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It is pretty good for getting rid of some dust that is on a few minutes of close-up product photography footage in a 22 minute project, and then the export takes 11 hours or more. I know it's "obsolete," but hey, there is still dust in 2023 and so I think we still need this to work. Please! Thank you!(I know there are other methods. Sometimes it's really handy to use this method though.)
Hola a todos, creo que en Bridge uno debería poder ordenar los videos por duración, o sea, en la vista de lista debería poder agregarse una columna con la duración de los videos. Gracias.
Many times, we need a Drop Shadow / Radial Shadow only on lower layers, not on the transparent / alpha background.Would be a great addition to have a switch to apply that behaviour. Or make the promising 'Compositing Options' functionality complete by adding Blending Modes and Layer Mattes.(currently only a Mask and Opacity can be set)
So, I have an extensive keyword list and I have discovered its actually quite difficult to find the right ones most of the time, if not all the time. You scroll through and where is that "Public Transport" one and where is "Cake" again? So I end up scrolling up and down needlessly. Sure, perhaps it's me, I'm getting old. Still, the way it is now is not visually "appealing" and it is like looking at 10.000 movies posters on Netflix trying to find one to watch.I suggest that each new letter start keyword get a space in between or the corresponding letter as a separator. Or perhaps get a BOLD lettering. That way its way easier to visually skim the list and figure out where youre supposed to go. What I have done as a temporary "fix" is to create a new keyword with the corresponding letter and then some stars and then the letter repeating 3 times afterwards. That way I get a "line" between each letter. A ********** AAAB ********** BBBF ********** FFF
I think the terms Temporal and Spatial are confused.A Hold key frame keeps the value (e.g Position) until a new keyframe is reached.Position is a Spatial property rather than Temporal
It would be very useful thinking about designing for visual brand systems a color palette tool where you can search different color palettes and place it over the moodboard and edit them. Other function of this tool can be select the main colors on a photo and place it on the moodboard.A tool where you can search for typeface families based on the mood, style, artistic movement, etc. you want to communicate, all with an eye toward creating visual identity systems.
Let us replace a keyframe by dragging a copy of an other keyframe on top of it.Just like in After Effects.Please make these kind of things work alike throughout the Adobe apps.
I just wanted to suggest adding a "lock order" function on Lightroom as currently listing order changes around after a HDR merge. The lock order function would also allow you to make changes without changing the order, for example when sorted by star rating, sometimes, I want to sort by that first then add additional stars without them moving around.
I'd love the option of turning off the automatic box that appears whenever I just choose a layer. That's new and annoying, as is the loss off being able to deselect an object by just double clicking. Double clicking is much more convenient than rolling over to the layers panel and clicking, and it's worked for about 25 years—until now. These are two more examples of "If it ain't broke don't fix it."
I can add a local photo or file (in the apple files app) and an image (jpeg) from LR, but I cannot mege another PS file into another. The files are not saved locally (and thus unavailble via files) and filetered out of LR view (because they are PS files) There is no easy was to copy a layer/selection on IOS This is part of my workflow if my camera images require transparancy in post production. [Moved from ‘Lightroom ecosystem forum’ to ‘Photoshop ecosystem forum’ by moderator.]
La herramienta mano es indispensable para desplazarse con fluidez es muy incomodo no poder navegar por todo el tablero de forma fluida; al igual deberia existir la herramienta zoom como en illustrator que acerca y aleja de forma fluida. muy incomodo navegar por el tablero
Hello Adobe Community,I'm experiencing a thumbnail display issue with SLog3 footage in Premiere Pro 25.3.0 that I hope someone can help resolve. Current BehaviorSource Monitor: When I load SLog3 clips in the source monitor, they display correctly with proper Rec709 conversion. The color processing is set to "gang to active sequence color management" and the footage looks properly tone-mapped with normal highlights and contrast.Project Panel Thumbnails: The same SLog3 clips display in extended dynamic range in the project thumbnail view, showing completely blown out highlights and appearing very flat/washed out. This makes it extremely difficult to browse and select clips. My SetupPremiere Pro Version: 25.3.0 (June 2025)Camera: Sony (SLog3/S-Gamut3.Cine footage)Sequence Settings: Rec709 color spaceProject Color Management: Standard workflow What I've TriedBased on previous forum discussions, I've attempted:Auto-Detect Settings: Enabled "Auto-detect Log Video Color Space" and "Auto Tone-mapping" in Project Settings > ColorDisplay Color Management: Verified Display Color Management is enabled in Lumetri preferencesInterpret Footage: Tried color space override to Rec709, but this affects the actual color pipeline, not just thumbnail displaySpecific Issue with Settings TabI do know about the Lumetri Settings tab, but I've discovered a key limitation: when no sequence is selected, all "working color space" options are greyed out. This means I can only select the media color space (S-Log3) for my clips but NOT the output color space (Rec709). This appears to be why everything is displayed as extended range in the project thumbnail view. Loading a clip in the source window while a timeline with Rec709 settings is active displays it correctly, but the project panel thumbnails remain in extended dynamic range. Core ProblemThe issue seems to be that project panel thumbnails are only using the media color space (S-Log3) without applying any output color space conversion (Rec709) since no sequence context is available for thumbnails. The source monitor works correctly because it can reference the active sequence's color management settings. Specific QuestionIs there a way to:Set a default output color space for project panel thumbnail display?Force thumbnails to use sequence color management settings even when browsing clips?Override the thumbnail display behavior to show SLog3 footage tone-mapped to Rec709? Why This MattersWhen working with large amounts of SLog3 footage, having properly displayed thumbnails is essential for:Quick clip identification and selectionVisual continuity checking across shotsEfficient media organization The current extended dynamic range thumbnail display makes it nearly impossible to see shot content or assess footage quality from the project panel.
Idea:Quick change a keyframe to easy IN/OUT by holding CTRL while dragging left for easy IN or right for easy OUT. /J
We all use Easy Ease mostly anyways, so why not giving us the option to have it as a default instead of linear?It should be under preferences. And we shoulod be able to change it back to linear, or hold, or whatever.
Usually, I take meticulous care to lable my clips by name. In a recent update, the "Find" (ctr+F/Cmd+F) was replaced with some AI infused nonsense that has completely erased the ability to search precisely within the timeline and sequence. The workflow I use has began to heavily rely on on finding all of my clips with similar names - as I often have several alternatives lined up. I like to be able to see what variations I have used and which are still unused. This new "find" function takes up way too much space by default, opening an entire panel. All of the functionality of the "find" and "find all" has been replaced by some hacky AI analysis that requires describing the clip vividly, and even so, it takes extra steps to actually see the clip in my sequence, and its nearly impossible to use this function in simple way that I need it. (I can't even type the exact name of my clip and see any results.)Hugely disappointed at this "cutting edge" feature that threw out the baby with the bathwater. Keep the new ai garbage if you want, but don't erase the simple functioning that I've come to rely on.
hello folks, wrapping my head around some new workflows (having premiere auto transcribe dialogue and to be able to jump aorund the edit using the transcription text panel). Also new is it's now harder to double click a text item in the program viewer (canvas/monitor window) to edit the text, but not there's a handy dandy text panel where I can see a big list of of on screen text graphics and edit them right in that window.However both the 'Transcript' and the 'Graphics' tabs are SUB TABS of the Text Tab, and cannot be separated. I'm currently labeling up a long timeline with graphics notes and using the transcript to navigate the dialogue faster and then editing my text items on the timeline which are basically notes to myself and other collaborators who are looking for photo assets for me, so I need both these windows up simultaneously but they are trapped under the Text Panel and cannot be displayed at the same time.So either make it possible to have multiple instances of the Text Panel available, ot just make it possible to separate out all the sub-tabs as well. Totally not interested in people responding about changing my workflow - I do it how I do it, I just need the tool to be more accommodating, thanks in advance.
I'd like the shuttle to work like Premiere Pro's that doesn't change the pitch when I speed up the audio playback. This would help me edit so much faster.
The spacing in the Content tab is too large.Wouldn't it be better to let users adjust it themselves?For example, users with 4K monitors might prefer wider spacing, while those with FHD monitors may want it to be more compact.
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