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Camera Raw 18.6 – Local Mask Sharpening/NR values become incorrectly shared between saved ISO presetsI believe I have found a reproducible bug in Adobe Camera Raw when used directly through Photoshop.Environment Photoshop 27.10 Adobe Camera Raw 18.6 Testing performed directly through Photoshop → Camera Raw, not through Bridge or Lightroom. Important troubleshooting already performedI purged the Camera Raw cache and deleted relevant .xmp files between tests as necessary, so I was starting each test from as clean a state as practical. The problem remained reproducible.Reproduction Create an ISO 1600 LNR+MASK preset with: Local Background Mask Sharpening = −10 Local Background Mask Noise Reduction = 40 Test the ISO 1600 preset on multiple different ISO 1600 photos. All photos correctly receive −10 / 40. Create a second ISO 3200 LNR+MASK preset with: Local Background Mask Sharpening = −20 Local Background Mask Noise Reduction = 60 Test the ISO 3200 preset on
Add and subtracting masks is very useful in refining your mask. Being able to add or subtract and existing mask would be (IMO) a great improvement in this feature.Many times I will labour over tweaking the mask for my subject, then I want to subtract that mast from my background so background adjustments don’t affect my subject. The background/landscape/sky masks will often include areas of the subject which interfere with processing. Here’s an example.Selecting “Subject” results in tree branches being included and misses many detailed tail feathers.Selecting (in this case) “Vegetation” includes those same tail features as part of the selection. I can spend a great deal of time painstakingly finessing my subject selection and would like to subtract that from the background.I did find this as a feature request in the Lightroom area so I hope this is not out of bounds to add to the ACR area. ACR seems to have new features tested out before being added elsewhere (and ACR is my tool of cho
Particularly with architectural images it is useful to transform the image to make building edges vertical or horizontal. This leaves the image in an odd shape with missing corners that need to be cropped - or perhaps small corners that could be patched up with the clone tool. However, the clone tool does not work in this case because these areas are outside of the original image.Why can't Lightroom fill in these blank areas with some added pixels so that this subsequent editing can be done within LR?
SInce last update - I am on CR 17.5.12319 now - the inner circle (feathering amount) has not been visible. I can still adjust the feathering on the slider, but the graphical interpretation has gone.It's on two Windows 11 machines - a laptop and a very well spec. desktop, so I don't think it's a hardware issue.I don't know if this is on purpose, or perhaps somebody has made the same observation.Jan, DK
The reflection removal tool works well until adding denoise filter to the image. the reflection returns to the image once denoise is finished. it does not matter in what order the two tools are added to the image, the reflection returns.
Lightroom is capable to convert JPGs into DNG. The DNG Converter unfortunately currently is not. Please add JPG support to the Adobe DNG Converter. Thank you very much for considering!
Hello Adobe Team,I have found a reproducible issue with Camera Raw 18.x.System configuration:Windows 10 Pro 64-bit Adobe Photoshop 27.8 (official Creative Cloud version) Camera Raw 18.4.1 NVIDIA GeForce GTX 1050 Ti (latest Studio and Game Ready drivers tested) Intel Core i7-8700K 32 GB RAMIssue:Simply opening the Presets panel in Camera Raw causes the following error:"The graphics processor has encountered an unrecoverable error. Due to a run-time error, GPU acceleration has been disabled for the remainder of the session."After this message appears, Camera Raw becomes unstable and continues to display the same error until Photoshop is restarted.Important findings:Camera Raw 17.5 works perfectly on the same computer. Camera Raw 18.0, 18.3, 18.4, and 18.4.1 all reproduce the problem. Lightroom Classic works perfectly with the same RAW files and the same presets. The problem occurs only in Camera Raw Filter inside Photoshop. The error appears simply by opening the Presets panel. In many
One of the most incredible photography editing features I’ve run into is the gamma slider in DxO PhotoLab.Once I realized what it did, translate the entire curve of light seamlessly, without stops and starts like the regular tone curve in Lightroom, the gamma curve quickly became my most critical and helpful adjustment in the most difficult lighting conditions at first, and then in every possible photograph. It’s so much more repeatable, natural-looking, and consistent than anything I have ever been able to do with the tone curve.I considered switching fully to their software, but of course, all the other features I rely on like subject masks, HDR AVIF export, etc., kept me with Lightroom.Please, please, one million, billion times, please add a gamma curve slider in Lightroom, and maybe you can make it even better than any other software’s implementation, as long as the crucial core concept remains the same. Thank you! Sincerely,Dr. Joseph MyersProfessor of Science and Math, and avid p
I frequently open images in Adobe Camera Raw from Adobe Bridge, and most often than not I'd like to return to Bridge without opening Photoshop. Can we have a keyboard shortcut for that? If you use a large display, it is inconvenient to drag your pointer to click such small button, with the risk of pressing cancel and losing your changes. Pressing ENTER is not a solution as it opens Photoshop and that will not commit the changes to the file, what is also undesirable. A simple keyboard shortcut will alleviate this pain and will be very welcomed. Thank you.
camera raw 18.5 randomly freezes, doesn't crash very slow compared to past few releases
When reviewing and culling photos in Adobe Camera Raw, the counter displayed at the top of the interface always shows the original number of loaded images, even after some of them have been marked for deletion.For example:Load 100 images Mark 25 images for deletion The counter still shows 1 of 100This makes it difficult to see how many images will actually remain after the culling process.I would like the item counter to reflect images that have been marked for deletion, or at least display that information in real time.For example:DSC_XXXX.NEF (1 of 100 • 25 marked for deletion)This small UI improvement would make the culling workflow much clearer, especially when reviewing hundreds or thousands of photos. Users could immediately see how many images are pending deletion without having to keep track mentally or wait until the files are actually deleted.The attached screenshot shows the current counter, which could be enhanced to provide this additional information. Thanks!
Since a few versions (18.x) DNG Converter started to not only convert my raw files, but accompanying JPEGs as well. That is not the described and expected behaviour and is somewhat annoying, because now I need to mv my raw files to a separate folder before converting and then move the results back.Since my JPEGs have a different pixel resolution than the raw files, and also from the file size, I can clearly see which DNGs derive from which source. Obviously, the JPEG is converted first and gets the basename from that. Then the raw files is converted—as expected—and gets an additional `_1` added to the basename.I have not found any setting to control this behaviour.I use Olympus cameras.DNG Converter 18.5.0.2673macOS 26.6.1, Apple silicon
I want to convert a folder full of HEIC files to JPEG and I was hoping Bridge could do this as a batch process.I am getting the following error message in Bridge (which spawns Photoshop CC in the process) when I try to open an HEIC image file:"Photoshop Camera Raw does not support HEIC files on windows". The Adobe Help page titled HEIC and HEVC media files support in Lightroom and Camera Raw says:"In the Camera Raw Preferences dialog box, ensure that the JPEG/HEIC field is set to either Automatically open JPEGs and HEICs with settings or Automatically open all supported JPEGs and HEICs. To access Camera Raw Preferences, click the Open Preferences Dialog button in the Camera Raw dialog box." Whether from Bridge or PS I do not see the above text in my Camera Raw Preferences dialog box even though I just updated LR Classic CC, PS CC 2019 and Camera Raw this morning. Camera Raw Prefs ver 11.3.9.197Bridge ver 9.0.3.279 x64Adobe Photoshop Version: 20.0.4 20190227.r.76 2019/02/27: 1205
Error when creating in ACR 18.5.0.2673 a ‘Merge to Panorama’ with 6 NEF files, preview is OK, then saving the result to DNG : error. Lost the work, this error don’t appear with all previous version.Please advise, thanks. W11 Home 25H2 64GB RAM - Nvidia RTX-3070 8GB Studio driver 610.88PS 27.9.1 - ACR 18.5.0.2673Graphics Processor Compatibilty CheckPass: DirectX availablePass: DirectX feature level 12.2 available, feature level 12.0 requiredPass: Above required VRAM (8018 MB of 1500 MB required)GPU Detected: NVIDIA GeForce RTX 3070 (NVIDIA)System infoAdobe Photoshop Version: 27.9.1 20260803.r.1 65900e1 x64 (final, Release)Number of Launches: 164Operating System: Windows 11 64-bitVersion: 11 or greater 10.0.26200.9168System architecture: Intel CPU Family:6, Model:7, Stepping:1, AVX2, AVX-512, HyperThreadingPhysical processor count: 8Logical processor count: 16Processor speed: 2496 MHzBuilt-in memory: 65408 MBFree memory: 41949 MBMemory available to Photoshop: 51302 MBMemory use
It seems like selection zoom has been removed entirely. I mean, seriously? Whose bright idea was this? I HATE scrubby zoom, and don't want to be forced to use it.
This is the kind of message I get from version 18.4.1 to version 18.5.0 when I launch the module from Photoshop.
Xiaomi 17 Ultra Telephoto DNG is not correctly identified by Camera RawEnvironmentAdobe Camera Raw / Lightroom Classic 15.4.1 Xiaomi 17 Ultra Native DNG files captured directly by the phoneSummaryThe Telephoto camera of the Xiaomi 17 Ultra appears not to be identified correctly by Camera Raw.This causes two independent features to fail:Automatic Lens Profile matching. Automatic DCP camera profile matching.The Wide and Ultra Wide cameras of the same device work correctly.Steps to reproduceOpen a native DNG captured with the Wide camera. The correct Adobe Lens Profile is automatically selected. A custom DCP profile whose UniqueCameraModel matches the DNG is correctly listed and can be selected. Open a native DNG captured with the Ultra Wide camera. Same correct behaviour. Open a native DNG captured with the Telephoto camera. No Lens Profile is automatically selected, although the correct profile exists and can be selected manually. A custom DCP profile with the matching UniqueCameraM
Every time I try to edit raw NEF files from my Nikon camera, camera raw feels unusable. It is so slow and feels like it is going crash or freeze.Looking at other users, these issues are continuous, going back 6 years plus.I was getting so frustrated that I spent a lot of money on a new PC. and its no better.Processor Intel(R) Core(TM) i7-14700 (2.10 GHz)Installed RAM 32.0 GB (31.8 GB usable)Graphics card AMD Radeon RX 9060 XT (16 GB)Storage 277 GB of 2.73 TB usedSystem type 64-bit operating system, x64-based processor Camera Raw 18 what is going on?
I have a 100 year old photo that was oil painted and framed in an oval with bowed glass. I tried very hard to light it without having a reflection of the light in the photo, but because the glass is bowed, I still had some reflections. The distraction remove tool, even at Best quality, doesn’t seem to do much. Honestly, I can’t see any significant different between before and after. Before distraction removalAfter distraction removal at BestYes, I realize the image is dark, but I thought I would brighten it after removing the glare. Any ideas? Is this tool not going to work on bowed glass?
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In the latest Camera Raw update, it stopped accessing graphics acceleration, and I can't activate it.My setup:Windows 11NVidia RTX 5070 Ti 16 GBI've tried absolutely everything: cleaning the card driver and reinstalling it, adding .old to the folders, resetting the graphics card, etc., and finally contacting Adobe technical support... who started by saying that the card was "old" and not suitable for Camera Raw... Adobe, if that's the case, please indicate it on your website, because supposedly my card is suitable (and if it isn't, few people will be able to continue using Adobe products). Lightroom handles everything without a problem, and the other programs that require GPU resources do too (Da Vinci, Topaz, etc.). After saying this, the card is suitable; the problem is with Windows. I honestly don't think so; it seems like a bug in Camera Raw. That's the only thing that has problems. I don't know, maybe it's a credentials issue or something.I'm mentioning this because I think it's a
In Camera Raw, it would be nice to have more precision in the Geometry tab when you want to shift an image along the X or Y axis. Using the slider to the right or left with a mouse isn't precise at all. Ideally, you should be able to increment the values by +0.1 or -0.1 using the <- or -> keys on the keyboard.The “Constrain to Image” checkbox should also be moved back to where it used to be, right next to the Magnifying Glass checkbox. Since the latest version, you have to right-click on the photo and select “Constrain to Image,” which is sometimes grayed out even though it should be active. This is truly an incomprehensible regression.
It seems the “guidelines” warning is back in Camera Raw after having been absent for quite a while. Today, simply trying to remove the edge of a wall in an image generated the “this doesn’t fit in the guidelines” warning message that I haven’t seen in Camera for over a year now. I realize that perhsp I hadn’t conisdered the wall’s feelings about being removed from the final image, but in all seriousness, removing things like softbox edges and other minor background intrusions seems to be exactly what these sort of tools can make short work of. Please have a look and see if the guidelines can be adjusted to be more useful. I can easily go fix this in PS and will, but something simple like this shouldn’t require a trip to PS.
SummaryPanorama Merge with Perspective projection anchors the output projection plane on the first image in filmstrip sort order. The geometry of the merged panorama therefore changes when only the filenames change, with identical pixel data, EXIF and capture times.EnvironmentCamera Raw 18.4.1, macOS 14.8.7, Sony SLT-A77, 3 frames shot right to left.Steps to reproduceSelect the 3 frames, Merge to Panorama, Perspective, Boundary Warp 0, Auto Crop off. Repeat twice, renaming the files so that the centre frame, then the left frame, sorts first.Actual resultThree different output geometries.Case 1 - Right image first.Case 2 - Center image first.Case 3 - Left image first.Cases 1 and 3 are exact mirror images of each other, indicating the output plane is aligned with the optical axis of whichever frame sorts first, with no re-centring applied.Expected resultOutput geometry depends only on image content, not on filenames.Suggested fixDerive the output plane orientation from the estimated came
In some photos, applying the Adaptive Color Profile produces weird, blotchy artifacts in brighter areas, particularly in a sky where there is strong contrast between the bright and dark areas, like a sunrise or sunset. In the attached video, the photo in Develop begins with Adobe Color as the Profile, adjusting the Highlights slider brightens and darkens the sky as expected. Changing the Profile to Adaptive Color produces noticeable, blotchy artifacts in the sky. Adjusting the Highlights slider dramatically changes these blotchy artifacts. Adjusting the Profile Amount slider also changes these artifacts. Enabling HDR mode makes these blotches disappear; adjusting the Highlights moves a prominent bright band up and down in the sky, but the blotches do not appear. I reported this in another photo a year ago, but the problem remains. It means that for some photos, Adaptive Color is quite useless. Has anyone else seen this problem when using the Adaptive Color Profile?
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