Build better products with our product team
Hello,I would like to know if there is a solution to acquire an analog axis (gamepad) on a audio track in adobe premiere.If this solution doesn't exist yet, what would be the best solution to do it ?Thanks for your help
Hi Community, I got the idea from @PaulMurphy who agrees that this issue comes up a lot. What do you think @Stan Jones Any other ideas? Any other common issues that can be solved with a simple warning? For others wanting this feature, please upvote! Cheers, Kevin
There are portrait aspect presets for making sequences but not for rendering exports. Please make some.
I'd be shocked if this weren't already in the works, but this would be an incredible time saver for everyone. I'd like to be able to type in "Cars" then have Ai automatically mask everything in the photo that it finds to be a car. "Windows" in photo of a room with windows and it masks out all of the windows. "Windows and curtains" do the same but also include the curtains. We could create action buttons for selecting things that we frequently do on a day-to-day basis. I'm a real estate photographer so this would be one of the best things ever created since the addition of ai generative fill. Thanks for listening!
Background: My workflow: Get a starting point for the edit Fine tune the settings to make a technically good and neutral version of the image Make a virtual copy Add a creative look So far I have used the auto setting to get a starting point. Though, the newly introduced adaptive color profile offers a more subtle way to get started. But when I want to add a creative look using one of the color profiles, the adaptive profile is replaced. Currently there is no way to combined the adaptive profile with a creative color profile. Idea: Introduce the possibility to make a "virtual copy" that works just as if you had exported a 16 bit TIF and reimported the file into the catalogue. Then you can add a creative look on top of your basic edit with the adaptive profile. Why not keep exporting TIFs? Well, it is timeconsuming and file size heavy as you have to make a copy/export of the file which eats HDD space.
Background - I have multiple monitors, one of these is a display tablet. Much of my work, using a mouse is best, but sometimes the tablet is best so I often bring photoshop over to the display tablet and then back to the main monitor depending on what I'm doing My request is: Allow us to pin dialogue Boxes to the main Photoshop window's location, instead of where it was last moved to. When I work a long time on the tablet, and then move to the main monitor, I often find myself searching around for selection/feather/filter dialogue boxes
In Adobe Stock, it'd be great if the download file was named with its number and the associated title. This is important so we can more easily find the correct file in our downloads without opening it. This will also help us keep assets organized locally when juggling multiple projects.
Could you please add callbacks to the Python API when a new package/graph is loaded/created/removed? There are such equivalent in Painter where we can be notified of various events related to the project content/creation/loading.
Hi, I brought this idea up back when OCIO was in beta. Placing it here in ideas now. Currently the OCIO Look Transform, Color Space Transform and Display only function with project management set to OCIO for the config file path. While the implementation of project wide OCIO is very welcome, there will still be a lot of usecases and reasons where one will desire to have the project itself run "non managed" / hybrid managed context in Adobe color mode and use conversions through effects only. It would be nice to have AE function like this: - OCIO config file/path is always read and can be defined regardless of the project being in Adobe or OCIO managed color mode. - OCIO effects mentioned above will by default always read the path from the project settings. - Extra parameters will be added to those effects labeled OCIO configuration: [From Project] as it's settings which would be default but can be overridden by a custom path or one of the other configs that are in the software's OCIO folder. - The OCIO Configuraton dropwdown menu on the effects can be greyed out when project wide OCIO is enabled. This is what that could look like. Implementing this would completely remove the need for the fnord plugin and be very welcome!
I have bought İntel ARC A750 GPU but it seems Premiere and ARC doesnt supports each other, only CPU works in %100 power. Its the same in timeline and in export. So have longer export times than my old 8 years old GPU. With this mode of operation computer produces freezing while playing timeline and too much noise.I tried in Adobe Premiere BETA version but results was same.In other hand i tried different editing program and they were working great together. Honestly I am not ready to change my editing software yet, so I want to ask you that is there possible to improve coordination between ARC GPU and Premiere Pro with an update ?NOTE: i5 13400f, 64GB DDR4 Ram, İntel Arc A750GPU,
It would be awesome if there was an interactive map or globe where you could zoom in and out and see where different community photos were taken, kind of like in google/apple photos. To curb privacy issues this feature could be turned off by default and enables on a photo by photo basis. In fact, since most people aren't shooting with GPS modules I imagine it would take extra work on the community end to populate the map but the end result would be something special.
Topic - Local Color Filtering in B&W Images. I would like to be able to apply color filters locally in black and white images and not just globally (using the Black and White Mix Panel). This could be achieved by either: 1) Adding a Black and White Mix Panel option for masks in black and white images or 2) Even better would enabling the color picker panel in the masking options for black and white images such that when we select a "color" (not a gray scale level) and adjust the luminosity of that hue, it would would change the corresponding gray scale in the selected mask area of the image. This wchange would make it possible to much more effectiely control gray scale tones using color information.
New switch to MacOS I've become frustrated with this. Not only is this incredibly annoying for exporting projects or selecting the appropriate length clips in the Source Window, using the "selected in/out points". This is a bygone era of film splicing. On Windows software machines the out-point is exactly where the out point is supposed to be, not one frame forward of the scrubber.Also: If I Set Out Point in my Source window to drag a clip into my timeline, the footage portion of the clip is 1 frame forward of the audio portion, and disrupts my timeline organization. This does not happen on Windows machines. I run a KVM and the exact project on my Windows machine produces a different result. If this is a cultural stake in the editing world, can we have a toggle to remove this extraneous frame in the Project Settings -> Timeline submenu for those of us that want to be more efficient?
I use a lot of selects sequences in pancake editing style. I have Shift+O set to 'open in source monitor' AND 'open sequence in timeline'. Press once to open the selected sequence in the source monitor, repeat to view the sequence in the pancake. This works well, but...IF the source sequence is ALREADY open then 'open sequence in timeline' is ignored.It would be FANTASTIC if the command would switch to the already open timeline.
It would be really useful if Lightroom could have more color labels to categorize quickly visually . 5 is a really low number. For example, Davinci Resolve resolve has many more. And this makes it very easy to categorize and quickly filter by color. It would be even better if you can let us make unlimited labels with the colors we want. For example, 5 different shades of blue , red etc.
Adobe, have you lost your mind? Why doesn't Photoshop offer the AVIF format (outside the Camera Raw plug-in) ? The AVIF format is currently the best format for the web, and Photoshop, the leader in photo processing, doesn't offer it, which is shameful on your part. I think I'm going to unsubscribe and switch to GIMP, which is way ahead of you. You should be ashamed of yourself for being so behind the times on this issue.
Is there a way to do a slip edit in Premiere Pro using the Trim tool, similar to how one might do so in Avid? It's something I need to do all the time, and the Slip Tool in Premiere gets the job done, but not in as easy to use a way as in Avid:
We respectfully request access to Adobe Effects installation and updates that do not require AVX2 support. Upgrading our processors to meet this requirement would impose a substantial financial burden on our organization. We cater to millions of customers who continue to rely on older systems, and we fully understand the limitations they face. Given the current economic climate, the cost of upgrading these systems can be exceedingly high, making it impractical for many users. Therefore, we urge you to consider our request to ensure that all customers can continue to use Adobe Effects without the need for costly hardware upgrades. Thank you for your understanding.
Please make the video generator free of charge and I ask for a standalone app so that the Adobe Firefly It can be accessed not only through the web but also through the app, that's the request.
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.