ago
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