Feature Requests

Why is there still no Android app for frame.io? It is really something I could use for checking video and comments on my phone without using a crappy web browser. And while you're at it, I would love to have that app for Google Chromecast too. It would be so nice to see your result after a long day of editting, on the tv when you are sitting on the couch.  

I am interested in using the content credentials feature that will be released in future versions of Premiere. https://helpx.adobe.com/x-productkb/content-credentials.html?utm_source=chatgpt.com But I have questions about the feature: If I create AI content in Premiere through ChatGPT or some other platform, will I be able to embed metadata about it on export? How will I be able to post the video online so viewers can access the metadata?  Will Adobe offer a way to do this or are there other distribution platforms like youtube or vimeo that will support this function? 

# IssueWhen I try to open a production, only Premiere will open but not the production. It will only open when I go to “File > Open Production… > Select the last production (or search for the folder with the prodset file).Furthermore the projects and sequences that were opened before closing will not re-open when opening the production.I have the same problem regarding re-opening of recent sequences with normal projects (prproj).The setting for restoring opened sequences on start is checked.# Steps to reproduce I open a number of sequences (and projects in case of productions).I close Premiere after saving.I open the project or production.# Expected resultThe sequences and projects that were open on last save should be already opened.# Actual resultEither a random set of sequences will open (in case of projects) or nothing will open at all (productions).In case of projects, sometimes it works as expected but most of the it won’t. I tried if it makes a difference if source sequenc

Right Click your Footage and or Sequence > Split > Split footage in increments of 10 Minutes, 20 Minutes, 30 Minutes. (Insert the specific time of the splice) 

Currently the only way to adjust, say, the position of multiple text layers is to select them all with an image clip also selected as a sort of null object, which the gives the option to adjust the normal Properties parameters allowing you to reposition all the text layers together, but selecting multiple text layers on their own doesn’t give this option. It’s already possible to adjust some parameters of multiple text layers, such as font size, but adding properties would really help.

These old-school knobs might be great if you’re using a mixing deck with real knobs to turn, but when you’ve only got a mouse, they’re a bloody nightmare. No matter how you move the mouse, the value goes flying off in any direction, there’s no consistency, there’s absolutely no fine tuning, and there’s NO ABILITY TO ENTER THE NUMBER WITH THE KEYBOARD!!! Please, just let us type the value we want, as is possible with most other effects. These knobs are basically useless without a mixing deck. 

It would be helpful to be able to move the Anchor Point on the Transform effect in the Program Monitor like with the regular Motion Properties Anchor Point without having to match up the Position and Anchor Point Values manually every time. I'm not sure what the point is in moving the Transform Anchor Point in Program only to have the entire clip move out of place in the frame. 

At the moment there is no working third-party plugin that supports the production of S3D (Stereoscopic 3D, not VR!) in Adobe Premiere or After Effects. The plugin should be capable of editing/shifting/zooming in pixels of Full-SBS, Half-SBS 3D and upper-lower 3D formats. This is needed for stereo video footage such as from the QooCam Ego 3D, Apple Spatial Vision 3D side-by-side format and Acer Spatical Labs 3D camera.

The scenario: let’s say I have a long edit sequence nearing completion and I am adding B-roll from long source sequences. (In longform shared workflow across a Production, source sequences are used almost uniquely rather than clips).  The problem:  if I search for “big house”. (It’s a property programme) in either text or visual, the results are replicated for the items I’ve already used in my sequence. There is one search result for each item found in source sequences (great) but this is duplicated if said item is also in the edit sequence. This results in the search results “doubling up” and giving me twice as many results as there actually are. The solution: have a tick box in the search dialogue that says “Ignore tagged sequences” or even better “Ignore tagged projects” and tag the edit project/ sequences to be ignored. This way the search results from the edit sequence will be ignored.   I was going to suggest putting “ignore open sequences” but the source sequence is likely to be

Hi there.  I know we can lock whole audio and video tracks in a Premiere timeline, which i use a lot.  Suggestion -->  It'd be even better if we had more accurate control over what was locked in a timeline, instead of only being able to lock entire audio or video tracks.  As in, in my timeline, I'd like to be able to click/lasso select single video/audio clips or multiple video/audio clips, anywhere throughout the timeline, and then, JUST LOCK THOSE SPECIFIC SELECTED CLIPS, similar to how I can "enable" or "disable" single clips in Premiere.  That way, for safety, I can lock certain portions of my timeline, and keep working on other parts of it, and know with confidence that no matter what I do, the parts of the timeline I locked are safe.  Often times, when working on small portion of the timeline, I can accidentally hit a key that causes unintentional and undesirable changes elsewhere in my timeline, that only later do I discover, and then have to go

In other editors, this feature is already native and makes editing much easier, as you can cut the video and it automatically moves to another take without having to drag the take. A native and automatic magnetic timeline feature would be a very welcome feature in Premiere.

If Premiere Pro is to keep up with market leading NLE's, it desperately needs the ability to work with vector files.  Currently, all vectors get rasterised on import, without any user options about how this is done.  I'm constantly working with icons, logo's, graphics of all sorts in Premiere Pro and the lack of support for vector files has always been painful.  Bear in mind that most icons are created at small sizes such as 32x32 or 64x64, which means that almost all vector icon imports in Premiere Pro are blurry, pixelated and unusable. Further to that, to even get an SVG into Premiere Pro, I have to open it in another program first, export it as a support file type or add to CC libraries, before we can even get it into Premiere Pro.  Also, bear in mind that at the start of a project, the editor may not know what size the icons will be scaled to by the time we get to version 10 of a timeline.  Asking us to manually rasterise it at the correct resolu

With all these AI features added, why is there still no quick way to select a bunch of scattered clips in many sequence tracks (that are in correct timed position) to merge them all into a single track or desired track. Ideal use would be when you have a 2hr event with a lot of recorded files that aren’t recorded start to finish of event but the create multi cam feature scatters those files all into 20-30 different tracks and is such a cumbersome mess to drag them all manually onto single correct camera number track.I've been using the 'alt' key (or option key on Mac) and then pressing the down or up arrow key on keyboard to move the selected clip up or down to the next layer for each press of the arrow key.  There needs to be a away to select all the clips from that camera and auto merge onto desired track! 

I don't think this needs a description, it doesn't make sense to move everything forward or backward without moving the markers.

Please bring back the lock feature in workspaceI know we can reset to saved layout but it’s better to prevent accidental panel movements in the first place.I often move the workspace by accident which is quite annoying, and I remember having a lock feature long time ago so it must be too much trouble to bring it back. I don’t know why they removed it in the first place. 

Creating range-based markers is overly complicated. Why not have an option to create markers from In/Out points. As it is now, to do this, one has to set the in and out point to calculate the duration, then copy the duration, then go back to the in point, add a marker, then edit the marker and paste the duration. This new command could be available in the keyboard shortcuts so that the user can define their own command, much like set marker colors.

When changing markers’ colors in the markers panel to a color not currently visible due to filters, I’d love an option to NOT add that new color to those visible. I color code my sequence markers during my notes process, and change them to white when they have been addressed. So I like to filter by the current category of markers that I am addressing, and want to be able to change them to white and have them disappear from view rather than bringing into view the dozens of comments that have already been addressed. It would also be nice to be able to click and drag on the color checkboxes at the top to quickly select multiple colors. Or even a mute switch, so I can select which markers to hide rather than which to show. It would also be nice to be able to have keyboard shortcuts that select and deselect the color checkboxes for filtering.

The whip transition has no direction. Adobe 24.2.1Mac OS 14.3.1 (23D60) All other transitions can are modifiable by direction 

The speedramp feature in premiere feels very outdated with the new wave of editing tools and is in dire need of an update or new effect in the effect panel. Even if they just imported TimeWarp from After Effects or made something similar to capcut with motion blur included for ease of use, I think this would be a mega update for premiere!

I love that the “Copy Paste Includes Sequence Markers” can be given a keyboard shortcut, but as it is a toggle, there’s no way to know its current state without clicking on the Markers menu. If there was a UI button (similar to the proxies button) that could be added to the program monitor panel, then it would be much easier to see whether it was active or not. Any other persistent visual indicator would suffice as well.

In the Markers panel, the current marker is highlighted in a slightly lighter gray than the rest (in dark mode, at least). I find it difficult to spot which one is highlighted. It would be great to have the option of it to have a bright blue line around the marker, similar to the one indicating which panel is active.

I think it’s time to update this outdated feature in Premiere Pro.How many of you use this opacity line on each clip for anything else but fading clips out or in?And how many of you accidentally move this line in the heat of video editing especially when there are lots of small clips in your timeline?I suppose the number of the latter ones is ten times as big.So I want to suggest that this opacity line in clips be removed by default and be accessible like the time-remapping and other curves - via the right-click menu “Show clip keyframes” only. And at the same time every clip should have a fader badge like audio clips do:So when anyone needs to fade a clip in or our - I suppose it’s a 99% scenario of using the opacity line - they can just drag the faders to get this effect. 

I have to use this constantly because each project, the arrangement of option on the panel such as Properties, Effect Controls, and the open project will NOT stay in place, locked in position.Every time I open a project and go to a workspace, they’re not where I left them the last time I worked on that project. I have to put everything back where I had it and “Save changes to this workspace”.

In the current version of Premiere Pro (and it’s been always like that) if for some reason you delete audio from a clip on your timeline, double-clicking it reveals the clip in the source monitor without any audio either:This is kinda strange, because you see the exact source clip with the in and out points set.What I suggest is to make double-clicking act like Match frame - when you double-click a clip on your timeline it opens in the source monitor in its initial state with the sound track included. It’s just a quality-of-life feature which will reduce the amount of clicks.