Feature Requests

Close gap is a great feature but I cannot think of sutiations I'll use it in practice because it only works when there are straight through vertical gaps which at least in my workflow happens like never...What I suggest is to make Premiere Pro close gaps on individual tracks. For example, if you select a part of a track or a group of tracks:- thus it may work like ripple deleting the gaps but only within the selection:Or just add an ability for the Close gap to work on a track if all the other tracks are blocked (see the video below):  

For years in Photoshop; you select your text - which covers it in a semi-grey banner, but when you open your colour picker, the banner vanishes and you get to see your chosen colour applied to the font *without* having to de-select it to see how it suits it's surroundings.Can we please have this basic functionality in Premerie? I know we can change the color from the 'Effect Controls' panel without drag-selecting the text, but that's only after typing and is a blanket colour switch for all text in the box.

in a recent version or so, I noticed you added "crop" to the "effect Controls" tab of a clip (so we wouldnt have to add crop ourselves). however i find it strange that it doesnt have the "Edge feather" option that comes with the normal crop found in the "effects -> video effects -> transform -> crop". Leaving out the 'edge feather' parameter, was that intentional or is that a bug? 

Please add the option to mute the track and toggle sync lock when the track is locked. I often use these features and have to unlock the track multiple times.Fun fact: if the track is locked and I press mute track or toggle sync lock with Shift, it affects the locked tracks, even though logically it shouldn't.

Next to adding monitor zoom to the middle mouse button, one of the most annoying things Adobe has ever done is the Discontinuation of Creative Cloud Synced files ( not holding shift when proportionally enlarging in Photoshop unlike literarally every other Adobe app is a close 3rd.) But unlike the others complaints, the Discontinuation of Creative Cloud Synced Files cost me $100 when a Premiere project file was deleted by acccident and I didn't have a backup and had to buy some disk file retrieval app to recover it. I knew it would happen. Trying to remember to copy my projects over to Dropbox was bound to fail eventually. Is this really that expensive for you Adobe? Seriously. This is ridiculous. I can't think of anything anymore that doesn't have some kind of cloud backup service now. And when there are so many viable, cheaper and even free alternatives from the competition you decide to remove this feature? But if Cloud Sync is too hard for you at least give us the abililty

I know you can copy a nest in a project bin and it becomes a "new" nest, but this doesn't copy all effects and position applied to it.It would be nice to have a way to choose whether you are copying or creating a new nest when you drag and copy in the timeline.Maybe the ability to change the default behaviour OR a dialogue box that asks COPY or CREATE NEW Nest 

Instead of wasting all the space below; why not allow sizeable audio tracks so I can actually see the change in song type and not have to guess? The ending song clip has a crescendo a few frames into the intro song, this is frustrating because I have no idea where it is in my timeline as my transition blocks the visual, and the introducing song is directly after. I want to transition, but am not able to make it clean.Being able to view the exact waveform in a window that has been taken over by this EXACT thing I am doing, would be wonderful.

Good evening I am passionate about video editing from the Kingdom of Saudi Arabia And I have an idea to develop a video editing program, which is: Create a tool that cuts the first three seconds and the last three seconds of a large group of videos at the same time without affecting the time duration of each video, only seconds are subtracted from the beginning and the end, for example, a video of one minute and 60 seconds, we cut the first three seconds and the last three seconds to make it only 54 seconds long, and so on, in order to help many people passionate about editing and cinematographers. I hope to see this possible Thank you, my dear development team Kingdom of Saudi Arabia

I suppose that if we can already use neural networks to create videos, then it won't be difficult to simply add the function of dubbing the audio track into other languages. Considering that we already have a translation of subtitles, we could probably make the necessary changes to them and press something like the "Dubbing" button, getting an audio track in which all participants would be able to pronounce the text from the subtitles with their own voices. This feature has been available for quite some time both as part of subscriptions to paid services and in free tools on GitHub. It's probably time to implement it in our multifunctional video creation tool. It should be added that there is also technology for synchronizing audio with the speaker's lips. However, this may complicate the task and require more processing time. Probably, this function could be added in updates as one of the settings that can be turned on or left off, focusing only on subtitles.

This would litteraly change my life and save me thousands of editing hours. My little boy and I have a video blog channel and a gaming channel on YouTube. We are way to active and spontanious for lavalier mic use (trust me we've tried)I am big, loud and rite behind the camera; he is little, quiet and further or far away from the camera.I have spent thousands of hours, and still have thosands of hours more editing to do, all sound related editing.I have to splice every single clip, tens of thosands of clips, countless times to turn every thing he says up to level +15, and turn me down to -12/-15 I would absoltley love it if P.P.  could recognize his voice, my voice; then work ahead of me turning him up to +15, and turning myself and anyone else in the background down to -12/-15  Then all I would have to do is the video editing which only takes a few minutes thanks to the gpu accelerator we have now adays, and I could crank videos out left and rite&nbsp

  Rather than have to remember where the .kys files are stored - could we have a 'reveal preset location in finder' shortcut? Or even an 'import .kys file' option? Thanks

Previous to 2024.6.1, I could target a timeline track to indicate which track I would like a piece of media copied from a different timeline posted to. Currently the media is posted to whichever track it was on in the original timeline. As someone whose job it is to organize timelines, this is extremely frustrating. Even if I lock all the layers except for the layer I wish to copy to, the clip appears on a new layer above all the other ones, if the layer I indicate is "lower" than its original position in the first timeline. It adds another step to my process which, as I am sure NLE folks will agree, is a bad thing. I am sure there are cases/workflows where this new feature is helpful, but I have yet to run into one of them. This and the removal of fx badge colors are the main issues my coworkers and I have wth this new version.

The feature is very useful to actaully edit with the keyboard. Adobe just thinks we use it only export a clip from the timeline but I use it all the time to select a piece of clip that I just cut, and hit batch delete from the keyboard and move one. No mouse at all, which is what gives speed to my editing workflow. Now, when you mark a clip it does it changing the in and out of the timeline, which is unprofessional if you had already selected one. And another annoying thing is that if you had a clip already selected (with the mouse) when I hit detele it delets that and not the clip I hav supposodly marked. This was a feature that we wre able to do in good old Final Cut 7, ¿remember? So I know it's possible. A keyboard stroke, and you have your clip selected, delete and move on.

Premiere Pro should have options to fix scaling options for 3rd Party plugins in future updates, this is a big issue among many users in the Adobe forums. When opening 3rd party plugins they are often shrinked in the window and unusable, it is rediculous and time consuming trying to troubleshoot, often having to scale the computer display or forcing scaling in the application sacrificng quality and creating bugs in the app. Really impedes workflow and very unprofessional to have as an issue. Please add this to your next update!

I'm trying to edit a video and put in captions, but it'd be nice if Premiere Pro could auto-generate captions from a script I have for the video. Instead, the only feature to generate captions is to auto-generate captions from the audio of the video, which takes much longer and is less accurate than if I wrote a script myself.I found a sort of workaround by following this tutorial, but it doesn't include a way for you to indicate when you'd like the captions to split from one caption's appearance to another. It'd be nice if, whenever there was a line break in the text, a new caption was started.  Sometimes, you want one caption to end at the end of one sentence, but it can get tedious to edit the text and timing several times when Premiere Pro automatically cuts off a caption because it's hit a character limit. 

Sometimes, I work with multiple cameras, which requires me to handle multiple takes from the same camera. When creating a multicam sequence, Premiere treats every take as a different camera angle, even though the different takes are from the same camera. This results in multiple camera and audio tracks in the timeline, even though the takes are from continuous shooting with one camera. This creates a headache in the multicam sequence because each take is divided into separate blocks in the multicam view while editing on the timeline. One workaround is to open the multicam sequence in Timeline view, where all the cameras and audio tracks are visible. From there, I manually drag the multiple takes onto the appropriate track that corresponds to the correct camera. Afterward, I return to the multicam sequence and edit, as correcting the issue in the timeline reflects those changes in the multicam sequence. However, this can become time-consuming, especially when dealing with mult

Folks-Am I the only filmmaker and editor alarmed by this? I guess I'm late to this party.The development seems almost criminally shortsighted and should be reversed. It's simply this. Yes, we're all digital creatures now, but many of us have shelves, boxes, libraries with scads of DV and DVCAM original footage stored going back into the mid 90's, and often we acquire new tools to repair and enhance early digital content for future purposes. I often export a ProRes master of legacy tape and ingest it into Topaz Labs Video AI to delinterlace and enhance a transferred clip's image quality to HD standards-- sometimes 4K. It never ceases to amaze me how we can turn the clock back and retrieve great clips, great shows, to becme presentable in modern formats. An example: When needed, I can connect to Premiere Pro V 14.0, invoke Capture, shuttle my Sony DSR-45 deck to select from a DVCAM tape. I log clip names, set timecode, and other fundamental aspects as I go. The project bin

It is high time that we had this feature where we could assign keyboard shortcuts to specific effects and custom presets. It is a feature in other editing software, but PP doesn't. This feature is now a must-have with the advent of Logitech's MX creative Console. Also, it is a huge time saver! PLEASE include this in the earliest update

The Creative Cloud suite really, REALLY needs to incorporate the Academy Color Encoding System, commonly known as ACES. ********, what an excellent way to manage color!

Having to do re-versions is becoming more and more common (social media reosloution, resoloution and colour space for TV deliveries), it would be great if we could group timelines that appear along the tabs across where we keep sequences. So for example having a timeline panel saying, HD, 4K, HDR, and then click into that and then be able to select the correct timeline.  Thanks 

It would be extremely useful to be able to map the extended keyboard 1 to 9 keys to relate to the 3x3, 9 camera layout in the multicam view rather than relating to specific camera angles. That way when selecting a different page of cameras in the 3x3 view the keys would always relate to the cameras / positions you see in the GUI rather than just cutting to cameras 1 - 9 regardless.

Does Premier Pro have plans to upscale and enhance video like Topaz Video AI?

I would love to see Premiere Pro for the iPad. Considering my iPad Pro M4 is more powerful than my wife's MacBook Air, I don't see a good reason not to port it over. 

Afaik, it's still not possible to apply time remapping for the whole clip so that both video and audio parts will be changed simultaneously without making the audio out of sync. It has long been a feature request, I saw the post dated as far as 2009, asking for this to be implemented and the numerous posts after that with the same request, but it seems that all the requests of users were to no avail. So, my question is, why hasn't it still been implemented, if it's so in demand and would be really useful for users? Adobe never intends to listen to users and actually do that? And why to have this feature request thing at all, if the ideas posted there are never actually being implemented in practice?

The Properties Panel does not display decimal values like the Effect Controls Panel does. It rounds them up or down. If you type a decimal value it will correctly change and save the value, but not display it precisely.  If I type 0.5 in rotation I expect it to show 0.5 and not 1. This behaviour makes me feel like it's not saving the correct values on manual input. To double check the number, I return to the Effect Controls to see if it's using the correct value. I'm spot-checking conformed media between different sequences, and I can't rely on the Properties Panel if it's not accurate. Using Premiere Pro 2025.1.0 on macOS 14.7.1 with M1.