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Participant
August 28, 2025
Answered

"Duplicate to Profile" from ACEScg to sRGB shifts colors

  • August 28, 2025
  • 2 replies
  • 360 views

I am compositing a Redshift Render EXR in Photoshop. The compositing itself works fine, thanks to the OCIO implementation and the image looks as expected.

 

However, when finishing the image for 8bit export, there is a problem with the "Duplicate to Profile" functionality: it shifts my colors. What's worse, adding an extra Step to the conversion process seems to fix this, so I think it's a bug.

 

What's happening:

I have my composited 32 bit ACEScg file. I press Edit > Duplicate to Profile and choose "sRGB 32 bit" as "Target Settings". This way, the colors change / desaturate, especially the blues / cyans.

 

At first I though that this is expected behaviour due to sRGB having the smaller gamut, but then I realized that OCIO is supposed to preview the ACEScg file how it looks in sRGB, so it should NOT change when converting. After some more research, I confirmed this.

 

Now the part why I think this is a bug, or jank:

If you take that same 32 bit ACEScg file and use Duplicate to Profile again, but set it to "AdobeRGB 32 bit" as "Target Settings", you get no perceptible color change, at least for my test image. So far so good, but I need sRGB. I then simply use Edit > Convert to Profile and set it to "RGB: sRGB". And voila, the image looks identical to the original 32bit ACEScg file.

 

tl;dr:

  • ACEScg 32 bit file -> "Duplicate to Profile" set to "sRGB 32 bit" shifts colors. The final image does not look correct compared to the original ACEScg file.
  • ACEScg 32 bit file -> "Duplicate to Profile" set to "AdobeRGB 32bit" does NOT shift colors. Using "Convert to Profile" set to "RGB: sRGB" on the resulting image does NOT shift colors either. The final image looks identical to the ACEScg original, just that it's in sRGB.

 

Example Images

ACEScg file

Duplicate to Profile -> sRGB 32 bit

Duplicate to Profile -> AdobeRGB 32 bit -> Convert to Profile -> sRGB

 

The difference is subtle, but it's there, and frankly unnacceptable. Especially when working with CD colors.

 

Preferably, I'd like to avoid this extra step. So what's causing this?

 

Photoshop 26.10

Windows 11 Enterprise 24H2

Correct answer cody_cuellar

The duplicate to profile dialog has been reworked in the latest Beta, please try it out and let us know if it solves your issues.

2 replies

cody_cuellarCorrect answer
Adobe Employee
July 13, 2026

The duplicate to profile dialog has been reworked in the latest Beta, please try it out and let us know if it solves your issues.

Lars Gerstenmaier
Inspiring
May 19, 2026

Hi ​@rené_5508 ,

unfortunately I have no answer for you - we always go the extra step: First converting to AdobeRGB 32 bit and then to 8 bit eciRGB. 

But since you follow the same workflow as we do, allow me to ask a question: Do you know how we can convert an ACES PSD file—containing three layers and transparency—into the Adobe RGB color space without losing the layers and transparency?

Thanks in advance for any tips.

Best

Participant
July 2, 2026

Unfortunately that two step conversion doesn’t keep the colors either; especially in some blue tints and probably other colors as well, a shift still occurrs. I found that out the hard way. So sometimes correcting these tints after conversion is still necessary.

As for the layers: as far as I can tell, there is no way to not lose the layers. That doesn’t mean it’s not possible, but I don’t know how that would be possible in one step. The only thing that DOES work is opening each layer in separate files (or copying to separate files) and then converting.

You can “save” transparencies by converting the mask/transparency into a selection (CTRL + LMB on Windows) and then saving it as channel. After converting to sRGB / AdobeRGB / … this still exist and you can convert them back to masks.

Lars Gerstenmaier
Inspiring
July 2, 2026

Thanks, René. I wasn't even aware of that trick for "preserving" the transparency. 

Fortunately, we are more meticulous about colors than our clients are—which gives us a good buffer.