Hue and saturation adjustment layer contains a hand tool which picks the colours which we would like to adjust the hue and saturation of. When we select a colour in the photo using the hand tool only the drop down changes to the appropriate colour while the slider colour remains cyan. If the slider colour also changes to the colour closest to the colour that the user picks , when the user selects a different colour it would match with the slider colour and the user won’t need to scroll through all the colours in the slider.
Right now there's no way to know a render is done without sitting at my computer watching the progress bar. Since renders can take anywhere from a few minutes to several hours, I'd love a push notification to the Creative Cloud mobile app when an export completes so I can step away from my desk and get pinged the moment it's ready.Ideally the notification would tell whether the render succeeded or failed and include the file name and total render time. A simple toggle in preferences to turn it on or off would be perfect.
AFTER posting here...can I edit???
The loupe seems to be closing correctly now but it “FLIPS” when you lower it to the bottom of the screen. I’d like a way to STOP the flipping in Preferences.
When the Camera RAW Radial Gradient tool was first introduced, one could hit “X” WHILE DRAGGING to flip the effect. One could ALSO HOLD THE SPACEBAR WHILE CREATING* the Radial Gradient before releasing the mouse to REPOSITION the gradient.These VERY USEFUL behaviors were lost sometime since.It would be a DELIGHT to see them return.(*Same behavior already exists in InDesign, Illustrator, and Photoshop.)
Surprisingly, from the makers of Photoshop, the industry standard graphic design suite, the UI of the Premiere sequencer section is underwhelming. Sequencer (Timeline section):-Many sequencer options, selection tools and editing features, that are standard in other software, require multiple clicks and workarounds in Premiere.-When trying to edit the clips on the Timeline or clear the selection by clicking on an empty area on the track, the selection cursor brackets only render the track with an extra bracket or white background.-The selection Brackets and the Playhead don’t visually align with the precise edit points compared to other sequencers in the market.-When automating clips to the Markers based on Audio tempo, they aren’t evenly rendered in the Timeline, requiring the user to move them back and forth, to finally end up with the correct clip length and visual timeline width for the edit.Recommendation to start using Pro Tools for a while to see the contribution an amazing Sequencer design adds to the User Experience of studio editing, whether audio, video or both.Cheers!
Voorbeeld: ik heb een verzamelalbum gemaakt voor alleen mijn Nikon Zf opnamen. Omdat ik verschillende camera’s heb. Als ik tijd heb kan ik alles laten beoordelen, maar als ik een spoedklus heb, dan hoef ik alleen maar in dit album een selectie te maken en dat te laten beoordelen. Korter in tijd sneller in beoordeling, dus sneller weg.
For Photojournalists like me it would be very great to place a text in the Caption of the recognized faces of people in the right order (e.g. from left to right John Lennon, Paul McCartney, George Harrison, Ringo Starr) Additionally it would be great to save useful informations about the people (e.g. Function, Band, Instrument, Party, etc) e.g. German Chancellor Friedrich Merz (CDU).
Adobe cumbersome basic features at its finest… How hard is it to import an audio track as the first media file and start editing the video from there? Thanks!
I crreate numerous iamges for the Facebook groups I run using basic nano banana. I would like nano banana 2 or higher unlimitedat a reasonable price
Whe Adobe Firefly creates an image from my prompt. The image is created, but seems unsavable.
Another basic feature… Enable the user to copy the first Text layer, so that the duplicate appears as the next clip in the sequence. Also, keep the sequence of the Text clips on the same Track without gaps on the timeline, so that the editor view stays compact without vertical scrolling. Thanks!
A basic EQ for voice (bass, mid, treb) would be so amazing. I could go from here to shipping a video without needing editing or audio software in between.
Please add the ability to use a custom brush instead of the built-in smudge tool in the iPad version of Photoshop, since this is currently only possible in the desktop version. My entire drawing process literally depends on this tool, and it would be incredible if it were available on the iPad. Photoshop is by far the best drawing app I’ve ever used, and I wouldn’t want to give it up just because of the lack of customization options on the iPad. Currently, only one basic version of the "smudge tool" is available for the iPad. In the desktop version, you can add your own smudge tool, customize it yourself, or choose a downloaded one. In my opinion, this would greatly increase the popularity of Photoshop on the iPad among artists, because the basic smudge tool is very awkward to use for "sculpting" a drawing (
When in freeform cropping with the lock unlocked I would like to see a visual representation inside the cropping overlay with the pixel widthxheight and/or the aspect ratio (1:1 , 4:3, 16:9 etc). If these is the ability to snap to default aspect ratios when you get very close to them it would be even better. This is needed when hunting for a specific composition and using familiar crops when presented as opposed to choosing a crop before knowing it will work for the photo.
In Lightroom Classic v15.4 and Lightroom v9.4 synonyms from Classic are not present in the Adobe Cloud. I use synonyms to pair up common names with their scientific name. My master catalog has a lot of non exportable keywords These are synced without distinction and when exported from Lightroom(M/D/W) contain those keywords not to be exported as defined in Classic. There are two possible solutions. In Classic add an option on Create Keyword Tag dialog “Do Not include on sync.” The other option would be to honor the Include on Export setting for Classic for Lightroom exports. The other issue concerns synonyms. Synonyms are not included in the keyword sync process. They should be included and recognized by both Classic and Lightroom. Either honor synonyms in Lightroom or promote any synonyms found in classic to be regular keywords.
It’d be so helpful to have a sound notification when AI finishes generating fills. Since it usually takes a minute or so, people often switch over to something else while they wait, and then forget they have work to do! A quick sound cue would save time and make the workflow smoother. Alternatives (mas user) could be a pop up badge, a shaking PS icon in the dock. Thank you!J
Premiere Pro desperately needs a Global Audio Effects Mute button (or an "All Audio Effects Bypass" toggle per track/sequence), functioning exactly like the current Global Video FX Mute feature. Currently, processor-heavy VSTs and track-level audio effects cause severe playback stutter—especially when utilizing the J−K−L keys to edit at 1.5× or 2× speeds.The Problem & Workflow BottleneckFor editors handling long-form content (podcasts, interviews, voiceovers), applying track-level effects like denoisers, compressors, and EQs early in the workflow is standard practice. However, these effects are highly CPU-intensive.When scrubbing through a timeline at accelerated playback speeds to make quick cuts, the audio processing cannot keep up, resulting in extreme stuttering, digital artifacts, and lagging.Why Current Workarounds Fail "Add Effects Last": Suggesting that editors add audio effects at the very end of a project is unrealistic for modern, fast-paced workflows where clients require rough cuts that sound professional. The Submix Workaround appears Broken: A common community suggestion is to route tracks into a Submix and toggle the Submix effects. However, this fails because Premiere Pro keeps the submix processing engine active in the background even when no tracks are actively routing into it or when the track is silenced. It does not actually recover the CPU overhead. The Tedium of Manual Toggling: Manually turning off VSTs one by one across multiple tracks utterly destroys editing momentum. Proposed SolutionWe need an elegant, one-click solution to temporarily bypass the audio processing load: A Global Audio FX Mute Button: A dedicated button in the Program Monitor or Timeline header (similar to the Video FX Mute) that completely suspends all audio track and clip-level plugin processing instantly. Integration into Existing Global FX Mute: Alternatively, expand the current Global FX Mute button to optionally include audio plugins via a Preferences toggle. Track Level Audio Effects Bypass: One button for each audio track to disable all applied audio effects on that track. So we don’t have to do it one by one. ImpactThis feature would drastically optimize timeline performance, eliminate hardware-based playback bottlenecks during the assembly phase, and significantly speed up the editing process for thousands of audio-first content creators using Premiere Pro. I am using the MacBook Pro M1 Max with 64 GB Memory, latest macOS 26 and Premiere Pro as up to date as I can get it via Creative Cloud. Thanks,Chris
Right now a very common workflow of mine is to create a masked fill layer to display a certain Visual like let’s say green slime across the entire suit of a ghostbuster.Once I set up the layer properties I define my mask by using generators, paint, and most importantly fills, because I can reposition or scale them later.In order to add a fill effect to my mask I drag it from the shelf onto the model, so I get a good starting point for the position. At the moment the only way I understand how to do this is to drag an alpha to the model, choose “Mask” from the pop up menu. This creates a new layer with the mask I actually want to be a part of the mask I was currently working on. So I need to scroll to the top of the layer stack, select the new mask, copy the effect, delete the new layer, scroll back down, select the mask I was working on and paste the effect.This procedure is most painful the first time around after which I will usually duplicate existing mask effects as a starting point.But all this head ache could be avoided if there was a command to directly drag and drop an alpha not just physically onto the model where I need it, but also hierarchically into the currently selected mask.Maybe I’m missing the proper way to do it or this workflow goes against what Painter expects me to do instead, but it is a workflow that works really well for me, except for the issues outlined above.
A selective FX mute button for the timeline would be incredibly useful. Right now, we only have the global FX mute in the monitor window, but I'd love the ability to mute only specific heavy effects on the timeline that cause playback stutter, like all Noise Reduction FX for example, while keeping others active, such as my Lumetri Color adjustments.What I’m envisioning is something similar to the Remove Attributes function, but instead of deleting the selected effects, it would let you temporarily disable certain effects on your timeline. Ideally, you could toggle certain effects on and off for the whole timeline at once, like you would for individual clips.
it would be very handy with was possible to save a video into a board, as in "three dots > save to favorites" _ "three dots > save to boards".when generating a video, we can save the result to favorites or donwload the video. it would be great to save to a specific board.
There's a very useful 'replace clip' function that does not have a keyboard shortcut, be very useful if it did, e.g. 'Replace with Clip > From Bin, Match Timing'. As an additional - 'Replace with Clip > From Bin, Match TimeCode' and 'Replace with Clip > From Source Monitor, Match TimeCode' would also be usefulBrief overview of drag behaviour:Shift + Alt + Drag from BinMatches playhead-relative position between selected timeline clip and dragged bin itemExample:If the timeline playhead is 5 seconds into source clip 1, the replacement will begin 5 seconds into source clip 2. If the 2 items start with the same timecode then it is the equivalent of 'Replace with Clip > From Bin, Match TimeCode'2nd+ selected clips → remain in temporal sync with the first (no shot repetition)
Can we get a square gradient tool, and not just the radial one? Think "editing windows in a house". Not every shape in a photo is a circle, so why don't we have a square gradient tool? Cheers!
Already have an account? Login
No account yet? Create an account
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.