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karmart93
karmart93Participating Frequently

Live Clip Preview in Program Monitor While DraggingOpen for Voting

When dragging a video clip on the timeline, it would be incredibly helpful if the Program Monitor displayed a live preview of the frame under the playhead at the current clip position, in real time as I move the clip. Why it's useful:This would allow users to visually align clips with other moments in the timeline more accurately and intuitively, without needing to constantly drop, scrub, or zoom in. It’s beneficial for timing b-roll, syncing actions, or cutting to beats in music. Inspiration:This feature already exists in other NLEs (like Final Cut Pro or DaVinci Resolve), where dragging clips gives visual feedback in the viewer window. It's a huge time-saver and makes precise editing much easier. Optional Settings: A toggle in preferences: "Show preview in Program Monitor while dragging clips" Frame hold or live playback toggle Request Summary:Add a live frame preview in the Program Monitor when a clip is moved in the timeline, allowing precise visual alignment without trial and error.

5
karmart93
Forum|Forum|1 year ago
thekrausehouse
thekrausehouseParticipant

Gradient Along StrokeOpen for Voting

Hello! I, and if you search discussions everyone, would love the ability to add a gradient along a stroke that follows the path. Currently, there are lots of hacky ways to do this. Typing in a bunch of ...... and tightly kerning them, 3D stroke, plugins like Thicc Stroke, but nothing native and easy to set up. Pretty please?

6
Forum|Forum|1 year ago
AaronPWheeler
AaronPWheelerParticipant

Smart SequencesOpen for Voting

Suggesting a new feature called Smart Sequence! Similar to the Smart Bins feature, this Smart Sequence function will create a new sequence, automatically pulling clips into the timeline that meet the criteria defined by the user, similar to Smart Bins or Search Functions.  This seqeunce will not be editable, as it is dynamically created based on clip metadata. It will be used as a scrubbable reference for footage, rather than a scrollable list view when using Smart Bins. Once a Smart Sequence is created, there would be an option to convert the Smart Sequence to an Editable Sequence, similar to generating Static / Dynamic Transcripts. This feature will make creating footage stringouts simpiler, as well as automatically updating pre-exisiting stringouts with additionally ingested footage.  Because it is a dynamically created sequence, there would be view options to better display media in the Smart Sequence, sorting footage by metadata, ascending or descending. You could even add a pre-determined gap between footage that has previous been displayed in the Smart Sequence, seperating it from newly added media. (Example: A Smart Sequence is created, displaying 3 clips. Then, 2 more clips are ingested into the project, matching the Smart Sequence criteria. These 2 clips will then be added to the Smart Sequence, with a gap of say 2secs between them and the previous 3 clips.) This funtion would solve a potential issue of media being ingested into a project, but without it being imported into a footage stringout sequence. Overall, this function will essentially be a Smart Bin, but for Sequences instead. Great for editors who prefer to work in sequences rather than bins to pull footage.

0
AaronPWheeler
Forum|Forum|1 year ago
LilZuzu

Transform bounding box changes sizes on free transform activationOpen for Voting

Windows 11Photoshop 26.9When using the move tool to grab a corner of a smart object, on click the size of the bounding box changes to the full size of the smart object. This makes it impossible to click and drag to transform.  You have to release the click and then go to the new position of the corner.  The transformation corners of the smart object should be consistent regardless of layer visibility within the smart object.  Ether make it so that the corners always reflect the full size of the layers in the smart object or make it so that the corners only reflect the visible area of the smart object.  

0
Forum|Forum|1 year ago
AllyzzaParticipant

P: Add "people" option in masking in ipad and android phonesOpen for Voting

The People option in masking available in web browser in laptop/desktop isn't available in my ipad or mobile device. Would be more helpful if that feature is also included in other devices.

0
Forum|Forum|1 year ago
Hanso_Wakashimatsu1055Participant

Please put the translation ARABIC language for videos and text !Open for Voting

Please put the translation ARABIC language for videos and text  from german to arabic and arabic to german and also otherwise with english and other languages ! thanks

2
Forum|Forum|1 year ago
sj_9154Participant

P: mouse scroll whee zooml functionOpen for Voting

Why is the mouse scroll wheel still scroll up/down? Why can't we just set it to zoom in Lightroom CC? I have NEVER needed to scroll an image up and down only. Having the wheel quickly zoom in and out while dragging to pan is the most natural thing to me. Am I the only one that thinks the scroll wheel should be default zoom in any image editor / viewer application?

0
Forum|Forum|1 year ago
Patrick Ledbetter
Patrick LedbetterParticipant

Can we LOCK the workspace by default?Open for Voting

Premiere Pro is making changes to the workspaces I have to keep changing them back and then hitting the save button, only for it to be changed again..by the software at some future point as I'm working in the project.

3
R Neil Haugen
Forum|Forum|1 year ago
TenTin
TenTinInspiring

Disable Panel Dynamic ResizeOpen for Voting

Is there a way to disable the dynamic resizing of the panels? Every time I temporarily open and close a new panel, it changes the other panels' sizing. If there were a lock option to make the panels' size fixed, it would be great!

2
Ann Bens
Forum|Forum|1 year ago
St. Persburea3432772790qrParticipant

Request for Full MTS/AVCHD (AC-3) Support in Adobe Premiere Pro 2025Open for Voting

 Dear Adobe Premiere Pro Team,I am writing to express my concern regarding the handling of MTS/AVCHD files in Adobe Premiere Pro 2025. While these files worked flawlessly in previous versions such as Premiere Pro 2022, the 2025 release appears to have introduced serious compatibility issues.The main problems that many users, including myself, are experiencing are:No audio playback due to the missing AC-3 (Dolby Digital) codec.Distorted or noisy audio when MTS files are imported.Audio/video sync issues that were not present in earlier versions.In some cases, the files fail to import at all, even though they are industry-standard AVCHD recordings.MTS/AVCHD remains a widely used recording format for professional and semi-professional camcorders. Many editors have extensive archives in this format, and being unable to work with these files in the latest version of Premiere Pro disrupts workflows and forces us to downgrade or use third-party conversion tools.We kindly ask Adobe to:Restore full AC-3 audio decoding support in Premiere Pro 2025 (or provide an official codec solution).Fix the import and sync issues affecting MTS/AVCHD files.Ensure future updates maintain backward compatibility for legacy but still widely used media formats.Adobe Premiere Pro has always been known as a professional solution that supports a wide variety of formats. Addressing this issue will greatly improve user confidence and maintain the software’s reputation as an industry leader.Thank you for your time and consideration. I hope this matter can be resolved in an upcoming update.Sincerely,Firat

6
Ann Bens
Forum|Forum|1 year ago
aaronjonellhallKnown Participant

Save New Version of Project QuicklyOpen for Voting

Request to add "Save New Version" to the save context menu to quickly add a hierarchical number to the current save point.  This saves so much time.   

0
Forum|Forum|1 year ago
FlyingFourFun
FlyingFourFunLegend

Comments on things that Break your Creative Flow in Premier, and suggestions.Open for Voting

Premier really needs to add a few things to level up its performance and avoid breaking the creative flow.1) When running warp stabilize, there are so many ways for the process to be stopped, such as doing a render and replace, that seems to stop any active warp stabilize - I dont normaly do Warp stabilize, but I have a 50 min video recorded with a gimbal that was slighty not as nice as I wanted, and it had some sharp direction changes, so I found a quyick test setting that allowed me to take the  sharp gimbal movement I wanted, with only a 5% zoom which was good enough for this project.  However there are 104 clips in the 50 min and every one needed this treatment.  You cant actualy start them all as this crashes the system I can to do about 3 or 4 at a time and pace myself.When you are running a warp stabilize and render and replace, the warp stabilize stops, no notification it stopped eitherWay in the world can we not have render and replace as a media encoder process so I can continue to edit.  Every modern machine has plenty of power to do this.  consuming premier as a forground task for render and replace is silly.There should be a que system for warp stabilize and probably a ton of other things, have them all qued up, and the user can decide how many the system is allowed to do at the same time, show which ones are done.  Also, if you use media encoder for this, PLEASE do not only allow one task to run at a time,  something like a warp stabilze can run while a  render and replace can run, also allow me to chain commands,  like after a warp stabilize, render and replace.The warp stabilize data needs to come out of the main project file.  use a concept like you are using for media intellegence and create a seperate warp stabilize file outside the main project file, because if you have 50 min of warp stabilize data in the project it takes a VERY long time to save the file, load the file, and when loaded, it takes a huge amoung of time before you can start working after the file 'appears to be loaded'.  Not to mention,  the warp data seems very sensative, and can be lost under some circumstances within the project, and it would be nice to protect that data, and if you use the clip in other projects, have that data available without processing it again.Clips with Warp stabilze applied really need to have have an indicator on them (small shaky hand icon thats green, red or yellow - so we know whats going on when we are in the timeline, without having to click on the clip to load the effects panel, and look at the effects status for each clip.Render and replaced clips also need so some sort of visual indicator also, like the proxy indicator, currently they add the _rendered text the clip name but that is only visable when you are zoomed in enough the read the clip name not actualy usefull when scanning a moderetly sized project, and it also doesnt follow the same design langauge as a proxt is kind of like a render and replace, and it has a nice icon to know.  I'm sure there are lots of other things, this happens to be on mind mine because I'm active in a project that these things are haunting me.  

7
FlyingFourFun
Forum|Forum|1 year ago
norbyco
norbycoParticipant

Feature request: Lasso Tool for selecting vertex points, puppet pins, and keyframesOpen for Voting

I work with dozens of 2d animators (myself included) who would love to make After Effects shape and puppet pin animations a bigger part of our workflow, but we're limited by the current selection tool.  When animating a complex shape (or a mesh of puppet pins), it can get quite tedious using the rectangle selection to manually select each group of vertices and pins we want to transform.  (I've attached a gif showing how Lasso can be easily twice as fast). Having a Lasso tool (like the one in Photoshop, Illustrator, and Animate) would save us countless hours, help After Effects integrate even more seamlessly with Photoshop & Illustrator, and free us up to create much more complex and beautiful shape, puppet pin, and character animations. Other users have also noted that a lasso selection tool for keyframes in the timeline would also be extremely helpful in their workflows.   Thanks for reading, and please upvote if you agree! 🙂 (Kudos to Armando Javier Saldivar on the old Adobe forum for bring this up previously: https://adobe-video.uservoice.com/forums/911311-after-effects/suggestions/40682497-lasso-tool-select-vertex-points )

3
Sterphy
Forum|Forum|1 year ago
TwistedPixelsPhotoStudioParticipant

P: Export multiple collections at once to their respective target folder.Open for Voting

I'd like a feature in Lightroom that can export Collections at once.I do large photoshoots (for schools, etc), where I make a collection for each person.Then I would like to export the collections at once (so I can leave it running, while doing something else), and the exported folder structure would mimic the collection structure, eg:{export path}/{collectionname}/img_1234.jpg   And the same idea for the web module, it would be time saving to export collections as different folders at once. Now I have to do it one by one, and it's a PITA for 2-300 collections.   Any idea?

3
Forum|Forum|1 year ago
AlissaBaoParticipant

Compilation errors in Premiere Pro point to the wrong file instead of the real cause (Motion GraphicOpen for Voting

Dear Adobe Team,I would like to share some feedback based on a recurring experience in Adobe Premiere Pro that may be useful for your development team.I often work on long-form videos (over 1 hour) and frequently use many Motion Graphic Templates (.mogrt) to add subtitles and callouts throughout the timeline. Recently, I faced multiple export errors such as:"Error compiling movie""Error in accelerated rendering""Error retrieving frame"The error reports consistently pointed to the original video files (MP4) or even to the H.264 export module as the source of the problem. However, after many hours of troubleshooting, I discovered that the real issue was specifically related to the Motion Graphic Templates placed on the upper video tracks (e.g., V2).Once I removed these graphics temporarily, the project exported smoothly and much faster. This confirmed that the problem was not with the video files themselves, but with the rendering of the MOGRTs.ImpactThis behavior leads editors to spend countless hours chasing solutions in the wrong direction, such as:Re-exporting the source video files.Transcoding with external tools.Cutting sections of the timeline.Changing export settings repeatedly without success.In other words: we follow misleading error messages, and only after significant wasted time we discover that the actual problem is with the graphic templates.SuggestionIt would be extremely valuable if Premiere Pro/Adobe Media Encoder could:More clearly identify when the error is related to a Motion Graphic Template (MOGRT).Provide logs or error messages such as: "Rendering error in Motion Graphics Template (Track V2 – Template Name)".Suggest to the user to apply Render and Replace or export an intermediate file to avoid failures during final render.ConclusionPremiere Pro is a powerful tool, but improving the accuracy of error messages would save professionals a great deal of time and frustration when working under heavy production workflows.I hope this feedback helps improve the experience for all users.Sincerely,Alex 

0
Forum|Forum|1 year ago
Jaydude-wbInspiring

Make Color Range keyed work for 16bitOpen for Voting

For some chroma key jobs where Keylight fails, the good old Color Range keyer gets better results. But unfortunately, it is stuck in the 8bit era.Please update it to work with 16bit.

0
Forum|Forum|1 year ago
Fatima5CDDParticipant

Color HistoryOpen for Voting

It would be great to have a bar at the bottom of the color history (colors you have been using) similar to other apps, it is extremely useful as you dont have to go back and create separate square or swatches within the document.

2
Smriti Capoor
Forum|Forum|1 year ago
~Delay~
~Delay~Participant

Waveform Clipping Overlay (Visual Red Highlights) Feature in Adobe AuditionOpen for Voting

As a music producer and audio editor, I often boost bass and intentionally allow clipping (especially on drums and kicks) to achieve punchy, loud mixes. However, Adobe Audition currently lacks an easy way to *visually identify clipped samples directly on the waveform*—unlike Audacity, which marks clipped peaks in red (Show Clipping Visually).This feature is critical because:- It helps me *see exactly where clipping occurs*, enabling me to control and preserve dynamic energy without over-limiting.- It avoids over-normalization, which can result in inconsistent loudness across a track.- It enhances precision in mixing workflows, especially for genres relying on intentional clipping for impact (e.g., hip-hop, EDM, bass-heavy tracks).A waveform overlay marking clipped regions (0 dBFS) would be immensely helpful. Please consider adding this feature to Audition's waveform view.

1
SteveG_AudioMasters_
Forum|Forum|1 year ago
Bed30321077z973
Bed30321077z973Inspiring

Suggestion: unmute a clip/item while keeping the mute green button checkedOpen for Voting

Hello,Let's say i have 100 item son my audio track:For example 3 of them on this screenshot.I wish to mute all of them, except few tat I select manuallyI wish I could unmute one of them (or a cut part of one, a subclip), while keeping all others mutewithout having to select them all and delect the one I dont want to mute (if we dont use the button)The green M button would become "fractured" (with a little number?) to indicate how many clips where deessaffected from the button (by the user choice by selecting a clip and selecting dissociate from the mute button or something like that)pressing the mute button again could mute them all. 

3
Bed30321077z973
Forum|Forum|1 year ago
Bed30321077z973
Bed30321077z973Inspiring

Another suggestion: "clear re/name" similar to clear in and out (SDK RELATED)Open for Voting

Hi,in PPRO ui we can select aa media in the list of medias of the project and do a right click to open this menu: It has a clear in and out What I want is a similar button for renaming!Why? because I sometimes rename clips before using them (with code), so when they are inserted they get that new nameProblem is if I stop the code in midd process, I lose the original name, in which case I wish a buton "clear name or clear rename" would exist. That would help a lot in time gain some times.

2
Bed30321077z973
Forum|Forum|1 year ago
oskarmatzerathKnown Participant

Migrate plug-ins, extensions, and effects to new versions of AEOpen for Voting

Along with migrating preferences, it would be a HUGE time-saver for there to be a tool/process to migrate plug-ins, extensions, and non-native fx when moving to a new version of AE. While some can be copied over, not all, and not having to manually re-install things would make life easier.

0
Forum|Forum|1 year ago
FlyingFourFun
FlyingFourFunLegend

Show in progress encoding on expandable window / ext monitorOpen for Voting

I think I would find value in a feature that would allow me to expand the preview window in media encoder to an undocked resizable window and/or second display.  Mainly because Id like to see some ore detail while its processing so that while it works in the background, and I am doign something else, I can maybe catch something that doesnt look right. As an example, I am exporting a 50 min video right now, with some heavy effects,  media encoder is running for an estimated 7 hours to process this.  I would love to be able to see the preview window expandable incase soemthing happens I was not expecting. Currently undocking doesnt seem to allow you to make the preview of the video resizable.

4
FlyingFourFun
Forum|Forum|1 year ago
zelov38
zelov38Participating Frequently

Option to go back to old timeline label colors?Open for Voting

So apparently the new update has changed the label colors in the timeline, and I do not like them at all. It's supposed to be "easier to see" but it has the complete opposite effect for me. The colors are very dark and have a cheaper feel to them. I know that you can set your label colors to "classic" mode in the settings, which is supposed to be the old look, but it's not the same look at all. I'm currently going to set premiere back to an older version, but I'd love to see a way to go back to the old colors.

47
R Neil Haugen
Forum|Forum|1 year ago
Volition74au
Volition74auInspiring

Access to the Work Area properties (Start and End) of a composition with expressionsOpen for Voting

We can access marker times , keyframes times etc. But we cannot access then work area start and finish times via expressions.this will be helpful for creating loops and much more i suspect. somethingLike = thisComp.workAreaStart; andThis = thisComp.workAreaEnd;It can return time values just like inPoint and outPoint does for a layer.thanks

1
Forum|Forum|1 year ago
oscar34478171xqjzParticipating Frequently

subtitles ideaOpen for Voting

now before you turn captions into graphics you are able to join subtitle boxes together for example if the subtitles were "i" "want this" but you instead wanted it to be "i want this" you can click a keybind and BOOM they are joined together would it be possible to have this same feature after they have been converted into graphics? as i do a lot of subtitle work and i find it much easier to do subtiling after they have been converted to graphics (so i can add effects, adjust ect) but the one thing that is much less efficient is being able to join them together 

0
Forum|Forum|1 year ago
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