Build better products with our product team
Summary: I would like to request an update to the "Export > Markers" dialog that allows users to select the specific text encoding format for CSV files. Specifically, we need options for UTF-8 with BOM and UTF-16.The Problem: Currently, when exporting markers to CSV, Premiere Pro appears to export in standard UTF-8 without a Byte Order Mark (BOM).While this is standard for web use, it causes significant issues when opening the CSV files directly in Microsoft Excel (especially on Windows).Proposed Solution: In the "Export Markers" dialog box, please add a dropdown menu for "Encoding" next to the File Type selector.Desired Options:UTF-8 (Default)UTF-8 with BOM (Excel Friendly)UTF-16 LE/BEThis small change would save a massive amount of time for editors and assistants who rely on marker lists for deliverables, translation, and producer feedback.Thank you for considering this request!
I think it's a really necessary feature.
When applying tasks to a larger collection of images this might take a considerable amount of time and CPU capacity. In the meanwhile I can instruct LR to do some other taskes. This might impose a very high stress on CPU. Therefore I would like to know if one task has finished before I start another task. For instance.: I like to start with applying all my images with auto AI settings as a starting point and to do a denoise for all images with higher iso values. Both of them are CPU consuming tasks if there are a lot of images. I would like to know if one task has finished before starting the other. I would like to be able to see a task queue and the state (percentage) of the task.
I could very well be mistaken (and if I am someone please let me know), but I'm reasonably sure that these Transform Controls/abilities are only available when transforming (Cmd T/Ctrl T). It would be helpful to also have them in the Properties Panel when shapes are "Live" (see attached pic). It would speed-up workflow.
I don't understand why when selecting multiple effects you can't turn them all off at once? It can be done in AE, why doesn't it work here?I mean when multiple effects are selected the on/off only works for one effect, not the selected ones.Why not add this feature?
Dear developers! Will we ever see these pen pressure settings in Photoshop?
Dear Adobe Premiere Pro Team,I am writing as a long-term professional editor who uses Premiere Pro daily.There is a serious and fundamental flaw in Premiere Pro’s editing logic that has been ignored for years:Ripple Trim to Playhead (Shift+Q / Shift+W) completely ignores the selected clip.Instead, it always affects all targeted tracks, forcing editors to:Manually toggle track targetingTurn sync lock on/offBreak editing flow repeatedlyThere is currently no way to ripple trim only the selected clip, while keeping other tracks untouched — even though this is the most logical and expected behavior in modern editing.This is not a shortcut issue.This is not user error.This is a design limitation.Why this matters:Editing today is selection-based, not track-basedA selected clip should define the scope of an operationPremiere Pro still behaves like this is 2010Professionals are forced to use macros or AutoHotkey just to simulate basic behaviorMeanwhile:Core workflow requests like this remain unresolvedNew features are added while foundational editing logic is ignoredThis creates the impression that the real editing team is no longer listening to real editors.What we are asking (very clearly):Please add a mode or option where:Ripple Trim respects the selected clipOther tracks are not affected unless explicitly selectedTrack targeting and sync lock do not override clip selectionThis single change would immediately improve daily workflow for thousands of professional editors.We are not asking for experimental features.We are asking for basic, logical, professional editing behavior.Sincerely,A frustrated but experienced Premiere Pro user
I just wanted to voice my frustration with Adobe making Premiere more and more like DaVinci; first it was widenning the clips then adding borders to them and adding fx buttons etc simply taking up so much real estate, making it a chore to work with shorter clips. (I know where the fx panel is thanks)And now the way ripple trimming works got this treatment making it a visual nightmare. I updated my Premiere Pro and started a project, I attempted to ripple trim a clip and it got ate up in real time like my patience with this company. Tbh I don't know, maybe Adobe making it easier to swtich to DaVinci is a blessing in disguise, but as it stands I hate the fact that I cannot see how much trimming I'm doing clearly and there's no indiciation as such whether my trim is snapping to the playhead or not -there is a marker however that's only showing at the very top of the payhead not on the clip. This sucks.Adobe has been neglecting a lot of things and putting its focus on cosmetics that hardly improve its workflow if not making it worse. I'm not against change but I'm against the disconnect between me, a user, and Adobe who has been showing a lack of understadning of my needs in a way that can be discribed as dogmatic since they won't even have the curtosy to add options to customise these stupid feautres.I plead with Adobe to add an option to opt out of the ripple trimming feature the same way I can choose whether the playhead snaps or not.
Hi Adobe Team,I’d like to suggest an improvement to Premiere Pro’s Color Picker (the window where you choose a color and can type a HEX value). Please add a built-in “Saved Colors” / “Swatches” area directly inside this Color Picker, so we can quickly reuse our brand/client colors.What I’m asking for is a persistent list/row/grid of saved colors inside the Color Picker dialog (for example at the bottom). Then I can click a saved swatch to apply it instantly, instead of copy/pasting hex codes.This should work everywhere the Color Picker is used, not only for text. For example: Essential Graphics text fill/stroke, shape fills, strokes/outlines, shadows, color mattes, background colors, and any other place in Premiere that opens the same color selection window.Why this is needed: many editors work with several clients and strict brand colors. Right now we have to keep hex codes in Notepad, copy/paste constantly, or make workaround “palette sequences” and use the eyedropper. A swatches list inside the Color Picker would be faster, reduce mistakes, and keep branding consistent.Thank you.
For 15 years I've made a book with my best pictures and pictures telling stories of main events of the year and send it to family and friends. The books are made with exactly the same design and exported as a pdf. Now I want to make a Blurb book with all the pages from the last ten years. But I can't find a way to move pages between books – to accumulate pages from those ten books to a new one to be printed with Blurb. I would appreciate a way to move pages between books. It's OK if I have to reformat, but texts and images should be preserved.
I would like to request Wall Masking tool on Lightroom for real estate that can detect wall and adjust lighting, collor ect... and sky replacement. [Moved to 'Ideas' by moderator, so other people can vote on it as well]
Ayooo, would it be possible to implement something in the lines of PureRef, but working outside the main canvas, without utilizing any artboards? Just press a button to enter the background area, copy and paste images and text to it, lock it and keep it there? Seems like a very simple thing to implement, and would be a huge quality of life improvement for anyone dealing with digital painting, ie entire design in gaming/movie industry in the world :dJust to visualise the idea:
I thought after my eye surgery this was not going to be a thing. My eyes are fine and the menubar displays at a 6 point font size. I have tried everything, UI interface, open/close. I've tried the .exe "system" setting which didn't do anything. This has been a long time issure for many. What I would suggest: Open up Word and at the bottom of the screen there is a slide bar. The text in the document can be adjusted to the users liking. Perhaps this idea could become part of the menubar in Adobe. Add a slider bar to adjust the menu font size to the users liking. I spoke to a support person and they told me that it Microsofts problem and all the settings had to be done through the Windows Settings feature. OR perhaps you could add a Zoom in / Zoom Out feature that we use in our browers, CTRL - and CTRL +. I have to say it is becoming unberable not to work normally. Let's start the new year, 2026, with larger menubar sizes! Thanks for listening from a long-time user (Macromedia) Happy New Year!
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.