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marvin_rtlParticipant

Premiere on iPhone: questions, bugs, and missing pieces from first testsOpen for Voting

SetupMacBook Air M1, macOS 15.7.1Premiere Pro Beta 25.6 (desktop)iPhone 13 mini, iOS 26.0.1App version 25.5.0Same Creative Cloud account on iPhone and iPadI might be missing features or using things wrong. If these exist already, I’d love pointers. Issues / questionsCaptions unreliable on iPhone 13 miniWith iOS set to German and English speech in the clip, some words are correctly captioned in English, others are transcribed as German, some are missing. Expected: stable results in the selected caption language, independent of iOS language.Is this a general thing or just my old phones fault.Project sync between devicesA project saved on the iPhone doesn’t show up on my iPad with the same apple and adobe account. Is there a “Save to Cloud” option?Handoff to Premiere Pro (desktop)I read this may work via Beta, but I can’t find it on my desktop version. Is there an official “Open in Premiere Pro” or "open Mobile Project" flow I should use?Export formatsWhich codecs/containers/bitrates are actually available? TransitionsVery limited set and few controls. The white flash transition animates oddly. Is there a way to tweak curves/intensity or add presets?Adobe Stock searchWhen switching media type, the search term resets. Is there a setting to keep the query?Masks / MogrtsAre basic masks (soft edges, invert, tracking) available?  Any support for .mogrt or a lightweight template system?Audio track controlsIs there Mute/Solo per track?Thanks in advance. If these features exist, please tell me where to find them, if not, consider this a feature request.

Michael384395806ww5Known Participant

Music Stem Mixing & Remixing features – Enhanced Audio ControlOpen for Voting

I’m a big fan of Premiere Pro’s Remix feature—it’s a powerful tool for adapting music to fit video timelines. I’d love to see this functionality evolve to support music stems, enabling more granular and creative control over audio.1. Remix with Stems Instead of Full TracksThe next step in my audio workflow would be the ability to remix individual stems (e.g., drums, bass, vocals) as if they were one song. This would allow editors to tailor the music more precisely to the mood and pacing of their content.Feature request: Nested Audio (Grouping Stems) - Adobe Product Community - 155504062. Nested Stem Groups for SimplicityTo keep the timeline clean, stems could be collapsed into a single nested clip by default. Editors could expand the group only when needed to adjust individual stem volumes or apply effects. This would reduce visual clutter while maintaining flexibility.Another way to solve it would be to have one nested clip but give the stems seperate faders.See epidemic sound:Feature request: Nested Audio (Grouping Stems) - Adobe Product Community - 155504063. Essential Sound Integration: Dynamic Energy ControlIntegrating stems with Essential Sound features could allow dynamic control over the energy of a scene. For example, reducing the loudness of high-frequency stems could soften the mood, while boosting rhythmic elements could increase intensity. It would be amazing if I could design a crescendo for the intro (think of YouTube tutorials) and then start the main part calmly.Feature request: Nested Audio (Grouping Stems) - Adobe Product Community - 155504064. Stem Re-Pitching and Time-StretchingInspired by tools like Loopmasters’ Loopcloud, it would be amazing to re-pitch and time-stretch stems to match other audio elements. This would open up creative possibilities for blending different songs, removing repetitive sections, and making music evolve organically within a scene.Feature request: Stem Re-Pitching and Time-Stretching - Adobe Product Community - 15550417