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We need this in Photoshop:Save and sync brushes, actions and assets to the cloud!If i then log in to another computer (at my work..what ever) all my tools, patterns and so on are in sync.ps: could also be the workspace..
Would be great to be able to pause media analysis if you started the process, but then had to jump onto some CPU intensive work and then have the option to resume analysis when you went on a tea break for example. Currently, if you cancel the analysis to work on something you have to start from scratch and it's easy to forget to start the process when you leave for the day so that it can run overnight.
It would be grreat having exportation to unity 3d.
We actually have the slider to showcase several views in both directions as X axys, while we have two oppositte arrows to browse in the Y axys for 3 different vertical steps.What if we could have both axys in two different sliders? One for each axys.
We'd love to have the chance of choosing the number of preferred steps (views on every direction) so this option would let the user to configure if they want increase or decrease views of each turntable rotation
I have mulitple templates setup for various work I do, rather than having to navigate to each project in the Finder it would be good to have the ability to have a Favourites list on the Home page that projects could be added to, there is plenty of space there on the left side!
I want to have all my files in the cloud but I don't want to sync them all to my desktop computer. I want to be able to sync only the files I need for the projects I'm actively working on.
So, OS26 really improved the ability to customize the appearance of folders. Specifically, the ability to change the color of a folder is a tremendious addition and provides a great way to help organize your data in a visual manner. Like if I have a list of 100 folders, and i gave one of them my red "Important" tag, then I can scroll through that list really fast to find that one folder. I use this all the time, and it's critidcal to my work flow, now. In fact, I used to have a cheap app to accomplish the same thing, but having it baked into the OS is just way more convenient. The thing is, that Bridge used to relect the customizations that cheap app would make to my folders. So, if I made my folders yellow in the Finder, they'd show up as yellow in Bridge. But, the new OS level. customizations don't make the trip over, and it makes me sad. It also really throws a wrench into my workflow. So, let's roll up our sleeves, put on our thinking caps, and put some of that Adobe can-do spirit on display and make this happen. In these uncertain times, a little bit of extra color and cusomization is just the thing the world needs.
Could we not have the DV capture window from version 23 as a stand alone app, so we dont have to run 2 versions of premier pro and media encoder if you want to keep this functionality. I know there are third party options to do this but its always a bit sketchy downloading from unknown websites.
Every single time I export something from Premiere, the next thing I always want to do is go and check the exported file — make sure it came out fine, play it, and usually send it off for review or delivery. So basically, after every export, my next action is to manually go hunt down the file in Finder/Explorer. Why isn’t there a simple button or shortcut right in the export panel (or export completion dialog) that says “Open Folder” or “Show File in Finder”? It feels like such an obvious workflow step — every editor does this hundreds of times a year. Would love to see Adobe add a small “Reveal Exported File” button that pops open the output directory as soon as the export finishes. 🙏
I would love to see a tool like the Generative Remove Tool that is specifically tailored to blending two layers or part sof an image together. So for example, I want to copy a garage door in a real estate exterior photo and use it to "close the door" on the other side, I could copy and paste the door, then use the Generative Blend Brush to go aorund the edges and seamlessly blend it all together. You can already sort of use the remove tool and Gnerative Fill this way, but it would work great as a brush developed with this in mind.
Title:Enable Hover Scrub Preview from Bin to Display in Source MonitorDescription:Currently in Adobe Premiere Pro, the hover scrub feature only plays the video thumbnail directly within the Project panel (Bin). However, it does not preview in the Source Monitor.It would be extremely helpful to have an option where hovering over clips in the Bin automatically shows that preview inside the Source Monitor — similar to how Final Cut Pro allows quick clip browsing without manual loading.This feature would:Greatly improve browsing and selection speed when reviewing footage.Allow editors to quickly audition multiple clips using a larger, more accurate display (Source Monitor).Streamline workflow for editors who work with large amounts of footage.Please consider adding an option like:“Enable Hover Scrub Preview in Source Monitor”This would make clip review faster and more intuitive, especially for those switching from Final Cut Pro to Premiere Pro.Thank you for considering this improvement!
The Clone Stamp tool includes scale and angle settings. Adding jitter options would make a big difference when randomness is needed for texture blending. For instance, I’m creating a repeating concrete texture and need the rough features to vary in angle to look more natural. Right now, I have to manually adjust the angle with each brush stroke, which is tedious. Would anyone else find a jitter option for angle or scale useful?
Hi, Would it be possible to get some kind of online environment or space in which you can record small live jam sessions or a virtual music-studio Session with several musicians directly to Adobe Audition or Premiere or some kind of "Online Studio". The goal is to then be able to record and edit the individual tracks either together or separately and prepare them for a master mix. Similar approaches, although often without DAW integration, include Jamulus, JamKazam, JackTrip, SuperConductor, etc.The challenge here will be to achieve the most accurate, or at least good, real-time recording possible without any noticeable delay, as well as the integration of webcams.
Issue: When using Export As… the quality is always set to 6.For my exports I always need quality 7 because other apps are going to compress it more optimally.An option to set a new default value would be appreciated.I know there is a Quick Export quality setting in Preferences but I need more control, just not needing to slide the slider to 7 everytime. Thanks for considering.
Hi adobe teamThis is my first time trying out Premiere Pro on my iPad. I really appreciate the powerful tools available, and I especially love the color grading options — they’re one of my favorite features.However, I found Premiere Pro on the iPad a bit more complicated than I expected. The text, templates, and auto-caption fonts felt limited and not as smooth to work with. The layout also feels a bit restrictive at times.There’s also a lack of things to use that would help me practice more effectively. Some essential features seem missing or harder to access on the iPad version, which limits what I can do.I hope future updates can improve the iPad experience — especially around text tools, templates, and overall flexibility — so users like me can get more out of editing on the go.Thank you for your continued work on the app.best regards,Mona
Hi. Like many others, I'm a photographer who has found passion and joy in film photography. From collecting vintage cameras, through taking ages to choose the right camera, lenses and film to shoot for an occasion, to eventually developing, scanning and editing my own rolls. It's a lovely way to slow daily life down, almost like meditation. What I don't love about it, is the fact that there is ZERO reasonable consumer scanning software out there. Silverfast always finds a way to induce anger into an otherwise peaceful process by exporting an entirely different file than shown in its preview, Epson Scan is just horrible to work with and Vuescan... I don't even want to talk about Vuescan. Wouldn't it be great if Adobe introduced Darkroom, an awesome alternative to all of the above? Software that could be used with consumer scanners like the ones from Plustek and Epson ánd of course for the DSLR-scanners alike, with the Lightroom functionality included (of course altered here and there to optimize the editing of specifically film photographs, for instance with an AI function for the removal of dust, scratches and maybe even excessive grain but also with frequently updated film recognition, to bring out the specific features of said film)? This way, one can easily and comfortably get MORE out of their experience, instead of actually throwing all of the good vibes out of the window as soon as the scanning process begins. With the resurgence and ever rising popularity of film photography and more and more professionals and hobbyists using analog as either a fun excercise on the side or even fully transfering to film photography, I'm hopeful Adobe Darkroom will one day exist. I just wanted to throw this out there and hope that others will agree. For now, a film enthusiast can dream, right?
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