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As a user, it would greatly enhance my workflow if we could Auto-Stack via AI evaluated structure or style. Similar to how Auto-Stack by Capture Time currently evaluates and "guesses" at your stacks based on when you shot, having the ability to sort and group based on actual image evaluation and composition would be amazing.Two sliders to make it even MORE awesome :1. similar to hallucination on the Firefly API, one slider to vary "how tightly" images should be grouped in composition style. 2. Ability to select a "core" image - select your core image, find "similar" image compositions in your own existing libraries and folders. (similar to find duplicate functions on AEM DAM?)Had great conversations with the developers at Adobe MAX, would love to see what can be done with this!
I can't draw a mask on an EXR file. (I can, but no effect)Bug or do I something wrong? Or just not featured?
Please make sure the "Save as" function includes the option of .JPG without having to flatten your image first. I panel artwork for large format printing and this is an essential feature that exists in the normal version of photoshop, but is not available in the beta version. Ok, thanks Amy Jordan
When I try to place text in an exact location on an image in Photoshop and I position it where I want it and release the mouse the text almost always moves, even if only a tiny bit. It would be so helpful if there were a keystroke I could use while placing the text (like the shift key for example) that when I release the mouse would leave the text in exactly that position.I have conracted Adobe asking if there is such a feature and, as of now, there isn't. Adobe please consider adding this feature to the next iteration of Photoshop! I'm sure many of use would find it very helpful! My case number for this call is ADB36933521T1J1BestGretchen McMahon
The ability to conform effectively in Premiere is lacking many features found in competing NLEs especially Resolve. Features that would help us post production conform effectively include: - When checking "Automatically find other media files" this should always be limited to the exisiting folder level selected & below. Instead Premiere searches the entire network volume for the files which is completely unnecessary & can take hours.- The ability to filter naming conventions to match trimmed color graded exports. E.g. Ignore characters, character patterns, include wildcards, etc.- The ability to choose loose or tight filename matching & let the user decide later which matches are correct (see Resolve's conflict feature).- Implement an easy to do VFX shot breakouts without having to prep separate timelines E.g. Export selected shots as ProRes444 with 25fr handles using custom naming convention such as append shot number_vsn (0020_010.mov). Thanks
I find the tri-tone plugin very useful in my work. Unfortunately it's only available in After Effects. I still use it through dynamic link but would prefer to have it available in Premiere Pro.
Please add a font that supports more scripts other than LatinFor example Montserrat, Roboto from GoogleThanks!
Hello Adobe! First of all, I want to express my deep gratitude for your work. Today I started to test the beta version of Premiere pro. But even in this update there is no Uzbek language in the speech to text. We waste lots of time to manually writing every word in the process of editing. And you understand the importance of adding subtitles. There are a lot of video editors in Uzbekistan who work in Premiere pro, and by the name of all Uzbek editors, I would like to ask you add the Uzbek language in the transcription. I will eagerly await your response. Sincerely, Uzbek editor abkholov.
I only edit videos in Uzbek language. Please add a transcript in Uzbek
Does anyone know why Premiere Pro and Media Encoder will not allow me to render a 1080p video at 25fps? As far as I can tell it's a supported standard (as opposed to a format that works but not enshrined in the standard). I've done a lot of Internet searching and the consensus is, blu-ray does support 1080p at 25fps. I used to use Adobe Encore, and had no problem with creating 1080p videos at both 25fps and 30fps on the same disc. They work fine, in fact I still have the discs to prove it. I'm confused as to why I just can't create the video format I want. Regards, Stephen
It is not a good UX to have the operation interrupted every time Auto Save is performed.Have Adobe considered background processing for Auto Save?
Nearly all other serious digital paint programs have some kind of randomized image "stamp" feature (Painter calls it Image Hose). This is seriously lacking in Photoshop. I can see a very sooth implementation by extending the Clone Stamp tool. You already have multiple clone sources - in its simplest implementation, it should be fairly straightforward to allow the user to define multiple clone sources and then randomize which one is being used each time the brush is "stamped" onto the layer. Add angle and size jitter and other randomization features like we find in the brushes palette and we're off to the races. A better user experience would be to define "stamp sets". This would require a new palette which would open into a kind of "tree view". For each Stamp Set you could add multiple pixel-based images, similar to the way you define brush presets. Their thumbnails would then be visible, indented under the Stamp Set in the "tree view". When a particular Stamp Set is selected, you have your jitter controls and other behavioural controls which get saved with that stamp set. Stamp sets can be saved like Brushes and other Preset Manager items. You could even offer a nice automation tool for importing a sequence of PSDs into a single stamp set. You could extend this even further by exposing the same Layer Effects to your Stamp Sets. Unlike a layer effect, which applies, for example, a Drop Shadow to all the pixels of the layer at once; the Stamp Set effects would apply the effect(s) to each instance of a stamp. As an example, the difference would be that if you apply a drop shadow to your Stamp Set, if you stamped one item over top of another, its drop shadow would overlap the previous item, whereas if you just applied the Drop Shadow to the entire layer, there would be no "depth" between two "stamp" instances on the same layer. Note that I'm not suggesting that each instance of a stamp would be an editable object or a smart object instance. Just like when you use the Brush tool, the results are "merged" into the active layer's pixels more-or-less instantly (or at least, once the mouse button is released to terminate the brush stroke).
Why can't Adobe preview .psd files with thumbnails in PC File Explorer???This slows down finding files so much!! And I don't want to have to open Bridge, so solve this; Bridge is too slow (memory hungry) and not intuitive enough. Blender can even preview .PSD files—they are not even an Adobe product, and it's free! They have figured it out. Why can't Adobe? What are we paying for?!?
For many photographers the IPTC Extended fields play a big role in organizing and finding images. Therefore it is crucial that this information is searchable. But neither the Text filter nor the Metadata list filter make use of this metadata. This should be implemented since not being able to use IPTC Extended metadata within Lightroom is a big disadvantage.
I would be extremely helpful if Auto in Lumentri color could be applied to selected clips instead of just one at a time. I typically only minor tweak the auto, and it would speed up my workflow so much!
I am newly exploring the HDR (and jxl) formats and it is wonderful to see highlights from my camera's DNG files finally being seen (on a 10bit display), and on iPhones too for that matter. However, there is little general support for HDR output and the default rendering of an HDR file to SDR is terrible. I've developed a work flow that is ok, but would like to suggest an improvement. (1) HDR Edit is my master edits and I'm doing everything there. (2) Create a Virtual Copy of this, turn OFF HDR, and do "Auto" for the basic slider settings. With a few minor tweaks, this is good enough actually, at least for a vast majority of the use cases I have in mind. So, my request: In the HDR Settings, there is an "SDR Rendition Settings". I know these sliders are a little different, but I wonder if we could have an "Auto" button that would do much the same as what I'm doing manually above? The default rendering of these settings is terrible - the standard what an HDR file looks like when rendered on an SD display. The "Auto" button could be turned on and off, the existing sliders can be there, but at least you would have a better starting point than what you have now - it is quite a lot of work to tweak these sliders to get something that is close to what a normal "SDR" editing mode would give you. Thanks! William
The appearance options for 2025 are great now with a return to a light mode.But the mid grey option has gotten darker. I wish we had the option again to have a slider to adjust the brightness of the UI like in much older versions.Love the new accessibility high contrast mode that affects text and labels. The padding on the panels are a but much. Takes up precious screen real estate.
Please add Plugin support for Lightroom CC! Ability to seamlessly use plugins like Topaz Denoise or Aurora HDR are the only thing missing for me in lightroom CC. Exporting, editing in other app, exporting again and importing back to lightroom is a huge pain.
This could be the 4th option in the merge menu when selecting multiple photos. Basically this function would do, what you can already do in Photoshop manually with median layers. But this has several downsides: it's not a straight-forward process you cannot get an improved dng out of it you have to edit the first photo and then copy every setting to the other ones (because of point 2) I thank you for your consideration.
Enable marking and copying error messages to quickly search for them online.It is a pain in the ass to self write your error messages to google.Maybe you implement a "Search online" Button, next to the "Ok"Button, when the Error window is appearing.THX
Please add an aspect ratio corrector to the Media Encoder, similar to PotPlayer and MPC-HC. This will help correct videos that have the wrong aspect ratio, such as incorrectly displayed 16:9 videos, into the correct 4:3 aspect ratio.
(For anyone searching, this may also be called the “File Name and Location Template”.) Currently you can only edit the output destination templates from the Render Queue panel. The Render Settings and Output Modules templates can also be edited from the queue, but also under the Edit menu > Templates. The output destinations should also be added here because many users (most users??) are unaware this exists. Bonus round: the output destinations template editor should have an export/import functionality like Render Settings and Output Modules editors. Double Bonus: All three template editors should be accessible from After Effects Preferences/Settings dialog for increased visibility.
Why isn't the output destination information stored in aep?When working on multiple projects simultaneously, it is necessary to specify the output destination each time, which is very annoying.Either the destination information should be recorded in aep, or the destination should automatically become the current directory.
Hey. I have been using Photoshop for nearly 17 years now (I was a teenager back then). I worked on Photoshop 5.5, CS4, CS5, CS6 and now CC. And I feel like filters (especially the Filters Gallery) really need an update. The filters do work but: • Some filters don't really suit today's needs. I mean, I'm sure other users might find these filters great for their use but I really feel like they're outdated. I wish we could have some of these filters updated (thinking of Mosaic for instance. The tiles are recognizable at first glance and they feel like it's been made in Photoshop 5) • Some filters (for instance Charcoal and other Sketch Filters) use the foreground and background colors. But whenever we open the Filters Gallery, we can't change them. We have to close the window, change the colors and retry. Sometimes my colors are inverted but it's impossible to switch. Of course, there are easy turnarounds. Usually, I make my colors black and white and just apply a Gradient Map afterwards but we should be able to change our colors within the filter gallery especially when stacking several filters. • Some other outdated filters include the Lens Flare. There are only 4 type of lens flares and I wish we could have a powerful tool creating lenses instead of using the same lens flare stock photos or drawing them. I'm thinking of a tool that would simulate lenses with various settings (Anamorphic or Spherical; add "dust", number of flares). Basically, a Photoshop version of Video Copilot's Optical Flares (which is at least 10 years old) And if we don't know we can Alt Click on the thumbnail, it's quite hard to place properly as we're not even able to zoom in the preview (and there is not even live preview!) Best,Alex
Dear Photoshop Team,I hope this message finds you well. As a dedicated user of Photoshop, I would like to propose an enhancement that could significantly improve the user experience: the addition of graphics acceleration support for older GPUs.Many users rely on older hardware due to budget constraints or specific needs, and the current lack of graphics acceleration for these devices limits their ability to utilize Photoshop's powerful features effectively. By enabling support for older GPUs, users would be able to have a better experience with the software.Specifically, if this graphics acceleration is added for zooming and panning the canvas, it could greatly enhance speed and ease of use. It seems that Photoshop does not fully utilize the available hardware capabilities, and this feature could help improve user productivity.Thank you for considering this suggestion, and I hope it can help enhance accessibility and performance for all users.Best regards,AA
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