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Inspiring
April 22, 2017
質問

Premiere Pro can not properly read files from the Panasonic GH5.

  • April 22, 2017
  • 返信数 3.
  • 752 ビュー

Premiere Pro can not properly read files from the Panasonic GH5.

When the file is uploaded to timeline, only the sound accompanies.

1.

Cinema 24.00 Hz MP4 (LPCM) 4096x2160 24.00p Image sensor output 24.00p 422 / 10bit / LongGOP, 150 Mbps LPCM

2.

50.00 Hz (PAL)

3840x2160 24.00p Image sensor output 24.00p 422 / 10bit / LongGOP, 150 Mbps LPCM

3.

50.00 Hz (PAL)

3840x2160 50p Image Sensor Output 25.00p 422 / 10bit / LongGOP, 150 Mbps LPCM

    このトピックへの返信は締め切られました。

    返信数 3

    Vidya Sagar
    Adobe Employee
    Adobe Employee
    May 24, 2017

    Hi Hjalmar Molin,

    Sorry for the issue. It is a known issue with Premiere Pro. We are working on a fix.

    Update to new version and keep previous version option missing

    Thanks,

    Vidya

    R Neil Haugen
    Legend
    April 22, 2017

    There are numerous threads on this forum about the GH5 import issues. Many have found it possible to transcode in AME, although with the 2017.2 update a couple days ago, some are finding even AME doesn't take the GH5 files. So you can look around for other's experiences.

    While transcoding at first seems a bit of a pain ... the GH5 media is long-GOP highly compressed. Long-GOP compression means there's only a complete frame every so many frames, typically 10-15, and for all in-between frames, the CPU needs to de-compress & store in RAM the one complete frame, call up the data-set of pixels that change for the next frame, then recall the complete frame from RAM, compute the differences, store the new frame in RAM, call up the data-set for the next frame, compute, store ... rinse & repeat.

    It is incredibly CPU/RAM cores/threads intensive with 8-bit 1080 media. By the time you're running 10-bit 4k media in this fashion, the data load on the computer subsystems is through the roof. It may be great for the camera to get the media compressed onto disc, but horrid for the computer to work with.

    Hence, transcoding into a full intraframe such as Cineform 10-bit YUV or DNxHR for editing can be a vastly better experience. Even then, transcoding then having the auto-proxies is probably wise on most computers.

    Neil

    Everyone's mileage always varies ...
    Ann Bens
    Community Expert
    Community Expert
    April 22, 2017