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When I start a new editing project, I first create a new subfolder before I get started and put all the source items in that particular folder. Why does Audition keeps calling all new generated items, mixdowns and sessions 'untitled'? Instead of copying the name of my starting folder? You'll be completely exhausted later, especially as Audition also has problems putting your mixdown in the right folder. AA always puts it in the penultimate project. Choosing the actual folder name instead of 'untitled' should at least be an option in settings, autosave & backup. Best, René
Words being clipped at the end sound bad, and misidentifying filler words is bad. Also, deleting filler words if only pauses are selected to be deleted is bad. Filler words aren't always bad in some African dialects of English, as intonation needs to be heard to follow along and understand.Why isnt African or Caribbean English part of the transcription languages, just the the text correction phase? Please fix this.
After the latest "update" to photoshop, whenever I drag an item from the library to a document I'm working on a popup comes up saying it is now a "linked" file and if I want to place it as a copy, I have to hold the ALT key down while dragging it from the library. What I need to know is how do I turn this stupidity off? I'm extremely aggravated that I now have to go to the extra step of remembering to hold the ALT key down while dragging something from the library. This is stupid, just turn the crap OFF and never have to do it again. I have looked at every option in the preferences and there is nothing to turn this junk off in there. Adobe needs to STOP arbitrarily changing things and screwing with people. If you implement something, turn it off and show a ONE TIME pop up telling people they can turn it on IF THEY WANT TO. Just stop turning CRAP on that nobody wants. This is the dialog box that pops up. It never came up before this latest update. I'm not sure if it was becasue of the lastest update to photoshop or to the latest update to the CC App. I updated both at the same time so it could be either one of them. This is a change and I need to know how to reverse it. And Holding the ALT key down every frigging time is NOT an option... And right clicking on it in the library panel and choosing "place layers" is NOT an option either. I need to know how to turn this absolute stupidity off PERMENANTLY and never have to mess with it again. It was not this way a couple of weeks ago. Two or three weeks ago I could drag anything from the library panel and it wasn't "linked" at all. It was a copy of the image, as a smart object, but it wasn't places as a stupid "linked" object in the library. I could even delete it from my library after dragging it into a document and it was still in my document and there was no "missing asset" warning when I opened the file again. So it wasn't linked for me anyway, but now it is and I am really aggravated that they turned that junk on and I have no obvious way to turn it off.
I realise this is not the same type of embed obviously, but as an Embed SDK user I would like to request that you enable embedding of published express projects via links. You can currently publish a video for public sharing via a link.e.g. https://new.express.adobe.com/published/urn:aaid:sc:EU:50202e3c-53be-44e8-9d4f-e91ce4c23b0b?promoid=Y69SGM5H&mv=other But that link does not allow you to embed it in an iframe. It gives an error because you have a block on embedding Express assets on other domains. It used to be possible until last year as I understand it, and then it was turned off around the time of GA for new Express. I thought maybe it was something that was forgotten, or a decision that was made without understanding the consequences. It is very unhelpful and unusual to have a published link that cannot be embedded. This would be incredibly powerful for our workflow – we are able to embed videos from every other social platform by using the published links. We love people to return assets to our app, but we would also like to be able to embed published assets. This would also help with an important add-on workflow that we are trying to design. I know you are all off next week, but could you add it to the feature request list as an item for urgent consideration as soon as possible? Thanks, Ru
I find the "--split-by-udim" Command line is only support the old UDIM!Can add new Commandline to Support the New UDIM??
I have an corperate account. All the assets that are already licensed by my colleagues will be marked as "Licensed" when they appear in my search results as well.As a result, I wanna search for assets that has already been licensed by my colleagues, before venturing out for new assets and license them.Is there a way to do that in Stock asset search page? I know I can go through the licensed history and search there. But, there I could only see a thumbnail of the asset which is tiny! And I don't know why Adobe Stock does not provide a 'grid view' or sth. Anyway the licensed history is pretty much useless when it comes to looking for assets visually.
Premiere Pro 24.3Mac OS Ventura 13.6.6When exporting a SRT file through the Caption panel's three dot menu, there is no ability to select whether text styles should be included, and the default behavior is that the text style is included. This results in HTML-style tags being visible before each line of the subtitle text, when the SRT file is played back in most online video players. In the standard video Export function, or when exporting via Media Encoder, there is a checkbox under Captions that allows you to turn off the text style tags for the SRT sidecar file. This is crucial, because otherwise, any applied style information will appear as HTML-style tags on each line of the text, and most online video players that can accept SRT format will not automatically remove these tags; they just see them as part of the subtitle, and displays (what appears to the viewer to be) garbage text before every phrase. However, the Caption panel does NOT offer this, and thus exports only SRTs with styles applied. This means that the Caption panel export function is not usable for creating SRT files--it is useful to be able to export from here to update or correct captions, instead of re-exporting a new file from Premiere or via Media Encoder, just to get a new SRT file. Please add a simple text style on/off checkbox to the Caption Panel's export function, matching the functionality of the Export Media function, so that subtitles can be exported in a usable way from this panel.
Hello Adobe,I want that any Urdu Numerical text, when copied and pasted into Photoshop, should automatically convert to English...if i copy the text (۱۳۲۷۵،ج۴،ص۴۳۳) and paste it into Photoshop, the text will Appear as (13275،ج4،ص433) Similarly, when i copy a numerical text in any language and paste it into Photoshop, it should be converted to English Numerals.
Do we knwo if there will be an update to Premiere Pro to be able reflect Chapter Markers made with the recent update to OBS 30.2 in timeline as soon as we finish recording in OBS?Thanks for your assistance.
Please show some sort of icon on the thumbnail of a photo in grid view if the photo has got named versions.
I am a wildlife photographer and I tend to end up with long series of the subject which I slightly different in pose of the main subject but the background is largerly the same. Well, no, not the same. Because, if those photos were made handheld, which they very frequently are, the whole backgrounds are shifted in directions. What I do now - I manually edit one photo and crop it to fit the composition requirements, then sync it across the series, then >>> go and move the cropping window for other photos to match the original composition <<<. At this point I'll review the result and throw to the trash 90% of images. The rest 10% require more tuning. I may tend to apply fine tuning of the cropping again, for the serries to not look as obviously handheld [as it really was], matching original photo more. The first round of crop matching is heavy because of many images. The second round of crop matching is heavy because of complicated fine tunings, which lightroom is not helping much right now. Sync Crop implemented in a way of Layer Alignment feature across multiple images would help saving a lot of work on both stages. Composition of the final image depend on both background part of the image and the subject (its pose, its looking direction, etc.). When you are shooting at 15fps for several seconds the choice of composition based on background may be dominating factor for large parts of the series. As far as I can tell, layers alignment is more based on background alignment, rather than subject minor movement. And that is what the request is focusing on. There is another feature request: this one. It is more focused on subject movement for crop synchronization. I tend to believe that subject moving across the scene will bring more considerations on cropping to integrate background chnage into a composition. Thus, would be less useful [unless ML can be taught to do it magically right]. FIrst round of crop matching might be simplified to some extent, but fine tuning will definitely stay in place.
Wouldn’t it make sense to ask Adobe to integrate after effects into premiere, same as fusion is integrated in davinci resolve, since AF is also used for compositing. That’s much more reliable that the mostly broken dynamic link, & also less destructive since over in davinci land you don’t have to replace footage with fusion comp, so if you need to do any adjustments later your footage will be as intact. also the trips between the pages are instantaneous.
Photoshop should make it so you can print multiple designs and photos at once and change the settings for each one but still only need to click one print button. This would be really useful for photographers or graphic designers so they could print loads of designs and photos at once but still tune each print. This idea was created by me, Shane Henry.
Long form editor here using V.24.5 I use audio transitions at different lengths for just about every edit. I find it frustrating that I can only apply 1 default transition at a specified duration. I am constantly using durations of 1, 2, 5, 15, 20 frames. I’m suggesting that we make a feature so when I use my keyboard shortcut for the default transition that if I hit it twice in a row it would auto bring up the duration and ask beginning, center or end of the cut.Double clicking, dragging, zooming in, clicking in the effect controls is not efficient. This doesn’t seem like it’ll eat up time but add it all those clicks, drags and zooms and they add up.Thanks,Adam
I would like to be able to mouse click on the History State “Multiple Settings" to see what the settings applied are. A pop up screen could come up listing them
When you add an adjustment layer containing LUTs above clips stabilized with warp stabilizer, those clips need to be analyzedAdobe Premiere Pro does not flag this clips, and you may have problems with the export.
1. In the Color Grading tab in Lightroom Classic (not Lightroom), there is a small box on the bottom left hand side of the color wheels within in the Color Grading tab in Lightroom Classic. This allows you to use a color picker to select the exact color, from your photograph, that you would like to work with. It is incredibly helpful, but sadly, one of the only features I can see in LR Classic this is not in ACR. 2. This is incredibly valuable to any user, I would think, as it allows you to select and work with a color that is actually in your photograph, which is much preferred to a random selection from the color wheel.
Dear Adobe Community,can anyone explain me the reason why working with most filters in Adobe Photoshop is so clumsy and complicated? I mean - is everyone happy with the filter preview is usually shown in a separate panel, on a checkered background, separately from other layers? In example: Liquify, Filter gallery, Ripple and many many more. It is especially disturbing when working with light objects, which are hardly visible on that checkered board. I also don't get the logic of showing the filter preview separately from the rest of the picture - trying to set the right values of the effect is always like a blind date, the result can be seen only after applying the filter. This is so inefficient. If there is a way to change the preview modes on those filter panels, I don't seem to find it. There actually is a check mark in Liquify panel for "Show Image", but it changes nothing for me. Maybe anyone has tips for that? Thank you.
Sometimes, I have to go back into people masks, or sometimes I just look through images, and every time the masking tab is still active, every image is scanned for people. It would be great, if you could batch scan an entire folder and those people would be "available" later on, maybe even with an option to pre-mask teeth, cornea, whatever's in the list, but people alone would already be very helpful. On one of my devices, scanning takes quite long, so you get my point.
Hello, I recently purchased a preset pack, RNI All Films 4. The presets come in XMP format and each one comes with customized profiles in DCP format. There is no way to get these DCP profiles to work on my IPad. I have already imported the presets and profiles to my Desktop Lightroom CC (Not classic). Only the XMP presets show up under the presets menu, but the profiles don't show up on any mobile devices. This renders the effectiveness of the presets. I have tried to edit a photo on the desktop and then try to open it on the IPad and it tells me the profile is missing and I must switch to a standard profile (such as Adobe Color) to continue editing. I have tried many different times and combinations of uninstalling and reinstalling the app and desktop versions. It is very frustrating to deal with this, as I am trying to go mobile and use the IPad as my main workflow device. I was able to make it work on my phone because android has the option to let you import presets and profiles to the device. But iOS does not have that function. Please add the ability to import presets and profiles to the IPad soon! The IPad also doesn't let you organize profiles as well. This is a much needed function for IPad users. It renders many preset useless on the IPad to not be able to import/use DCP profiles. I am running the latest version of Lightroom Mobile iOS (v 9.0). I have contacted support and they said they have let the developers know. I wanted to post here as well to put it on the record, and to see if anyone has any ideas/possible ways to make this work. Thank you very much!
Since merge clips aren't currently advised, I am begging for the same kind of functionality that Avid has to "Autosync "multiple camera clips to a single audio track. This is crucial for documentary/reality shoots where audio rolls for a very long time, and cameras start and stop. What this functionally does is:Match multiple camera clips to an audio track and creates a new multicam clip for each instance.Example: Let's say you have camera clips A001, A002, A003, A004, and they all sync to different points with Audio Clip 1. Right now, this syncs all the clips into *one* multiclip in ascending track order. This suggested "autosync" functionality would instead create a seperate multicam/group clip for each new camera clip that matches the the audio track. It would also automaticlaly truncate those clips to whatever is shortest (the vast majority of the time this is the video clip). Also very much need a way to be able to assign camera labels to Proxy Media when it is not attached to masters. I've asked the team about this before, and they've said it can't be done because a proxy clip can't inherit properties from a master clip, but still wondering there could be a workaround, as this is a major hangup in our workflow. Thanks for reading!Dan Steiner
I loved Adobe Aero. File size is better than similar apps. Easy to use. Even in beta it is very promising.But I needed a video in my scene and it is not supported. Png sequence or Gif is a walkaround but quality and file size is your obsticle in this walkaround. I'm not sure why video formats are not supported but it would be great to have that as well.
I save 99% of the time as JPG, but can't figure out how to configure this as a default selection in the "Save as" list of output format choices. It really slows me down have to scroll through a list of "useless" options everytime. I am using the latest Windows version of PS. It doesn't remember any of my previous actions or choices.
Photoshop has the ability to copy shape layer attributes, but I don't see any way to copy the style of one text and apply it to another, so I have to do it manually, which takes time. Is it difficult to make such a function for text in Photoshop?It would be convenient to have this feature in new PS's updates.I hope I didn't miss it)
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