Feature Requests

Ich schlage vor, eine Funktion in Premiere Pro zu integrieren, die es ermöglicht, Hintergrundmusik direkt im Programm zu nutzen. Diese Funktion könnte die Nutzung von Musikdateien aus den eigenen Dateien nutzen, das Erstellen von Playlists und das Abspielen der Musik im Hintergrund während der Bearbeitung.Die Musikwiedergabe sollte sich dabei automatisch anpassen: Sie pausiert, wenn die Timeline abgespielt oder ein anderer Sound wiedergegeben wird, und setzt an der gleichen Stelle fort, wenn das Video gestoppt wird.Zusätzliche Optionen, die der Benutzer einstellen kann:1. Verzögerungseinstellungen: Möglichkeit, eine Verzögerung einzustellen, bevor die Musik nach dem Stoppen des Videos wieder abgespielt wird.2. Sanfte Einblendung: Option, die Lautstärke der Musik sanft ein- und auszublenden und dabei die Dauer der Einblendung anzupassen, um einen angenehmen Übergang zu machenDiese Funktion würde die Integration von Hintergrundmusik in Premiere Pro erheblich erleichtern und verbesse

When I am looking for filler to cut out, I really don't want dead space. Yet when I cut a "Filler", it leaves "[...]" in which I have to cut that out again.  I really wish this was more intuitive. I seem to continually have to cut out "[...]" from points where that has been removed.  I would love a "CTRL-Backspace" where it cuts any filler around the part that I cut out. Therefore, I have a jump cut that doesn't have a breath, or dead space before the cut.  Windows 11 (and Mac OS [I tested both]). Example below 

I'm working with a number of multi-cam sequences which have their own captions.I can't re-transcribe them... I need to work with existing captions. I'm editing these sequences down in a master editing sequence, and I can see the captions (when I turn-off video track multi-cam, which is fine). But I can't export them as SRT. I can only do that from each multi-cam sequence where the captions reside. Could Adobe please find a way to allow this captioning data to percolate up to the master editing sequence? This could be a one-time process... not necessarily dynmamic. I can appreciate that it could cause grief if main editing sequence captions were then editable if they were also dynamic (reflecting changes in nested sequences as those changes are made, the way audio and video do... and the way visual captions do) so perhaps a way of approaching this would be to create a "virtual captions track" where all nested sequences captions percoalte up in a read-only (but dynamic) fa

The snapping in Premiere works so great and that might just be muscle memory but compared to how unintuitive it is to snap in Avid, whatever Premiere is doing is just nailing it. However, a common tactic for editors is to add a small 2 frame crossfade between edit points to avoid popping and smooth over edits. That means that the snapping will connect to the frames before and after the edit, along with the frame of the edit itself. Here we see the snapping missing the edit point by one frame:  Here we see the snapping where I would like it to go, and it of course does, but I have to massage it to get it to snap there: If you are not paying close enough attention you can end up with clips that are misaligned, like so: In a perfect world there would be a menu option for what snapping will snap to, or just a toggle to say Snapping Enabled but Disable Snapping to Transition heads and tails, something like that. Could be something that is placed in the wrench m

Holy moly, can we please have the old timeline back? This new layout makes it incredibly difficult to see transitions and which track is highlighted.  For those of us with old eyes, the old style was much easier to see!!

Do these two things and I will never use Avid Media Composer again - seriously I must say Adobe PP is on a march to greatness but if you make these two changes you will get the entire video editing community to us PP.  I am really looking forward to the day I no longer use Avid Media Composer.  1. Trim mode Adobe might be stuck in an earlier time. As an Editor of long form TV and television I must say categorically with no hestitation trim mode in Adobe PP is awful (been using Adobe PP for 10 years) and seems not to evolved since it statrted its life. That is the basic notion of how it works. The two NLEs share the same basic tools, slip , slide etc but Avids ability to lasso multiple cuts and put trim rollers where ever one wants is so monsterously superior to Adobe PP s methodology and FCP for that matter. I have used both Adobe and Avid extensively for years for TV and film and Avid knocks trim mode out of the park. The great and powerful Adobe PP is perfect

DaVinci Resolve has the option to export individual clips from a timeline, that keeps source name and source timecode intact. PLEASE make this function available in Premiere!!! 

Premiere Proで自動文字起こしツールに、台本を読み取り、動画にフィックスさせる機能を追加して欲しい！ 日本のYoutubeでは台本を作成し、その台本通りに動画を撮影し、その動画に対し、台本をフルテロップで作成することが多い。 そんな中、ほとんどの動画編集者が『vrew』という別の動画編集ソフトを一度跨ぐことが多いはず。 この機能が追加されれば『vrew』を介す必要がなくなり、Premiere Proで完結できたらかなり作業の効率化になるはず。 ユーザーの満足度も今より格段に上がるだろう。 ぜひこの機能を追加していただきたいです。 ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝I want Premiere Pro to add a feature to its automatic transcription tool that reads a script and syncs it to the video!In Japan, YouTubers often create a script, film a video according to that script, and then add full subtitles to the video using the script.Most video editors currently use another software called "vrew" for this process.If this feature is added to Premiere Pro, there would be no need to use "vrew".Being able to complete this entire process within Premiere Pro would greatly increase efficiency.User satisfaction would also be significantly higher.I would love to see this feature added.

Hello everyone, I have an idea but I am not quite sure how to implement it. I created some audio and visual presets in premiere and I have to use them daily at work. To apply the specific presets, I have to select the presets and drag them on to the video clip. I am wondering if there is another faster way that I could apply the presets (visual and audio presets) , maybe with a keyboard shorcut. Thanks in advance for your suggestions!

HelloI have a few suggestions. Can we use the Effect part in bulk?For example, we need to analyze the Warb stabilizer effect from the beginning due to some problems, and it takes a lot of time to do it separately in each video. There are a few effects like this. There should be a collective way to zoom in or out. It makes sense to use the ready present, but sometimes we have problems with that too. When videos are too long or too short.For example, we should be able to select 4 different videos and play with the scale at the same time, or we should be able to adjust the Stabilization settings, or we should be able to zoom.And if we want to mass delete the effects we added to the videos, some effects remain, such as the settings we made with the mask.

It would be so much easier if I can scan the timeline and see any bright red to identify missing content. In this screenshot, the red clip indicated a graphic.  Thanks. 

Hi Adobe, Can you please iclude an "editors notes" or todo list, inside of Premiere Pro? This would improve the worflow a lot (especially when passing over projects to new editors). Just having a dedicated window for comments/notes (that are saved with the project) seems like a no brainer and should not be too difficult to add in a future update?Thanks in advance!

🙏

When working with markers that have a duration, marker info lay above audio waveforms in the timeline:  So it is difficult to see the waveforms even if you have a lot of audio tracks and track  height is limited. Disable "Show Clip Markers" isn't the option because the marker text include infos for editing.So it would be helpful when there a seperat options for video and audio tracks for showing clip markers in the timeline display settings.There a already diffrent parts for video and audio.

Similar to how it detects pauses, an Automatic way to detect (and delete/modify) double, double spoken words in the transcript would save almost as much time in correction workflow as the remove pauses did. I guess if it could find a very high match between words immediately beside each other?  IT would be valuable to me because it would eliminate yet another thing I have to constantly edit out of presentation videos and would save a TON of time. 

This is an old one:(In case this haunts only me and nobody encountered and needed that previously so it didn't make to a request post here)This behaviour bugs me everytime:When you Alt+drag the clip to make a copy to the right - next to its tails [with the magnet button for sticking to clips is enabled of course] it won't stick. It would stick however if you alt + drag it to the left to stick to its heads.And what I'd do as a workaround for many years is alt dragging the first one a track up then reselecting the bottom one and alt dragging it to the right so it'd sticked to the tails of the one above the original.The summery: it drags and sticks around anything but the tails of the the clip it has been dragged fromCould you please fix that?

Editing this because after working the last couple hours I really can't stand the changes to mouse behaviour. Please bring back mouse wheel jogging when hovering over the program/source monitors. The best solution would be to have a button/keyboard shortcut that simply switches between jogging/continous zoom functionality. Don't cripple people who've relied on one way of using your software for years by catering to a new group. Personally I think it's a nice feature to have but I rarely do any kind of design etc. work within Premiere that benefits from zooming in, maybe once a week if not less than that do I ever change the zoom on my program monitor. Most of the work I do that requires that kind of functionality gets saved for After Effects. But I use the mouse to quicly jog a few frames in the monitors CONSTANTLY, I didn't even realize how often until this change. I've accidentally zoomed the monitors at least a dozen times in the last hour just acting on instinct. Ori

Oi tudo bem gente!. Como tenho certeza que hoje em dia tem MUIITISIMOS produtores de conteudos por ai que usam os celulares para gravar vídeos quero deixar uma opnião/sugestão para solucionar um problema RECORRENTE... Conforme comentado varias vezes pro pessoal do suporte, o PREMIERE tem que implementar em forma URGENTE um recurso que em FORMA AUTOMATICA e NATIVA converta  "Variable Frame-Rate" file in a "Constant Frame-Rate".  Continuamente por esse motivo gera innumeros inconvenientes que a maior parte das vezes, para soluciona-lós precisamos usar um programa externo "Handbrake" perdendo tempo demais (e muito valioso por certo). Obrigado AbsLucas & Deborah

We REALLY need an option to transcode media to prores for example with audio passthrough. Transcode constantly alters the audio channel configuration which messes up the relink. Especially which multichannel or externally synced clips (via timecode) this makes a proxy or transcode workflow really horrible. Its such an easy feature!

Is it possible to get a list of fonts used in a Premiere Pro project? How do I do this?Is there a plugin or something I can use to gather those fonts like media is gathered when you use the Project Manager?I can do this in After Effects using the Font Collect plugin. Is there anything like this for Premiere?

Allow keyboard shortcuts for Timeline Clip Right/Click Show Clip Keyframes. I'd like to set keyboard shortcuts to alternate between Show Clip Keyframes for Opacity and Time remapping as I used both a lot and right-clicking gets old and tiring. Others are looking for this too. See this forum thread: https://forums.adobe.com/thread/2286959   Why is this feature important to you? It should be obvious but it saves time and is ergonomically friendly for what has apparently become a people feature of the timeline.

Hey everyone,I'm looking for a way to set a shortcut in Premiere Pro to insert footage at the next or last clip in my timeline, regardless of where my CTI (Current Time Indicator) is located.As shown in the image below, I can only achieve this by dragging the footage into the program monitor until it shows the overlay options. This process can be cumbersome, and I’m trying to streamline my workflow. In DaVinci Resolve, there's a feature that allows users to insert clips at the next or previous edit point directly "Append at end", which I have mapped to my keyboard for efficiency. Is there a similar function or workaround in Premiere Pro to insert clips at the nearest edit point, without manually dragging them?Any pointers or help would be much appreciated!Thanks!

 I think it'd be nice if you could turn off automatic peak file generation, and instead choose specific clips to generate them for. Also, being able to choose the order of clips you want to generate waveforms for would be awesome. It's annoying to have to wait for every peak file to generate before I start editing because I need the waveforms. It takes really long for them to generate with the footage I work with and it lowers the performance of Pr Pro which makes it even harder to edit while they are generating. 

Each and every time i use the Nest option i say this in my head '' why don't it automatically take the name of the video file name and add Nested at the end!!??'' Then i thinnk about when we Nest a bunch of videos, and sound and musics...why not have the option to have the first file name in the Nested name field or the number of assets in the Nested.  Anyway the idea is to have more option in the renaming field so it can be faster for the edit and to know what's inside the Nested Seq.  🙂 PS: BRING BACK THE PROPERTIES LINE WHEN WE RIGHT CLICK THE VIDEO !! The excuse to have more space is not relavent at all! we are used to have freedome to add or remove what we need...bring it back 🙂 

There is a bar below the caption track that separates it from the video track. Please make it possible to pull this bar downwards to reveal more of the caption track, in the same way that the bar separating the video and audio tracks can be moved up and down.Currently, you can increase the caption track height by Option or Alt + mouse scroll. However, increasing the caption height this way only causes the upper portion of the track and its tools to disappear because the bar beneath the caption track is fixed. This makes no sense. This issue could also be deemed a bug, but I am putting it in as a feature request.