Feature Requests

Hi guys! I usually have to check my transcription before starting the text based editing. After correcting one text of the transcription, I can just press esc and scroll the text cursor (the one that controls the timeline pin) with the arrows to find the next part I want to correct. And that's great!But after that I have to eather click on the pencil in the top of the text tab or double click the text to edit the content again.As silly as it sounds, it would be great not having to get my mouse back to get into the text editing layer.I could not find any option that would lead to that function in the keyboard shotcuts menu, at least in PT-BR. Thanks in advance. Thats my first idea here in this channel, sorry if I'm using it wrong.

oh why oh why isnt there an option to add a keyboard shortcut to switch event on the timeline to TIME REMAPPING without having to click through the tiny FX menu for every single one... it can become horrendously tedious especially for b-roll based montage where there could be hundreds of tiny clips. i have already a few days worth of my life just clicking that menu again and again and again... Thanx for listening.

This came from this post here. It would be great to be able to modify audio in a similar way as video using the Interpret Footage function. ("Footage", after all, has come to mean the media we deal with - whether it be audio or video.) Thus, I am suggesting / requesting the ability to use Modify > Interpret Footage on audio files to conform them (or otherwise effect "pull up" or "pull down" speed changes without resampling before they hit the timeline). This would mean an ability to change a frame rate assigned in the dialog to a new frame rate - meaning I could take a 48kHz file and designate or assign it as "24fps" (for these purposes) in the dialog so that I could request the file be interpretted ("conformed", "pulled down", etc.) to "23.98fps". The file would then appear in the project panel as 47.952kHz (in the same way that a 24fps video file appears as 23.98fps in the project panel after a similar Interpret Footage operation). The frame rates don't need to

This has been asked a few times on this forum and it seems like most people just don't understand the issue.The specific use case is this: I'm an editor who works with a lot of video game footage. Many video games are built out of pixel art. Chunky pixels are a stylistic choice. When you punch-in to this footage in Premiere (which one might often to when cutting a trailer, for impact etc), the pixel art becomes a blurry mess, because Premiere's default (and unchangable) Lanczos scaling algorithm tries to blend the adjacent pixels together (which works great for live-action footage, but is absolutely awful for pixel art).If you don't understand why anyone would choose nearest neighbour scaling over bilinear/bicubic/Lanczos, please refrain from replying.Nearest neighbour scaling preserves the sharpness of pixel art. It would be an incredibly useful option to have for those of us who regularly work with game footage, and it would be nice for Adobe to try and actually understand the reques

Mr and Mrs Adobe.I am an experienced user on video editing but the basic set up for Adobe Premier Pro is a disaster.There are simply so many options available that you can't even find the simple things.For over a week I'm fighting to keep the basic lay out to just cut, delete, crop and move a simple video.When you search You-Tube for help you have to fight through a ton of stuff before you find the solution.......if even given.For example: You start up the program and there should be a button "New project with basic lay-out."Once you pushed that button you get a timelime to drag your video in. You get the play and skip to next scene buttons etc. First thing I'm missing is a simple trash button.I cut a video and a part of that is to delete. Trash Can button is very handy.The cut is always two moves: Select the cutter and bring to the timeline. Why? Just put a cut button next to the play button and when I push it, the cut is made directly where my cursor is.What you created with this: Cu

I, like many others, am deeply disappointed in the lack of support for white balance adjustment on Apple ProRes RAW footage in Premiere Pro. It’s perplexing that such an essential feature is still missing. Many of us have been patiently waiting, but our patience is wearing thin. This isn’t just a luxury feature; it’s fundamental for our post-production workflows. When can we expect this crucial update?Please, Adobe, we don’t want to wait years for this!

I would love for an "Analyze All" option in Premiere Pro.  There are often times when I receive projects from another editor, and I have to go through the timeline to find every warp stabilized clip and re-analyze them individually.  I'm sure there's a way this could be done with one click.

Problem: I have 100+ png files numbered 1 -100+ in the list view they are in order, but when I go to icon view they are 1, 10, 11, 12 then 2, 20 etc. any way to fix thi?

Everytime i want to use bullet points, i have to insert them manually with alt+7. However my laptop itself does not have numpad, so I have to use screen keyboard to make it work. This is such an insuffient way to add bullet point. Please add more options to design a text, add bullet points. Just give us the same possibilities as in illustrator/indesign.

Hi There, Seeing as the old new document and export windows won't be coming back in any form, could frustrations raised with regard to these new windows get fixed? Some of these issues break UX basics like increasing mouse work and clicks, breaking consistency with the OS, and breaking consistency between other Adobe apps - which makes no sense seeing as many of us use multiple Adobe apps each day. NEW DOCUMENT WINDOW  1.Overall, this screen conflates project management (file name and location) with footage import, and 90% of the window is taken up with sample footage? File management and file discipline is mission critical, it's often a source of messy work and frustration with inexperienced staff. So hiding mission critial file management within an extra drop-down (that also interfares with the time thumb on sample footage - see screenshot) is crazy sorry. Mission critical stuff shouldn't require more mouse work and clicks to access. 2.Custom U

Hi There, As per the insanely long threads (now closed) and on behalf of the 100s if not 1000s of posts on this (see below), I'd like to request a preference to use the previous export and new document interfaces for the endless reasons stated in those well-known threads. For me, those previous windows...Created less mouse work, especially on larger displaysCreated less distracting UI that fitted more options into a smaller spaceExport was executed reliably with a shortcutBetter focused users on the specific, core tasks at hand with zero distractions e.g. 90% of the new documnet interface is pointless and choosing a save location (a core task) is now hidden within a menu that requires yet more mouse work to accesss, plus that new menu interferes with the test footage that's now shown by default requring even more mouse work to accessCreated a better balance between features and clutterCreated consistency of UX with other Adobe apps And here are some specific, actionable

i hope adobe make live preview for adobe premiere effects and transtions and mogrt

Hithat is a small thing, but an annoying and time-consuming extra step that could be avoidedWhen you set IN/OUT markers on Sequence and decide to render it in media encoder - you need to remember to repeat this setting one more time in the media encoder, + open an extra window to do so.every single timeI work mostly in AE and while at work I'm extracting from Pr multiple new fragments I often forget to switch render region to "IN/OUT" in media encoder which cost me render time and is irritating In my opinion, it should be the opposite wayIF > marker IN/OUT set on Timeline > then default render region is > IN/OUT markersand intervention from the user side, only if he decides to override his previous decision to set up in. out markers dose it sound more logical? Thank you 🙂 

Bonjour j'ai demandé il y a quelque temps à propos de la timeline la forme de l'onde qui change quand on la modifie comme sur Davici. Et maintenant avec la dernière version de Davici ils ont intégré la fonction audio avec AI, ce serait bien s'il y avait la même chose.   Hello I asked some time ago about the timeline the waveform that changes when you modify it as on Davici. And now with the latest version of Davici they've integrated the audio function with AI, it would be nice if there was the same thing.    

Many months later, the new project screen and exporter screens are still very poorly designed.  There have been countless complaints about it everywhere on this forum, on reddit, on youtube, yet Adobe has refused to listen to their paying customers, and I guess by now people have just accepted it (Not very good customer relations).I've read that ranting isn't considered helpful on this forum, so here are very specific things for why it's bad:1)The new presets system is worse than what it was 2 years ago. Now when you select a format, then choose a preset, it defaults back to completely different formats based on the preset you choose, instead of having all the presets ONLY for the format you selected.2) The entire layout is worse including how the export button is all the way at the bottom right, when all settings are at the top left3) You can't press enter on your keyboard to start a render4) It takes more clicks to export compared to the old system from a couple years ago5)The n

It would be great to be able to match frame / reveal in project/ and be able to match back to the source from a subclip that also alows you to trim past the subclip boundaries. When that box is unchecked it is functioning more like a sub sequence than a subclip, where as being able to trim past the subclip boundaries prevents matching beyond the subclip's orginal boundaries and prevents you from being able to match back to the source, which is critical in offline workflows!!! This has been one of my biggest complaints about premiere and has affected my workflow for the past 5 years since I switched from avid!

Hello it would be nice if Adobe offered the same thing as Davici Resolve about the waveform that changes on the timeline the waveform of the audio that changes when you modify it as on Davici.And now with the latest version of Davici, they have integrated the audio function with the AI, it would be nice if there was the same.That would be great.Michael      

I am working on a project where some footage still had to be shot, so I left some gaps to fill in later.  I would like to fill the gaps by selecting and use 'Replace' as if it where a clip. 

I regularly edit out dead space and more often edit video clips where there are specific audio cues and when it's a simple cut and trim, the little frame bar is covering the audio layer so I cannot accurately trim. Maybe reduce the transparency, or move it more out of the way, I'm not sure, to be honest. I am just reporting something I've had a minor issue with in hopes I am not alone. Yes, I could simply make 2 cuts but when I am in the zone I typically make one cut and then trim around to wherever I feel it fits best, hitting CNTRL Z each time to recut just doesn't flow the same.

Hi - I would love some shortcut for changing my video transition duration.  The shortcuts panel tells me that command-G should convert a selected transition to the default, but it doesn't work for me....

Several projects in this version do not show thumbnails for assets in the Project panel, whether still or video files.

I film events, weddings and documentaries. As such I am working with 400 - 800 clips every project. Whenever I load up a project and open a bin in thumbnail view I have to wait for the thumbnails to populate. I primarily use h.264/h.265 so this takes a while (i dont have the time or data resources to re-transcode everything to prores or DNxHD). I have to do this every single time I open the project and I have to keep scrolling up and down the bin to get premiere to generate all of the thumbnails. I can set a "poster frame" in a preview window but that doesnt affect the thumbnail view and this is flushed the next time I enter premiere.Please can we have a setting to cache the first frame of each clip (In point ideally) as a thumbnail. Premiere is obviously doing this to an extent already. When I come back to the bin during the same session the images are all still there... It just gets flushed when you close the project. An option to prevent that flush would be a Godsend for people like

Bonjour,Je suis sur Premiere Pro 2023, et sur windows 10.J'ai quelques difficulté avec l'easing sur Pr (par rapport à After Effect qui est bien mieux optimisé là-dessus). C'est au niveau des petites manettes lorsque l'on développe un réglage dans Effect Controls, pour ajuster l'easing entre deux keyframes en bezier.• Comme vous pouvez le voir sur le screen "1", on a en absysse le temps (logique) puis en ordonné la vitesse. En activant le mode bezier il se créé une courbe progressive de vitesse entre les deux keyframe, mais on remarque si je touche a rien, que la vitesse au niveau du premeir keyframe monte tout à coup (une ligne verticale), puis suis une courbe, idem pour la fin.• Comme vous pouvez le voir sur le screen "2", je tente dans un premier temps d'ajuster la forme de ma courbe afin d'avoir le rnedu souhaité, sauf que la vitesse en ordonné est également modifiée (on peut voir qu'en plus d'allonger la courbe, le départ de la courbe est plus proche du 0). Apriori on peut se dire

Search Bins have not changed since the feature was first launched. We have two "search criteria" options, limited to preset metadata options, seperated by an "and/or" option. That's extremely limiting. At the very least we need to be able to add more than TWO seach criteria. This should be simple enough, right? But to make search bins truly useful, I'd love to see a more powerful revamp - with access to all metadata (not just a limited preset list), more conditional paramaters (i.e. "contains", "does not contain", "begins with", "ends with", etc), and completely customisable so that users can tweak it for all sorts of workflows. For reference, look at how MacOS Finder's search tool works.

I was extremely excited about the new TBE feature in Premiere but have now seen it's shortcomings for higher end, pro-level productions. TBE is great for videos with 2-4 audio channels attached but when you work with 4 plus seperate audio tracks(aka 2nd system audio) there's a few more steps invloved to build out a radio edit.  If working with an interview that has 2 cameras with audio AND  4, 5 or 6 + 2nd system audio tracks you have to work like this:1. pancake timeline , transcribed INTV sequence on top, mouse click to top sequence, make selection/In and Out, mouse click to bottom blank sequence(radio), and NOW you can paste your selection. (Is there a keystorke that will highlight the bottom sequence window and then back up? If so, that would help but I'm not even sure what to search for to get that answer)IMO, while better than before TBE, that is just way too many clicks so the alternative's are to ... 2: Duplicate the transcribed sequence and then destructive