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10000+ Ideas

Command to Select All Unparented LayersOpen for Voting

Create a function to select a layers Children.And also a way to select all layers in a compa, apart from the layers that have parents. This is uselful when creating a new master null and wanting to group everything to the new group, appart of course for the layers that have already been carefull parented to eachother...

1 year ago

eugens14834258Participant

Feature Requests

Bezier Warp n 32 bitOpen for Voting

Hey nice for you for giving us 2025 After Effects update.But any news about using all effects on 32 bit? 

1 year ago

Cococolin30137007h0pxParticipant

Feature Requests

After upgrading to Audition 2025, the fonts in the software interface have become too smallOpen for Voting

I'm using the mac version (macOS 14.7), and after upgrading from Audition 2024 (V24.6) to Audition 2025 (V25), the fonts in the user interface are noticeably smaller by one font size, but I've searched around the settings and I can't find anything to set them. It's very annoying to have to adjust the overall macOS display settings because it changes everything else along with it. Is there any way to adjust the font size? Is this the only way to display more content on a 4K display with such small fonts? It's just too much, Adobe, can you please adjust it back?Translated with DeepL.com (free version)

1 year ago

경

경첩25846388zzxmParticipant

Feature Requests

P: Darken rejected photosOpen for Voting

갤럭시탭으로 라이트룸을 사용하고있는데 사진을 셀렉하는 과정에서 거부 플래그, 채택 플래그 기능을 활용하는데 작업을 하다가 다음날 작업을 재개할때 거부 플래그를 걸어놓은 사진에 따로 표시가 없어서 전날 작업하던 구간의 사진을 찾기가 너무 어렵습니다   전체 사진을 볼때 PC버전처럼 거부 플래그를 걸어놓은 사진에 표시(pc는 전체사진 보기에서 거부플래그 걸어놓은 사진이 어두워짐)가 되는 기능이 생겼으면 좋겠어요

경

1 year ago

einsof613Participating Frequently

Feature Requests

Enhanced audio tracks take too long to exportOpen for Voting

Just an FYI, I've done comparisons between exporting my podcasts with the in-program enhanced audio in Essential Sound as opposed to audio tracks created in the Enhance Speech tool in my browser and then downloaded and placed in my timeline...audio that is enhanced inside Premiere takes far far longer to export and isn't worth my time. I don't know if this is because ME has to re-render the audio or not. If it has to re-render, then what is the point of using it?  I need my exports to be as quick as possible and right now the in-program audio enhancer is not saving me time. It's far easier and a better workflow to use the Enhance Speech tool in the browser.Also...if you have any audio tracks on your timeline that were enhanced inside Premiere, it does not make a difference if those tracks are muted or disabled, ME will need to process them on export and it will take more time.  This is in PrP 24.5 using an M2 Max Macbook Pro

1 year ago

brianna_6153Participant

Feature Requests

Lost sequence - Why is this even a feature??Open for Voting

I am an extreme newbie - I spent about an hour working on a project to where I was done making edits and wanted to focus on color grading the videos.So like any newbie would, I clicked on the "X" next to my sequence to, what I thought would just close the timeline panel, but no. It deleted my entire sequence. Now I thought "How weird! they wouldn't just put a button so detrimental to the creative process right out in the open. My project must be saved somewhere" Alas, After searching through the community answers and and doing my own digging, the sequence is nowhere to be found. All the answers on here suggest "Just look in your project panel and find the sequence icon" Okay it's not in there all that is in there is the raw footage I used to create the video."okay but it should be in your auto-saved folder" sure, but when I drag it in it all comes out as one solid video, meaning I can't make any edits to the clips. This is a horrible feature and I can't image why it's so difficult to recover a project. Please do soemthing to fix this I am not the only one experienceing issues. 

1 year ago

QuantysParticipant

Feature Requests

P: Manual Input for Hue and Temperature, etc. Adjustments in Lightroom MobileOpen for Voting

Dear Adobe Lightroom Team,I hope this message finds you well. I would like to propose a feature enhancement for Lightroom Mobile that would significantly improve the user experience. Currently, the app allows adjustments of hue and temperature through sliders, which limits precision.I suggest implementing manual input options for these settings, enabling users to enter specific numerical values for finer control. This enhancement would greatly benefit photographers seeking detailed adjustments in their editing process.Thank you for considering this suggestion.Best regards, Chris J.

1 year ago

10Eighteen MediaKnown Participant

Feature Requests

Rounded clip corners on timelineOpen for Voting

Please put rounded corners back like they were in earlier addions of Beta or allow user to decide if they want them. I feel they are more pleasing to the eye and more inline with a modern UI. Thank you'Darrell Martinelli

1 year ago

Enlightened_dancer0D4DParticipant

Feature Requests

Split videos automatically at all marker points?Open for Voting

Does anyone know this is a possiblity? I recently upgraded from 2017 and am used to pressing T for splits, now I press M on each point I will need split during the clips I have stacked, but it will take alot of clicks to split at each marker individually vs marking each point then automatically splitting. Thank you

1 year ago

Trevor_AsqLegend

Feature Requests

FR: Append to timelineOpen for Voting

Single keystroke 'append' function (as an alternative to insert/overwrite/insert before/insert after/overlay). Adds clip to end of timeline (obey track light / patching / source in + out) ignoring sequence in/out.  Sequence to otherwise remain unaffected (i.e. sequence in/out, playhead position, track lights). Bonus: being able to assign sequence to append destination - so it could be an already pancaked selects sequence.

2 years ago

Jarle LeirpollLegend

Feature Requests

Auto-ducking of voice tracksOpen for Voting

ProblemMore and more users are editing podcasts, Zoom/Teams events, video interviews done with tools like Riverside etc. in Premiere Pro. Especially after we got Text-based editing, I’ve seen an increase in clients doing this kind of editing in Premiere Pro. One thing they all have in common is that they’d like to auto-mix voices that are on different audio tracks. Say you have two or three audio tracks, and you want to duck the levels on the tracks of those who are not speaking at the moment to avoid spill/bleed/leakage/phase issues, noise, and generally low audio quality. For now, this is mostly a manual task. ExamplesThis is a screenshot of a client’s timeline of an interview with two microphones (track 1 and 2), and as you can see, they’ve done a lot of manual cutting back and forth between the tracks. Manual cutting of interview with two microphones I have tried to trick the Essential Sound panel into auto-ducking one voice against another, calling one of them a music track, but it’s impossible to find a setting that makes it work 100% of the time. Tricking Auto-Ducking into ducking one microphone against the other FR:So my feature request is: I want to select all the voice clips, and make the AI duck them an amount of dB, very much like the auto-ducking we have for music.We need to be able to choose one voice as the winning voice if/when multiple voices compete for our attention. 

2 years ago

Gustavo_SaliolaParticipant

Feature Requests

Global Collect: The Ultimate shared companion (Really Useful) upgrade | Premiere + After EffectsOpen for Voting

I pasionately and hopefuly wish this can fly. Bear my writen english with me:As a Graphic, VFX  and Motion Designer with 31 years on the job, and the same 3+ decades with Adobe, i wish it would be a cross platform function (The same with the detail as battleaxe  had acomplished so big with "Overlord") but for COLLECT. Not only the bland and forgotted in AE, niether the Media Manager in Premiere Pro.NO. No, god, NO. (Like "The Office" Meme NO)One in wich you can, for example: Have a Premiere project with Dynamic Link AE Sequences and if i'm sharing, moving or wanting to delete unused media, from ANY OF THIS TWO APPS (AE and Premiere) have the same panel to safely and interactively make a COLLECT fully functional with the same AEP and PRPROJ files, and assets in the SAME STRUCTURE as my disk. And no, NO! Without converting AE Comps to Renders.ALL LIVE, ALL EDITABLE with no unused relative files. All safe and easy (easier at least...) to understand.

2 years ago

gegjrInspiring

Feature Requests

P: Renaming Catalog for UpgradeOpen for Voting

Please change catalog upgrade to rename current catalog with prefix "old" and allow the new catalog to keep the original name. Instead of creating a new catalog and adding a version prefix, ex: changing photography catalog v13 to photography catalog v13-3. Rename current catalog to "photography catalog v13-old and keep original name photography catalog v13.

2 years ago

doctorsneyInspiring

Feature Requests

Text or Email Notification for Media Encoder QueueReleased

this is hardly a new idea as I can see threads discusssing this going back years on Adobe's forums, but those threads are locked and closed, and the problem hasn't been solved so I'm here to ask again: I need media encoder to send me a text or an email when it's done so I can have a life please. Get it done.

2 years ago

gadgetgeek2000Known Participant

Feature Requests

P: Change the process to upgrade the catalog so the names before and after upgrade are the sameOpen for Voting

I have a large library (over 300,000 photos) and my Lightroom catalog folder is over 160GB. This is important for me to backup, but the current process changes the name of the catalog and folders. Once changed, my backup process deletes hundreds of thousands of "old" preview files, and then copies those exact same files back to the target. This is unnecessarily complex, time consuming, and tedious--Lightroom can ensure the catalog name is the same when it completes the upgrade process. Consider those (like myself) that are sending this data offsite for backup--the cost savings, time savings, and bandwidth savings make this change necessary.   I am currently performing these steps manually by renaming the catalog file and supporting folders before opening the new Lightroom version, but Lightroom could do that automatically for me without too much extra work.   To help the average user, most of the people I teach Lightroom, or help with their workflow don't even know where their PICTURES are, let alone how to manage their catalog. An automated Adobe solution of renaming the old catalog file for backup would be awesome and simplify the process for the user.   Install the latest version of Lightroom Open the default/last catalog file as usual. Lightroom prompts to confirm upgrade (no naming option needed) in the dialog box. Lightroom names the existing catalog file the -Vxx which matches the catalog old version compatibility level. (catalog-v10.lrcat) Also rename all the supporting folders to match (Helper, Previews, Smart Previews, Sync, etc.).  Lightroom upgrades this -Vxx catalog and names it at the current catalog name. (catalog.lrcat). Upgrade as usual, which updates all the supporting folder names, too.   The backup program would only see files that changed modified date/time, would copy over the catalog and anything new, and would be quick and efficient. The user who has been opening "catalog" all along doesn't change anything--they still open the same (upgraded) file.

2 years ago

KlausKiInspiring

Feature Requests

Request: Improve AE<>PP integration – Currently cumbersome workflowOpen for Voting

Current Situation Currently, the interaction between After Effects and Premiere Pro seems rather rudimentary and coarse: AE compositions containing animated text are imported into PP as pixel graphics, not vector graphics. So, upscaling them in PP renders them ragged.It's not possible to import PP sequences into AE for adding visual finishing touches to the sequence. You need to render them first in PP and import the rendered footage then into AE.By rendering, artifacts are added to the material as the rendered result is saved using a lossy compression format.Moreover, it's currently wasting a lot of valuable working time for rendering a PP sequence first for the result to be rendered in AE again. Desired Situation Why are AE and PP two separate programs at all? Why the back and forth? In a collaborative environment, every member of a PP project may focus on their distinct tasks within PP. So, this is my feature request: Just add AE effects and effect expressions to PP and drop AE.

2 years ago

Elizaveta26507684mk5lParticipant

Feature Requests

P: Denoise feature for non-Bayer/Xtrans filesOpen for Voting

I merge my DNG photos and Denoise is not available, please can you add it? It would be a major help. Thank you.

2 years ago

Rick.WilliamsKnown Participant

Feature Requests

P: Ability to save searchesReleased

Since Lightroom doesn't have the ability to create smart albums what about at least saved searches? Lightroom and mobile both have great search functions. I think being able to save these into the side bar would be a great replacement for Smart Albums and very easy for users to figure out and utilize.  I've got a handful of searches I use frequently that have multiple criteria. This would save me a lot of time. 

2 years ago

Adrienne35527641ixnmParticipant

Feature Requests

P: AI Denoise level dataIn Development

After having applied Denoise, I would like the numerical value of the level that was applied to be available somewhere for my own reference. It should either be available in Lightroom when you open the file (show the slider, even if it's greyed out) or it should be in the data for the Enchanced-NR.dng file that is created.

2 years ago

FeedbackCommunityMemberInspiring

Feature Requests

P: User-selectable location of LrClassicLogs fileReleased

Recently, a folder titled "LrClassicLogs" has appeared in my Documents folder on my Mac. I use my Documents folder for personal documents only, and would like to store the LrClassicLogs file in a less-obtrusive location.Can a feature be added to LR Classic to allow for a user-selectable location (similar to how LR classic allows for the catalog file)?

2 years ago

Shilton TanParticipant

Feature Requests

P: Bring back histogram gridlinesOpen for Voting

I would like the histogram gridlines (present in earlier versions) to be brought back. The current histogram is a step backwards in terms of usability.   Gridlines allow us to visualise in a clear manner where the channel values are placed, so that we are able to ensure consistency between photos.   (Refer to the image below, ignore the red circles.)

2 years ago

Evangelist ittsuiCommunity Expert

Feature Requests

The "Crop" and "Transform" toggle buttons are not displayed when multiple clips are selected.Open for Voting

The "Crop" and "Transform" toggle buttons are not displayed when multiple clips are selected.1. Select multiple video clips on the timeline.2. Check the "Crop" and "Transform" toggle buttons that should be in the bottom left of the program monitor.ResultThe "Toggle buttons" that should be there are not displayed. IdealWhen multiple clips are selected, the "Crop" and "Transform" toggle buttons should be displayed in the same way as when one clip is selected.     複数クリップを選択した状態だと「クロップ」と「変形」の切り替えボタンが表示されない   ①タイムライン上で複数のビデオクリップを選択。   ②プログラムモニター左下にあるはずの「クロップ」と「変形」の切り替えボタンを確認。   結果本来あるはずべきの「切り替えボタン」が表示されない。   理想複数クリップを選択した時も、１クリップを選択した時と同じように「「クロップ」と「変形」の切り替えボタンが表示されるべきだ  

2 years ago

Stepo KedurParticipant

Feature Requests

Painter: Allow Manual UV unwrapping & Improved Exporting...Under Review

Hoping that Painter (loving it!) can have an expansion on the methods for UV Unwrapping (manual) as well as when exporting mesh and textures Texel features could be added.   This way the appearance of a painted texture could be better made and represented on export as currently they are a little 'fuzzy'. Would be fantastic to be able to export as DDS format too!   This is a more personal hope as I have to manually convert them in paint.net. Thanks.

2 years ago

Garry TurnerParticipating Frequently

Feature Requests

Media Encoder mp4/mov HEVC H.265 transparent backgroundOpen for Voting

For videos with a transparent background, you can easily export small, kb-sized WebM videos for Chrome and Firefox browsers. Unfortunately, Safari does not support transparent WebM videos and requires the MOV format in the H.265 HEVC codec. Media Encoder cannot export this format, and the only workaround I know is to use Apple Compressor software.Ideally, it would be more streamlined if everything could be handled in Media Encoder. Is there any planned update to support this?

2 years ago

Michael CervinkaParticipating Frequently

Feature Requests

Why Premiere Pro Desperately Needs a Native ISO Denoise FeatureOpen for Voting

Why Premiere Pro Desperately Needs a Native ISO Denoise Feature Hey everyone, As a dedicated user of Premiere Pro and a passionate videographer, I've been consistently impressed by the new Ai capabilities Adobe has set forth for their editing software. However, there's one crucial feature that's glaringly missing and becoming increasingly essential for many of us – a native ISO denoise feature.  Here’s why this addition is so important:1. Improved Workflow Efficiency: Currently, if we want to denoise our footage, we often have to rely on third-party plugins or external software like DaVinci Resolve. This not only adds extra steps to our workflow but also consumes additional time and resources. A native denoise feature within Premiere Pro would streamline the editing process, allowing us to stay within one platform and maintain a smoother, more efficient workflow. The third-party plugin situation is particularly absurd. Many of us find ourselves paying for additional plugins like Maxon’s Red Giant, which can cost $79 a month, just to achieve effective denoising. This adds an unnecessary financial burden on top of the existing Adobe subscription fees. 3. Competitive Edge: DaVinci Resolve has set a high standard with its robust noise reduction capabilities among other features. As more editors become aware of these features, they may consider switching platforms to take advantage of the superior denoising tools. By incorporating a native ISO denoise feature, Adobe can ensure that Premiere Pro remains competitive and retains its position as a leading video editing software. 4. User Demand and Feedback: The community has been vocal about the need for better noise reduction tools in Premiere Pro. Listening to user feedback and implementing this feature would not only demonstrate Adobe's commitment to addressing our needs but also foster greater loyalty and satisfaction among its user base. In conclusion, adding a native ISO denoise feature to Premiere Pro is not just a nice-to-have; it’s a necessity that would significantly enhance our editing experience. It would save time, improve video quality, and keep Premiere Pro competitive in the ever-evolving landscape of video editing software. Let's rally together and make our voices heard – it’s time for Adobe to step up and deliver this much-needed feature. What do you all think? Let's discuss and push for this change! Best,Michael 

2 years ago

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