Premiere (Beta)

Hey Guys, I'm trying to export this effect as shown in the program view where the background of a dancing couple is b&w and blurry but when I export the mask gets ignored completely and the effect is added to the whole clip. Program view: Exported clip: Efffects settings:

SummaryIn Premiere Pro (Beta) 27.0.0 Build 57, a MogrtText value can initially be read successfully through the public UXP API. However, after writing the text back once through a transaction, the same parameter can no longer be read with getStartValue().Environment- Adobe Premiere Pro (Beta): 27.0.0 BETA StaticLib (Build 57)- Premiere UXP: uxp-9.4.0-local- After Effects: 26.5.0 (Build 89)- Adobe UXP Developer Tools: 2.3.0.5- Windows 11 Home, Version 25H2 (OS Build 26200.9457)MOGRT configurationThe MOGRT was created in After Effects 26.5.0.It contains one non-animated text layer with uniform styling.Exposed text parameter:ShizukuTextInitial text:字幕テストSteps to reproduce1. Place the AE-created MOGRT on V1.2. Retrieve the exposed ShizukuText parameter through the UXP API.3. Call getStartValue().4. The returned value is successfully recognized as MogrtText.5. getText() successfully returns "字幕テスト".6. Call setText("字幕テスト成功！") on the MogrtText value.7. Create a keyframe and a set-value actio

In the beta version of Premiere Pro, while using the new Color Mode, I noticed that the color shifts / changes when the clip is playing. When it’s paused, I grade the clip to where I want it to be. Then when it starts playing, it shifts. Watching the scopes, I see it change. The clip is relatively static where the background doesn’t change. But the scope shows it changing. And the color temperature and or tint shifts which is noticeable. This is a bug in my opinion as the clip’s grading should not change between being paused and playing. 

when going back to edit from color the folders in the project panel are closed. this is annoying when you want to go back to the clip you are working on.

keeps loading. not able to send to media encoder as well

If I select AI Assistant from the Window menu, nothing happens. If I switch my workspace to All Panels,  AI Assistant panel does not open. There is seemingly no way to open the AI Assistant panel at all.System info    Application: Premiere Pro (Beta) v27.1.0.31    OS: Windows v10.0.26200, RAM: 127.91 GB, CPUs (logical): 32

Subject: Critical Caption Export Bug in Premiere Pro 27.1 on macOSHello Adobe Premiere Pro Team,After updating Premiere Pro and macOS, I encountered a serious issue with captions.Captions created through the Text panel → Captions are visible in the editing timeline and in the editing preview, but they completely disappear during export. They are also missing from the exported MP4 file.Here are the troubleshooting steps I performed:Updated both Premiere Pro and macOS. Tested the issue in a completely new project. Tested different fonts, including Lucida Grande and Arial. Confirmed that the caption track is enabled and visible. Confirmed that "Burn Captions into Video" is selected in export settings. Changed caption text colors, but the issue persisted. Confirmed that regular Type Tool text graphics export correctly.The workaround that solved the problem:Using Graphics and Titles → Upgrade Caption to Graphic converts the captions into regular graphic layers, and they then appear correctl

I have a 12 minute clip on a sequence and for some reason, the program did not generate a transcript for almost half of the clip.  The audio is clear and recognizable, but it did not generate a transcript.  

 Previously, when the mouse cursor was on a dropdown menu, scrolling the mouse wheel allowed the user to cycle through and select the available options. This functionality no longer appears to work.Steps to ReproduceHover the mouse cursor over the dropdown menu. Scroll the mouse wheel.Expected ResultScrolling the mouse wheel while hovering over the dropdown menu should allow the user to cycle through the available options and change the selected value.Actual ResultScrolling the mouse wheel does not change or navigate through the options in the dropdown menu. ImpactZoom and preview resolution menus now go 1 frame forward/backward upon scroll and blend modes on both ECP and Properties panel can’t be changed by scrolling anymore. I haven’t tested every dropdown menu but issue seems to be global across all dropdown menus. System info    Application: Premiere Pro (Beta) v27.0.0.29    OS: Windows v10.0.26200, RAM: 31.82 GB GB, CPUs (logical): 24     GPU: Rtx 3060 Ti  Nvidia Studio Driver ver

I appreciate Adobe providing complimentary AI Assistant usage during the Premiere beta. However, the current usage limits are so restrictive that they are preventing me from meaningfully testing the product.In my case, I exhausted the available Assistant capacity within essentially one day of working on a relatively simple project: a roughly 108-second sequence made up of 433 still images. This was not a heavy post-production project involving multicam footage, complex audio, large amounts of video analysis or sophisticated compositing. Much of the work was repetitive timeline editing and applying straightforward effect settings.During that single project I encountered a per-response tool-call limit, a daily limit and ultimately a weekly processing limit. Once the weekly limit was reached, I could no longer continue testing the Assistant at all.I understand why Adobe needs limits during a public beta and I appreciate that the usage is complimentary. But a limit this low undermines the

Hola, comunidad de Adobe:Estoy teniendo un problema al corregir el color de un clip. Cuando creo o activo una máscara para aplicar un ajuste a una zona específica de la imagen, por ejemplo alrededor de una persona, el contenido del video cambia y aparece otro momento de la misma toma.Para aclararlo: el problema ocurre con las máscaras, no al crear una capa de ajuste. Me sucede al utilizar máscaras con pluma, elipse y selección de objeto.¿Qué sucede exactamente?Tengo un clip editado con el fragmento que quiero utilizar. Al crear o activar una máscara durante la corrección de color, la imagen salta a otro momento del material original, como si se hubiera desplazado el fragmento seleccionado o hubieran cambiado sus puntos de entrada y salida.Como ejemplo ilustrativo: si elegí el fragmento comprendido entre los segundos 1,5 y 2,7 de una toma, al activar la máscara parece mostrar un fragmento posterior, como el comprendido entre los segundos 4,2 y 5,6. Estos tiempos son únicamente un ejempl

Steps to reproduce:Add an adjustment layer above some video Add a Cross Dissolve to fade out the adjustment layerResult:Underlying video fades to blackExpected:The effect of the adjustment layer should fade out. For example, if I add an adjustment layer with a Hue/Saturation effect and set the saturation to -100, if I then add a cross dissolve to the end of the adjustment layer, the underlying video should fade from greyscale back to its original full colour as we reach the end of the adjustment layer. But that does not happen - the underlying video fades to black, then jumps back to full opacity once we reach the end of the cross dissolve.The workaround is to keyframe the opacity of the adjustment layer from 100% to 0%...but adding a cross dissolve should really achieve exactly the same thing. With some effects, I can of course keyframe the values, but if I have something like a Lumetri > Curves effect applied, that’s not keyframeable.System info    Application: Premiere Pro (Beta)

yea its gone. not available.  I would post the photos of the sequence menu tab and the wrench menu icon but its not letting me post pics because one of the photos I posted had a custom track setting that started with the “f” word so now adobe forums wont let me post images 

Hi,The same Sony Burano X-OCN LT clip (.mxf, S-Log3 / S-Gamut3.Cine) looks noticeably flatter in Premiere (Beta) than in Premiere Pro 2026: lifted blacks, lower contrast and less saturation. All the color management settings are identical in both versions.VersionsPremiere Pro 2026: Premiere (Beta) macOS Settings (identical in both)Color Manage Auto Detected Log and Raw Media: ON Source Clip: Use Media Color Space → Sony S-Log3/S-Gamut3.Cine Input LUT: None, Preserve RGB: OFF Sequence Color Setup: Direct Rec. 709 (SDR), Output: Rec. 709 Sequence Clip: S-Log3/S-Gamut3.Cine → Rec. 709, Luminance Preserving gamut compression, Hue Preservation tone mapping, Highlight Saturation 0.5 Display Color Management: OFF in both No effects applied, Source Settings unavailable (greyed out) in bothSteps to reproduceCreate a new project in both versions. Import the same X-OCN LT clip. Create a sequence from the clip. Compare the Program Monitor.Expected: same result as Premiere Pro 2026.Actual: the Beta