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Why Premiere Pro Desperately Needs a Native ISO Denoise Feature Hey everyone, As a dedicated user of Premiere Pro and a passionate videographer, I've been consistently impressed by the new Ai capabilities Adobe has set forth for their editing software. However, there's one crucial feature that's glaringly missing and becoming increasingly essential for many of us – a native ISO denoise feature. Here’s why this addition is so important:1. Improved Workflow Efficiency: Currently, if we want to denoise our footage, we often have to rely on third-party plugins or external software like DaVinci Resolve. This not only adds extra steps to our workflow but also consumes additional time and resources. A native denoise feature within Premiere Pro would streamline the editing process, allowing us to stay within one platform and maintain a smoother, more efficient workflow. The third-party plugin situation is particularly absurd. Many of us find ourselves paying for additional plugins like Maxon’s Red Giant, which can cost $79 a month, just to achieve effective denoising. This adds an unnecessary financial burden on top of the existing Adobe subscription fees. 3. Competitive Edge: DaVinci Resolve has set a high standard with its robust noise reduction capabilities among other features. As more editors become aware of these features, they may consider switching platforms to take advantage of the superior denoising tools. By incorporating a native ISO denoise feature, Adobe can ensure that Premiere Pro remains competitive and retains its position as a leading video editing software. 4. User Demand and Feedback: The community has been vocal about the need for better noise reduction tools in Premiere Pro. Listening to user feedback and implementing this feature would not only demonstrate Adobe's commitment to addressing our needs but also foster greater loyalty and satisfaction among its user base. In conclusion, adding a native ISO denoise feature to Premiere Pro is not just a nice-to-have; it’s a necessity that would significantly enhance our editing experience. It would save time, improve video quality, and keep Premiere Pro competitive in the ever-evolving landscape of video editing software. Let's rally together and make our voices heard – it’s time for Adobe to step up and deliver this much-needed feature. What do you all think? Let's discuss and push for this change! Best,Michael
Running out of cloud storage when on the 20 GB plan is a common problem for my students who do most of their work in Lightroom Classic. The most common recommendations to solve this in the Adobe Community and elsewhere are: Upgrade to the 1 TB plan. That more than doubles the cost of the subscription, and most of my students aren't willing to do that. Delete photos from the cloud as soon as they are synced. In my experience, very few Lightroom users remember to do this. What's nice about syncing is that you don't have to pay attention to it. Removing photos from All Synced Photos works to remove the photos from cloud storage while retaining them in local disk storage but in doing so, you will also remove them from any synced collections they are in. There is a workflow to avoid removing from synced collections but it is complicated and if done incorrectly can have serious consequences: Select each synced collection (must be done one at a time) Select All the photos in the selected collections Click on All Synced Photographs From the top menu, select Edit > Invert Selection From the top menu, select Photo > Remove from All Synced Photographs. Optionally: Refine the selection by creating a Quick Collection from the selection, removing the selection and then applying a filter like camera (iPhone in my case) or perhaps date ranges to select and remove a narrower set of photos. I propose adding an additional option to the Photos menu: Remove from cloud storage. With that option available, we could filter All Synced Photos on the Camera metadata field, select phone and/or tablet devices and then remove them from cloud storage. The caveat would be that this would apply only to originals in the cloud. Remove from cloud storage: Simple. Needed. Will make many users happy.
It would be VERY nice and HELPFUL is Adobe Lightroom Classic exported Web Galleries included WebP and AVIF image formats. Also, if the web gallery added this behavior... When you click on a thumbnail and the larger (preferably WebP or AVIF) image appeared, there was a slideshow button so it would cycle through all the Web Gallery (again, preferably WebP or AVIF format) images. This would provide our customers with a Slide Show experience where they can sit back and enjoy the Web Gallery content. If I am in error, please let me know what I need to do the accomplish this. Thank you, Nolan Conley
Finally, there are bright letters in the menus new version of Premiere Pro (V25).Until now, it was really difficult to see the menu letters, which were gray on a black background. It was hard to distinguish them at all.From today, the letters are white, which greatly facilitates the work. I suggest everyone who does not automatically update versions to update to the new version.Now there is still one more improvement needed: to send invoices to the email automatically (very complicated) and not force me to log in to the site every month to download the invoice. I don't know any company that doesn't send invoices.
Hey, I've been using Photoshop, Illustrator, Freehand, AfterEffects since their 1.0 versions, and there is something all of them always have been doing: when we change a text block aligment (left, right, or centered), the block 'jumps' to half-x-axis of whatever new setting we choose. I understand that must have been some limitation of legacy systems behavior (processing power, amount of resources, "it has always been like this"), but Figma and Sketch have showed us that such edit can be differently programmed. So, please: keep the text block in place when we change the text alignment - in PS, Illustrator, InDesign and AfterEffects.
I would like the option to generate auto captions without any punctuation or only specific punctuation.
A very niche request at this point in time (more than 20 years after the release of one of these cameras) but I'd love to see Raw Details & Denoise come to the Raw files produced by the Fuji S3 and S5 pro cameras. These cameras have spectacular sensors with wild dynamic range (even by todays standards) but the one thing they lack is resolution. While "Super Resolution" is available for these files, I find Raw Details & Denoise create more percieved detail in my images.Thus I would be overjoyed if there was a way to make this happen for the few of us still putting these old treasures to use!Thanks!
There needs to be a keystroke that one can copy and paste a portion of an edit from the In Point to the Out Point, REGARDLESS of what is selected. right now you can press CMD C to copy a selection, but not necessary what is from IN to OUT on a sequence. One needs to deselect (shift CMD A) to remove a clip selection, then the IN and OUT can be copied and Pasted, otherwise the selected clips is copied, not the In to the Out. I've been frustrated with this for some time.
Aloha Adobe, The new colors for labeling clips are way too dark. Although there is a long list of color options the colors are too similar of shades. Please make colors more distinct. It is very hard for us editors to organize our timelines using colors that are so dark and similar. Yellow and brown are indistinguishable. All the greens are too similar. Even mango looks like magenta.
Ai photo2material is a nice idea but so far a thing you toy a few times with and then never use .Would be more helpful to have something Ai helping to fix what ortho projection from Reality capture gives you: photo and depth : 1. ability to work with big arbitrary sized original first . like 16547x5346 where you could extend the photogrammetry chunk to image borders first and fix bad patches and photogrammetry artifacts using content aware and a special "content aware move" tool that has a small 2x2 deforming mesh to match the patches precisely. Working properly in depth/height without "steps" 1a Something like super convenient Frequency separation tool in Affinity Photo to get rid of height gradients and low frequency things with actual manual input instead of just simple hi pass. 2. Crop tool that would let u chose what part of the extended chunk would be actual texture where same move/patch tool coudl be used to cover seams . Same working in depth with adaptation without sadden abrupt height riffs. 3 . Ai producing roughness , removing tiny and big shadows in color layer , making depth and normal map less blurry looking you often get from photogrammetry untill you are using super hi res camera ,gazillion shots and special albedo producing flash light eating batteries like crazy . That said current ai shadow removing is not very good in Sampler killing all if every colour nuances. So perhaps this part is most hard to do one. ps. Or maybe just add this 2x2 mesh to Photoshop patch/con aware move tools please.
Hello every one, Would it be possible to add an intermediate setting option between 8-bits/component and 16-bits/componente in JXL export options? Something like 12-bits/component (and/or 14-bits/component)? Because 16-bits/component is overkill (with RAW files initially in 12 or 14-bits/component) and generate much bigger files in lossless option (and even in lossy 100% quality setting) and 8-bits/component loses a part of the color spectrum. These options could lead to a better compromise between quality, absence of data loss and the final size of the exported files. Thank you.
The slider for adjusting the position on the program monitor screen should be brought backAs of ver24.4.1, the slider for adjusting the position on the program monitor screen is no longer displayedYou can zoom in and out (adjust the position slightly) by using the mouse wheel, but that alone is difficult to useThe slider for adjusting the position should be usable as before! プログラムモニター画面の位置調整用スライダーを復活させるべきだ ver24.4.1から、プログラムモニター画面の位置調整用スライダーが、表示されなくなった マウスのホイール操作で拡大縮小(多少の位置調整)は可能だが、それだけでは使いにくい 位置調整用のスライダーを、以前と同じように使えるようにすべきだ!
Adobe Photoshop 1. Complex Task Simplification: Basic tasks like cropping an object require unnecessarily long steps. For example, to crop an object, I have to use the selection tool, press Ctrl+J, then delete the original layer. This process could be streamlined.2. Background Removal: The “Remove Background” feature works well with people but struggles with objects. Online tools like BGremover perform better. It would be great if Adobe’s tool could match this accuracy.3. Magic Fill: While Magic Fill works better in Firefly, in Photoshop, it’s quite poor and needs significant improvement.4. Dragging and Dropping Objects: Resizing objects to fit the frame when dragging and dropping is cumbersome. Using Shift+Drag is not intuitive. There should be a “Fit to Frame” or “Fill Frame” option with a single click.5. Drawing Tool: A freehand pen tool similar to the one in MS Paint would be a useful addition, allowing more intuitive drawing options.6. Prompt to Save Location: Photoshop should prompt for the project save location before starting, just as Premiere Pro does.
Came accross some info about Intel CPUs and their decoding capabilities and was surprised to find out Davinchi Resolve has so many more formats to decode with the iGPU. I thought there was some limitation in the CPU itself that it cannot decode certain formats but as it appears it's the software and there are no limitations except the software developer's desire.Can Adobe make Premiere Pro decode these formats with the iGPU as well? Why hasn't it been done yet in 2024? Feeling ashamed for Premiere Pro...
Adobe After Effects 1. Clip Organization: The way multiple clips are handled is cumbersome. Compared to Premiere Pro, the clipboard becomes messy when importing multiple clips, especially when they need to be placed on different sections of the timeline. This forces users to create multiple layers, which consumes memory and slows After Effects down.2. Color Codec in Composition Settings: There should be an option to change the color codec from Rec. 702 within composition settings, especially since other color formats are often used in Premiere Pro projects.3. Popular Plugin Integration: Plugins like BCC, Twixtor, Boris FX, Magic Bullet, and Re:Vision Effects are expensive. Since we’re already paying a significant amount for Adobe software, these popular effects should be included as built-in features.
It is beyond me why the disc cache is not cleared when updating to a new version of AE…I was running low on space and could not figure out why, until i realized there was still the maximum amount of cache for several older versions (the apps itself were uninstalled when i updated automatically). so my idea: just clear the old cache when updating!
I would love to have the Dynamic Text Box in Premiere just like Adobe Express where the text fits to the bounds of the text area.I know there are some scripts that attempt it, but a native feature would be great.
I find the plethora of shortcut prefixes (combinations of Shift, Control, Opt and Cmd) too confusing to figure out. Because I don't want my chosen prefix to conflict with one chosen by Adobe, I wanted to pick one and be reasonably sure it would not get purturbed in an update. Based on searching through the unpurturbed defaults on my new install, I think "Control-Opt" is not in use. It'd be nice to know that Adobe promises to leave that prefix alone.
I miss having a garbage matte. I realize that we now have similar tools in the Opacity controls, and in just about every effect that has Opacity controls. But what I don't like about those is that you can't grab a line between two vertices and move it straight or expand it, etc. Is there a way that you could make these masks behave more like the ones in After Effects? I have a hard time trying to get a square box even using the box mask in Opacity. Maybe this is just a lack of user knowledge on my behalf, but it would make sense that they should behave the same as they do in After Effects. Thanks for hearing me out.
Would love to be able to assign custom keyboard shortcuts for custom brushes. It would save so much time instead of having to scroll through them all. 🙂
Support for emojis in text layers.Social media and chat based apps have made emojis not only commonplace but jettisoned them into the common visual lexicon. The ability to incorporate emojis repeatedly & easily through text based layers will prevent commen errors in workflow and allow for copying and pasting of larger texts that use emojis. Thank you!
It would be great, and possibly would allow for more accurate "reading of text" if there was an option button to choose fonts from an adobe typeface. I know this is a tall ask requiring a deep look at the underlying code, but it would also likely solve the general AI issue of being poor at generating text. Basically, if the option button for text is checked, a subroutine would be inacted that ran text recognition and then replaced the recognized text with real text from a font database.....Having it run only when a user selects a radio button would prevent other elements from being recognized as text and help it to learn. just a thought. 🙂
Hi, I work with shows that have hundereds and hundreds of subtitles that need to be tweaked and it would be a huge time saver for Selection Follows Playhead to work for the subtitle layer on the timeline.
I hope next version of lightroom mobile you will improve the masking feature like in the pc version which we can select other parts of the body and just by brushing our desired object then it will automatically selected using ai.
With almost all my files when i save up a version and go to the save as window, i'll have to select a point in the filname and scroll right to alter the version number, even though there is enough space for the save as filename window to be much longer.That way I can see the whole filename at once and directly select the number at the end.
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