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Would be good if in FireFly or Photoshop or both you could drop a photo of a person or animal and tell it or choose a button, to create a cartoon character based on the person or animal in the photo that looks a lot like the person or animal in the photo, much like Copilot does. Would be good if you could include promt to change aspects like "large head" or change/set background including being able to set transparent background. All of this can be done in Microsoft Copilot but only a limited number of times per day and I do not want to subscribe to Copilot credits when I already pay for FireFly ones. This is and area I feel Adobe is dropping the ball on.
When I put an Adobe Stock track into the timeline to preview it, if I choose to license it, it would be convenient and time saving to have Premiere overwrite it so I don't have to drag in the licensed version on top of the preview version. This is especially useful if I use the retime music feature in the Essential Sound panel. Because as of now I have to start over with retiming the track.
The processing of thumbs at each opening of the project is really distressing. I would like to have the option to save these metadata at disk for faster start.
New version.The new video editor lacks a low-tone audio reduction feature.Will you restore this function?
Does Lightroom Mobile work in landscape mode on an iPhone?
Make the red eye removal tool able to be done in an empty layer.
The "reveal in project" for a clip feature is great. I want to be able to select *multiple* clips & hit that button, but that's not an option currently.
I want to use dlig, but there's no way to enable them directly in After Effects.You can't just copy and paste text from Illustrator like you can with stylistic sets, because it won't work. The only option is to outline the text in Illustrator and import it into AE, which makes it uneditable and adds a lot of extra work. AE doesn't usually let you use most of the OpenType features, which is quite annoying.I often want to use dlig in my projects, so it would be great if AE at least supported this feature.
Dear Adobe Premiere Pro Team,I am currently working on developing an AI-powered auto video editing system that integrates with Adobe Premiere Pro. However, I have encountered significant limitations due to the way Premiere exports and represents project data (XML/JSON or other forms).Specifically:The exported XML does not fully capture complex effects applied through third-party plugins or native tools.It is not possible to accurately detect where speed ramps, transitions, and keyframe-based effects are applied on specific clips and time ranges.Many effect parameters remain hidden or inaccessible, which makes it very difficult for developers to build intelligent tools that interact with Premiere timelines in a meaningful way.I kindly request that Adobe consider: 1. Providing a richer metadata export format (e.g., JSON with full effect details and time ranges). 2. Documenting and exposing all effect parameters and clip-level transformations, including speed ramps, third-party plugin metadata, and transitions. 3.Opening a more developer-friendly API/SDK that allows AI-driven applications to analyze and manipulate project data without guesswork or reverse engineering. This would not only empower AI-based editing workflows but also expand Premiere Pro’s ecosystem, enabling developers to create next-generation automation and creative tools around Adobe products.Thank you for your time and consideration. I believe opening these capabilities would strongly benefit both the developer community and Premiere Pro users.Best regards,
Where is the "Enter Custom..." option from the old Lightroom and how do we get it back (see attachments)? I like to make my photos 1080x1080 for Instagram and was able to do this in the LR Classic version.
A cool and useful feature would be one that gets rid of the green glare on people's glasses easily.
What if we could have the full views as a unique 3d model if available to export?This would be super useful as a complement to vector views.
I can see how keyword hierarchy as implemented in Classic would be significantly more complicated for end users. Overall I mostly agree with this philosophy. However, managing my current keyword list is getting rather unwieldy as it mixes multiple key purposes. For example, in the same list I have all the people I have tagged. I also have keywords answering basic questions like: Event/Holiday (Christmas, Thanksgiving, birthdays, Independence day...) or Why (e.g. family reunion, vacation...), tied to specific activity (dinner cruise, helicopter ride, botanical gardens...) Therefore, it would be awesome if keywords had additional attributes or facets. e.g. filter the keyword list for all keywords associated with events.
To simplicity managment of administrators in one place, it would be ideal if we could manage administrators in the Adobe Admin console in the same way we manage Licence assignment when syncing identities from Azure AD To be more specific, it would be ideal if we could automatically set all users that are in a specific Group that is synced from Azure AD as administrators (or any othe role) automatically in the Adobe Admin portal the same way we are able to assign licneces. The current proces involves syncing users to the Adobe Admin portal (via a dedicated group) and then manually assigning the administrator role once the user has syncronised. In a large organisation with many technical staff (oftent transient) that often need to log into the Adobe portal to troubleshoot this it means we need to remember to manually provsion each user instead of just letting our identiy managment platform handle that automatically.
Are you planning to make this available on the "mobile version"
As a video editor who relies on automation to speed up my workflow, I'm requesting a feature that enables recording and replaying a sequence of actions, similar to "Actions" in Adobe Photoshop. While effect presets and copying attributes are useful for single clips, a macro-style recording tool would be far more efficient for complex, multi-step operations.Problem: Many repetitive editing tasks involve more than just applying effects. For example, a motion graphic might require creating new tracks, moving keyframes, adjusting positions, and applying multiple non-preset-friendly actions. Applying these manually to dozens of clips is a massive time sink.A perfect example of this is the common workflow for adapting vertical (phone) video material for inclusion in a horizontal (broadcast or web) video clip:Import the vertical clip.Duplicate it and place one clip directly above the other on the timeline.Select the top clip and scale it down to fit within the horizontal frame.Crop the top clip as needed.Select the bottom clip and scale it up to fill the entire horizontal frame.Apply a fast blur to the bottom clip to create a blurry, parallax background.Select both clips and nest them into a new sequence.Currently, replicating this sequence requires navigating multiple menus and panels for each individual clip, which is highly inefficient and prone to human error when adjusting settings.Proposed solution: Implement an "Actions" panel similar to Photoshop's, where users can:Record: Press a "Record" button and perform a series of edits.Stop: End the recording and save the sequence of actions as a named macro.Replay: Run the saved macro on any selected clip or sequence.This would allow editors to automate multi-layered and multi-panel operations that go beyond simple effect presets.Why this would help:Massive time-saver: Automates complex, repetitive tasks like the vertical-to-horizontal conversion that are currently very manual.Increased consistency: Ensures every clip receives the exact same set of changes, eliminating human error.Empowers users: Opens up a new level of customization and automation for professional editors with complex workflows.Thank you for considering this request. An action-recording feature would be a game-changer for many of us.
When working with multiple text boxes in After Effects, it can be frustrating that the layer stays selected after editing. You always have to click outside the box (or press ESC) to deselect it. Would it be possible to add an option for auto-deselecting or auto-selecting the next text box? That would be a huge timesaver for those of us who work heavily with text. Another text-related issue: when linking two fields together, or when using Essential Graphics, please add support for uppercase symbols (like the *). At the moment, they don’t display correctly and will appear in lowercase when used dynamically.
I have a few questions about advanced usage of the transcript window - I use transcripts as an essential part of my work flow for unscripted documentary work; but I find the transcript window to be a bit flaky & unreliable at times, but I can see the potential for how this could be a much more valuable tool for me (and other non-scripted format editors) if there were a few tweaks to the functionality.A big user request from me would be greater flow through & adjustability of transcripts while editing (I edit using multicam clips to group dual record material, and I find that I have to match frame back though a couple of layers of material (edit sequence to multicam clip to source clip) to adjust who's speaking and split transcripted comments). Perhaps there is better functionality that I don't know about.Also, I'd like to be able to teach the AI language model how to pronounce some words, as I find that with both technical jargon and accents (coming from a Land Down Under…), there is often the same repeated mis-transcription of the same wordsAnd finally, I've found that when the transcript window does become upset and not behaving as expected (EG - not allowing transcript corrections or recording them), resetting my preferences for Premiere Pro is good at fixing this; but the transcript window does seem to go a bit weird much more often than almost any other window (with the exception of the marker window, which often fails to show markers)Tech specs MacBook Pro (16-inch, 2021)Apple M1 Max64gb ramMac OSX 15.6.1Premiere Pro 25.5.1
I've gotten used to having separate workspaces, but if I have multiple timeline tabs open, it means I need access to them. Would it be possible to keep all my tabs open between workspaces without making me reopen them every time I change workspaces. Also, they seem to randomly close as you go back and forth. For my workflow, if I open one, I'd like it open until I close it, thank you.
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