Questions

I have a system in place for my projects, do the basic color correction and add the Fuji ETERNA filter in the Creative panel and today, 072126, it's not working. I worked yesterday before it asked me to update. I don’t appreciate the forcing us to move to the new Color Workspace, it's not conducive for an already established workflow. I really slows everything down. And now a HUGE part of my color grading is gone because I cant find the same effect in the Color Workspace.Can you please add the Lumetri Color back? I will have to move to Davinci is you are forcing me to use their color system.

I composed a project on Beta a couple of months ago and need to make a change. So far, I am locked out of accessing Premiere Pro Beta. Is there a workaround for getting my project back?

I just bought creative cloud recently and there is no Beta version tab. I don't know what to do. They said Cloud Update is already updated.Beta Premiere Pro is installed separately, but even though it is in the cloud, it still doesn't work, what should I do?

The new AI tool is impressing me, despite some shortcomings…BUT; the tool needs some notification improvements, aligned with the ‘progress’ bar on the Prem icon, it be helpful to add a ‘processing AI’ progress bar or Icon, but also a notification badge that indicates waiting on user response.When it's doing something quick, it's not a big deal to not have these.  But my last test it's been processing for about 7 min, and I wanted to do something else while it worked on it.  Missing some prompts waiting on approvals. 

I’d love to see a third option in comparison view where it shows the clips side by side fully. Not just half and half. 

I want to take the sequence settings off of only one clip and edit it freely for color 

I want to work in a wide color space in Premiere, and I have a lot of experience doing exactly this in DaVinci Resolve. In Resolve, the ACES Transform / Color Space Transform node converts all my media to a wide working space, and the output transform tone maps beautifully. Critically, Resolve's tone mapping lets me push an image and fill the scopes as much as possible without breaking.In Premiere, the same approach falls apart. With tone mapping on, I get badly shifted colors and the overall image sits low in the scopes. When I try to push brightness up, the tone mapper caps me well before I can fill the scope.. it just pushes back down. I tried all the algorithms. Max RGB lets me push higher (closer to how Resolve behaves), but it introduces very odd hue shifts, and the highlight saturation control produces unnatural results. That makes grading wide-gamut footage in Premiere a real pain point.. effectively unusable.Right now this is genuinely breaking my workflow. I keep having to ro

I placed some video clips onto one sequence, end-to-end, then set the sequence Start Time to match the first clip.  Then, I asked the Assistant to move all the video clips on that sequence to their respective timecodes, so that the first frame of timecode for each clip would match the sequence timecode. The Assistant said it couldn’t do that because the clip timecodes aren’t visible to it. 

Hi!Talking about Color-Panel: In a music video I have around 400 single clips (many cuts, different cameras sceneries, light situations etc.).So e. g. I create a color group “studio, red light, Sony 7sIII” of 30 clips doing a grading as Im doing with many groups getting matched to e. g. ““studio, red light, ARRI cam”. 5 days later I’d like to change grading of just Sony footage in that specific scene: As in the overview those groups look similar after color correction, I m a bit lost how to identify the clips belonging just to Sony footage. (just one example)my trick for now: clicking at the group and over exposing extremely, so I can see the white and “damaged” in the overview. But this is a horrible work around which does not really help.So, in overview: how can I identify or/and filter clips belonging to a certain group?

Ever since the update 4~ days ago premiere becomes so laggy when editing 4k files especially in color mode, the scopes become useless. I have the footage on one internal NVME gen 4 m2 ssd. the cache and scratch disks on another and the the cpu on another. all NVME g2m4. will attach other specs below. help would be great.Using Premiere Beta v26.5

I’m unable to make any changes in the Preferences tab because the error **"Invalid type conversion"** keeps appearing whenever I try to update the settings. What could be the problem and solution for this?

HelloI am loving the new color mode! Question: how do I erase a sequence adjustment or LUT from a specifc clip or selection without affecting the rest of the sequence where I still want it?

Hi!Premiere Beta, talking about grouping-order in new Color-Panel:Example: I’ve set a group of clips. Later within this bigger group I’ve set a new, smaller group, which will automatically be placed after the firstly set group. But I need the new group placed before the old group as the old group. old group: general Color-processing with specific LUTnew group: sub-themes with fine tuning before LUTright-click at the new group shows: “move group to the left” (Gruppe nach links verschieben)Perfect! But when you do, it just modifies the clip which is marked. Even when marking all affected “new-group”-clips, still, just the single main-marked clip will get affected. Which is annoying when you have a group of 40 clips, this means you need to move all new-group-order manually to the left =creating chaos.So, what can I do, that the whole new-group will be placed to the left before the old-group?

I’m not sure how feature requests work, but will the option to enable and disable video tracks be added for the color page, similar to the full timeline view with the old Lumetri color page? I am unable to enable/disable video tracks, so if I have media layered on multiple video tracks, even though I can see the thumbnail, I can’t see it in the program feed because it is underneath another clip on the timeline. It is extra work to keep going between the edit & color pages to toggle tracks on and off just to grade them.

Hi, currently editing on premiere pro beta 26.5. Last night I was able to color grade few clips but today, whenever i click on the color tab, the entire app stops responding, you can make changes on the color tab but the sequence screen(i dont know what its called, but its the playback screen) is just black. also, it wont playback. the clips on the color tab on the right side is also just black. i tried editing the file in regular premiere pro but gave me an error and the color is different. 

Hi everyone,I just started using the Premiere Pro beta to test out the new object tracking feature. No matter how long I wait, it gets stuck at "Initializing" and just keeps spinning.My setup: Windows 11, Premiere Pro beta 26.0, GPU 5080, CPU Ryzen 9800X3d. The footage is from an iPhone 17.Things I've already tried: clearing the media cache, converting the file to ProRes, and nesting the clip before tracking. Nothing seems to work. Does anyone have any ideas?

The color window does not have an auto button that I have found, and getting between controls such as simple shadows, highlights, dark - where is it? This is much like a watered down version of what DaVinci has. Please keep working on this - it is terrible and really limited.

In the new beta (26.5 build 13) comparison view is basically nerfed. I can’t use it in color mode to compare one clip to another, which is ESSENTIAL if you shoot with different cameras, but it doesn’t appear in the editing mode program monitor buttons either….which is also an extremely useful tool when comparing footages in order to find splice points, etcetera. PLEASE do not nerf comparison view...it is SUCH an important tool beyond just seeing a “before and after” for color grading!!!!!

With build 58, I notice a .prin file is created with the project. Windows says it's an "Adobe Media Intellegence Project Index File." What's that supposed to do???

Hi,Erstellung der automaischen Objektmaske funktioniert hervorragend, aber bei der Initialisierung gibt es keinen Fortschritt. Ereignis: Unbekannte Prozessausnahme. Tracker vor, zurück einzeln oder vor und zurück funktioniert auch nicht. Was mache ich falsch?

Loop Playback is great in Color Mode, but it shouldn’t stay enabled when switching back to Edit Mode - two different use cases, please fix.

Hi, I’m on the latest Premiere Pro Beta. The Object Mask Tool works and tracking is fine, but there’s no highlight/outline showing in the Program Monitor. Overlays are enabled and I tried resetting preferences, but nothing helps. Is this a known bug or is there a workaround?Thanks.