Product ideas

10000+ Ideas

real_5081Known Participant

Slow down the release cycleOpen for Voting

How about instead of making everything worse every year and breaking things for no reason, the Devs spend their time fixing the countless bugs and we can get back to doing our jobs without janky tools? Just a thought 

Forum|Forum|10 months ago

164LoversInMotionParticipating Frequently

Suggestion: Eyedropper tool select top color of all visible layers on....Open for Voting

I think this would be a nice improvment for people who end up with 25 layers+ for a single picture. Instead of having to shift control alt E, and click back and forth on that layer to color pick. Sample all layers combined median is almost always to far off for minor pallete changes. If there is a way to do this already, then I haven't seen any videos on it.

Forum|Forum|10 months ago

marcosg77763356Participating Frequently

adjustment layer to affect only the layer immediately below itOpen for Voting

Have the option for the adjustment layer to affect only the layer immediately below it (as can be used in Photoshop) and not all layers below it.

Forum|Forum|10 months ago

youthful_strategist5D29Participant

P: Crear función parecidaOpen for Voting

Creo necesario una actualización sea en ligthroom o photoshop, dónde se pueda hacer separación de frecuencias y suavisado de piel con IA, parecido al de EVOTO

Forum|Forum|10 months ago

Andrew29516156jirzParticipant

Ripple edit submix tracksOpen for Voting

I love the submix audio tracks, espcially when I need to mix music stems. However, it 's frustrating that if I make an edit in my sequence that changes time or length, the submix track doesn't move with everything else. I have to either select all the keyframes and move them, which is never perfect, or remix each and every time. It's such a waste of time. PLEASE fix this.

Forum|Forum|10 months ago

juliaeditorParticipating Frequently

Multicam waveforms should work consistentlyOpen for Voting

We should always be able to view waveforms on multicam clips. Even if you make a change to the multicam clip (like adding another audio track or muting an audio track etc). Thanks!

Forum|Forum|10 months ago

Max2025-User2Participant

Generative LayersOpen for Voting

Would love to have a generative layer tool added to Adobe Premiere Pro similr to the tool for Photoshop. Would greatly assist in student organization. 

Forum|Forum|10 months ago

Pedro Cortez MarquesLegend

Liquify Last Mesh automatic on both Pixel Layer + MaskOpen for Voting

Inside the Liquify panel, add a toggle button (enabled only when a layer has a mask and is pixel-based):named "send mesh to Mask" (if it's liquifying the layer Pixels);named "send mesh to Pixels" (if it's liquifying the mask);If the toggle button is ON:Liquify automatically applies the "last mesh" to the other component of the layer (pixels or mask).Someone asked me: Selecting the mask and applying the last filter again did not work?My answer: It works manually, sure. Now try to do it on 50000 images per day... What do you prefer? Automation or 50000 times to re-open Liquify UI, only to click an annoying button? This feature needs to be available to scripting as well!#liquify

Forum|Forum|10 months ago

RobBarrettCommunity Expert

Import comps from AEP as Mogrts with live updatingOpen for Voting

Something I find myself wishing for more and more is the ability to import compositions from other AE projects as components.   For example, I have a selection of end card animations that need to be adjustable for localisation, but also need to be kept consistent across multiple projects. When I make a change to the end card, that needs to be reflected in each of these projects.   I'd love to be able to have a single 'Endcards.aep' project and be able to import comps from that – then, when I place them into another composition, they would act as pre-comps with any essential properties exposed. The only difference is that they would not be openable or editable.   Later, if I make a change in 'Endcards.aep', and then re-open my other projects that refer to this, the end card comps would be automatically updated (in the way that other footage files are automatically updated).   Essentially – Mogrts inside After Effects. This would allow component libraries that are always kept up-to-date across multiple projects.

Forum|Forum|10 months ago

nkftParticipant

Link Media Options Switch is driving me insaneOpen for Voting

Why, after years, would they switch the "locate" and "cancel" options?? I am accidently canceling the link media process all the time

Forum|Forum|10 months ago

ZimFromIRKInspiring

P: When selecting multiple images with Shift-Click or Shift-Right, show the last selected imageOpen for Voting

This is a change request that modifies the the image that's displayed when multiple images are selected in the grid or film strip. I often select multiple images to add a keyword or a title/caption. I usually click on the first image on the filmstrip and then select consecutive images with Shift-Right or by clicking on additional images.  The image shown in the loupe view or on the second monitor is always the first selected image. I would much prefer this to be the last image that I selected. This makes it much easier to find the end of a sequence of images, instead of squinting at the film strip. I don't see any reason to keep displaying the first selected image -- it's much more useful to display each additional image as it's selected.

Forum|Forum|10 months ago

PropagandaPhotoKnown Participant

P: Edit IPTC Metadata Presets: hard to see long captionsOpen for Voting

The Edit Metadata Presets window is tiny. The field for the caption (description) information is a small one line window which makes it hard to see long captions. Compare the window to the IPTC editing window in PhotoMechanic where you can see almost all the fields at a glance and there's plenty of room to write a full caption. Also they have lightning bolts on each field which when clicked will call up previous entries which helps repetative typring.   Whilst we're at it, can we bring the Metadata template presets out of the Library folder? It makes it very awkward to share presets with other photographers.  

Forum|Forum|10 months ago

defaultm4fsgya87kpfParticipant

Would LOVE to have advanced in depth layer styles features .Open for Voting

i love the Layer Styles panel in photoshop , and i use the same effects in after effects in most projects . i just wish there was a bit more in depth options on some of the effects ; bevel and emboss contour options , gloss contour , etc . 

Forum|Forum|10 months ago

strathcbParticipant

CSV Markers file IMPORT to sequence or clipOpen for Voting

We can export markers, but not import them.Import -> CSV or TXT or JSON -> markers to sequence or markers to clip.Nothing too smart, just timecode and marker, maybe even the comment.This would help integrate with nonstandard workflows and would help prevent us moving the whole workflow to a competitor product.

Forum|Forum|10 months ago

KazuT_GInspiring

offer Preference to disable subsequencing only the clip highlighted in a sequenceOpen for Voting

Can you offer a Preference so that, when I make a subsequence, it doesn't default to making a subsequence only of the clips that are highlighted in a sequence? I subsequence all the time and have never needed to only subsequence a selected clip; I've always only wanted a subsequence of the tracks I select within an in/out range. It's frustrating when I try to make a subsequence and end up with a subsequence of only the highlighted clip. There may be users who want this behavior, but it'd be a real help if we could choose to disable and enable it, in Preferences.

Forum|Forum|10 months ago

Sheila256173242hjfParticipant

Feature request - Auto track targeting (like in Avid)Open for Voting

Introduce an "Automatic Track Targeting" feature in Premiere Pro to streamline the editing process, similar to the functionality available in Avid Media Composer. This feature would dynamically adjust track targeting based on user actions, improving efficiency and reducing manual intervention.For example if the "Source" is on V1 and you want it to go to V4 in the Program, instead of clicking and dragging the V1 up you can simply click V4 and V1 will automatically move up. This is a huge time saver. This feature in Avid can be toggled on and off depending on user preference.Below is a Youtube link to the feature I am talking about:https://www.youtube.com/watch?v=c-FyveWnAio& Thanks!

Forum|Forum|10 months ago

Danial5EFDParticipating Frequently

Proxy Workflow within SequenceOpen for Voting

Proxy Workflow within Sequence Starting a project, I usually create proxies first so that I can speed through an edit.  But sometimes I've forgotten to make proxies before starting to edit.  Then I'm in a place where I have an initial edit to iterate on, and I want to go fast (and often match frame) but I don't want to make proxies of every file of imported footage.  I like the idea of creating proxies of the fewer files I've selected my clips from, rather than the entire pool of imported footage.Right now, my workaround is to label the clips in my sequence all a particular color, then create a search bin for that particular color label, and then create proxies from that.I would love to be able to create proxies from directly within the sequence panel, maybe as an option when I right-click clips.Here is a forum post from user Jeena22389650a1ho highlighting the problem: Solved: is there anyway to see a list view of all clips th... - Adobe Product Community - 14368688 

Forum|Forum|10 months ago

JordanCoffeyParticipant

Feature Request: Label Color Option in the Pre-compose DialogOpen for Voting

It would be extremely helpful to have a dropdown in the Pre-compose dialog that lets you assign a label colour to the new precomp as you create it.  

Forum|Forum|10 months ago

xTivuxInspiring

Detección de ritmo de bpm en musica para edición mas fluidaOpen for Voting

con toda la tecnologia que se está implementando ya debería haber una opción para detectar los bpm de la musica y asi olvidar el tedioso trabajo de poner marcadores manualmente en cada golpe.

Forum|Forum|10 months ago

Jan353541112flhParticipant

Using LUTs in Premiere Pro Mobile for Apple Log FootageOpen for Voting

Hello,I’d like to ask if it’s possible to add LUTs in the Premiere Pro mobile app. I record in Apple Log and would like to apply the official Apple Log to Rec.709 conversion LUT. If that’s not currently possible, is there any workaround to get a similar result? For example, is it better to record in Apple Log and manually adjust exposure, contrast, and saturation in Premiere Pro Mobile — or to apply (burn in) the Rec.709 LUT while recording and work directly with Rec.709 footage? Thank you!

Forum|Forum|10 months ago

preeti_0468Participant

video editorOpen for Voting

option to choose background remover in video. grab a character and move and edit it within the video. It is important for me because I want consistent characters for my video, because without consistency 5 second video are of no use for me. with backgroung remover I can animate the character by image reference and then put it on my selected background.

Forum|Forum|10 months ago

TopTier.2k26Participant

AI-Powered feature request - PNG & JPG to SVG Vector Conversion in Adobe IllustratorOpen for Voting

It would be extremely useful to have a built-in feature in Adobe Illustrator that allows users to convert PNG and JPG images (such as posters, artwork, or logos) into scalable SVG vector files automatically using AI.Currently, users must rely on manual tracing or third-party tools, which are often time-consuming, inconsistent, and require multiple adjustments. An AI-driven “Convert to Vector” option could analyze the image intelligently — detecting edges, colors, shapes, and text — and produce a clean, editable SVG version directly within Illustrator.Key Benefits:One-click conversion from raster (PNG/JPG) to vector (SVG).AI-assisted precision, reducing the need for manual tracing or cleanup.Supports posters, illustrations, and graphics with multiple colors and gradients.Customizable vector quality and simplification options (e.g., edge smoothness, color tolerance).Time-saving workflow integration for designers, illustrators, and digital artists.This feature would significantly improve productivity and enhance Adobe Illustrator’s position as the go-to tool for vector-based design powered by intelligent automation.Attached Sample.

Forum|Forum|10 months ago

elliotelliotParticipant

Hide formatsOpen for Voting

I wish there were an option in Photoshop to hide or filter file format choices in the “Save As” dialog, so that only selected formats — for example PDF, TIFF, and JPG — are shown. It would make the saving process cleaner and more efficient.

Forum|Forum|10 months ago

marcof49663630Known Participant

Photoshop Mobile: Apple Pencil Brush hover/cursor with actual brush sizeOpen for Voting

HelloI would suggest a feature for the Apple PencilWhen I draw on the desktop app I usually have the brush size cursor following my movement.I know apple pencil is an active pencil and not EMR, so I don't know how it works.Anyway I suggest making a brush hover for the apple pencil with the actual brush sizeyou can create a menu in the preferences panel with a button toggle to switch it off or on

Forum|Forum|10 months ago

Mark.AchbarParticipant

Feature request: Text to supplied voice and supplied imageOpen for Voting

I need the ability to supply a photo of a person and use it as an avatar (instead of your stock images), and to supply a voice sample of the person and use that (as one can with ElevenLabs). I have rights to historic photos and audio interviews and need to make them speak in sync, using their own words and voice. Also need to animate upper body as well as facial features. 

Forum|Forum|10 months ago

Show more posts

Filter by idea status