Feature Requests

DeFlicker (Anti-Flicker Filter) - does nothing, it doesn't work!To do this, I need to use DaVinci Resolve with its plug-in - Deflicker, to overcome this problem in the video, then render it, and then transfer it back to Premiere Pro, because that's the main program for working with video.Perhaps it's time for Adobe to make their own properly working plugin for this, so that I don't have to look for third-party solutions from unknown people, which mostly don't work, or don't work as well as DaVinci Resolve!

In Premiere, it’s apparently not possible to bind any of the extended mouse buttons in the keyboard shortcuts menu. I understand that it’s called “Keyboard” shortcuts, but there are several standard tertiary mouse buttons/events supported natively by Windows and MacOS, that would be very useful to bind directly. Specifically I’d like to be able to bind:    • XButton1 (typically called Backward)    • XButton2 (typically called Forward)    • Middle Mouse All three of these have their own VK codes in Windows already, so I’d hope those would be trivial to make bindable just like a regular key. I was particularly surprised that XButton1 and XButton2 (aka extended buttons) aren’t supported, as they’re very common on mice these days and pretty universally supported in apps, usually used as backward and forward. They’re described quite often in Microsoft’s documentation, including design guidelines. 

In Adobe Premier Pro, the marker moves for 2-3 seconds, then gets stuck on the Timeline and doesn't move during playback.

 This is how now looking a trim mode on Premiere, and on Laptop looking to this two small screens a little bit painful. Lets make trim view as an Avid MC, make Source screen as a “A-Side” trim(Left Side Trim) and make some UI improvementsThis is how now looking and this is how it may looks like. Looking on this BIG two sides of triming much more better  And as an Avid, we can toggle this two “Trim view” on settings

It would be nice to use the system file browser for relinking files, not this pathetic piece of GARBAGE! Its so bad! It fails to work properly with cloud service like lucidlink, it won't even search the folder I have selected, it's just nowhere near good enough. Image removed by moderator. Please see here:  

When animating a mask, I’ll often need to add a keyframe for multiple effect variables at once for multiple frames (over minutes of footage).Rather than click each variable individually per frame, I’d really like a “Add/Remove Keyframe” button for each grouping that adds/removes a keyframe for all sub-variables within that group.In this pic, I’ve edited in these buttons for the Rectangle Mask and Transform groups (orange) to show what it’d look like. As it is now, I have to manually click the buttons for Position, Scale Height, Scale Width, Rotation, and Anchor Point if I’ve moved the mask and need to store these positions at this keyframe. I’d rather be able to click the button on the Transform group or even the Rectangle Mask group to add the keyframe for all the animations grouped below it.It might also be good if we could assign a keyboard shortcut to this, which would show as a keyboard icon next to that button, and even drag-n-drop that icon representing that keyboard shortcut fr

HelloI'm bluring some images using Gaussian Blur and tracking the mask path.Sometime the tracking isn't very acurate and so I have to manaully go back and fine tune.My question is, is there as keyboard shortcut to track the selected mask/timeline forward one frame as opposed to clicking on the icon in the mask path window every time which slows things down?Step back and step forward works when the timeline is selected but as soon as you select the mask path, step back and forward adjusts the mask instead.I hope this makes sense.Any help appreaciated.ThanksPaul 

Note: This suggestion is ONLY about playback speed in editing, not the saved/exported/final version.You can speed up playback by pressing L, and you can reverse that speed by pressing J. But once it hits the video’s fps, hitting J pauses and then reverses the play direction (playing in rewind).I need a similar keyboard shortcut to play forward or backward at an fps speed of my choice (e.g. 3 fps). I’d like to be able to see what fps it’s playing at on the player pane and adjust it with both mouse cursor, by typing in a numeric setting, or pressing a keyboard shortcut to step or or down in speed.I can hold the right/left keys for a slower playback, but I can’t set the speed of this, including stepping the speed up or down, and I can’t just hit a button once to play like this, I have to hold the button down.Supposedly I can right-click the sequence in the project pane and select Modify > Interpret Footage and change things here, but for some reason this option is greyed out for my new

I use my mouse to expand and contract the zoom level of my timeline a lot, and never get it back to a good zoom level that I was using. Seems like the only way to zoom in and out is by feeling for it and watching the notches at the top.I’d like to see a right-click menu or some buttons that zooms to a set level in a click so that I can get back to the same zoom level every time (that is, the notches represent the same numeric, objective, discrete time intervals).Being able to work with consistent intervals would also mean I would be more consistent about the durations of my effects, rather than always winging it based on notches that keep changing what numeric time interval they represent.

When I’m making changes with keyframes, the horizontal scolling of the keyframes timeline in the effect properties window doesn’t move or scroll whenever i play the video or click around in the video timeline. I waste a lot of time navigating this pane to find the playhead or the areas around where I’m working. This includes having to zoom out and in on the timeline and manually search left and right for the current play point. Please add:A toggle to follow and match the position on the timeline A toggle to stay centered on the playhead A button on the top left and right of the timescale to jump straight to the playhead A toggle that makes the zoom level of the keyframes timeline match the zoom level of the timeline A way to quickly delete all keyframes for an effect after the current frame (to save having to zoom in and select all on screen after the current frame, making sure to not miss any tucked up close to the current frame, and then out again when you’re done)

Scene Edit Detect is very useful for slicing up archive programme video sources but ties up Premiere whilst processing - be great if it could do this as a background process.

It would be extremely helpful if all of my settings were in a single folder that I could copy onto a shared computer. I work for more than one company each year and rarely work at the same company (as do many of my colleagues). I usually work on shared computers where other users have their settings (keyboard shortcuts, workspaces, overlay presets, metadata presets, etc.), so I can’t overwrite the  /Users/[user]/Documents/Adobe/Premiere Pro/[version]/Profile-[user]- folder (on Mac).

Currently there are 4 shortcuts to toggle track lights/  - and they do not allow for a known state In Avid select/deselect all work on the track lights for the window that has focus (i.e. source or record). And they work regardless of current state of track lights (so allow for keyboard macro scripting).Be great if those options would work in PP (and they should include caption tracks too)

Currently 'select in to out' shortcut only selects video + audio clips between marks. Be great if it could also select caption clips. Why? For subsequences or cut/copy/paste procedures.

I’d love it if Premiere could insert audio edits at the beginning and end of every word. You already have the timing data via Media Intelligence and Text-based Editing, why not extend that to the timeline, the way you do with Scene Edit Detection for picture? A bit more nuance: I’m not sure what level of granularity Media Intelligence captures timing data, but it would be nice to be able to toggle a setting so that the cut points are either created at the frame or time unit level. 

There are a good number of new color management settings and changed color management defaults in the 2022 release. I would expect we will be getting more as we go along. This is becoming a nightmare to manage!We need a single panel. One with perhaps two tabs:1) The overall Default options for color management settings, and for default options for various media types.2) The Override tab for clip or sequence overrides, covering the same items as in no. 1.Essentially, One Panel To Rule Them All.

Now that we have Object Masks in Premiere, along with the several versions old media intelligence and PRIN files, it’s time to talk about how this stuff is all organized. I’ve made a post about the PRIN files and posted on a lengthy thread about them elsewhere. But it seems the masks have the same problem. And that problem is that in professional workflows we duplicate our project files daily. As such, Premiere creates a new PRIN file with the new filename, and in the case of having mask data, it now creates a new Masks folder with that filename. So every day I’m going to end up with more data to delete? The masks, the PRIN files, etc should all live in some sort of Adobe Premiere Pro Caches folder alongside your Video Previews, Auto-Save, Preview Files, and Video Previews so that we don’t end up with more and more and more floating elements in our nice clean project files folder.So tomorrow when I duplicate this and make a v04, I’m going to open Premiere and it’s going to find the mas

Hello Adobe TeaM!In Avid MC I can use a shortcut “audio/video track” for toggle on and off audio and video tracks in source and program monitor(1 shortcut works on 2 screens). In Avid MC I can select different audio source tracks with the same shortcut as in timeline tracks.avid MC shortcut for source and program monitor selection tracks But in Premiere Program monitor and source monitor has a different shortcuts and especially I can toggle all sourcePremiere shortcut only for all source Audiotracks at once, not seperatelyI can only select or diselect source from A1 to A6, But I cant select, for example, turn off A1 and A2, but source tracks from A3 to A6 still working 

Hello Adobe! Sometimes I wanna turn on or off “toggle sync lock” function on the timeline, but will be great add this ability by using keyboard, as you did with “Toggle Track output fo  all targerted video tracks” 

Does Adobe plan to add the Hebrew languageTo the list of languages that can be transcribed?The workflow will improve on several levels when it will be possible to transcribe in HebrewInside the software! 

The inclusion of a Transcript Translation Feature in Adobe Premiere would greatly enhance the usability and accessibility of the software. This feature would allow users to easily translate video transcripts into different languages directly within the Adobe Premiere interface.   With the Transcript Translation Feature, users would have the ability to import video transcripts and seamlessly translate them into multiple languages. This functionality would not only save time and effort but also enable content creators to reach a broader audience by providing translated subtitles or captions.   The feature could offer a range of translation options, including automatic machine translation as well as the ability to manually edit and refine translations for accuracy. Users would have the flexibility to choose from a variety of supported languages, ensuring that their content can be effectively translated and understood by viewers worldwide.   Having the Transcript Translation

Currently, if you select one of the Crop tools under “Motion”, if you attempt to adjust the crop in the Program Monitor it only allows you to adjust scale. It would be helpful if this acted in the same way as the Crop effect found in the Effects panel, which can be adjusted by the on-screen controls in the Program Monitor.

In After Effects you can turn a layer into a Guide Layer, whereby when you export the layer is ommitedIt would be great to have this feature in PremiereI guess it woul dbe called Guide Track

Adobe should bring the simple Adobe Express video background remover directly into Premiere Pro.Premiere’s new masking system is powerful, but for basic editor needs it is too complicated. A very common task is simple: remove or isolate the background of a person or object in a video layer without manually drawing masks, assigning masks to opacity, dealing with Frame vs Clip, or using separate apps.Adobe Express already has a simple background remover for video. Premiere Pro should have the same tool built in as a one-click effect.Suggested implementation:Add a Remove Background effect in Premiere Pro.It should work like this:Select video clip. Apply Remove Background. Premiere automatically cuts out the subject and makes the background transparent. User can adjust edge softness, cleanup, spill removal, and refine mask. The transparent result should immediately reveal the video layer underneath.This would be especially useful for podcast clips, Zoom interviews, social media edits, thum

A great time saver would be allowing a quick alignment change on a transition from within the timeline utilizing a right click. Have three options - Staring at Cut, Centered on Cut and Ending on Cut. For custom starts, you would still need to dig into the effect panel, but this would be a great and easy addition.