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By any chance, can Adobe provide Bezier Warp working on 32 bits?What about all other effects that are not working in 32 bits: Mesh Warp, etc?Thanks.
A few days ago I installed the latest Photoshop version (2024) and I sadly noted live blur effect was removed from the adjustment layer options. It was a really useful tool, especially when I mockup showcase and photo editing.Is there any chance to get it back, please? 🙂
I would like overlay information to be displayed on the tab strip when flags or ratings are assigned in Lightrom on the iPad. Currently, the tab strip thumbnails are grayed out only when the NG flag is set, but I would like it to be made clear even when the OK flag is set, for example by displaying a white frame. Added: If possible, I would like to be able to flag color flags and collections like Lightroom Classic!
Gostaria que colocasse mais de uma opção, para colocar várias marca de água, no Lightroom Mobile.
Hi can we have a way to turn off geo in the viewport ?
Ich vermisse in Lightroom für die Vorher-Nachher-Ansicht wirklich sehr die Möglichkeit, das Bild mit einem Slider (wie bei Capture One oder Luminar) ansehen zu können.
I might be alone in thinking this, but I'd love to see the Tone adjustments and the Effects (Texture, Clarity, Dehaze) adjacent in the Mask Adjustment Panel. In other words, I'd like the Effects panel moved up (and renamed) to sit just below the Tone adjustment panel. IMO the "Effects" are mis-grouped and share more in common with Tonal (contrast) adjustments than, say, grain and lens blur. Thoughts?
When a shape layer does not have stroke or fill on it, it appears in the small fill or stroke window as a "?" - it would be helpful if when applying a stroke or fill in this situation it was automatically added to your shape (instead of needing to add one from the shae twirl down menu). Small improvement but, would be a nice UI upgrade.
Dear Adobe Product Development Team, I hope you are doing well. I am writing to propose a new feature that I believe would greatly enhance Adobe’s suite of tools for real estate photography: an interactive before-and-after slider. This feature would enable users to effortlessly compare images by sliding a bar left and right to view the before and after states of a property, offering automatic comparisons crucial for showcasing changes and improvements.Feature Proposal: Interactive Before-and-After Slider**1. Overview of the FeatureThe proposed before-and-after slider would allow users to:Compare Two Images: Display two images side by side (e.g., before and after a renovation or staging) with a draggable slider in between.Automatic Comparison: The slider would dynamically reveal and hide parts of each image as it is moved, providing a clear, visual comparison.Customization Options: Users could adjust the slider’s position, overlay effects, and visibility to suit their needs.**2. Benefits of Real Estate PhotographyEnhanced Visual Appeal: Real estate professionals often need to highlight property improvements or renovations. An interactive slider would provide a compelling, immediate way for potential buyers to see changes and enhancements.Increased Engagement: Interactive features like this engage viewers more effectively than static images, potentially leading to higher interest and quicker decisions.Streamlined Workflow: Simplifies comparing images without requiring additional software or manual adjustments, saving time for photographers and agents.**3. Competitive AdvantageIndustry Demand: Many real estate agents and photographers rely on before-and-after comparisons to showcase their work. Adding this feature would position Adobe as a leader in addressing the specific needs of this market segment.Differentiation: This feature would differentiate Adobe’s software from competitors, who may not offer such integrated and user-friendly solutions.**4. User Experience and IntegrationSeamless Integration: The slider could be integrated into existing Adobe products such as Photoshop, Lightroom, or Adobe Express, leveraging Adobe’s robust image editing capabilities.Intuitive Interface: Designed to be user-friendly, the slider would feature straightforward controls and customization options, ensuring it is accessible for both professional and amateur users.**5. Implementation ConsiderationsTechnical Feasibility: The feature can be developed using Adobe’s existing technology stack, including its powerful image processing and editing tools.User Feedback: Engaging with real estate professionals and photographers during the development phase to ensure the feature meets their needs and preferences.ConclusionAdding an interactive before-and-after slider to Adobe’s software would significantly benefit the real estate industry by providing a more effective way to showcase properties and enhancements. This feature would not only meet the needs of current users but also attract new customers seeking advanced, user-friendly solutions for image comparison.Thank you for considering this proposal. I am confident that this feature would enhance Adobe’s offerings and drive greater value for users in the real estate sector. I would be happy to discuss this proposal further or provide additional insights into how this feature could be implemented. Best Regards,
. I make brushes and nee the full functionality like the desktop version.
I ignored Adobe Illustrator artboards for years, but now I have found some benefits, I'm disappointed that Ae is not aware of those. Please make Ae do something smart when an .ai has multiple artboards.
I'd like to request a read/write layer property (eg. layer.lockedMarkers = true/false), so that markers on a layer can be locked/unlocked (and the lock status determined). Currently the only was of doing this via scripting that I'm aware of is with the Command ID (2565), which is very inconsistent. It doesn't always work properly, it seems that it can lock/unlock layer markers but only lock comp markers. Furthermore, markers that have been locked can still be modified via scripting, so it would be helpful to have a way to determine if a layer's (or comp's) markers are locked, in order to skip that layer/comp.
It seems that I am unable to copy or sync adjustments to multiple images in the new LRCC? I just imported/uploaded my first job with over 1200 RAW files, and need to set my base contrast/saturation/sharpening to all the RAW files before I begin my select edits. For some reason my "paste edit settings" is greyed out when I have multiple images selected. I'm assuming this may be some sort of user error on my part, there is no way a professional photo editing tool would not allow the use of base settings applied to a group of photos. However even when I go back to "add photos", there is no option to apply a preset on import like in the old Lightroom? Adobe please help! LRCC is obviously useless to me if I have to Ctrl/Copy Ctrl/Paste 1200 times a day... Thank you,
May I request that Shared Device K12 Creative Cloud Licenses be allowed to use GenAI please?My students and teachers are unable to learn or experience this despite having access to the full suite.
I would like to request that Adobe supply a breakdown/history of credit usage for AI generations. If we are going to be required to buy additional credits when our supply of credits run out, then it is important to know how/when credits are being used.
Is there any reason Adobe can't add a warning to the login page that they're blocking you due to VPN usage? We use a VPN for almost everything and a few companies including Adobe just reject logins, but fail to give any type of warning. I don't care to discuss VPNs, I would just appreciate a little warning as sitting there for 20 minutes trying to guess why it isn't working is unnecessary. If I hadn't tried a different browser on a different machine we never would have known and been submitting tickets, wasting time etc. I know, they couldn't care less but posting for anyone else having an issue.
Count tool is great idea but feels almost useless without the ability to save an image with it. For example:If you're presenting a few concepts to an art director (In my case 25 concept art pieces) the count tool is great because you can number things very fast. However I was dissapointed soon after when I found you can't export count tool numbers to a jpeg or rasterize it like the type tool. Not sure why they made it this way but it would be amazing if you could rasterize the count tool numbers like the type tool or impliment the count tool feature inside the type tool itself. I should note that I am aware of all the work arounds like taking screen shots, or whatever other workaround but adding this feature is such a simple thing that would be helpful for professionals. In its current state its not as useful, especially if you're working online with an art director and just want to send a quick high res image with numbers for your concepts without having to type them out one by one.Feels like the tool wasnt fully completed when made, so being able to save an image with count tool would make it much more useful or again just impliment this feature inside text tool even.Thank you
I am currently in the midst of creating terrain textures, and like in real life the terrain has different stratas. Think of how there could be grass on land, then some natural beach followed by a seabed that change with distance from the shore and the depth. Just to get the idea, here's an image. In Sampler we can create beautiful terrain materials, but it's limited in that one isn't able to preview how they come together making it very hard to "marry them" together, which then requires lots and lots of exporting, trial and error. I'd like to be able to preview two or more textures next to each other on the same mesh in the 3D viewport, perhaps controlled with something like the typical UX of gradient stops. Think perhaps, that you have a ruler-ish interface where you can add stops by hitting a + button, then clicking such a stop to choose a material (from the ones in the project file) for the partition, then you can slide the stop to decide on how big of a portion of the mesh it should take up.
Hi everyone,I've spoke to a few Adobe agents about this, but nothing got done, and one randomly closed the conversation abruptly, so I thought I'd share my problem here, hoping that someone at Adobe can pass it on to get this feature updated.Basically, I have standalone AAF files. And when I import one into Premiere Pro, it seems to have the timeline data, but all of the audio doesn't work. It's corrupted or can't be found or whatever. And I've tried this with several AAF files and gone through all the online steps etc etc etc, and came to the conclusion that Premiere Pro doesn't know how to read AAF files if they're standalone.I looked around endlessly for a solution until someone mentioned Davinci Resolve. I've never used or even thought about using another editing software since I'm paying so much for Adobe's softwares and assumed they were the best around.But lo and behold, I download the FREE Davinci Resolve editor, click "Import Timeline" and select my AAF file, and bam, all the timeline data is there AND it all plays audio perfectly. No problem or hassle. Didn't require any files to be synced or any other nonsense.SO, my question is... WHEN WILL ADOBE ADD THIS FEATURE?Can someone who works at Adobe pass this on, to add as an update.Thanks!
I'm often having to retime complicated After Effects comps. I can select layers and move them. and all their keyframes will move with them. But often there is also a select group of keyframes on outgoing layers that I want to move at the same time, without moving other keyframes on those layers. I currently can't do this in one operation. I have to move the layers first, then select the group of keyframes and move those by the same number of frames. This is just a bit more fiddly than doing it in one movement 'cause I need to count precisely the number of frames I moved the layers and apply that to the keyframes. Also, on complicated timelines, it requires me to scroll the timeline window and click more often. Generally speaking it would really help if there was a way to do the equivalent of a ripple edit in Premiere. Maybe there could be a way of shortening a layer that causes all non-overlapping layers downstream to move by the same amount and well as downstream keyframes on overlapping layers.
Why did you guys change the standard tracksize of every new added track, regardless of it being an audio or video track. It is so annoying! The Size is too big and i have to change it for every track seperately. Also when extending a track via double click, I cannot bring it to the previous size. When double clicking again it only gives me this size, where I can see the ugly Video thumbnail, which I don't want to see, just like before. I seperately have to re-adjust the timeline, which takes a lot of time summed up and is very annoying.Why did you guys even change it and most importantly, why is it not possible to change the standard size?? [Profanity removed by moderator]
Hey! More than once I've been caught out by a render not starting because I missed an alert when pressing 'Render' in the Render Queue. It's often that there's more than one alert that I get caught out, thinking I've dismissed the alerts and the render has started. The feature request is pretty simple - add an audio alert (or the option to have an audio alert) for any event between pressing 'Render' and the render actually starting. This is valuable to me because renders not going when I think they are can be a real problem for production schedules. Cheers!
I would find it most useful if the Collection Sets had a Collection counter where I have the red arrow. It would be much easier than having to manually count the Collections. TIA
I'm currently scanning a bunch of old family photos, and inverting the negatives in Lightroom Classic using Negative Lab Pro. However, facial recognition doesn't work for any of these photos, presumably because the face detection is looking at the original negative files, not with the changes made in lightroom to make it positive? Does anyone know of a workaround for this? If not, my feature suggestion / bug fix would be: Allow Lightroom Classic to run the face detection on a preview of the file with changes so that it can properly recognize faces on negatives.
I am looking to create a smart collection for all images that I have printed via Lightroom. Currently there doesn't seem to be a way to do this unless you manually keyword the image or manually add the image to a collection. Images printed in Lightroom have a tag in their History that indicates that they have been printed and the date and time, but this isnt searchable. Making this searchable would allow smart collections to be easily built, would this be possible?
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