Example of not being able to scroll to the bottom of asset at 25%"Save for Web" flowIssues:Cannot fully scroll to bottom or top of asset at smaller percentages of 100% Image Format: When attempting to switch from GIF to JPEG, it will not switch when highlighting multiple slices. I didn’t have this issue before this new update. It will require that I select another option and then try changing to JPEG again. Highlighting slices and locating what type of sxport they will be is incredibly difficult. The UI is awful and the area where it does say the file type and size on the left hand corner above the percentage drop down menu, is small and not user friendly. Requests: Adding a scroll bar to the workflow where you view your asset and its slices. Make file type indicator on left hand corner larger or bold so user can understand what slice they are looking at. Some kind of feedback/connection to the selected slice in that moment.
My request is to have the option to color speakers within the text transcript panel. That way you can easily pinpoint responses from a specific speakers at a glance. The color can either be applied to just the speakers name or it can be a combination of the speakers name and the related text.
When editing the Transcript (correcting spelling, search & replacing words, etc.), I'd like an option to automatically sync those changes to already-generated captions — without having to manually locate and update each caption separately.This becomes especially problematic in two common scenarios:1. Late-stage corrections with multiple aspect ratiosWhen delivering the same edit across multiple sequences (16:9, 9:16, 1:1, etc.), finding a single spelling error or needing to replace a word means manually hunting down and correcting that caption in every sequence individually — extremely tedious at scale.2. Regenerating captions after sequence editsIf I've made sequence edit changes that require regenerating captions, but my corrections only exist in the on-screen captions (not the transcript), regenerating wipes all of those changes — requiring all caption corrections to be redone from scratch.Suggested implementation: a toggle or checkbox in the Transcript panel that enables auto-sync, with scope options:Current Sequence only All Sequences in project Don't auto-syncThis would keep captions and transcript consistent without requiring manual reconciliation after every edit — especially painful on long-form content delivered across multiple sequences and aspect ratios.
What’s wrong with this photo? Reason for rejection – quality issues. Can the upload process cause quality loss? When I look at the thumbnails after uploading, they really do appear blurry, even though the original photos are perfectly fine.
When will we have European (or custom) paper sizes in the BOOK Module? I am fully aware that Blurb only supports US paper sizes but there are many non-US printing services which will print a book from jpg or pdf files. You should be able to support sizes other than those used by Blurb. The recent improvements in LR 7.5 were great but I think will only be usable by American users. Come on Adobe you have MANY users who do not use US paper sizes!!!!!
Hello, I have a large library of textures and different materials, including: bump maps, albedo maps, displacement maps, etc. But to create materials using these maps in Substance Sampler, for example, I have 50 fabric maps in the fabric folder and different models of fabrics such as silk in that folder. The number of these materials is large. So, the number of folders is large. Can you add a feature so that I can customize these thousand materials?And finally, about the process of exporting to (sbsar) format, I set the compression to fast, and it even outputs a 128 output with a size of 1.5 GB. But when I set it to slow or auto, the process of exporting each material takes about 10 to 13 minutes. My RAM is ddr5 and 32 GB. My graphics card is 4060 with 8 GB of vram (I should mention that I also adjusted the Cache Storage settings embedded in project files and set it to Full Cache Storage). I expected more from version 6.0.1 of Substance Sampler. Of course, I have to say that this is a masterpiece in general. I hope my requests will be taken into account in the future, thanks
Is there any particular reason why Adobe is not updating Audition with new features? Been working in Audition on and off for 9 years now, and its overall a lovely piece of software, even for bigger and more advanced projects. But I've not seen any noticable feature updates during all of these years. I do however feel like it has gotten abit more stable nowadays and does not crash very often.I do not have very much hope that these features will be added, but here are a few things that i'd love for them to fix/add, and i think most of them are easily fixed.Santa, here is my top 10 wishlist:1. Multiple videos in a single timeline. 2. Change track color on multiple tracks at a time. (or in "Add tracks" be able to choose color for all tracks being added)3. Assign BUS to multiple tracks at a time (or in "Add tracks" be able to choose BUS for all tracks being added)4. Ability to enlarge the channel rack/eq/send tabs in Mixer view to be able to see more than 3 effects at a time. I'd be happy trading abit of fader realestate for being able to see more effects than the first 3 or even a clearer view of the eq's.5. Change the way Track/Clip Automations work. I would love to mark a portion of my track or clip automation and move it around in time. Even be able to copy and paste the automation values them selves to paste it into a different track. Even just to deleta clip automations is very time consuming if you have alot of clips from the editor and the volume automations has been included.Sometimes i do have quite advanced automations on there, and if i need to move the clip, the whole automation needs to be manually moved value by value. I know there are a few work arounds by touch animations, and copy selected tracks. But this seems like an easy fix.6. The ability to select multiple tracks in the timeline to toggle SOLO/MUTE in one click.7. AAF compatability, or a way within Audition to convert into OMF.8. Updating the channel eq mouse/keyboard controls to more easily change the Q (slipe/curve/width), like holding in ctrl or similar. Its abit awkward going down to that right/left slider.9. Changing track type from mono -> stereo after the track has been created. Rarely needed, but ability to change existing project to 5.1 would be great aswell.10. Ability to scan music for its BPM and then timestretch it the value of BPM.10+1. Fix the bug where you want to use the scrollwheel to decrease the width of the timeline track, when you accidentally hold your mouse inbetween 2 tracks, scroll down, and it scrolls all the way up to the top.Now, i know Audition is there to provide video editors with a basic audio editor, and Audition is not meant to be used as pro audio software. Perhaps I'm the only one using ProTools, Audition and Fairlight. I use whatever is best for the project ahead, and i tend to gravitate towards Audition whenever I get to decide. I really think its the quickest way for me to get to work, and i would love to see it evolve. What you guys think?
Often scrolling the Markers-panel is extremely slow, which is weird since they are just markers. I suspect generating the thumbnails is what is taking most of the computing power – everything else is just text in there. I rarely need the images; color coding and large text boxes are the tools I need when browsing markers. Option to toggle the thumbnails with only the marker color flag would be welcome. (At least if I'm correct and that would fix the performance issues with that panel)
Create a control panel to run Illustrator Scripts instead of being forced to constantly use the slow and tedious File > Scripts menu selection.
Could Substance Painter add a feature to directly train a textured model into a Gaussian Splatting model and then export it?
I am sorry, I don't have much experience (have been designing only since 2001), but have an idea: How about we put a HEX CODE value in the COLOR window? That might be very handy since sometimes some designers work with hex codes because we could paste, remember, type them. Imagine? Might help with the dwindling user base too.. Info window displays RGB Values. I can copy the HEX code, so it is there.. Why do i need to have the friction to open a Color picker? I used to use this lesser known app that masks its name as A.I. but it actually means Adobe Illustrator. It has a working example of this function. Take a look, maybe your devs can take the same idea into Photoshop.
The new Vector Scope is great, but it would be even better if some additional features were added directly inside the Vector Scope itself or new tool. The color points shown in the Vector Scope could be made interactive so that we can grab and tune them directly. There could be an option to pick a color point in the Vector Scope and drag it to the color we want, and the adjustment would be applied automatically.This would work similarly to the Color Warper Tool, 3D Color, and Chroma Warp Tool in DaVinci Resolve. Having this functionality directly inside the Vector Scope would make color grading and editing much easier and faster.
I love using the Pattern Preview function for standard repeats. Is it possible to use this function for a half drop repeat?
Please add support for CMYK ICC profiles (FOGRA39, PSO Coated v3/FOGRA51, etc.) in Lightroom Classic Soft Proofing.As a magazine publisher, our entire image workflow is already based on Adobe RGB. We do not need CMYK export from Lightroom, nor any advanced prepress functionality. We simply need the ability to preview standard print conditions, just as Photoshop does with Proof Colors.When working with large image sets, Lightroom is the ideal environment because we can review, compare, and adjust many images at once. However, when dealing with highly saturated greens and blues, we need to check for potential clipping and out-of-gamut colors for print. Currently, this requires opening images individually in Photoshop, which significantly slows down production.A simple CMYK soft-proof preview matching Photoshop's behavior would allow print-oriented users to evaluate images directly in Lightroom while retaining their existing RGB workflow.Lightroom is where image selection, comparison, rating, and development happen. Photoshop is where final image editing happens. Having to open images individually in Photoshop solely to check a FOGRA39 or FOGRA51 preview breaks an otherwise efficient workflow.
please make it possible to have one key for shortcutsi dont like clicking multiple keys for an action i just want one keyit will save a lot time, i use in premier, and after effect but i cant in photoshop“for this screen shot i wanted ‘-’ for save instead of ‘CTRL+s’ which is too much
Photoshop Beta had a whole bunch of incredibly useful actions in the actions panel, and they were reduced. It’s now just a small offering. While still useful, the other actions were incredibly creative and fun, and as a professional designer, I loved exploring them. Particularly the black and white options and color modifications, the sky action, etc. 😭
It would be great to see some AI features that some Adobe competitors have started to adopt. I would love to see and AI Sharpening tool similar to the AI Denoise. Also, given that Lightroom Classic is such a great organizational tool, I would also love to see an AI Culling feature where the program could analyze and sort by features such as pictures being in focus, with the best exposure, and whether a subject's eyes are closed. Competitors such as "Aftershoot" are beginning to incorporate such features into their products. I'd rather be able to get it all in one place.
Bring back the ability to mass-delete old files in Adobe Firefly.
Credit card Manop Kampeang manopkapmpeang4@gmail.com
Ik ben linkshandig. Ik werk veel op een S10 tab ultra met Stilo. Als linkshandige is dat vervelend. Voor de app zou het fijn als de buttons van kant kunnen wisselen. Change button layout from left to right for all lefty's out there please.
Add the ability search for duplicates in a field like the Title. This will help find duplicate titles given to different photos. Even sorting on the Title in the grid is currently missing. The title is extensively used and very important field.
iPad Pro m5 is well capable to handle the full version of photoshop. It will be worth paying the yearly subscription.
Another update has arrived (26.3) But it's sad. I didn't see the Ukrainian language in the list again. I don't understand why, because 4 years ago a request was created that gained a lot of support among users, everyone wants native language support in Premiere, without boring transcriptions by third-party services and importing into the program. Give at least a hint whether we should expect this wonderful update in the near future?
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