Feature Requests

I have noticed that the default save location for projects is Documents/Adobe/[Version]Often when I go to open projects, this is NOT where Premiere directs me to first. It usually directs me to the last folder I was working on within a project. It feels like the default behavior should be that the "Open Project" selection EITHER opens the default save location OR the most recent location a project file was opened from.

If you have an effects preset consisting of multiple effects:When you apply it by dragging preset from Effects Panel to Effect Control Panel, it's applied correctly.When you apply it by double clicking on it in Effect Panel, only the first of the muliple effects will be applied. I see this has been noted before, and the answer is "expected behavior." Expected by whom? If it's expected behavior, then please put it in the manual, folks. That's why I have the online manual bookmarked.I'd ask for doubleclick to apply the whole preset. More consistent, and dragging the mouse is slower and more effort than a doubleclick.

       

When editing keyframes in the effects panel, Premiere needs an option to remove all keyframes to the right or to the left of a selected keyframe. Often when editing keyframes, for example, adjusting volume on a piece of music, I might make a cut in a clip that already had keyframes beyond the cut point. Once the clip is cut the keyframes are not visible within the bounds of the clip, which makes it tedious to edit the remaining keyframes. If volume is fading down at the cut point, it will continue fade to the keyframes beyond the bound of the clip, but if I want to change the timing of that fade, I can't see or access the keyframes beyond the bounds of the clip. If I could clear all markers to the right or left, this would allow me to clear out those markers beyond the clips bounds.

Importing EXRs is quite cumbersome and there's no way to do it via the Import tab, it's only possible through the media browser. The import tab should intelligently know that a folder of exr images should be imported as one file. Also, when importing EXR's. Preferably the bypass linear conversion checkbox should be ticked. And the source settings should be built into the lumetri color panel now that all color settings have moved there and should be editable on multiple clips. This would be extremely helpful for VFX workflows on larger projects. 

I think it would be super useful if I could change the track background colors in Premiere.I use empty locked tracks as spacers (see screenshot) between production sound, SFX and music tracks, but a better solution would be if I could just choose a color for each of my track types - it would be visually much easier to make sure I drop everything in the right lane, as well as for keeping all the clips in the right place.Also, built-in spacers (possibly with color options) might be great, instead of the DIY empty locked tracks solution!

Premiere pro cc 2018 but the Save legacy title is visible only inside the open project but it doesn't show where it is saved and its path I have opened numerous folders of temporary files but no where There is no folder with legacy title other than preview render is its folder are graphics folders but there is no folder with title this legacy title is created when we create in project.After that, it only stays within the project. Generally, all the work done inside the software is being saved inside the same project. If the project is closed and we want to see the file, That file shows us but the views are in the same software now if I say in other software I'm using there's a title folder above where the project is saved. It gets created and all the titles that are being created in the software are being created from there when the software is working, but why is it not like that in the premiere that the legacy title? It's not visible unless you open up the project, so I've specified

Maybe this already exists...but havent found it.. Sometimes, almost always I tend to have 20-30 timelines open at once, and navigating through them all can be a pain, as most of theses timelines have similar names. Here's an idea, what if you could right click on your timeline panel and pick a color label for that specific timeline, then it would be easier to navigate to that specific timeline panel. Thanks

I Think the effect warp stabilizer could be acelerated by GPU to stabilize long videos faster

I use ctrl-D to add a default transition to my video clips all the time. It's weird that I can right-click an audio clip's in- or out-point and add a default transition, but ctrl-D does nothing on an audio clip. Could we please have ctrl-D add a default transition to an audio clip?

Sometimes, when editing an embedded AE comp in a PPro timeline, I want something (a layer's in-point, an effect's keyframe, etc.) to happen at a specific time. If I park PPro's playhead at, say frame 50 of the comp, then do a ctrl-E to open that comp in AE, it'd be marvellous if AE could move the CTI to that exact position (taking into account the in-point in the PPro timeline), and I'd then know it's synced with PPro's timeline and I could then time my keyframes/in-point/etc precisely. Currently, when the comp is opened in AE, the CTI is at whatever time it was previously parked in AE, and PPro's playhead position has no bearing on this.

Is nice to have ability to create some custom essential graphics in Premiere Pro. Right now in after effect you can add a sound to your MOGRT. It would be nice to be able to do the same in premiere pro. 

The more I work with Productions, the more I like the feature. Premiere Pro runs smoother and there are just fewer slowdowns. While instructing new users on Productions, I noticed a stumbling block right out of the gate. The welcome screen needs to have a button for New Production and Open Production in the upper left, along with New Project and Open Project. In the current interface, Recents are listed but if a Project and a Production have similar names, it's easy to click the wrong thing and have to back out again. If a new user opens a Project that's outsidd of the Production, they could get pretty far down the road before realizing the mistake. The first place your eyes go on a screen is the upper left. Please put options up there for Productions as well as Projects. Thanks,Jeff

Hi,I'm working on subtitles and CCSL and CDSL generation for a feature film I'm working on.  I have noticed however an issue that means I manually have to check timing of caption in and out points. Reproduction Steps: Work on a feature length movie in 24 fpsExport subtitles to .SRTCreate new blank subtitle track above the one you exportedImport the .SRT you previously exported (you'll notice it's set as 30fps and not changable)Place it in the new blank subtitle trackAlign first subtitle with the first one from the original trackGo through and you'll notice some are 1 frame early or 1 frame late, some are right on Here's the issue, on a featute length movie this is obnoxious to manually go through and check each subtitle cut matches to be frame accurate. In another thread an Adobe rep said they took away the ability to change the imported .SRT frame rate and they locked it to 30fps, this is where I believe the issue stems from. PROPOSAL: Allow users to

Often times when importing entire folders, a dialogue box will pop up after import that shows failed imports. The problem is that the dialogue box is of a fixed size which often makes it impossible to find out which specific files failed to import for whatever reason.  It would be fantastic and super helpful if this box were adjustable in size or at the very least we could see the entire path of the file by hovering the cursor over them. As it stands now, the bulk of the window is taken up by extensive directory paths, usually not allowing fot the filenames themselves to be visible.

bonjour,adobe premier éllément et pro ...apres a voir questionner des pro du montage, aucun logiciel de montage acctuel ne permet l'export d' un projet en plusieur videos distincte.il serais tres interessant, que l'on puissent placer et superpossé plusieur "barre de la zone de travail" et de nome chaqu une de ses barre pour le nom des fichier videos corepondante.exemple : barre de zone de travail 1 : "l exporteur saison 1ep 1 comment decoupe des videos"barre 2 : "l exporteur saison 1ep 2 bygon le meuilleur chasseur de bug"barre 3 "l exporteur saison 1ep  3 j ai rate mon rush !"barre x : l exporteur saison 1 ep 10 j ai plus de place sur mon disques dur!"cf voir le peit montage d image en piece jointe.ainsi on pourais decoupe notre mettrage en plussieur "episodes" en une seul passe d'ecodage.merci

Currently in Premiere Pro, if you zoom in on a spot, you have to then press H, or select another tool to then be able to move around the frame to the specific spot you want. In both After Effects and Photoshop, you can simply hold spacebar, then use your most to move around the frame; you don't need to switch to a different tool. Why is Premiere handling this differently then the other two programs? Doesn't Adobe developers talk to each other? Shouldn't the goal to make using and learning each program as seamless and easy as possible?Also, the current H tool doesn't even work sometimes (PR 23.5.0). I was working on a commercial yesterday and the h tool stopped working, so I had to manually move the frame around with the side scroll bars. So can we fix bugs and also keep programs similar so that users can switch between them without issues?For example, in After Effects working with masks is SUPER easy, but doing masking work in Premiere is frustrating because it doesn't work the same. P

Feature Request: Do Voiceover like LumaFusion does it! How LumaFusion does it: You record your voiceover in the app and it plays along your timeline exactly as Premiere does. However when you are finished & hit stop recording, it let's you playback what you just recorded for preview & approve the recording.  If you aren't happy with it you can Re-Record immediately until you get a good take. If you ARE happy, you just approve it and then it puts your voiceover on your timeline.Why is this better? Right now I end up with dozens of extra audio files from Voiceover takes that weren't any good or I just wasn't happy with some wording in the take. Why should I waste storage space & clutter up my Project Bin with audio clips I'll never use or listen to again? On my current project I have about 52 voiceover clips in a bin right now. (That I have to manually sort into their own bin since Premiere just dumps them right onto the main project bin. That's a separate issu

Here is the problem: The "Close Gaps" hotkey is very useful and can save a lot of time. However, the hotkey does not work when there is a layer above or below the selected clips. This makes the hotkey unusable in many cases, e.g. if you have an adjustment layer above the selected footage. Even locking the track on which the adjustment layer is located, so that it is not/should not be affected by cuts, unfortunately does not help.   Suggested change: The hotkey should work just like "Ripple Deleat" on a selected gap between two clips... it should still work when there is a layer above the selected clips and should close the gaps between the selected clips as usual.  

I often want to have my clips follow the colour label that I set in the Project panel but not the clip name, but with the current way the setting works, it'll follow either both or none. My main occurance of this is when I'll make an Adjustment Layer and use it many many times throughout a project - sometimes to put a LUT on over a bunch of footage which I might rename it to Rec709, other times to just label a section of clips like "B Roll" or "Take 1" and place on the video layer above those groups. However when I reuse that Adjustment Layer over and over, with the option described above checked, it will assume the same name for ALL those broken up adjustment layers which mean they lose all their meaning. So I'd love to be able to have the function follow the colour labels I set in the Project panel but have the clip names be independent and not follow the Project panel or elsewhere on the timeline.

The "timeline playback auto-scrolling" options are buried deep inside the preferences, as one the users who frequently switch between  "Page Scroll" & "Smooth Scroll" depending on the project I am editing, I have to go to the preferences tick the switch there everytime I needed the other option. It's a very big time waster.So I wanted to request a toggle switch in timeline if possible, if not, then can you please add it to the keyboard map so we can assign shortcuts to the 3 options under the "playback auto-scroll". Thank you. Hoping you consider this.

When a clip part of a sequence in Premiere project is replaced with After Effects composition,The corresponding clip created in After Effects doesn't retain the Premiere pro file title, it shows the actual file name. This will make it difficult to find the actual file in scenarios where the file name is in unique Id formats. Please find the below screenshots explaining the scenario.    

When in the middle of a Premiere Pro project, I often add content to my project's local folder on my PC, where the original video/image files are stored. The problem is that these new files are not added to my project bin within Premiere Pro automatically - I have to manually add them each time. Having the option to sync my project bin with a local folder on my PC would save me a lot of time and energy manually moving files into the bin. Adobe, please implement this feature!

I think it would be cool to have more control over the texts animation. I would like to have the possibility to animate the kernin and the line spacing for example.

SuggestionA one-button function that would re-sync the audio to match the video or vice versa on linked clips. UsageIf I'm cutting b-roll and I want to use the natsot, there will be occasional adjustments where clips are out of sync. In example below, I'm 5 frames out.I would like to hit the 'Quick Sync Audio to Video' shortcut and the audio track would be slipped 5 frames to the left and nothing else would change. Conversely, I could hit 'Quick Sync Video to Audio' and the video would slip 5 frames to the right. Either way, my clips would be in sync, while the duration is unchanged and there no ripple effects to other clips or tracks. FurthermoreThis feature would also be handy for fixing those times where one loses track of 'Linked Selection' or which tracks are active and multiple clips are out of sync. I would rather not drag and cut the clips or use the Slip tool because clicking and dragging is the most RSI-inducing action on a computer and we should all