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I love the Camera Calibration sliders. They are truly powerful color adjustments, especially when I want to change the “character” and response of certain sensors and something Adobe should be proud of. I have several presets based on those sliders and that is fine. But I would also like to include them when generating XMP/Creative profiles in ACR. Is there a reason they are disabled/not availble?
OM-5 OM 시스템 카메라에 40-150mm F4 PRO 렌즈를 장착하고 픽셀 시프트 기능을 사용하여 고해상도 이미지를 처리할 때, 이미지 오른쪽 가장자리를 따라 푸른색 직선이 나타나는 현상을 발견했습니다. Lightroom에서 AI 노이즈 감소를 적용하면 이러한 현상이 발생합니다.이 현상은 40-150mm F4 PRO 렌즈에서만 발생하며, 다른 렌즈에서는 이러한 현상이 나타나지 않습니다.해당 현상은 AI 노이즈 감소 강도가 1%이든 100%이든 관계없이 나타납니다.일반 RAW 이미지에서는 이러한 현상이 나타나지 않습니다.AI 노이즈 감소 기능을 비활성화하거나 표준 노이즈 감소 슬라이더를 사용하면 문제가 해결됩니다.AI 노이즈 감소 기능을 적용할 때 이 렌즈의 픽셀 시프트 이미지에서 발생하는 특정 처리 오류인 것 같습니다. 샘플 파일이나 추가 정보가 필요하시면 알려주세요.관심 가져주셔서 감사합니다.진심으로 감사드립니다.
Landscape AI masking does not work in LRC V15. After a while no mask is generated nor displayed. Using latest W10 64 version, i7 with 32GB RAM, Nvidia Quadro p620 with latest drivers (DirectX V12) and latest LRC process (V6). Everything worked fine until the update. Have tried disabling graphic card and same results. Any clue ? Is that happening to someone else ?
He realizado un cursillo de retoque fotográfico con Adobe Bridge y Camera Raw. Actualmente tengo una máquina Nikon y utilizo Capture NXD para el retoque de fotos RAW; este producto es gratuito para los compradores de Nikon. Pero veo que Camera Raw tiene mejores funcionalidades.He estado mirando en la web qué producto y licencia debo adquirir para operar con Camera Raw, y la verdad es que la información es muy extensa y confusa. Me gustaría adquirir un producto con licencia permanente, no con una suscripción anual. El uso es ocasional y personal, nada profesional.Me gustaría que me guiaran para una compra correcta. Muchas gracias
Is there a command line script I can execute in Windows (command line) that can have Camera RAW (Photoshop) load a RAW file with edit (XMP file) and then export it to a JPEG file?I know you can batch process images but this usually requires it to be done from within Bridge or even Photoshop, but I’m looking for a way i can do it from the Windows command-line as I’m trying to find a way to do this so I can use it as part of a program (that would then use the exported JPEG file).
The enhance details feature appears to produce some rectangular and square noise artifacts in the processed image. My baseline is a daylight RAW landscape (call it X1) photograph taken at ISO 100. The artifacts appear in the upper half of the photo (a partly cloudy region above a mountain range). Lightroom Version: 11.2 OS Version: Windows 10 Pro, Build 19044.1526 The steps outlined below are intended to illustrate the difference in images produced by Lightroom's baseline demosaicing algorithm with the "enhance details" demosaicing algorithm. Of course, the artifacts could be due to issues with the baseline algorithm ... but I doubt this is the case as it has been fielded for quite some time. The TIFF comparison process (steps 11-19) has been successfully used to evaluate Lightroom sharpening and noise reduction combinations. Other than the "enhance details" DNG, I have not seen similar artifacts produced by Lightroom. Steps to reproduce the are as follows:
I would like to request that the Adobe DNG Converter be installable, updated, and managed directly through the Creative Cloud Desktop application.Currently, DNG Converter is distributed as a separate manual download that requires users to periodically check for updates, download installers, and manage version control outside the Creative Cloud ecosystem. This creates unnecessary friction, especially for photographers and workflows that depend on timely camera-profile updates.Integrating DNG Converter into Creative Cloud would provide several benefits: Automatic Updates: Ensure compatibility with newly released cameras without requiring manual monitoring. Consistent Workflow Management: Allow users to manage all Adobe photography tools from a single interface. Improved Security and Reliability: Reduce the risk of running outdated versions due to missed manual updates. Better Enterprise Deployment: Simplify administration for organizations that rely on Creative Cloud for software l
Ich habe mir eine neue Kamera mit Objektiven gekauft.-Nikon Z50II-Kit-Objektiv Nikkor 16-50 f3.5-6.3-Tamron 18-300 f3.5-6.3-Viltrox 9mm 2.8 Bis jetzt wird keins der Objektive in laut Camera Raw-Liste unterstützt. Welche Nachteile habe ich dadurch und wann kann ich damit rechnen, dass diese Objektive von CR unterstützt werden?Danke
On the attached photo, Distraction Removal > People replaces a group of people with a black patch, not a generated removal. Tested on LR 15.0.1 on Mac OS 15.7.1, Mac OS 26.1, and Windows 11 Intel (so not specific to a GPU or driver). See the attached screen recordings for each of the three installations. To reproduce: 1. Import the attached photo DSC02574.ARW. 2. In Develop, select Distraction Removal > People. Observe the group of people and their reflections are selected: 3. Click Remove, and observe that selection is replaced by a black patch rather than a generated removal:
We’re excited to announce what’s new and fixed in February’s Adobe Camera Raw update. Here’s What’s New in Adobe Camera RaWRead WebP file format support Supported camera models Supported lens profileRead more about this release in our What’s New and Release notesReported by you in the communityThis release also includes several critical bug fixes reported in the community. P: Denoise AI and Pentax K3 MKIII DNG files - not working P: Enhance changes causes Enhance settings to be disabled when merging to Panorama/HDR P: Data Loss/Corruption in .HIF files when writing XMP metadata P: (Masking) Point Color UI is no longer drag-able To update Camera Raw to 18.2, click "Update" in the Creative Cloud desktop app next to Camera Raw. More detailed instructions for updatingWe’d love to hear from you!Try out the new features and let us know your thoughts. Feel free to reach out if you have any questions or need more tips! If this was helpful, please click the Upvote icon in the t
Since I have used the updated Photoshop version (current @v27.3.1) from the second half of last year, I always had the corruption issues when I used AI mask features in Camera Raw Plugin . Most time after I edited a few raw format photos Photoshop mentioned to me there was an error and the graphics acceleration process will stop to use GPU. My computer has a GPU of RTX 3050 with 8gb. The recent new version of 27.3.1 is even worse and I can only edit one or two photos with AI mask features then the system shows an error related to graphics acceleration. When I used the old versions with AI mask features in the first half year of 2025 I didn’t have any corruption issue associated with the graphic acceleration. I don’t know why the old version is more stable the the new version.
It looks a lot like the CR18 bug described earlier, but it differs, and I have tried out to solve it.Photoshop 27.3.1Bridge 16.02.23Camera Raw 18.1.1.2422GPU: NVIDIA GeForce RTX 407064 GB RAMIt started som updates ago, and it’s always in selecting the sky by itself or as a part of the landscape selection. Typically I get the message “Something went wrong...”Usually, it’s a problem in Camera Raw interface itself, but when opened through Photoshop, it may work well.I have reset all preferences in CR and Bridge, my GPU drivers are absolutely up to date as well as my Windows.After reset it worked one time!! Then it came back.If I reset GPU support in the Camera Raw settings, it will work for a while - nobody knows how long, but the error comes back.These maskings as well as other related editing has worked flawlessly for months, but lately - and here I am not sure for exactly how long - after some updates, it fails!Jan Petersen, Denmark
Hello, is there a timeline WHEN the Sony A7V will be fully supported by Camera Raw and Lightroom? I have clients waiting for their photos. The convertion is not an option. Too many photos and not fully working. I need a timeline please.
Title: Data Loss/Corruption in .HIF files (Panasonic) when writing XMP metadata (v15.1) Description: After performing a "Save Metadata to File" (or having "Automatically write changes to XMP" enabled), Panasonic 10-bit .HIF files are becoming unreadable. ExifTool diagnostics show a "No Extents for jpeg item" warning, and file sizes are truncated (e.g., from 12MB to 4.8MB). Lightroom Version: 15.1 OS: [MacOS Tahoe 26.2] Camera: Panasonic [S1RII] Reproduction Steps: Import .HIF files from CFexpress Type B card using "Move" or "Copy". Enable "Automatically write changes into XMP" in Catalog Settings. Make any edit (e.g., Exposure +0.5). Observe file becoming "Damaged or Unsupported" in Develop module. Expected Result: Metadata is embedded without altering the image data extents. Actual Result: The HEIF container is corrupted; the image data pointers (extents) are lost/deleted. ** I am unable to attach the corrupted .HIF file as this forum does not support it.. I tried converting
I have an ADOBE CC PRO subscription. Not Business. I've been using it for a long time and it worked until now, but today when I try to use it, I can't use the AI-powered selection tools in ADOBE CAMERA RAW. It says "unable to load AI selection model." However, the people and object selection tools in Lightroom work. The selection tool in Photoshop + Photoshop Beta, as well as the object and people selection tools, also work. Only ACR is giving me the error. My device has an RTX3070 and 32GB of RAM. I've been using it smoothly and quickly until now. I don't think it's a problem with my device. What could be the problem? I can't delete and reinstall ACR; there's no such option in the CC desktop application. I thought if I did a clean install, it would work, but I couldn't. I'm sharing photos of my settings below.
I would like to know - What input colour space is implemented when using LUTs in Camera Raw? What is "space" in the options? Is this going into the LUT or coming out of it? Same for the "gamut" options.At what point in the image processing pipeline is the LUT applied? Specifically I'm interested in this:What kind of LUT actually functions correctly in Camera Raw? I'm assuming that a film emulation LUT that expects Cineon Log as an input won't. I'm trying to understand if LUTs intended for video can bes used on stills, and how. I suspect they can, but only as "looks", without any mathematical precision, because their input isn't designed for still images and the output isn't made for Lightroom's processing pipeline, but I would like to check this is correct.
Hi everyone, We're excited to announce a new Adobe Community experience is coming this January. A little bit about the update: The new experience will be simpler to navigate, make it easier to connect with other creatives and Adobe experts, and is designed so you have a say in the evolution of the Adobe apps you use each day. In the meantime: Adobe Community will remain active. Keep using it as usual—there will be no interruption in access. In fact, you’ll notice even more Adobe Experts on deck to provide faster responses before, during, and after the update. No existing content will be lost in the update. Every single post, reply, solution, feature request, and bug report you’ve made will be transferred to the new experience. You won't need to recreate anything. Existing content will reappear in two phases. At launch, posts created on or before November 16th will be available immediately. A few weeks later you’ll see posts created between November 17th and launch day. W
i get the Errors "Unable to download dust removal models." and "Unable to download required AI model." if i try to use those features.I tried using the AI model downloads section and that shows "Download Error"I am on Camera Raw 18.1.1 (Latest) and this happens on both my Mac and my windows PC.I also tried Camera Raw 18.0 on PC. I have also tried accessing it through bridge and photoshop.Reflection removal worked fine for me in 17.4.2, which was the last version i was using.
J'ai tellement besoin de l'application pour le traitement des photos
Je un enfant âgé de 21 ans Tellement besoin de l'application
Devido a um erro de tempo de execução, a aceleração por GPU foi desativada para o restante da sessão.
What are the numbers on the Temperature slider measuring with a RAW file? With the slider, a lower number is warmer colors and a higher number is cooler colors, the opposite of color temperature in Kelvins. Can the RAW number be converted to Kelvins?
I've a Mac Studio M1 and Studio Display. When I Camera Raw to make edits on a smart object, the whole screen flickers slightly for a few seconds. I don't see this in any other application or OS. Sometimes it persists after closing ACR and returning to the active PSD document. I tried to do a screen-record, but it did not record the flicker.
I am taking RAW images in the DNG format using the camera on my drone, the DJI Mini 5 Pro. The problem is that for some reason Adobe Camera Raw seems unable to read the built-in lens profile contained in the metadata of each DNG image even though I am able to extract the lens profile from the metadata without difficulty using the free DGN Opcodes Editor app. I did not have this problem when using the previous model of this drone, the DJI Mini 4 Pro. ACR was able to read the built-in lens profile contained in the metadata of each DNG image and automatically applied the approriate corrections to each image. It worked flawlessly. So I can't undertand why ACR isn't applying the built-in profile contained in images from the DJI Mini 5 Pro. The metadata is there so why isn't ACR reading and applying it? I'm using ACR 18.1.1 . I can't seem to attach a file so here is a link to a random DNG image taken with the DJI Mini 5 Pro.
Hi, I'd really like to see these two missing elements in ACR:1. In the NR tab - for AI NR - add a second control that would adjust ONLY the shadow reduction, independent of the overall level.2. In masks - add a color/chroma NR control to be able to remove chromatic noise only for specific areas. Why is this necessary?As someone who processes photos taken with cheap cameras and smartphones, the problem of noise in the shadows on such cameras remains a persistent issue...forever casual photos from home, photos taken in the evening, and you get problems everywhere where the light doesn't directly hit.I can solve this problem, BUT now I have to create several layers for each photo separately, paint masks, and this takes time and effort, especially if we're working with RAW and extracting a lot of information.If this appears in ACR, it will be a lifesaver! For more than 10 years, I would have ranked this problem in the top 3. When I increace the shadows, noise appears, especia
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