Adobe Media Encoder

I've been trying to render a long queue of videos, and the machine is set to sleep after 30 minutes of non use, and the queue doesn't continue unitl the machine is wakened. While AME is rendering, it does not tell the OS that it's busy. Please have it keep the machine awake while it is rendering a queue.

The recently "updated UI" is VERY hard . on the eyes.The interface "refinements" are killing my eyes. I'm not sure if it's a font change, of the text has more contrast. But the defined boxes and UI text and now REALLY hard . on the eye. I rolled back and the difference is chalk and cheese. The new UI makeover feels like a version from 5 yrs ago. Can we please have the option to just leave it as it is.

When using a Watch Folder, ME moves the original file to a folder called Source and places it under a sub-folder named with the date and time.This means that locating the original file requires knowledge of when it was processed. Not a big deal when managing only a few files, but a huge pain for a large number of files, particularly when multiple editors need to locate those files.At a bare minimum, I would like the be able to set the sub-folder name to the same as the original file. Appending a "_#" tot he folder name in the event of duplicated file names would be acceptable.Even better would be to be able to configure multiple settings for what happens to the master file after processing. I understand the need to move it, but let me specify the name of the "Source" folder and decide if each file needs its own sub-folder or not. If so, let me specify how that folder is named.

AME can't seem to read Canon's new Cinema EOS R5C files correctly. AME renames all files to Clips0001 regardless of what the original file name is. The correct file name shows in the AME browser, though. But it doesn't carry through to the compression like other camera files do. All file name burn in when trying to render proxies show Clips0001. Sorry for no examples, my footage so far is not shareable, not even screengrabs.

I need to be able to batch modify "Source Settings" on ProRes Raw clips in Media Encoder. Currently the colorspace for ProRes Raw clips has to be set on a per clip basis by right-clicking clips in the Media Encoder queue and choosing Source Settings and then setting the colorspace as desired (the colorspace always defaults to Rec709). If I select multiple ProRes raw clips and try to modify Source Settings, the change is applied only to the first clip in the selection. I need to render hundreds of clips using the Sony slog3/sgamut3.cine colorspace setting but as it is, they will all have to be modified one at a time. It also does not make sense to that colorspace is segregated into a separate "source settings" dialog - it should be a setting that is set and stored as part of the encoder preset settings. I cannot use the "generate proxy" feature directly from Premiere because I cannot store the desired prores raw colorspace setting in the ingest/encoder preset. Please fix this. Move Pror

Now Prelude is discontinued i feel there needs to be a better ingest workflow in AME. Watch folders still require all of the footage to be in the exact same folder which is unworkable for me. If the watch folder could pick up a set folder structure and copy this for the transcoded files it would be perfect for our workflow. Otherwise you have to make a separate watch folder for every folder and it defeats the simplicity of the solution.

I would like to consistently be able to change the output destination for multiple files. I usually have to try to change them twice or more.

The Creative Cloud suite needs the ability to use other resources connected to the same network for distributed rendering.Installing a small program on other connected machines would allow the primary machine to use the available CPU/GPU and memory of connected machines to speed up render/export duties.

My workflow requires that I set the in-point at a consistent timecode for files I receive for transcoding. Is there a way to have a watch folder automatically set the in-point for an export when I drop a source file in? This would be a very helpful feature for Adobe to implement, if it's not availabe already.

When exporting from for example After Effects, I'd like to take advantage of the newest formats to cater the needs of my co-workers and ensure the best quality. This includes being able to make life easier for the developers with more flexible formats like WebP and WebM. WebP is very versatile; it allows for a 24-bit transparency coloring, which is something other animation formats simply do not support (and formats that do support it, are not supported by web browsers).Supporting WebP would solve this (for stills, but also for animation). Animated GIFs don't support the same level of transparency, which deminishes the flexibility (since it requires you to select a matte, which is only sporadically desirable).

Allow uploading to a Google Drive account and specific folder, particularly business accounts that do not support "Backup and Sync".

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Please improve 10bit encoding using GPU, at the moment you dont support 10bit export, I have tried for the last 4-5 days to keep 10 bit all the hdr rec2020 and use hardware encoding which reverts back to software encoding which is no good very slow , 10bit 4k with hdr rec2020 is the way forward and include in you adobe media centre + adobe premier pro for a new pre-set for this, when I select x265 custom pre-set and select main 10 , tier high, rec2020, hdr, and include hdr10, straight away I receive a message , your system hardware does not support hardware acceleration for the current settings , I know it does Because I use a program called StaxRip which does this and keeps all metadata for 4k 10bit x265 NVidia GPU acceleration. please could you create a complete new 10bit 4k x265 support for GPU encoding, I will attach a file with the issue I am facing, and I am not the only one a lot of customers are facing this issue , also I got the info about 10bit export not being supported fr

When change something in After Effects, my dynamic link reflects in Premier, BUT when I export to Media Encoder, the new change does not register. I have to keep restarting my machine to make AME work. Premier exports fine but AME link update doesn't work. Please can you advise as this puts a huge dent in my work flow.