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When you are coding effects at the level that Premiere does, you can't compare to the prosumer stuff. Even though a couple of them now have a few pretty spiffy/splashy things they do, everything that Premiere does would have to be set for the odd processing involved in VFR. And VFR is a capture thing ... it cuts down on the frames needed to be encoded to the file, just like the long-GOP process cuts down on the pixel data being encoded to file. And in both cases, the playback device then does a ton more work to make it not obvious. So ... can it be done? I would expect it could. But the next question ... given everything else that people want Premiere to start doing, and the constant upgrading to work with newer hardware, dump code for older not-used hardware, all that constant never ending process ... priorities are needed. And would handling VFR better take precedence over 55 or 60 other things? For some users, yes, of course. For the majority of the user base ... maybe not so much. It's rather like a lot of the upper-end colorist stuff I would like to get in Premiere. Yes, the devs know that for a few of their users like me, it would be an awesome addition. But the vast majority of their users, they'd never use it ... so ... I've been told it wouldn't be wise to hold my breath even for something really awesome for some higher-end workflows. As a long-time self-employed business person, I had to make a lot of decisions I did not like making at all. But the data were clear, and I needed to make changes at times dropping a photo style I loved doing. For instance. But things change all the time. So ... maybe at some point, VFR would be a natural fit and welcomed by enough users to be worth the major effort it would take to fully support it 'natively'.
@R Neil Haugen @IanB_360 Maybe its time that Adobe deals with VFR... at the VERY least, when you create a proxy, maybe the proxy can be CFR..... frankly, it seems like a pretty minor thing to fix if a free bit of software can do it... adobe should address this once and for all.
IMPLEMENTAR RECURSO DE MASCARA NO APP
Implementar curva de velocidade renovada como ja tem na concorrência e no propio after efcts
INSERIR URGENTE LEGENDAS ANIMADAS E COM AS PRINCIPAIS MODELOS UTILIZAVEIS
Implementar recurso para monitorar volume do áudio visualmente por volumetria
INSERIR A ESCOLHA DE ESTILO E POSIÇÃO DO LAYOUT DE JANELAS PARA MELHORAR E AGILIZAR A EDIÇÃO
Por favor para ontem, implementar recurso de legenda animada no adobe première e também mais recursos de edição no première mobile como ( corta da direita para esquerda e vice-versa) ter recurso como tem na janela de origem no premiere onde a gente possa corta a imagem com a possibilidade de arrasta o inicio e o fim conforme desejar e ter presente de duração neste recurso!
Adjustment panel uses dark gray letters on a dark backgound. it is very hard to read on my Apple Thunderbolt (2K) display. please use white color for all settings names. Plase offer settings which allsw to mage letters bigger.
Hi all, I am recording videos at my kids' school, and their stage lighting is horrendous. Half the kids are lit, the front is overly lit, and there are no lights in the mid to back stage. See screenshot. Can we please have this panel added to Premiere? (Second screenshot below) I need to have the ability to edit the people individually and light them as needed. Plus sharpening, color corrections, etc. Thank you!
A Collections Library Filter. While maybe not the best place, but for idea purposes, i've long wanted the ability to have Collections in the Library Filter drop down. I've worked around this at times using smart collections, but not ideal.
I have 20 4k clips on the timeline, I made corrections to them and at the end, I want to apply "Warp Stabilizer".If I do it at the same time for all the clips my iMac is not able to do it.Often some of the clips are not stabilized and I have to press "analyze" again.Even worse, sometimes the computer hangs because of the hard work because it tries to apply the "warp stabilizer" effect to all the clips at the same time.I need to find a way to overcome this issue. The best thing would be if Premiere would apply the effect to the clips sequentially, but I don't know how to do it.I hope you can suggest a new way to solve this problem, thanks.
Objetivo Principal Permitir a los fotógrafos y editores visualizar rápidamente cuánto espacio en disco (en GB o MB) están consumiendo sus carpetas físicas y colecciones virtuales directamente desde los paneles del Módulo Biblioteca, facilitando la gestión del almacenamiento y la identificación de proyectos pesados sin salir de la aplicación. Implementación Visual (Cómo se vería) La idea es añadir una métrica de tamaño de archivo opcional junto al recuento de fotos existente en los paneles "Carpetas" y "Colecciones". 1. Panel de Carpetas (Folders Panel) Actualmente, Lightroom muestra el número de imágenes en cada carpeta. La propuesta es añadir el tamaño total de esas imágenes catalogadas. Vista Actual: ▸ 2024 (1500) ▸ 01-Enero (500) ▸ 02-Febrero (1000) Vista Propuesta (con Tamaño): ▸ 2024 (1500) - [75.5 GB] ▸ 01-Enero (500) - [25.1 GB] ▸ 02-Febrero (1000) - [50.4 GB] 2. Panel de Colecciones (Collections Panel) Aunque las colecciones son virtuales (solo son referencias), es increíblemente útil saber cuánto pesan los archivos originales que agrupa una colección (por ejemplo, para saber cuánto espacio se necesita para exportar un proyecto). Vista Actual: ▸ Proyecto Cliente A (150) ▸ Boda Martínez (850) Vista Propuesta (con Tamaño Virtual): ▸ Proyecto Cliente A (150) - [8.2 GB] ▸ Boda Martín (850) - [41.7 GB] Detalles de Funcionamiento Activación de la Vista Esta función debería ser opcional para no sobrecargar la interfaz ni consumir recursos innecesariamente. Se activaría haciendo clic derecho en el encabezado del panel (donde dice "Carpetas" o "Colecciones"). Aparecería una nueva opción en el menú contextual: "Opciones de visualización...". Dentro de ese diálogo, habría una casilla de verificación: "Mostrar tamaño de almacenamiento (GB/MB)". Cálculo de Datos Para Carpetas: Lightroom sumaría el tamaño de archivo (basado en los metadatos que ya posee en el catálogo) de todas las fotos dentro de esa carpeta y sus subcarpetas. Para Colecciones: Lightroom sumaría el tamaño de los archivos originales referenciados en esa colección, sin importar en qué carpetas se encuentren. Consideraciones de Rendimiento El cálculo inicial podría ser lento para catálogos muy grandes (cientos de miles de fotos). La función podría ejecutarse como un proceso en segundo plano de baja prioridad, actualizando los tamaños periódicamente. Alternativamente, podría incluir un botón de "Actualizar" o "Calcular tamaños" en el menú del clic derecho, para que solo se ejecute bajo demanda del usuario.
Hi everyone. I got the new version of Filmoa. There is a feature where you literally press one button, and this allows you to whiten you teeth with a slider. It works so, so well. For a guy like me, with disgusting yellow teeth, this is a godsend. (The rest of me isn't much better but that's another story.) I would like Adobe to seriously consider installing this apparently simple feature. I will even pay them to do it. I've got Beauty Box, which is great, but doesn't have a teeth whiten function (to my knowledge). I've tried countless times to mask, edit, hue etc, and failed miserably each time, and wasted counted hours (I'd probably just save time by, like, brushing my teeth). Anyway, can someone please tell me how to refer this to the Adobe Gods, and get it in the timeline? My teeth ain't gettin no whiter in the meantime. Thank you all. 🙂
Hi. Currently, adding a gradient to a pattern takes a lot of time and effort. Once the user has made a pattern, it will get saved in the swatches but the pattern has to be made into an object using the Expand command due to which it creates many layers of clipping path groups. Once the clipping path groups are ungrouped, then we can add a pattern to the group. Instead of all these steps, make it simpler to add the gradient directly to the pattern itself, which will save us all users a lot of time and effort. Thanks.
Could you please add a feature to remove or at least hide licensed stock assets in the Creative Cloud desktop app? This would be a huge help for organization. I have many free stock assets I downloaded years ago while trying things out, but I no longer need them. They still appear in my “Licensed Stock Assets” list under “Files,” which makes it difficult to sort through and find the assets I actually want to use. Having the ability to hide or delete these older licensed assets would make asset management much easier and cleaner.
Please, Please, Please; Create a Way to Reverse clips INSIDE the Multitrack Editor. For reverse effects Cashews like Me.
This would be the most useful thing in the world for doc editors. Say I have a bin full of A-camera files, a bin full of B-camera files and a bin full of audio files. All with correct timecode. I want a way to take all of those files and have Premiere put them all on a timeline - A-cam on V1 / A1 & A2, B-cam on V2 / A3 & A4, Audio on A5, A6, A7, A8, whatever, in real time order. So whatever the earliest timecode of any of the clips is, - say 09:12:14:03 - that becomes the timecode for the beginning of the sequence. And every clip gets put into the sequence at the correct timecode for that clip. So you have a sequence that basically represents the entire day of shooting, with gaps where nothing was rolling, but in theory everything synced between each camera and audio where it can be.
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