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Something I rely on heavily with my desktop workflow is the ability to copy paste curves amongst each other (Main channel, Red, Green, Blue). We're not able to do this on the mobile version and it's quite unfortunate. Also the ability to see the histogram behind each curve (like on desktop) is also missing. PLEASE add these things. Curves need more love on mobile!
Is colourLookup option is available in photoshop on ipad
hey you guys should let people download their moodboards as apdf
When there are a lot of images in the file list generated by Firefly, it can be difficult to find images that were previously generated.I would like to see improvements such as automatic sorting into folders by date or session.
Hallo Adobe Team, Bitte machen sie es möglich, die Bedienpanels auf die linke Seite zu verschieben. Es gibt sicher einige Surface Benutzer, wie mich, die Linkshänder sind und den Computer mit einem Stift bedienen. Für "uns" ist die Bedienung mit dem Stift dann kaum möglich... Viele Grüße
Hello, please add a keyboard shortcut for the "Automatically straighten the photo" option in the "Crop overlay". Usually, I press "R" to select crop and wish to have another shortcut for "Auto straighten", as it usually works well in most cases. Kind regards,Kristijonas
“Hi Adobe Team,I’ve been using Adobe Premiere Pro on desktop and truly appreciate its powerful features. I’m also really glad to see the mobile version available for iPhone users. However, I noticed that the option to create a Color Matte — which is quite useful in the desktop version — isn’t available on mobile.It would be great if this feature could be added in a future update, as it would make editing on mobile much more versatile and efficient. Thank you for your continuous improvements!”
Hello, I use synced photos that I import on my laptop, and sometimes I edit them on the iPad. Everything works great, but there is one very important option missing the ability to create a copy of a file, just like I can on the computer. As it is now, when I edit an entire gallery of 1000+ photos, I have to go back again and search for those same photos.
As a long-time user and motion designer, I’m writing to request the addition of a native Duplicator system in After Effects—comparable to the powerful one available in Cavalry. While After Effects is excellent for compositing and animation, its current duplication and instancing workflow is extremely manual and outdated compared to modern tools.The ProblemCurrently, duplicating objects and managing variations in AE requires a combination of precomps, parenting, expressions, or third-party tools. This process is slow, lacks flexibility, and is not visually intuitive—especially when working with large numbers of repeated elements in motion graphics, UI, or pattern-based animation.Proposed Feature: After Effects DuplicatorHere’s what the new Duplicator panel/system should offer, inspired by Cavalry:Core FeaturesInstance-Based DuplicationLike shape layers or nulls, duplications should be instances (linked copies), not flattened clones. Editing one updates all.Grid / Radial / Linear / Point-Based LayoutsBuilt-in layout engines that allow creating arrays of layers in:Rows and columns (Grid)Circular patterns (Radial)Along a path or set of positions (Point distribution)Random scatter within a defined areaPer-Instance ModifiersBuilt-in controls that allow modifying individual instance properties, such as:Scale, Rotation, Opacity, Position OffsetColor TintDelay / Time OffsetExpression access (instance index, total count)Live Preview & AdjustmentReal-time UI to adjust parameters such as instance count, spacing, rotation offset, and distribution shape, with instant feedback.Effector-Like System (Inspired by Mograph/Cavalry)Allow effectors (such as falloffs, noise, or fields) to drive variations across instances:Example: Use a linear field to progressively scale instancesCombine multiple effectors to create organic, procedural animationsPath-Based DuplicationDistribute instances along a Bézier path, with rotation alignment, spacing, and directional animation.Shape Layer CompatibilityFull support for duplicating within shape layers (like repeater, but enhanced and more visual), as well as across compositions.Performance-OrientedInstancing should be memory-efficient and GPU-accelerated, allowing hundreds of duplicates without slowdown.Advanced IdeasTagging System for Layer GroupsTag a layer or group, then duplicate it via rules (e.g. "duplicate this logo 5 times in a spiral, fade opacity")UI Panel or Modifier StackA dedicated Duplicator Panel with an intuitive modifier stack system (similar to how layer styles or effects work).Export to Precomps or Bake to LayersAfter building an instance-based system, users should be able to bake it into real AE layers or precomps for final polish and export.Why This Is ImportantMotion designers are increasingly looking for fast, procedural, and modular workflows. Tools like Cavalry, Cinema 4D’s MoGraph, and Blender’s Geometry Nodes are offering highly creative workflows that save hours of manual duplication and give designers more power and control.Bringing a similar system natively into After Effects would:Greatly improve motion graphics workflowsReduce reliance on third-party pluginsMake After Effects competitive with modern procedural toolsOpen up new creative possibilities without codingWho Would BenefitMotion designers working on UI/UX, HUDs, infographicsSocial media content creators and template makersVFX artists need fast repetitive structuresEducators teaching procedural design in AE
I noticed on the new beta, if you right-click a clip in the sequence, it now is condensed and many options have been grouped into categories: "video actions", "reveal, edit in", "New", etc. This is just plain confusing. It should be reverted back to how it was.. [title edited by mod]
Would be great to be able to select a folder in my Project tab and send all comps in that folder to ME. For example, I have a FINAL COMPS folder in which are several more subfolders, all organized and containing several comps each. Currently, I need to open ALL folders and then select ALL comps, while unselecting the folders...
In Boards CMD-+ and CMD-- are often capture by the browser resulting in zooming and/or out the whole interface not the canvas, please add a simple "+" and "-" key shortcut (like in google maps) to be able to differentiate. Moreover, please make the zoom go towards the selected item if any, and not to the center. And please.. do provide a "Zoom to fit all" shortcut like "0" key ❤️
When a single designer is creating many boards for a video, they often utilize the Artboards feature in either Illustrator or Photoshop. As an animator receiving designs in this fashion, there exists no simple way to import them into After Effects in a useful way. Both Illustrator and Photoshop have "Artboards to Files" workflows, but that's not ideal because it creates redundant versions of the artwork. This can complicate folder structures, take up filespace, and cause the opportunity for conflicting versions as changes are made. In essense, this workflow goes against what artboards are for in the first place! The proposed solution is an additional option in the dialog that appears when importing Ps/Ai files to select which artboard should be imported. This should include:[Each Artboard by Name and Index] - Imports a layer or composition the exact size of the selected artboard.All Artboards - All artboards are imported in as a single large layer or composition. In contrast to the existing Ps functionality, when Retain Layer Sizes is selected, each artboard should be imported as a comp of its appropriate size, NOT the document size. Note that this would work in tandem with the existing Footage / Composition options. Some thought will have to go into how this interacts with the Layer options for importing an individual layer. Here's a stab at it:Import Kind: Footage / CompositionImport Scope: Document (Default) / Artboard / LayerSelection: [Each Artboard / Layer] (If Scope is Document this would be disabled)Size: Document / Artboard / Layer(s)Layer Options: Editable Layer Styles / Merge Layer Styles into Footage (Ps Only) If the team takes on a revision of the importer, here are several other options that would be useful:Convert all text to text layers (Ps & Ai)Convert all vectors to shape layers (Ai)Unembed & Import Linked Images (I can't overstate how nice this would be.) (Ps & Ai)Ignore Non-Overlapping Artwork (Actually eliminate from the layer stack any layers/groups not seen by the selected artboard) (Ps & Ai)Duration & Framerate (Ps & Ai)
I have a sequence made up of several sub/nested sequences:The timecode of the main sequence starts at 00:00:00:00. When I get feedback from a client saying "remove the shot at 00:07:11:03", I go to that timecode in my main sequence and open the nested sequence. The nested sequence has its own timecode, by default starting at 00:00:00:00, so finding "the shot at 00:07:11:03" becomes meaningless, because that sequence actually starts (in the master sequence) at 00:06:47:05. So, to make things tally up, I change the "start time" of my nested sequence to the same 00:06:47:05, which makes everything super duper. It would be nice if, in the "Start Time..." dialog box, if there was an option to "Inherit Parent Sequence's Timecode" to set the start time to whatever it is in the master sequence. Not sure if this start time should then auto-update if I then change the position of that sequence in the master sequence or not...I haven't thought it through that far yet!
A Remix tool for video would allow you to take a video on the timeline and drag it down to the desired length in order to condense it down to a few key moments/shots. You could use this on complete videos made up of many shots (in which case it would trim out a few shots that define the essence of the video. Or it could be used on a single shot, in which case it would locate the most interesting bit and generate your select. Good for highlight reels where your source material might be a bunch of 3-4 minute videos, and you just need a key shot or two of each. AI would be able to grab the essence of that video in 1-3 shots, for example. This will quickly allow you to get to a rough cut stage.
I really need better ways to set the color space of footage. The color panel is annoying to get to for every file. Here's what I want:- In the Import File Window, I wasn ta Colorspace pulldown next to the sequence options so I can set the colorspace of the file on import. Don't forget a checkbox for Preserve RGB.- In the Project panel, when you click on a file, the colorspace profile of that file is dispalyed in the file info at the top of the window. let us click on the colorspace and change it directly there. - Be able to easily change the default color space for footage as it's brought in.
What I'd like to see is a "screen shot" command/kb shortcut. It would take a screen shot of the program window contents at full video resolution and park it on the clipboard, rather than saving it as a file. It would operate like Snipping Tool but without having to draw the area. Then the screenshot can be pasted into an email, document or slide without having to save and import.
I can open a Premiere Project with software guides/templates like "Social Media 9x16", "Instagram 1x1"," Tiktok 9x16" showing off the 3rd party app interface to make sure we do not cover the hot spots of the infernal app interface.Here's my problem: I am running a social campaign on a timeline. I was just asked to implement changes to upload to TikTok/Instagram/whatever it doesn't matter. There is no way to re-implement the guides and safe spots on this timeline without creating a new "Social Media Template" project entirely. Can we please get a graphical template library to load into any current project? Maybe in the "Graphics and Tiles" menu.... maybe in the "View" -> "Guide TEMPLATES" submenu?
Would be good if in FireFly or Photoshop or both you could drop a photo of a person or animal and tell it or choose a button, to create a cartoon character based on the person or animal in the photo that looks a lot like the person or animal in the photo, much like Copilot does. Would be good if you could include promt to change aspects like "large head" or change/set background including being able to set transparent background. All of this can be done in Microsoft Copilot but only a limited number of times per day and I do not want to subscribe to Copilot credits when I already pay for FireFly ones. This is and area I feel Adobe is dropping the ball on.
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