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Align 3D layers. Distribute them, etc. That's it really.
Make a filter for stray hairs removal, as we have for people. The retouchers have to do it manually (either with a Stamp or a Healing brush) which takes too much time. While Adobe is sleeping, some AI plugins already can do it quite well!
For large projects, I often split up parts of work in separate .aep files. I can bring those together by importing, but then a big project is the result, and the original parts do not update when something in the big project is updated. How grateful would it be when projects could be nested, and remain connected to there originals (e.g., when saving, a dialog comes up asking if the changes should be implemented in the original .aep as well.) There could also be a read-only status initially (allowing rendering and placing assets in comps), and when breaking that read-only status, the connection will be lost, and the components of the nested .aep will be actually imported. Food for thought.
Sometimes I'll be editing a clip and have not brought in the audio from the clip or something... it'd be great to be able to right click a clip in my timeline and not only have it "reveal in project" but open the full source clip in source window and then put in an "in and out" point on the timeline in the source window so that I can know where inside the clip I pulled it from.
Hi Adobe Team,I really enjoy using your tools, but I think they could be even better with a few small changes.It would be awesome if the interface was easier to navigate especially for beginners. Maybe a simpler layout or step-by-step mode? I’d also love to see some fun features, like creative challenges, tutorials that feel more like games, or new tools that help bring ideas to life faster.Thanks for making such powerful creative software. Just wanted to share my thoughts!Best,Emily
When we put a photo of an A4/Any Size scanned paper in Photoshop, even if it is taken from a mobile, if some unwanted part appears on the outer portion of that paper or the A4 page, then it has to be selected manually… Photoshop should add an Option or a Checkmark in the Crop Tool, in which whatever part of the scanned page is visible, it should automatically crop it and remove the unwanted part, and even if the corners of the page are crooked, it should straighten them… At present, all this work has to be done manually, but Photoshop should provide Autodetect Feature like Mobile App CamScanner.
When I transcode and consolidate my project, it copies the proxies of every clip in my project. It takes a ton of time for files that should not be there. I would like a check box to either include or exclude proxy media.
I save a lot of workspace preferences for different types of work I do. Particulaly between drawing on a Cyntiq and when I'm simply adjusting or designing. Sometimes when I migrate from one workspace to another the Option bar either disappears. I look at all three screens and nowhere to be found. I have to try and move to another workspace to get it back on, but the previous workspace is pretty useless when it disappears. I tried hiding it and not hiding it it simply isn't there.Other times the left edge of the option bar for some reason is in-between two screens and I can't grab the edge to move it over.So my idea is why can't the right edge of the option bar also be used to grab it? It would solve one part of this issue. It seems like a very simply thing to do. I don't know this this may have already been fixed since I'm using Adobe 2024 on macOS Monterey. I've been having this issue for years. I was always hoping a new update woudl address this (can't update anymore cause my computer is outdated).
LR 4.1rc2 under Windows 7 x64The reverse-geocoding function of LR4 is a great feature and a potential time-saver, yet it can lead to some minor disasters.Specifically, there is currently no way to "stabilize" the location metadata that has been automatically filled by LR (displayed in gray italics). Editing any value by hand e.g. a misspelled City name, leads to all other fields (Country, State, Sublocation) being emptied - problematic when filters are effective on these fields, as the photo suddenly disappears and end up with partly missing location info.Possible remedies: when location info has been automatically filled by LR :- provide (only in such a case) a checkbox offering to "keep these values", so they can from then on be appear as 'normal' metadata, and be edited as such without some tricky behaviouror- make these auto-filled values separate from each other, allowing to edit one without discarding all the others. That would also allow the reverse-geocoding feature to work with any photo which has *some* location fields empty, not only those which have *all* (that is: Reverse-geocoding would always fill missing values, yet keeping any user-defined ones - let's assume photographers know better than Google where they have been shooting...)My preference would rather go to the first solution, as it appears to give more control without making the inner workings of reverse-geocoding too complex.
Figure 1. Web page that is launched by numerous commands on the Help menu. Figure 2. The highlighted commands all go to the same website (that which is depicted in Figure 1).Hello Adobe Community,My name is Brian. I am an astrophysicist. I use Adobe software primarily for creating educational videos.As a user of Adobe After Effects 25.3, I went to the Help menu for help using the product. I clicked the following commands, thinking that they would lead to online Help on their related function:After Effects HelpAfter Effects Online TutorialsScripting HelpExpression ReferenceEffect ReferenceAnimation PresetsKeyboard Shortcuts ALL the commands on the Help menu, that are listed above, ALL launch the user's default Web browser (as depicted in Figure 1) and point it to:https://helpx.adobe.com/support.html This is not useful. It is also not 100% clear why these commands are even here in the first place, if all of them simply go to the same website (as depicted in Figure 1). I call upon Adobe to either:Get rid of all the redundant menu items, and replace them with a single menu item called, for example, Adobe Support Site..., that leads to the website depicted in Figure 1; orChange the implementation of the existing menu item(s) so that each loads the appropriate, respective website containing the designated information. Thank you.
The final trajectory for Firefly in AE is obviously something you are all working on, but as you deliberate how it could work, check out this workflow that integrates ComfyUI Server inside Nuke for incredible masking, inpainting, and image generation to perform a complex paint out: Comfy Nuke
Can you add a button that makes the created video run in reverse and let us download the run in reverse version? I started with the banner I want for my website, so I'd like to run the generated video backwards, so that it finishes on the banner. Then, obviously, I'd like to be able to download and add the reversed version to my website.I think it should be pretty easy to just reverse the order of the frames.
I'm genuinely surprised that even after so many years, Premiere Pro still doesn’t allow users to rename video or audio tracks directly on the timeline.It would be a fantastic productivity boost to be able to label tracks – for example:🎙️️ Voice Over🎧 Sound FX🎼 Music📹 B-roll, etc.This feature already exists in Adobe Audition, where you can rename each track to organize your session more clearly. It would be great to see the same logic applied to Premiere.This would improve workflow clarity, especially in large projects with lots of layered content.
I have a couple of (I reckon) cool idea around the keyboard shortcuts for"Go to previous/next keyframes (J / K);"I use this shortcut it ALLLL day every day as I imagine many of us do, and I think we couldimprove upon it quite easily. Here are my thoughts:1) If no layer is selected - functions as it does now.2) If a layer is selected, j/k takes you to the prev/next keyframe of THAT LAYER ONLY.3) Add modifiers for Transform specific keyframe jumps.e.g. Something like SHIFT+P+K takes you to the next POSITION keyframe of a selected layer, OR, if no layer is selected the next possible position keyframe on the timeline.I think this would be really useful and save a heap of time, especially in and around detailed character rigs where there are tonnes of keyframes in short succession.
hiIm wondering if you guys can make a Shortcut for this actionShow Clip Keyframe > Time Remapping > Speedi use it all time but i cant have a shortcut for it and its takes 4 steps which is too much
Vanishing Point is All time Good But That's Not Work For Curve Area... Add Feature for Curve Area Vanishing Point...
I like the Reflection Removal tool and after kind of seeing how the algorithm works, I had a thought to see how it would work to remove the hazy remnants of a fence, that zoo photographers struggle to completely blur out. This would be an absolute blessing to zoo photographers if the Reflection Removal tool could be refined as a Fence Removal tool. Check out the results!
We Know Photoshop is Not Document Based Software But Many People Use this Software For Document Editing, Scaning or many other Type of Document Releted.... Some Feature Need to Add Photoshol For Document Editing (Scan Paper) Adjustment Like - Document Color Adjustment, Fix auto Dodge and Burn, Quility Enhence, Brightness and Contrass Adjustment Automatic, Auto Crop Document Area
Photoshop Need to Add Some New Feature For Adjust or Fix - Over Expose, Over Sunlight Exposure, Under Expose, Oily Shine Remove, Sunglass Reflection, Foggy Mist , Enhance Quility, Restore Old Photo to Best Quility This All Feature Need Hope Photoshop Add this All advance Feature Updates...
We Also Know Photoshop is Not Document Writing Based Software But in Photoshop Have Text- Bullet and Number Feature and That's Feature is Not Compleate So Plz Add Some Feature in Bullet and Number That's Feature is1. Add Bracket Option to Choose ( ) {} [ ]2. Bullet and Number Mannage3. Bullet and Number Menual Enter Number To Start 4. Bullet and Number Indent and Customised to Space Gap5. Add Bullet and Number Color --- This Feature Add Bullet Color is Just Like We Decide my Bullet Color Diffrent and Text Document Content Color Deferent...
Official JXR support is desired given Windows natively supports it, and creates JXR files when making screenshots in HDR. A previously made plugin is now no longer installable.https://www.microsoft.com/en-us/download/details.aspx?id=52369 A native solution for viewing created HDR images on PC (especially since it's not possible in photoshop) would be very valuable to me. Here's an example file taken from the latest Spiderman Game release. https://www.dropbox.com/s/5xi8ebwawl9o17r/Marvel%27s%20Spider-Man%20Remastered%20v1.831.2.0%209_5_2022%2010_00_58%20PM.jxr?dl=0
We need native support for a “live link” feature—just like Battle Axe’s Overload—built right into After Effects. Imagine designing in Illustrator and having your artwork stream straight into AE in real time so you can animate without any extra steps.It’s baffling that something this essential is still locked behind third-party plugins. Sure, you can kind of rig it today, but the Illustrator ↔ After Effects workflow is awful:You can only import one artboard at a time. That forces you to split every screen layout into its own .ai file.Illustrator files come in as single Vector layers. Unless you manually convert them to Shape layers, you can’t even move a sub-layer independently.Even when you do convert to Shapes, you can’t import each sub-layer as its own AE layer. Everything ends up grouped, and shortcuts like P, S, T, and U simply open the parent layer’s transforms—not the individual pieces you need.Right now, you can’t iterate between After Effects and Illustrator: build a rough comp in AE, tweak the artwork in Illustrator, then have your revised design flow back into AE. That back-and-forth is exactly what motion artists need—but it’s impossible today.I’m counting on Adobe’s engineering team to deliver this capability natively. Let’s bring Overload-style live linking into After Effects at last!
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