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KazuT_G
KazuT_GInspiring

option to disable zoom using scroll wheel in Program MonitorOpen for Voting

The ability to zoom using scroll wheel in the Program Monitor is interesting, I imagine it’d be useful in programs like Photoshop. However, in 20+ years of using Premiere, I’ve never once needed it. However, multiple times a day, I’m plagued with accidentally triggering zoom in the Program monitor due to mouse scrolling. I have “Fit” in Program Monitor mapped to a keyboard shortcut; but I’d like to be able to disable this feature entirely. Frequently, when I’m doing resizes/repositions, I do them too small because the Program Monitor has zoomed in without me knowing it. I have to go back and fix all of my key frames.

0
KazuT_G
Forum|Forum|2 months ago
Cory5FD4

Refresh for Librares Across CC PlatformOpen for Voting

Please add a Refresh Libraries Button/Option within every Library across Adobe CC.  When items are updated in different programs they do not always reflect into the other program requriing closing/opening the software to get it to refresh.This might also help with when the Libraries Freeze, as they do in illustrator constantly.   This would also be nice for Frame.IO (or any option that isues web extensions to load content) 

2
Forum|Forum|2 months ago
chaunceycKnown Participant

Audio Waveform Generation got so much worse in Latest 2025 versionsOpen for Voting

They decided to mess with this for some reason--it used to have the simple little status info in the lower right corner and you could easily see the progress of when the audio file analysis would be completed. The message also just disappeared on its own after a bit, so no wasted screen real estate.  It also started to show you any completed waveforms so you could start editing long clips long before the analysis completed.  NOW: They moved this to the Progress panel, which requires you to functionally use up 12-15 times the amount of space on your screen to be able to read it at all, manually close it afterward to get that space back AND it makes you wait until the analysis is completely finished before showing any waveforms at all, delaying my editing sessions for several minutes after every import.  Can we go back to the old way or is this just another example of software getting worse with every "improvement?"

11
KazuT_G
Forum|Forum|2 months ago
owen-bKnown Participant

P: Decouple Tint & Temperature Sliders in Auto Sync/Sync/Copy & Paste workflowsUnder Review

Lightroom Classic 12.4 / Camera Raw 15.4Just imported a dozen Fuji X-T5 raw files. White balance and tint value is slightly different for all of them as they were shot in 'Auto WB' on the camera.   Wanted to adjust the tint value on all images but retain their existing WB value.   Selected all, made sure Auto Sync was on in Develop mode, and moved the Tint value to 5.    Expected result: all selected images should now have a Tint value of 5, while retaining their original WB value.   Actual result: the WB and the Tint value for the main image was applied to all selected images, even though I had not adjusted WB at all.Did an Undo, went through all images to confirm they all had different WB and tint values. Selected a different image. Did a Select All, Auto Sync on. This time I set the WB value for my main image.   Expected result: all selected images should now have the same WB as the main image, but their Tint values should be unchanged.   Actual result: again, the adjusted WB and unadjusted Tint values for this image were applied to ALL selected images.   Have recreated the issue with every shoot currently waiting to be edited. This is a relatively new issue as I'm used to being able to adjust these values independently of each other across Auto Synced images.  

44
Rikk Flohr-Retired
Forum|Forum|2 months ago
Espen FrivoldParticipating Frequently

P: Anchor point/point for RGB valuesOpen for Voting

I would like to be able to set a anchor point or point of which the RGB values takes it information from. This would make it easier to adjust images to the RGB values, and not needing to hover over the images all the time. I also would like to be able to have more persise editing with the curves tool. such as that you can manually type in your own values to the points on the curve. Or make certain parts bigger, or just be able to make the entire thing bigger somehow. thanks.

1
Forum|Forum|2 months ago
markozirdumParticipant

P: Skin tone correction toolReleased

How my work led me to videography I discover an amazing tool/way for skin correction in Premiere pro, which I would definitely like to see in Lightroom if possible. Excellent way to correct skin tones.There are countless tutorials on how to fix skin tones what you can found on the famous video service. I am sending a randomly selected one in order to better explain what it is about.https://youtu.be/u3_yp3YbbEg?t=152    Thanks

8
omercesim
Forum|Forum|2 months ago
Barbababa
BarbababaParticipant

Area picker built inside vectorscope for skin tonesOpen for Voting

I find it bit clumsy to check skin tones from vectorscope in Premiere Pro. Mask the face, tweak colors in Lumetri, disable the mask and repeat the procedure for another clips. Especially now, when the masking tool system has changed, it is much slower than in earlier versions where you could apply mask straight from the effects control panel. Instead, could there be some kind of area picker for choosing what area vectorscope shows from the image? 

3
omercesim
Forum|Forum|2 months ago
JornBroekaertParticipating Frequently

Enlarge the width of the 'Save as' field in IllustratorOpen for Voting

With larger file names, now one must always scroll in the file name to make changes. Most screens have plenty of space for a larger 'Save as' field. So it should adjust in width automatically (responsive) or allow for a custom field width. 

0
Forum|Forum|2 months ago
CemitaPoblana
CemitaPoblanaParticipant

Coming from Copernicus, Substance Designer needs to do big stuff to catch up.Open for Voting

I don’t know if this is the right place to post this, but after playing with Houdini’s Copernicus for a while I’ve come to the realization that Substance Designer is starting to feel obsolete and is seriously falling behind. I’ve used this software since the Allegorithmic days, I never liked it to be honest, but given the fact that this program won a special place in the industry I’m somehow forced to use it quite often, also studios would rather pay a Designer license than Houdini’s so then again, I’m basically forced to use this software all day. Not gonna lie this is most likely a rant, but I want to know if there are people out there that share my frustrations with this program:Please for the love god! Implement a code based system: One of the things that I seriously dislike about designer is that everything is node based. Designer is now a technical tool and is something that most artists avoid, they would rather use Painter instead. Some of you may say “Well you have Python!” NO! I’m talking about replacing the function graphs, those you use in Pixel/Value Processors. In Houdini you have pretty much 3 programming languages that give you huge power, OpenCL being the most powerful and you also have Python, I wouldn’t mind using Python instead of node based systems but I’m pretty sure there are people out there that are more lean towards code. I genuinely find it ridiculous that this guy (Impressive work btw) implemented a GLSL system using Python to write Shaders in Designer, this is something that should be officially supported! So is not really about completely removing function graphs, but I would absolutely love to have a Python node or GLSL node with a decent text editor that would allow me to write custom code instead of relying on nodes, I have made complex stuff in the pixel processor and is really painful.  I want to be able to link parameters between nodes: One of the most useful features of Houdini is to be able to link parameters between each other and between nodes, in Designer this is technically possible but the process is quite tedious compared to Houdini whereas it only takes two clicks to link parameters. Linking parameters and values makes proceduralism much easier.  Why can’t I cast strings to numerical values? So I was making some tools and I had the idea to be able to enable debug information about these tools/nodes to the artists because it is indeed quite useful, the idea was simple, use a text node and add a function to the parameter and convert numerical values to strings, until I found out this is not possible. With all due respect, this is ridiculous! Every single piece of software out there deals with data type conversion/casting, why can’t this be done here? I had to implement old shader tricks to display numerical values as text and it was very painful. This could also be avoided too if we had proper code based systems integrated. The Python API needs serious improvements: Python is great and all but I genuinely feel that the Python API was left behind, I find it annoying that I can’t access to the 3D viewport and automate stuff, I also can’t modify or add extensions to the 3D and 2D viewport, why? I mean, according to the documentation there are no functions/methods or even classes to access these viewports, I could be wrong here. We need better interaction between textures/materials and 3D Models: The biggest advantage of Houdini is that you can work with 3D models and textures interactively at any given time and is possible to transfer information from 3D models to textures/materials quite easy and fast (real time) in Designer from what I recall this is not possible, and the interaction between model graphs and material graphs is quite limited in comparison. Why can’t we directly integrate our model graphs into material graphs like Houdini does? I would like to extract Height, Normal, AO information right away and use them in my material or whatever I’m working on.  What if we could use splines in the model graph and use them there instead of relying on the 2D Spline system which can be quite slow sometimes? Houdini can integrate splines in real time into their texturing system.  The new SDF Modeling tools while interesting and useful for some situations they are really complicated to execute, in some cases I would 100% rather switch to a 3D Modeling software and import my 3D Model than doing it manually with the SDFs using node based systems which leads me again to the first point, not everything has to be node based for the love of god.  Animation / VFX Support: I think this has been requested countless times. Designer needs a huge improvement on animation, it has remained as a static texturing tool since its conception, we need timelines and ways to work with animations specially for shaders and VFX development.   

1
CemitaPoblana
Forum|Forum|2 months ago
chun_weiParticipant

Export Tessellated MeshOpen for Voting

Hi Substance Team, Substance Designer used to be able to export the tessellated mesh straight with Export SceneAs seen in this post here from Adobe Substance 3D: https://www.linkedin.com/posts/substance3d_export-tesselated-mesh-with-substancedesigner-activity-6761308676545376257-NAN1That functionality has since been lost and it would be great if it was brought back. Thank you!

1
Luca Giarrizzo
Forum|Forum|2 months ago
barmods
barmodsParticipant

Show a Popup When Substance Painter FAILS to SAVEOpen for Voting

I’m coming to here a little pissed off after losing FOUR HOURS of work because apparently for the last hours of texturing, I hadn’t noticed the small red text (usually covered by my taskbar) that was letting me know that I was NOT saving my file. So, eventually, when substance painter inevitably crashed like it always does, I lost SO MUCH PROGRESS. PLEASE for the LOVE OF GOD, make it so whenever the program is unable to save, it appears as a POPUP, so people like me who usually don't check the error messages will be able to fix the issue before it overwrites progress. Yes, you can argue that I should always be checking the error messages, but I would argue for an issue as big as the FILE NOT SAVING, that it deserves an error popup window. Thank you.

1
barmods
Forum|Forum|2 months ago
kirill_7256Known Participant

Designer to Painter bridgeOpen for Voting

I mean  not just like “export to PSD”   but rather an ability to  re-export  to certain  layers while not overwriting  Painter file entirely  and all the work  done there .  In a word  a way to cash selected nodes rasterized   in  Designer and update them as layers and masks   in Painter .   Doing sbsars is such a pain. I could do all this manually probably  by exporting a set of outputs , bring them to painter layers   and update on demand there  but would be nice to have it all automated one click solution .   Maybe some python script in Painter or something .    I think chat GPT  could easily do such script for Photoshop  but I never managed to make it to do  anything  working for Painter. 

1
Louise24043630919a
Forum|Forum|2 months ago
tarang_6679
tarang_6679Participant

Bring "Quick Apply" from After Effects to Premiere ProOpen for Voting

I would love to see the Quick Apply feature from After Effects implemented in Adobe Premiere Pro.In After Effects, Quick Apply lets users instantly search and apply effects, animation presets, and menu commands by simply pressing Ctrl + Enter (Windows) or Cmd + Return (macOS). Instead of navigating through multiple panels and menus, users can type the name of an effect or command and press Enter to apply it immediately.A similar feature in Premiere Pro would significantly improve editing speed and workflow efficiency.Suggested Workflow Press Ctrl + Enter (Windows) or Cmd + Return (macOS) to open a Quick Apply dialog. Search for: Video Effects Audio Effects Transitions Essential Graphics presets Effects Presets Menu Commands Keyboard Commands Press Enter to instantly apply the selected effect or execute the command. Show recently used and frequently used items at the top of the search results. Why this would be valuable Eliminates constant navigation through the Effects panel. Speeds up professional editing workflows. Makes Premiere Pro more keyboard-driven and efficient. Creates consistency with After Effects, making it easier for users who work across both applications. Saves time, especially for editors who repeatedly use the same effects and commands throughout the day. This feature would be a major productivity improvement for content creators, YouTubers, filmmakers, and professional editors who rely on fast, efficient workflows.

3
powerful_artistry0818
Forum|Forum|2 months ago
STOCK THE WORLDInspiring

A feature to exclude specific contributors from search resultsOpen for Voting

When I search for images and use the “exclude AI-generated images” filter, there are still many clearly AI-generated images showing up, which is frustrating. If contributor tagging cannot be controlled because it may be done maliciously, then please allow users to exclude those results for their own protection. I would like to be able to exclude specific contributors from the search results. It would also be useful to set multiple contributors, and I would appreciate it if those settings could be saved and kept once registered. Thank you.

4
Forum|Forum|2 months ago
Amandeep__Singh
Adobe Employee
Amandeep__SinghAdobe Employee

P: Ocr and text based searching of photos with textOpen for Voting

It’s true that Lightroom Mobile currently lacks OCR (optical character recognition) and in-app text search functionality, which are available in Google Photos. In Google Photos, you can search for images containing specific words or phrases thanks to built-in OCR and AI-powered search. Lightroom Mobile, while powerful for editing and organizing photos, does not yet allow you to search images based on visible text within them.   Photographers who rely on text recognition for organizing receipts, documents, or images with signage often need to use external applications or workflows to perform OCR before managing those files in Lightroom. For now, Lightroom Mobile remains primarily focused on editing, tagging, and cloud-based syncing, rather than AI-based content recognition.  If Adobe adds OCR and text search in future updates, it would significantly streamline photo management for users who handle text-heavy images.

0
Amandeep__Singh
Adobe Employee
Forum|Forum|2 months ago
Evan1151
Evan1151Known Participant

Object mask tool supersedes human intervention.Open for Voting

The detected subject highlight is immediately disregarded by the tracking function, resulting in drift. Stopping the tracking process results in a new easy subject detection for one-click masking. But the problem is impossible to solve because the tracking process ignores the original context. A constant nuisance, this indicates a clear disconnect between the subject detection and the tracking processes. That is not what was advertised.  Constant correction is imperative, and appears to be an available feature within the toolset. However, there is a detection issue, where I had to turn off the error message saying the selection isn’t detected or edges won’t be visible. The resulting user experience feels like one where the program is outright ignoring my request. This is admittedly subjective but nonetheless a microcosm for the overall experience of using this tool. None of this would be as big a problem to deal with if wasn’t for the most egregious behavior: even if it DOES detect my correction, continuing the tracking immediately results in the same mistake on all frames going forward, only solving the issue on one frame. This indicates an outright refusal to accommodate human intervention, with the AI thinking it knows better than me. The human should always have the last word, not the machine.  Worth noting is that my subject is the only thing moving in the frame. A complete lack of movement save for a traveling pixel group in a given area seems like an easy thing to detect for something like After Effects’ motion tracking system, but Premiere’s object selection tool appears to have precisely zero context. What’s the point of these detail correction tools if the program is just going to ignore them? That piece of the table leg is actually part of a jacket. So I successfully correct it in the frame with moderate difficulty. Tracking to the next frame behaves as if it doesn’t know or care what I just did to adjust the tracking. This is a gross waste of time, workmanship, disrespect for human artistic license and a completely untenable workflow. 

1
Evan1151
Forum|Forum|2 months ago
Xero illust

Add Korean to voice generationOpen for Voting

음성생성 기능에서 한국어 등 언어가 추가되었으면 좋겠습니다. artlist 처럼 다양한 목소리 디자인이 가능하면 더 훌륭하겠군요

2
Kwanyoung+Cheon
Forum|Forum|2 months ago
Charis PavlouParticipating Frequently

P: Add GPU Utilization Limit/Control for Better System StabilityOpen for Voting

When Use Graphics Processor is enabled, the audio on my PC either freezes or crackles, especially during more demanding tasks such as masking and AI-powered masking.I assume Lightroom Classic is utilizing the GPU at or near its maximum capacity in these situations.It would be helpful to have an option to limit or control GPU utilization, similar to the hardware resource controls available in Photoshop. This could help users balance performance with overall system responsiveness and avoid issues such as audio stuttering.GPU acceleration provides a very noticeable improvement in Lightroom Classic's speed and responsiveness, so I prefer to keep it enabled.

0
Forum|Forum|2 months ago
Christian_S_81Participant

P: (Android) - Add Back File Information Overlay in ThumbnailsOpen for Voting

Hello,   in the Thumbnail the Overlay for the File Informations are missing. In older Versions are displayed File-Names - Exifdata, Ratings, Flags ...     I Apple iOS App for iPhone and iPad it's available. Why do you delete this Feature?   This feature are for see the File Information in a list of may files and I can select the needed Files. For Example for Add to a Album or to export all files with 5 Ratings or Flags.   Currently I only use the Filter.   Dear Christian

7
Forum|Forum|2 months ago
bmoviedirector
bmoviedirectorParticipant

(1) "Remove All Track Effects" - An option to remove all audio track effects from a sequence. (2) "Remove All Track Effects (All Sequences)" - Remove all audio track effects from all sequences in a project.Open for Voting

“Remove Attributes” can remove audio clip effects from multiple clips at once; it would be nice if similar functionality existed for removing audio track effects. Manually removing audio track effects one at a time across multiple sequences is very time consuming (at least when using 3rd party VST3 effects). Additionally, it would be nice if there was a function to remove all audio track effects across all sequences (or at least all selected sequences).

0
bmoviedirector
Forum|Forum|2 months ago
BrianLevin
BrianLevinKnown Participant

Toggle direct manipulation pauses playback and cannot be enabled or disabled via shortcut keyOpen for Voting

The new Toggle Direct Manipulation is a feature I understand why it exists, for those users who don't really know the deep ins and outs of the program. But by changing it you have instead caused several more problems than you actually fixed. 1. If you had enabled Toggle Direct Manipulation then it remains on for all other clips you select. If you select a clip during playback, playback pauses as a result of the Toggle being on, and it must be turned off. Selecting and manipulating clips during playback is one of your biggest edges over, say, Avid. 2. Toggle Direct Manipulation can be enabled via a shortcut key inside of the Program Monitor, but that shortcut key only works if the Program Monitor is selected. It needs to work across all panels in the entire program so that it can be turned on and off at will, specifically from the timeline. In previous iterations of Premiere I could hit a shortcut to enable manipulation, then do my work, and when I was done go back to editing with no further action needed, but now you've added the completely unnecessary extra step of turning it off. The way it should work is that it is always off, all the time, and is only on when you turn it on. After you complete manipulation it should return to being off by default, and only be re-enabled if the user wants it to be.

6
Forum|Forum|2 months ago
edward_237
edward_237Participant

Cycle Through Blending Modes | Effect Controls Panel | Seeking Adobe Premiere Keyboard ShortcutOpen for Voting

Hello. Is it possible to CYCLE THROUGH the Blending Modes in Effect Controls Panel within Adobe Premiere as a keyboard shortcut? I would like to easily cycle through the different options (Normal, Dissolve, Darken, Multiple, etc.). It’s painstakingly painful with the mouse choosing each one at a time!!! : 0 In Photoshop, it’s easy, you just press Shift + or Shift - to quickly cycle through. A life saver.I can’t find the shortcut to do this within Premier. Mote: I know a scrolling mouse can help but I don’t use scrolling mouses. If all fails, is there a way to CUSTOM PROGRAM this to work in some way, shape or form? See snapshots Thanks!Edward

10
nichelson
Forum|Forum|2 months ago
dek7
dek7Participant

Ability to share individual library contentsOpen for Voting

Ability to share individual library contents to specific person from Library panel to email or teams so that it can download the file directly. Or I can download specific library content directly to my downloads folder.

0
dek7
Forum|Forum|2 months ago
vishal_manukarParticipant

Add Video stabilisation in updateReleased

Add Video stabilisation in update

4
caroline_edits
Forum|Forum|2 months ago
BrianLevin
BrianLevinKnown Participant

Shy switch (similar to After Effects) for video layers in timelineOpen for Voting

I'm currently working on finishing a feature with a lot of optics, repos, and in-NLE comps as part of our VFX workflow. The film features hundreds of VFX shots that all need to be tracked through the edit, into color, and then back into the edit where some additional conform work is being done. Once we receive a color master that is one single flat file and then start to receive layered comp elements from color, we are working in the same edit timeline. It would be great to be able to SHY or HIDE video layers with a toggle, exactly the same as After Effects does (or... dare I say it... Avid does this). Then you could create timeline view presets just like you currently can with layer heights that includes shy or hidden layers as part of the view. So I could have a shortcut key to switch on/off hidden layers while working on the conform part of the VFX workflow. Simplified example here, you can see that I'm doing comp work ABOVE the color master: Basically I want this and I don't want to have to edit in Avid to be able to do it:https://www.youtube.com/watch?v=RXlM8sI18LI&lc=UgzzMM0IM6I1ZIHlp514AaABAg.AIXTVK5oNvTAIX_XXW5uXK&ab_channel=ImagineThatFilms

2
Forum|Forum|2 months ago

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